Teaches Songwriting and Producing

Total Page:16

File Type:pdf, Size:1020Kb

Teaches Songwriting and Producing ALICIA KEYS Teaches Songwriting and Producing C Songs in the Key of Alicia The making of a modern-day Renaissance woman he world loves a prodigy. It was obvious to those closest to bums, four No. 1 singles, more than Blaise Pascal, Wolfgang her long before. When Alicia was 42 million records sold worldwide. Mozart, Bobby Fischer— growing up in the notorious Hell’s But to describe Alicia strictly Twe obsess over their minds and Kitchen neighborhood of New York, as a prodigy would do her a dis- gifts with amazement and envy. We her mother—single, fierce—sup- service. The term, while accurate, imagine the headiness that comes plied ample encouragement. By age writes off her career as God-given with making something immensely seven, Alicia had found her muse talent—something anyone could’ve difficult look as easy as breathing. in the piano, the instrument that pulled off had they been born with We wonder what it must be like to would inspire her stage name; soon her same musical inclination. In harbor a deep, relentless, natural tal- she was creating original compo- reality, her tireless work ethic—the ent and how remarkable it must feel sitions, translating emotion into decades she spent becoming a to unleash that talent on the world. lyrical syllables and onto musical better musician, a better performer, To be sure, Alicia Keys (born staffs. Her songs blend R&B, jazz, a better human—was as crucial a Alicia Cook) is deeply, relentlessly, pop, soul, and classical music into component of her meteoric rise. As naturally talented. That much has a sound that’s at once familiar and a young artist with a singular vision, been clear to the world since 2001, inimitable. The accolades that she’s Alicia often fought for creative con- when her debut album, Songs in A accumulated speak for themselves: trol of her music. She wrestled with Minor, swept the Grammy Awards. 15 Grammys, seven hit studio al- self-doubt and the pressures of con- formity. She asked big questions, took a solo pilgrimage across Egypt, became an outspoken advocate for women’s rights and gender equality, and discovered a passion for non- profit work. Along the way, she kept learning and listening, refining her sound, experimenting in the record- ing studio and on tour. Alicia would be the first to tell you: It might look easy, but it wasn’t easy. So she understands the importance of sharing what she’s learned with a new generation. It’s what compelled her to be a judge on NBC’s The Voice, and it’s what brings her here. Songwriting has led Alicia down a path of self-accep- tance and self-discovery—a path she hopes you’ll take, too. LEE CELANO/AFP VIA GETTY GRAMMYS: ALICIA KEYS; COURTESY IMAGES ARCHIVAL: 1 For more on how to read sheet music for piano, head to masterclass.com. 2 3 Charting two decades of artistic evolution (and a lifetime of spiritual growth) across Alicia’s seven studio albums s a precocious teenage star, Alicia wasn’t afraid teuse in the mold of Aretha Franklin. to present herself as an artist—one who was Not one to be pegged, though, Alicia swerved, tapping thinking in the long-term. Two decades later, into the influences of both piano ballads (see: her rumina- Aher impressive discography reflects a lesson gleaned tive 2009 album, The Element of Freedom) and anthemic from the likes of Prince and Nina Simone: Never make the ’80s- and ’90s-inflected pop and R&B (see: “Like You’ll same album twice. Never See Me Again” off 2007’s As I Am, as well as the Even today, Alicia’s debut LP—2001’s wise-beyond- triumphant, titular track from 2012’s Girl on Fire). its-years Songs in A Minor—has the power to make any In recent years, Alicia’s music has reflected changes listener erupt in goosebumps. She was 20 when the lead in her personal life and the world. The evolution heard on single, “Fallin’, ” dropped, but she’d been toiling away at her impassioned 2016 release, Here, found her exper- the album for years (she wrote its earliest song, “But- imenting with new sounds; it’s her most hip-hop-influ- terflyz,” at the age of 14). The record is virtuoso piano, enced album to date, with a bold, compassionate mes- city-kid swagger, and the soulfulness of her musical he- sage of justice and peace. Songs like “Blended Family,” roes—Marvin Gaye, Stevie Wonder, and, yes, her “homie” “The Gospel,” and “She Don’t Really Care_1 Luv” eloquent- Frédéric Chopin—remixed to a beat all her own. ly place her own experiences—marriage, motherhood— You get a lifetime to make your first record, and then within a larger social context while adapting to a new about a year—if you’re lucky—to make your second. sonic palette of driving beats, sparser soundscapes, and Alicia elegantly sidestepped a sophomore slump with bluesy vocals. ALICIA, released in September 2020, picks 2003’s The Diary of Alicia Keys. The album explored up that thread and runs with it. The album features some the sensuous textures of neo-soul and what she calls of the most political songs of her career (“Perfect Way to “retro-futuristic” production styles; she was pegged as Die,” “Good Job”) while making space to collaborate with a modern-day torchbearer for the 1960s and ’70s, a chan- young artists like Sampha, Khalid, and Tierra Whack. Developed in the mid-20th and develop rigorous habits sensitivity, discipline, and century by the Japanese through repeated practice endurance. He gets a beauti- violinist Shinichi Suzuki, the and sequential introduction ful heart.” Suzuki Method is an educa- to classical compositions. tional system that teaches Suzuki’s philosophy also children how to play music focuses on music’s ability Learn the fundamentals with the same ease that they to inspire the spirit. “If a of music—from scales learn to speak their native child hears fine music from and chord progressions language. Practitioners start the day of his birth and to the difference between early—Alicia was around six learns to play it himself,” he melody and harmony—at years old when she began— once wrote, “he develops masterclass.com. 4 The Essential Alicia Playlist Soaring ballads and hip-hop flare, soulful grooves and social commentary—it’s all here “FALLIN’ ” reconsiders materialism in the wake handful of top 10 charts, further Now her signature song, “Fallin’ ” of the 9/11 terrorist attacks and the solidifying Alicia’s star power and introduced the world to Alicia. The death of R&B luminary Aaliyah. technical prowess. seminal arrangement showcases her vocal range, lyrical maturity, and “YOU DON’T KNOW MY NAME” “LIKE YOU’LL NEVER early neo-gospel–infused sound. Another top-ten hit, another Grammy SEE ME AGAIN” winner. This lovelorn treat, produced A soothing piano riff helped this “A WOMAN'S WORTH” by Kanye West and featuring a pre- sumptuous track skyrocket up the The tango-style earworm and fame John Legend on background R&B charts, where it bumped anoth- second single of Alicia’s career vocals, ensured Alicia’s second er of Alicia’s songs, “No One,” out of broke into single digits on the Hot album got the music world buzzing. the No. 1 spot. 100 thanks in no small part to an award-winning music video. “DIARY” “NO ONE” Featuring original instrumentals by “No One” topped Billboard’s Hot “IF I AIN’T GOT YOU” ’90s neo-soul act Tony! Toni! Toné!, 100 for five weeks straight and the Winner of one Grammy Award and “Diary” was certified gold, garnered Hot R&B/Hip-Hop Songs chart for nominated for a second, the song a Grammy nom, and cracked a 10 weeks. It was the most-heard SONGS IN A MINOR (2001) THE DIARY OF ALICIA KEYS (2003) AS I AM (2007) THE ELEMENT OF FREEDOM (2009) GIRL ON FIRE (2012) HERE (2016) ALICIA (2020) 5 radio song of 2007. Within a year, it ranked among the bestselling singles of all time, earning a pair of Grammy Awards. “SUPERWOMAN” The super-catchy, organ-driven ode to female empowerment became the theme song for the WNBA’s 2008 season. “UN-THINKABLE (I’M READY)” The longest-running No. 1 single of 2010—it sat atop Billboard’s R&B away the hip-hop swagger and dou- “BLENDED FAMILY chart for a solid three months—was bled down on Alicia’s warm, intimate (WHAT YOU DO FOR LOVE)” propelled by a hit music video that piano playing. It was a hit overseas, Exploring coparenting and modern- explored interracial relationships charting at No. 4 in the U.K. day familial dynamics, this collab- and was recognized at the NAACP oration with Gen Z megastar A$AP Awards. “GIRL ON FIRE” Rocky was both a conversation Building on “Try Sleeping With a starter and a top 10 track on Bill- “TRY SLEEPING WITH Broken Heart,” the smash hit served board’s Adult R&B. A BROKEN HEART” as the centerpiece for a three-song The song peaked at No. 2 on suite (alongside a stripped-down “GRAMERCY PARK” Billboard’s Hot R&B/Hip-Hop version, plus a remix with Nicki Mi- Alicia performed this meditative chart—Alicia’s 13th top 10 hit of the naj) that showcased Alicia’s mastery groove—equal parts soul, gospel, and decade—but also marked a par- of musical arrangements. folk—during her weeklong, socially ticular moment in her career: Once distant concert residency on The Late enamored of Prince’s synthy power “HOLY WAR” Late Show.
Recommended publications
  • The Bill & Melinda Gates Foundation Tax Return Was E-Filed with The
    The Bill & Melinda Gates Foundation tax return was e-filed with the Internal Revenue Service. The tax return and accompanying attachments posted on our website are presented as a view of the electronically filed data. Please note for ease of navigating the tax return we have bookmarked the various sections of the return. efile GRAPHIC print - DO NOT PROCESS ORIGINAL DATA - EIN: 562618866 Return of Private Foundation OMB No. 1545-0052 Form 990-PF or Section 4947(a)(1) Nonexempt Charitable Trust Treated as a Private Foundation 2007 Department of the Treasury Note: The foundation may be able to use a copy of this return to satisfy state reporting requirements. Internal Revenue Service For calendar year 2007 , or tax year beginning 01-01-2007 and ending 12-31-2007 G Check all that apply: Initial return Final return Amended return Address change Name change Name of foundation A Employer identification number Use the IRS BILL & MELINDA GATES FOUNDATION label. 56-2618866 Otherwise, B Telephone number (see page 10 of the instructions) print Number and street (or P.O. box number if mail is not delivered to street address) Room/ suite or type. 1551 EASTLAKE AVENUE EAST (206) 709-3100 See Specific Instructions. City or town, state, and ZIP code C If exemption application is pending, check here SEATTLE, WA 98102 D 1. Foreign organizations, check here . H Check type of organization: Section 501(c)(3) exempt private foundation 2. Foreign organizations meeting the 85% test, check here and attach computation Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation E If private foundation status was terminated I Fair market value of all assets at end J Accounting method: Cash Accrual under section 507(b)(1)(A), check here of year (from Part II, col.
    [Show full text]
  • A Musical Exploration of the Sabbath Morning Service in Dublin's Orthodox Jewish Community
    A Musical Exploration of the Sabbath Morning Service in Dublin's Orthodox Jewish Community Thesis presented for the degree of Ph.D. by research by Melanie Brown B.A. (Mod.), M.A. (T.C.D.); M.A. (N.U.I.); F.T.C.L.; A.R.I.A.M. University of Limerick Supervisor: Dr Helen Phelan Copyright © 2012 by Melanie Brown Table of Contents Abstract i Declaration ii Acknowledgements iii List of Ethnographic Interviews iv Introduction 1 Chapter 1 7 Jewish Liturgical Music in Dublin: Research in the field 1.1 Introduction 7 1.2 Motivations 9 1.3 Selecting a Musical Theme 11 1.4 The Field 13 1.5 Methods 22 1.6 Reciprocity 57 1.7 Disengagement 59 1.8 Conclusion 60 Chapter 2 62 Irish Jewish Identity: Historical and Cultural Contextualization of the Dublin Jewish Community 2.1 A Brief History of the Jews in Ireland 62 2.2 Outlining Jewish Culture and Identity in Modern Ireland 81 2.3 Community 86 2.4 Identity 98 2.5 Culture 124 2.6 Conclusion 138 Chapter 3 139 Ritual Space and Context in Jewish Dublin 3.1 Introduction 139 3.2 Orthodox Jewish Domestic Ritual In Dublin 140 3.3 Prayer and Ritual in the Dublin Synagogue 141 3.4 Structure of the Orthodox Sabbath Service 170 3.5 The Cantor 178 3.6 Conclusion 182 Chapter 4 185 Aspects of Performance Practice in the Jewish Liturgical Music of Dublin 4.1 Introduction 185 4.2 Capturing Data on the Music of the Dublin Synagogue 187 4.3 Five Faces of Jewish Music in Dublin 201 4.4 Congregational Singing in Terenure Synagogue 292 4.5 Music as Part of Worship in the in the Dublin Synagogue 332 4.6 A Theoretical Framework
    [Show full text]
  • The Face of AIDS – 25 Years Later Kathi's Story, P.6-7 Inside This Issue Letter from the Executive Director
    THE NOV '10- JAN '11 Vol. 21 • No. 4 www.ocasf.org VOICEa publication of AIDS Services Foundation Orange County The Face of AIDS – 25 Years Later Kathi's Story, p.6-7 Inside this issue Letter from the Executive Director FEATURES Ride for a Reason – Orange County Ride for AIDS ................ 5 The Face of AIDS: 25 Years Later ..................................................... 6-7 BOARD OF DIRECTORS The Red Ball1985: Officers Advisory Board A Night of Celebration and Remembrance ............................ 8-9 Maria Marquez, M.F.T. The Honorable President The Dorothy’s: Another Hauntingly Good Time ............ 12-13 Marilyn C. Brewer, Chair Barbara Venezia State Assembly, Vice President Retired DEPARTMENTS Mark Guillod, C.P.A. Tammie J. Arnold Letter from the Executive Director .................................................... 3 Treasurer Managing Director, PIMCO Mark Gonzales Around ASF ..................................................................................................... 4 Secretary Barbara Boxer U.S. Senator HIV in the News .......................................................................................... 10 Members Dean Corey Patron's Council .......................................................................................... 11 Executive Director, Brian Bates, C.P.A. O.C. Philharmonic Soc. Memorials & Tributes .............................................................................. 14 David W. Bennett, Ron Davies Grants & Save the Dates .......................................................................
    [Show full text]
  • The Wire: Adventures in Modern Music: Article
    Search all articles Search These Beats Work Issue #178 (Dec 98) | Interviews By: Sasha Frere-Jones | Featuring: Timbaland Interviews Printable version Reviews Defying the wisdom that HipHop innovation equals ugliness, Timbaland's euphoric Essays productions prove that experimental music doesn't have to wear a hairshirt Charts Epiphanies It's raining furiously the night I visit Manhattan Center Studios for an audience with Editor's Letters R&B/HipHop producer Tim Mosley, 26, aka Timbaland. The scene inside hardly Limited Edition T-Shirts resembles your usual HipHop session. There are plenty of young men milling The Wire 300 around but there's no blunt smoke, and everyone's dressed in clothes their The Wire 25 mothers would approve of. Timbaland's brother greets me warmly and passes me a soda, reaching over the head of someone getting a haircut from a man armed Article from issue: with electric clippers. No one has cursed and I've been in the room almost ten minutes. We might be in New York, but Timbaland's "Dirty South", as he calls it, is the spiritual galaxy we presently occupy. For the duration of his sessions, Manhattan Center is transformed into an outpost of straight-up Southern black culture manned by folks who grew up doing equal time in church pews and jeeps pumping Tupac. After all, Virginia, Timbaland's home state, is right on top of DC go-go and just a car ride away from both New York's grimy HipHop and Miami's aluminium, hydraulic Bass Music. At this aesthetic and geographical crossroads, Timbaland has recreated several View contents of issue #178? musics at once with beats as stark as X-rays.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Architecture and Acoustics of Recording Studios Analysis to Prediction to Realization
    Distinguished Guest Lecture Thursday, April 30 School of Architecture Greene Gallery Department of Architectural Acoustics Architecture and Acoustics of Recording Studios Analysis to Prediction to Realization presented by John Storyk, R.A., AES, Principal Walters-Storyk Design Group The recording studio has changed dramatically in the past 10 years in ways that were almost unpredictable. Both the business models and the studio design/equipment configurations are markedly different, with changes continuing virtually every week. The shift from large ‘all at once’ sessions to a file-based mixing process has ushered in a new era of small, yet extremely powerful and highly flexible audio content creation environments. These ‘next generation’ rooms continue to depend on pristine acoustics, and the aesthetic and comfort factors remain high priorities. Studios will always want to provide the ultimate critical listening conditions and standards. Digital recording and mixing technology have changed, but the skills of recording, mixing and mastering engineers will continue to drive the creative process. These rooms will continue to depend on the architect/acoustician’s ability to create or ‘tune’ the environment to maximize its acoustic potential. Jungle City Studios, New York, NY Diante de trono, Brazil Berklee College of Music opened the doors to its 160 Massachusetts Avenue residence tower in January 2014. The ten-studio Walters-Storyk Design Group designed audio education component represents a pinnacle of contemporary studio planning. Paul Epworth, The Church, London John Storyk, Co Founder and Principal of Walters-Storyk Design Group has been responsible for designing over 3000 media and content creation facilities worldwide. Credits include Jimi Hendrix's Electric Lady Studios (1969); NYC’s Jazz At Lincoln Center and Le Poisson Rouge; broadcast facilities for The Food Network, ESPN, and WNET; major education complexes for NYU and Berklee College of Music, Boston (2015 TEC winner) and Valencia, Spain; and media rooms for such corporate clients as Hoffman La Roche.
    [Show full text]
  • The Creative Conver
    TWO PETERRAINMAKERS EDGETHE CREATIVE CONVERSATION s chief of RCA, Peter Edge has presided over one of the splashiest rosters in the biz, which has culminated in big chart successes, top-tier Grammy love and, occa- sionally, pop-cultural godhead for his acts. Edge’s keen A&R chops Aand artist whispering have been integral to his reign, and he has been acutely sensitive to the shifting winds of the marketplace. “I’m always looking for a unique propo- sition,” Edge said a decade and a half ago, and it clearly resonates today. “I’m really attracted to people who have an abundance of talent because I’m just in awe of that, being a music fan.” “Peter Edge loves music so much, it’s his heart and soul,” notes one of Edge’s Grammy-winning, chart-topping signings, Switch, where he booked artists such as Sade Khalid. “I’ve had such meaningful artistic and Grace Jones. His work there caught conversations with him, and I’m always in the eye of Simon Fuller, who hired him as awe of his knowledge and his passion.” an A&R rep at Chrysalis Music Publishing; “I have known and worked with Peter he subsequently moved to the label side at since I first started in this business,” says Chrysalis and was tasked with launching the manager Brandon Creed, “and he has London-based Cooltempo imprint in 1985, always been a very kind and soulful leader in tandem with producer Danny D. and personal mentor to me. His taste and In the U.K., the label would release talent are inspiring, and he’s as authen- music by Erik B and Rakim, EPMD, tic and genuine as an executive as he is a The Real Roxanne, Slick Rick and Doug human being.” E.
    [Show full text]
  • Alicia Keys Celebrates the Launch of Her New Book, More Myself: a Journey, in a Special Evening of Storytelling from Behind the Piano at BAM—Mar 31
    Alicia Keys celebrates the launch of her new book, More Myself: A Journey, in a special evening of storytelling from behind the piano at BAM—Mar 31 First date of the More Myself Tour A part of Unbound, a book launch series co-presented by BAM and Greenlight Bookstore More Myself with Alicia Keys Co-presented by BAM and Greenlight Bookstore Launch of More Myself: A Journey Part of Unbound BAM Howard Gilman Opera House (30 Lafayette Ave) Mar 31 at 7:30pm Tickets start at $35 (all tickets include a pre-signed book) March 4, 2020/Brooklyn, NY— In celebration of the launch of her new book More Myself: A Journey, 15-time Grammy Award-winner and New York Times best-selling author Alicia Keys comes to BAM on March 31, the first night of her live storytelling and music series from the book, shared from behind the piano. Keys will kick off her More Myself Tour at BAM, in support of her new book, which will be published on the same date (March 31). As one of the most celebrated musicians in the world, Alicia Keys has captured audiences with her heartfelt lyrics, extraordinary vocal range, and soul-stirring piano compositions. Away from the spotlight, she privately grappled with heartache, her challenging and complex relationship with her father, her people-pleasing nature that characterized her early life and career, the loss of privacy, and the oppressive expectations of female perfection, some of which she put on herself. More of Myself is Alicia’s journey from childhood to now: at once a riveting account and a clarion call to readers to define themselves in a world that rarely encourages a true and unique identity.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • From the Sound Board to the GRAMMY Board John Poppo, ’84, Chairman of the Recording Academy’S Board of Trustees
    THE MAGAZINE FOR FREDONIA ALUMNI AND FRIENDS SPRING 2016 From the sound board to the GRAMMY board John Poppo, ’84, Chairman of The Recording Academy’s Board of Trustees Coming of age Fredonia senior Steve Moses wins ‘Big Brother 17’ on CBS A tandem in tune Singer Nia Drummond and manager Michelle Cope form unique partnership College of Education Launches new Language and Learning master’s program SPRING 2016 COVER STORY From the sound board to the GRAMMY board THE MAGAZINE FOR FREDONIA ALUMNI AND FRIENDS 4 John Poppo, ’84, Chairman of The Recording Academy’s Board of Trustees 20 ADMISSIONS EVENTS Open House Dates 12 Monday, Feb. 15 Presidents Day 10 Saturday, April 9 Accepted Student Reception Saturday Visit Dates Saturday, March 5 Saturday, March 12 Saturday, April 23 Saturday, June 11 Students and families can also visit any day during the academic year. Just contact Admissions to arrange an appointment. To learn more, visit: fredonia.edu/ 14 18 admissions/visit or call 1-800-252-1212. ALUMNI AND CAMPUS EVENTS CALENDAR • Please check alumni.fredonia.edu as details are confirmed. For event registration and Los Angeles, Calif., Brunch Chicago, Ill., Reception SEPTEMBER payment, go to http://alumni. Sunday, March 20 Saturday, May 21, 2–4 p.m. New York State Tour fredonia.edu/Events.aspx, or Getty Museum, 11 a.m.–1 p.m. Midwest Youth Organization Monday – Thursday, Sept. 12–15 contact the Alumni Affairs office 200 Getty Center Drive (Music School) Locations TBA at (716) 673-3553. $25 878 Lyster Road, Highwood, IL Self-paid parking $15* give 30 Hosted by alumnus Allan and OCTOBER FEBRUARY minutes to ride tram to museum.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Rock Und Pop Musik
    Musik Neuerwerbungen 2020/21 Stand: Januar 2021 Pet Shop Boys: Hotspot - x2 RECORDINGS LTD, 2020. - 1 CD Enth. u.a.: will o the wisp ; You are the one ; Happy People; Dreamland; Hoping for a miracle; O don´t wanna; Monkey business; Only the dark; Burning the heather; Wedding in Berlin Bereits im November 2019 kündeten die Pet Shop Boys ihr neues Album an. Mit der Single »Dreamland« versüßte das Duo seinen Fans das Warten. Nun steht es fest: »Hotspot« heißt der mit Spannung erwartete Longplayer, Bravo Hits108 SME Media, 2020. - 2 CD Enth. u.a.: Don´t start now ; Breaking me ; in your eyes ; Turn me on ; Salt; Close your eyes ; Roses : The Passenger ; Lose Control ; Light; In this together ; Used to love ; Sebenteen ; Gimme! Gimme! Gimme! ; Wünsch dir was; Zu Ende ; Kein Wort ; After the Landlide ; Orphans ; Alles okay ; Before you go ; South of the border ; eberything i wanted ; The box ; Ayy Macarena ; Roxanne ; hot girl bummer ; Falling ; Roller ; play with fire; Good as hell ; Hör auf deinen Bauch ; Lose you to love me ; Highest in the room ; Yummy; In meiner Erinnerung ; Wie Früher mal dich ; Wegen Dir ; Thank you for everything ; Never seen the rain; Forever Yours ; Alone Pt. II ; skinny bitch ; Stack it up NE: Dua Lipa; Topic, A7s; Schulz, Robin; Riton x Oliver Heldens; Jaehn, Felix; Jhn, Asint; Lumix; Meduza; Jerome; Roberts, Emily; Garrix, Martin; Younotus; Gamper; Gestört aber Geil; Samra; Juju; Simons, Matt; Coldplay; Oerding, Johannes; Capaldi, Lewis; Sheeran, Ed; Eilish, Billie; Ricch, Roddy; Tyga; Zervas, Arizona; Blackbear; Daniel, Trevor; Apache 207; Santos, Nico; Lizzo; Connor, Sarah; Gomes, Selena; Scott, Travis; Bieber, Justin; Silbermond; Forster, Mark; Ott, Kerstin; Avenue, Sunrise; Tones and I; Kygo; Walker, Alan; Lena; Payne, Liam Sage und schreibe 38 Jahre sind vergangen, seit die erste »Bravo Hits« erschien und die Erfolgsgeschichte begann.
    [Show full text]