The 20 Best Booths at Art Basel in Hong Kong
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Rose Wylie 'Tilt the Horizontal Into a Slant'
Rose Wylie Tilt The Horizontal Into A Slant 4 TILT THE HORIZONTAL INTO A SLANT TILT THE HORIZONTAL INTO A SLANT 5 INTRO Rose Wylie’s pictures are bold, occasionally chaotic, often unpredictable, and always fiercely independent, without being domineering. Wylie works directly on to large unprimed, unstretched canvases and her inspiration comes from many and varied sources, most of them popular and vernacular. The cutout techniques of collage and the framing devices of film, cartoon strips and Renaissance panels inform her compositions and repeated motifs. Often working from memory, she distils her subjects into succinct observations, using text to give additional emphasis to her recollections. Wylie borrows from first-hand imagery of her everyday life as well as films, newspapers, magazines, and television allowing herself to follow loosely associated trains of thought, often in the initial form of drawings on paper. The ensuing paintings are spontaneous but carefully considered: mixing up ideas and feelings from both external and personal worlds. Rose Wylie favours the particular, not the general; although subjects and meaning are important, the act of focused looking is even more so. Every image is rooted in a specific moment of attention, and while her work is contemporary in terms of its fragmentation and cultural references, it is perhaps more traditional in its commitment to the most fundamental aspects of picturemaking: drawing, colour, and texture. 8 TILT THE HORIZONTAL INTO A SLANT TILT THE HORIZONTAL INTO A SLANT 9 COMING UNSTUCK the power zing back and forth between the painting and us, the viewer? It’s both elegant It may come as a surprise to some, when and inelegant but never either ‘quirky’ or considering Wylie’s work that words like ‘power’ ‘goofy’. -
影窟 Luminous Shadows 11.18, 2017 - 01.19, 2018
影窟 LUMINOUS SHADOWS 11.18, 2017 - 01.19, 2018 秋麦、黄致阳、熊辉、洪强、李华生、李津、马文、吴少英 Michael Cherney, Huang Zhiyang, Hung Fai, Hung Keung, Li Huasheng, Li Jin, Jennifer Wen Ma, Cindy Ng 策展人 CURATOR: 杨浚承 Alan Yeung 影窟 LUMINOUS SHADOWS 11.18, 2017 - 01.19, 2018 秋麦、黄致阳、熊辉、洪强、李华生、李津、马文、吴少英 Michael Cherney, Huang Zhiyang, Hung Fai, Hung Keung, Li Huasheng, Li Jin, Jennifer Wen Ma, Cindy Ng 策展人 CURATOR: 杨浚承 Alan Yeung Contents 006 展览介绍 Introduction 006 杨浚承 Alan Yeung 006 作品 Works 010 006 秋麦 Michael Cherney 010 黄致阳 Huang Zhiyang 026 熊辉 Hung Fai 050 洪强 Hung Keung 076 李华生 Li Huasheng 084 李津 Li Jin 112 马文 Jennifer Wen Ma 150 吴少英 Cindy Ng 158 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any other information storage and retrieval system, without written permission from Ink Studio. © 2017 Ink Studio Artworks © 1981-2017 The Artists (Front Cover Image 封面图片 ) 吴少英 Cindy NG | Sea of Flowers 花海 (detail 局部 ) | P116 (Back Cover Image 封底图片 ) 李津 Li Jin | The Hungry Tigress 舍身饲虎 (detail 局部 ) | P162 6 7 INTRODUCTION Alan Yeung A painted rock bleeds as living flesh across sheets of paper. A quivering line In Jennifer Wen Ma’s (b. 1970, Beijing) installation, light and glass repeatedly gives form to the nuances of meditative experience. The veiled light of an coalesce into an illusionary landscape before dissolving in a reflective ink icon radiates through the near-instantaneous marks by a pilgrim’s hand. -
Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
Artist of the Day 2016 F: +44 (0)20 7439 7733
PRESS RELEASE T: +44 (0)20 7439 7766 ARTIST OF THE DAY 2016 F: +44 (0)20 7439 7733 21 Cork Street 20 June - 2 July 2016 London W1S 3LZ Monday - Friday 11am - 7pm [email protected] Saturday - 11am - 6pm www.flowersgallery.com Flowers Gallery is pleased to announce the 23rd edition of Artist of the Day, a valuable platform for emerging artists since 1983. The two-week exhibition showcases the work of ten artists, nominated by prominent figures in contemporary art. The criteria for selection is talent, originality, promise and the ability to benefit from a one-day solo exhibition of their work at Flowers Gallery, Cork Street. “Every year we look forward to encountering the unknown and unpredictable. The constraint of time to install and promote an exhibition for one day only ensures there is a tangible energy in the gallery, with each day’s show incomparable to the other days. Artist of the Day has given a platform and context to artists who may not have exhibited much before, accompanied by the support and dedication of their selectors. The relationship between the selector and the artist adds an intimate power to the installations, and as a gallery we have gone on to work with many of the selected artists long term.” – Matthew Flowers Past selectors have included Patrick Caulfield, Helen Chadwick, Jake & Dinos Chapman, Tracey Emin, Gilbert & George, Maggi Hambling, Albert Irvin, Cornelia Parker, Bridget Riley and Gavin Turk; while Billy Childish, Adam Dant, Dexter Dalwood, Nicola Hicks, Claerwen James and Seba Kurtis, Untitled, 2015, Lambda C-Type print Lynette Yiadom-Boakye have featured as chosen artists. -
Art and Design Advanced Unit 4: A2 Externally Set Assignment
Pearson Edexcel GCE Art and Design Advanced Unit 4: A2 Externally Set Assignment Timed Examination: 12 hours Paper Reference 6AD04-6CC04 You do not need any other materials. Instructions to Teacher-Examiners Centres will receive this paper in January 2016. It will also be available on the secure content section of the Pearson Edexcel website at this time. This paper should be given to the Teacher–Examiner for confidential reference as soon as it is received in the centre in order to prepare for the externally set assignment. This paper may be released to candidates from 1 February 2016. There is no prescribed time limit for the preparatory study period. The 12-hour timed examination should be the culmination of candidates’ studies. Instructions to Candidates This paper is given to you in advance of the examination so that you can make sufficient preparation. This booklet contains the theme for the Unit 4 Externally Set Assignment for the following specifications: 9AD01 Art, Craft and Design (unendorsed) 9FA01 Fine Art 9TD01 Three-Dimensional Design 9PY01 Photography – Lens and Light-Based Media 9TE01 Textile Design 9GC01 Graphic Communication 9CC01 Critical and Contextual Studies Candidates for all endorsements are advised to read the entire paper. Turn over P46723A ©2016 Pearson Education Ltd. *P46723A* 1/1/1/1/1/1/c2 Each submission for the A2 Externally Set Assignment, whether unendorsed or endorsed, should be based on the theme given in this paper. You are advised to read through the entire paper, as helpful starting points may be found outside your chosen endorsement. If you are entered for an endorsed specification, you should produce work predominantly in your chosen discipline for the Externally Set Assignment. -
Artist Billy Childish Comes of Age
Artist Billy Childish comes of age Once known mainly for his relationship with artist Tracey Emin, Billy Childish, co-founder of the Stuckist movement – and a man of many names – has finally come into his own, writes Fionnuala McHugh 5 APR 2014 / UPDATED ON 15 MAY 2015 Childish in his studio. Photo by Fionnuala McHugh Billy Childish is a musician, a poet, a novelist, a photographer and a painter. Unless you’re familiar with the independent British music scene of the late 1970s and early 80s, however, you almost certainly won’t have heard of him. Until recently, he tended to be defined via his relationship with a rather better-known British artist called Tracey Emin, with whom he’d had a relationship in the 80s. If his name was known to the general public at all, it was because it had been stitched, along with many others, on to a tent in her seminal opus Everyone I Have Ever Slept With 1963 – 1995. One exasperated day, Emin yelled at Childish, “Your paintings are stuck. You are stuck, stuck, stuck!” As a result of this observation, the Stuckist art movement was formed in 1999 (whereupon the friendship with Emin foundered for about a decade). The Stuckists were against conceptual art of which embroidered tents, rotting sharks, blaspheming elephant dung, etc were only the most obvious examples. A core belief of the Stuckists was that “artists who don’t paint aren’t artists”, and although Childish left the movement a couple of years later, this is the way he continues to think. -
Billy Childish Flowers, Nudes and Birch Trees: New Paintings 2015 September 10-October 31, 2015 536 West 22Nd Street, New York #Billychildish
Billy Childish flowers, nudes and birch trees: New Paintings 2015 September 10-October 31, 2015 536 West 22nd Street, New York #billychildish Opening Reception: Thursday, September 10, 6-8PM birch wood, 2015, oil and charcoal on linen, 72.05 x 108.07 inches, 183 x 274.5 cm. Courtesy the artist and Lehmann Maupin, New York and Hong Kong. New York, August 11, 2015—Lehmann Maupin is pleased to present its fourth exhibition with British artist Billy Childish, a prolific painter, writer, and musician. The artist’s vivid oil paintings offer fragmented fields of intense color applied frenetically, often leaving charcoal marks and the linen canvas exposed, further emphasizing the immediate and intuitive nature of Childish’s work. The artist will be present for an opening reception at the gallery on Thursday, September 10 from 6-8PM. Working in traditional genres such as portraiture, still life, and landscape, Childish’s paintings are spiritually charged expressions that come from a place of deep personal meaning. These powerful works, including unabashed nudes, self-portraits, and dense woodland scenes, honor the simple nature of being and in the process transcend the ordinary. Eschewing any hint of post-modernist irony in his work, he allows the basics of personal expression to come forth through the fundamentals of painting. A self-proclaimed “Radical Traditionalist,” Childish has said, “The reason I honor tradition is that it provides a form and structure that allows freedom—the ego is subjugated and the requirements of the painting are met. Tradition is not to be worshipped or adored; it is a vehicle to take you to new places, or we could say to arrive at the perennial.” While he is occasionally associated with British groups like the Stuckists and YBAs, Childish does not see himself as connected to a particular contemporary movement; however, he is highly regarded and well known by his peers, including renowned artists Peter Doig and Tracey Emin. -
Nations and Art: the Shaping of Art in Communist Regimes
NATIONS AND ART: THE SHAPING OF ART IN COMMUNIST REGIMES Lena Galperina Advisor: Patrick Thaddeus Jackson Fall 09 and Spring 10 General University Honors Galperina 1 Looking back at history, although art is not a necessity like water or food, it has always been an integral part in the development of all civilizations. So what part does it play in society and what is its impact on people? One way to look at art is to look at what guides its development and what are the results that follow. In the case of this paper, I am focusing specifically on how the arts are shaped by the political bodies that govern people, specifically focusing on Communist regimes. This is art of public nature and an integral part of all society, because it is created with the purpose of being seen by many. This of course is not something unique to the Communist regimes, or even their time period. Art has had public function throughout history, all one has to do is look at something like the Renaissance altar pieces, the drawings and carvings on the walls of Egyptian monuments or the murals commissioned in USA through the New Deal. In fact the idea of “art for art’s sake” only developed in the early 19 th century. This means that historically art has been used for a particular function, or to convey a specific idea to the viewers. This does not mean that before the 19 th century art was always done for some grand purpose, private commissions existed too of course; but artists mostly relied on patrons and the art that was available to the public was often commissioned for a purpose, and usually conveyed some sort of message. -
IFA-Annual-2018.Pdf
Your destination for the past, present, and future of art. Table of Contents 2 W e l c o m e f r o m t h e D i r e c t o r 4 M e s s a g e f r o m t h e C h a i r 7 T h e I n s t i t u t e | A B r i e f H i s t o r y 8 Institute F a c u l t y a n d F i e l d s o f S t u d y 14 Honorary F e l l o w s h i p 15 Distinguished A l u m n a 16 Institute S t a f f 1 9 I n M e m o r i a m 2 4 F a c u l t y Accomplishments 30 Spotlight o n F a c u l t y R e s e a r c h 4 2 S t u d e n t V o i c e s : A r t H i s t o r y 4 6 S t u d e n t V o i c e s : Conservation 50 Exhibitions a t t h e I n s t i t u t e 5 7 S t u d e n t Achievements 6 1 A l u m n i i n t h e F i e l d 6 8 S t u d y a t t h e I n s t i t u t e 73 Institute S u p p o r t e d Excavations 7 4 C o u r s e H i g h l i g h t s 82 Institute G r a d u a t e s 8 7 P u b l i c Programming 100 Support U s Art History and Archaeology The Conservation Center The James B. -
About Henry Street Settlement
TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement. -
THE OTHER ART FAIR 22-25 March 2018 Victoria House, Bloomsbury Square London WC1 “The Future of Art” – the Guardian
THE OTHER ART FAIR 22-25 March 2018 Victoria House, Bloomsbury Square London WC1 “The Future of Art” – The Guardian The Other Art Fair at Victoria House The Other Art Fair, presented by Saatchi Art, has become one of the most important and exciting showcases for emerging artists. Unique in its approach, The Other Art Fair offers astute collectors the chance to discover and buy work directly from the rising stars in global contemporary art, with editions now in London, Bristol, Sydney, Melbourne, New York and Los Angeles. 22-25 March 2018 will see The Other Art Fair return to Central London’s historic Victoria House. 120 contemporary artists will be exhibiting a variety of hand-picked works across all mediums, chosen by a respected selection committee that this year includes VP Art Advisory + Chief Curator at Saatchi Art Rebecca Wilson, founder of Jealous Gallery and Print Studio Dario Illari, director of BEERS London Gallery and author of ‘100 Painters of Tomorrow’ Kurt Beers and New York-born and London based contemporary art critic, editor and teacher Dr. Gilda Williams. Since its launch in 2011, The Other Art Fair has welcomed more than 200,000 visitors from around the world to its fairs and facilitated total sales in excess of £4 million, while becoming an unmissable event on London’s art calendar. With its distinguished committee of experts and guest curators, The Other Art Fair has established itself as the fair of choice for London’s emerging collectors. Uniquely, over 60% of clients at the The Other Art Fair London 2016 edition were first time buyers. -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Abstract Art in 1980s Shanghai / Permalink https://escholarship.org/uc/item/16g2v1dm Author Jung, Ha Yoon Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Abstract Art in 1980s Shanghai A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History, Theory, and Criticism by Ha Yoon Jung Committee in charge: Professor Kuiyi Shen, Chair Professor Norman Bryson Professor Todd Henry Professor Paul Pickowicz Professor Mariana Wardwell 2014 The Dissertation of Ha Yoon Jung is approved, and it is acceptable in quality and form for publication on microfilm and electronically. ____________________________________________________________________ ____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Chair University of California, San Diego 2014 iii TABLE OF CONTENTS Signature Page ………………………………………………………………....……. iii Table of Contents ………………………………………………………….…...……. iv List of Illustrations …………………………………………………………………... v Vita ……………………………………………………………………….……….… vii Abstract ……………………………………………………….………………..……. xi Chapter 1 Introduction ……………………………………………………….……………….. 1 Chapter 2 Abstract