Annie · Study Guide
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THE PRODUCERS Matt Byrne Media
www.theatreguide.com.au Supporting live theatre in Adelaide PO Box 10278 [email protected] ADELAIDE BC SA 5000 ABN : 93 297 960 525 THE PRODUCERS Matt Byrne Media Arts Theatre Until 4 August 2007 (Shedley Theatre 9-11 August) Review by John Wells I could smell hubris in the air. An Adelaide company doing “The Producers” – the Mel Brooks show that took Broadway by the scruff of its neck and was showered with Tonys? Could an Adelaide amateur company do this show? Attempting a production of this impeccable and brilliantly-credentialed show is remarkably ambitious. With two films and the wildly successful stage musical already seared into the public consciousness, it is impossible to create an original rendering. Add to this the limited budget of amateur theatre and the risks of presenting a spectacular dud are high. But this is no dud. “The Producers” is by no means perfect, but it is an enjoyable, tight and funny show. With disciplined performances, and comical and precise characterisations, Director Glenn Vallen must take the credit for the success of this production. “The Producers” is the story of the failed, bombastic Broadway producer Max Bialystock and his mousy accountant Leo Bloom. They plan to raise millions of dollars to produce a sure-fire flop, and then run off with the investors’ cash when the show closes. When they find “Springtime for Hitler”, a musical honouring the Fuhrer by a local Nazi, they think they’ve found their perfect turkey. “The Producers” depends primarily on Bialystock and Bloom. If they are ineffective, the show cannot succeed. -
YMTC to Present the Rock Musical Rent, November 3–10 in El Cerrito
Youth Musical Theater Company FOR IMMEDIATE RELEASE Press Inquiries: Laura Soble/YMTC Phone 510-595-5514 Email: [email protected] Website: https://www.ymtcbayarea.org YMTC to Present the Rock Musical Rent, November 3–10 in El Cerrito Berkeley, California, September 27, 2019—Youth Musical Theater Company (YMTC) will launch its 15th season of acclaimed regional theater with the rock musical Rent. The show opens Sunday, November 3, at the Performing Arts Theater, 540 Ashbury Ave., El Cerrito. Its run consists of a 5:00 p.m. opening (11/3), two 2:00 p.m. matinees (11/9, 11/10), and three 7:30 p.m. performances (11/7, 11/8, 11/9). Rent is a rock opera loosely based on Puccini’s La Boheme, with music, lyrics, and book by Jonathan Larson. Set in Lower Manhattan’s East Village during the turmoil of the AIDS crisis, this moving story chronicles the lives of a group of struggling artists over a year’s time. Its major themes are community, friendship, and survival. In 1996, Rent received four Tony Awards, including Best Musical; six Drama Desk Awards; and the Pulitzer Prize for Drama. In 1997, it won the Grammy Award for Best Musical Show Album. Its Broadway run lasted 12 years. Co-Director Jennifer Boesing comments, “Rent is a love story and a bold, brazen manifesto for young artists who are trying not just to stay alive, but to stay connected to each other, when the mainstream culture seems to be ignoring signs of destruction all around them. Although the show today is a period piece about a very specific historical moment—well before the earliest memories of our young performing artists—they relate to it deeply just the same. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Annie Role Breakdown
Adult Roles Oliver Warbucks : Must be able to appear age 40-65, Male. A powerful billionaire, who always has his mind on business, but has a kind heart looking for someone to love. Sings “Something Was Missing” and “I Don’t Need Anything But You”. (Vocal Range: Baritone to a high F.) Must be able to sing and act. The role involves a very small amount of dance. May be required to SHAVE head. Grace Farrell : Must be able to appear age 25-35, Female. Loyal and intelligent private secretary to Oliver Warbucks. She brings Annie and Warbucks together. Sings “I think I’m Gonna Like It Here”, “NYC”, “You Won’t Be an Orphan For Long” and “I Don’t Need Anything But You”. (Vocal Range: Soprano to high G). Must be able to sing, act and dance. Miss Hannigan : Must be able to appear age 35-60, Female. Desperate and unhappy with her lot in life, she is the alcoholic orphanage matron who is Annie’s nemesis. Sings, “Little Girls” and “Easy Street”. (Vocal Range: Alto A to D) Must be able to sing, act and dance. Lily St. Regis : Must be able to appear age 25 – 35, Female. Shady, floozy girlfriend of Rooster. Sings “Easy Street”. (Vocal Range: Soprano up to a high G) Must be able to sing, act, and dance. Rooster : Must be able to appear age 25-45. Male. Miss Hannigan’s greedy and dishonest brother. Sings “Easy Street” (Vocal Range: Tenor to high G). Must be able to sing, act, and dance. Roosevelt : Age 40-65, Male. -
Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience
Spring 1993 177 Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience Angelika Czekay Today, after seventeen years in the porn industry, ex-sex worker Annie Sprinkle is a performance artist. In her recent performance piece "Post-Post Porn Modernist Still in Search of the Ultimate Sexual Experience," Sprinkle talks about her life as a former porn star and ex-prostitute. The show's topic is sex, which Sprinkle "understands as her hobby, politics, spiritual experience, expertise, main subject matter . and the key to her great health and happiness" (Program note, Theatre Oobleck, October 1991). The performance is visually graphic: Sprinkle urinates and douches on stages, invites the spectator to look at her cervix, performs a "bosom ballet," and introduces sex toys for the fulfillment of various sexual desires. In a series of loosely linked segments, her narration moves through the different stages in her life and reveals its changes, both in job and attitude. To complement her stories, Sprinkle uses sets of slides; for instance, the "pornstistics" [sic], showing an image of the Empire State Building as a demonstration of the length of all the penises she "sucked," or a diagram that reveals in percentages her reasons for becoming a sex worker. I had the opportunity to see Sprinkle's performance piece on two separate occasions and in two different cultural contexts in 1991, once in Berlin in July and once in Chicago in October. Although the performance had basically remained the same, my reactions were almost directly opposite. -
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20. -
Academy Performance Group Theatre Company
Academy Performance Group Theatre Company Academy Performance Group is our first level audition only theatre company for those ATA students who have a true passion for musical theatre performance and wish to advance their theatrical training to a more intensive level. Members of Academy Performance Group Theatre Company have the ability to perform in their own full- length production in March as well as being the showcase performers in both the January and May ATA school showcases. They are also able to attend the Shea’s Broadway Jr. Celebration in Spring 2017 and Broadway Bound with YPA Conference in June. The APG Theatre Company is the musical theatre equivalent of a sports travel or tournament team and APG company members MUST be committed and take their placement and responsibility to the company very seriously. Mandatory Rehearsal Hours: Monday 4:30pm – 7:30pm: Vocal Performance and Dance Thursday 4:30pm – 6:00pm: Dance and Acting First Saturday of each month 9:00am – 12:00pm: Dance Workshop (For September, the Dance workshop will take place on Saturday, September 12) Extra rehearsal hours as scheduled/needed for specific productions (Extra rehearsal schedule to be handed out at beginning of 2015/2016 season) Tuesday 7:30pm-8:15pm: Introduction to Tap (optional) Important Dates: January Mid-Season School Showcase: January 19-22, 2017 APG Musical “Anything Goes.”: March 16-18, 2017 May School Showcase: May 18-21, 2017 Shea’s Broadway Jr. Celebration: Spring 2017 (Specific Date TBA) Broadway Bound with Young Performers of America Conference: Saturday, June 10, 2017 Cost: $175/month Audition Dates: Tuesday, June 28, 2016 5:30pm-7:00pm or Thursday, June 30, 2016 5:30pm-7:00pm If you would like to audition for the Academy Performance Group Theatre Company; Please email us at [email protected] to sign up for an audition time and to receive audition information. -
Annie Belle Boss Papers (League of Women Voters) 1914-1931 (3 Hollinger Legal Size Boxes) (1 Flat Box with 1 Scrapbook (16” X 10 1/2” X 4”), with Deed of Gift)
IUSB Archives Inventory of Collections Annie Belle Boss Papers (League of Women Voters) 1914-1931 (3 Hollinger legal size boxes) (1 Flat Box with 1 Scrapbook (16” X 10 1/2” X 4”), with Deed of Gift). The papers pertain to the Woman’s Franchise League of Indiana and its successor, the Indiana League of Women Voters, and especially to the activities of Annie Belle Rittel Boss (Mrs. John C. Boss) (circa 1874-1946), a middle-class woman of Elkhart, Indiana who was active in these organizations on the local, district and state levels. Mrs. Boss’s papers became the property of her daughter, Helen K. Boss Winterhoff, and upon Mrs. Winterhoff’s death were obtained by members of the League of Women Voters of Elkhart. They presented the collection to IUSB in 1984. These papers include publications, correspondence, internal records and other memorabilia of the Woman’s Franchise League of Indiana (1915-1920) and the Indiana League of Women Voters (1920-1931) as well as a history of the latter organization compiled in 1977. Some of the materials concern the local Elkhart branch of the two organizations. Many of the items originated with Helen Beardsley of Elkhart, who founded the Elkhart chapter of the Woman’s Franchise League of Indiana in April, 1913. Serving on the board of the state organization, she became the first president of the Indiana League of Women Voters in 1920. During her years as president (1920 - 1922), the state headquarters was at Elkhart, after which time it was moved to Indianapolis. Mrs. Beardsley was the wife of Andrew Hubble Beardsley, a leading Elkhart businessman, who as a state legislator included woman suffrage in his platform and was influential in the passage of suffrage legislation in Indiana. -
Annie Morris, 1978 —
Annie Morris, 1978 — London-based artist Annie Morris was born in 1978. Morris studied at the École Nationale Supérieure des Beaux-Arts, Paris between 1997 and 2001 under Giuseppe Penone before completing her education at the Slade School of Fine Art in London. Morris’s multi-disciplinary practice draws on both personal experience and the history of art. Encompassing sculpture, tapestry, painting and drawing, Morris’s intuitive use of line weaves between abstraction and representation. Morris’s most recognizable body of work is her ‘Stack’ series, begun in 2014 and inspired by the artist’s grief following a stillbirth. The sculptures, which are comprised of irregular spheres precariously arranged into tall columns, evoke the swell of pregnancy. Sculpted in plaster or cast in bronze, the forms are painted with hand-sourced, raw pigments in vivid hues such as Ultramarine, Viridian and Ochre, which give Morris's lumpen orbs a rich, vibrant hue. Morris uses the same deep pigments in her drawing and tapestry practice, which combines personal ciphers with abstract mark-making and grid-like structures. London | New York [email protected] timothytaylor.com Biography 1978 Born in England 1997 Studies at Central St. Martin's School of Art and Design, London, UK 1998 Studies at École de Beaux-Arts, Paris, France 2003 Studies at Slade School of Art, London, UK Selected Solo Exhibitions 2021 (Forthcoming) Annie Morris: When a Happy Thing Falls, Weston Gallery, Yorkshire Sculpture Park, UK 2020 Annie Morris: Diaries (online), Timothy Taylor, London, -
Rachel Chavkin Takes on Broadway
Arts & Humanities High Art, High Ideals: Rachel Chavkin Takes on Broadway The Tony Award-winning director of Hadestown may be theater’s most forward- thinking artist. By Stuart Miller '90JRN | Fall 2019 Zack DeZon / Getty Images Making her way to the stage of Radio City Music Hall to accept the 2019 Tony Award for best direction of a musical, Rachel Chavkin ’08SOA was thinking about time. She had all of ninety seconds to get to the microphone and deliver her speech, which was written on a much-creased piece of paper folded in her hands. Seven months pregnant, Chavkin, thirty-eight, was not about to sprint. As she told Columbia Magazine days later, “I warned my husband: if they call my name, I won’t have time to hug you!” Hadestown, an enthralling, profoundly moving retelling of the myth of Orpheus and Eurydice, would, by night’s end, capture eight awards, including best original score and best musical. The accolades were not only hard won — Chavkin, a leading light of experimental theater, and Anaïs Mitchell, a singer-songwriter from Vermont, shaped and refined Hadestown for seven years — but also, some might say, overdue. In seventy-three years of the Tony Awards (named after Antoinette Perry, an actress, director, and theater advocate), Chavkin became just the fourth woman to win for best direction of a musical, joining Julie Taymor (The Lion King), Susan Stroman (The Producers), and Diane Paulus ’97SOA (Pippin). And in 2019, out of twelve new musicals on Broadway, Hadestown was the only one directed by a woman. The show, playing at the Walter Kerr Theatre on West 48th Street, is set mostly in a New Orleans–style barrelhouse at a time of economic and environmental decay. -
Meet the Company of RSVP's Spamalot!
Meet the Company of RSVP’s Production of Monty Python’s Spamalot! The Cast: Sammie Joe Baltes (Laker Girl/Frenchie) is excited to spend another summer with RSVP! She has been seen in numerous RSVP productions including Gypsy, Annie Get Your Gun, and The Sound of Music. Sammie Joe was most recently seen tapping for scholarships in Dancing with the Randolph Stars. “Many thanks and lots of love to my Squad!” Karissa Carpenter (Laker Girl/Frenchie) is an upcoming freshman and cheerleader at Catawba College with a major in theatre and psychology. She has been in various RSVP productions including A Midsummer Night’s Dream, Annie Get Your Gun, The Sound of Music, and The Wizard of Oz. She is honored to be involved with such a wonderful cast. “It has truly been an amazing experience.” Casey Daniel (Sir Robin) is so happy to be a part of Spamalot as his first production here at RSVP. He wants to thank his family, friends, and professors for pushing him to work hard. He would also like to add "Chipotle is love, Chipotle is life." Lydia Davis (Lady of the Lake) is a graduate of UNCG where she was involved in Women's Glee and the acapella group, the UNCG Sapphires. This is her first show with RSVP and she is excited about the opportunity! She thanks the cast, crew, and production staff for a wonderful and fun-filled experience! RSVP Community Theatre’s Production of MONTY PYTHON’S SPAMALOT, July-August 2015, Asheboro, NC; www.rsvptheatre.org Reagan England (Laker Girl/Frenchie), 18 years old, plans to attend UNC-Charlotte this fall. -
Into the Woods
Clifton Park Senior Community Center – Town of Clifton Park 6 Clifton Commons Court, Clifton Park, NY 12065 518-383-1343 Monday – Friday 9:00 AM – 4:00 PM The Barrington Stage Company presents Into the Woods Book by JAMES LAPINE Music & Lyrics by STEPHEN SONDHEIM Originally Directed on Broadway by JAMES LAPINE Orchestrations by JONATHAN TUNICK Musical Direction by DARREN R. COHEN Directed by JOE CALARCO Anything can happen in the woods. This is the promise, and premise, of the much-loved Tony-Award winning musical. A childless baker and his wife endeavor to lift their family curse by journeying into the woods, where they encounter Rapunzel and her mother, Cinderella, Jack (of the Beanstalk fame), Little Red Riding Hood and other classic fairy tale characters. Their stories become entangled in unexpected ways-revealing what happens after “happily ever after.” The wickedly witty score weaves a magical spell, warning “be careful what you wish for.” This is a fabulous show and NOT the children’s stories that we grew up with. We’ll start with lunch at the Highland Restaurant in Pittsfield MA Wednesday, June 26 ~ 10:30 am Departure – 5:30 pm Return $83 members / $89 non members All trips must be paid for in full when signing up for the trip. Unless otherwise stated, all trips will begin and end at the Clifton Park Ice Arena, 16 Clifton Common Blvd, Clifton Park, NY 12065 There are no Refunds unless the trip is cancelled. All checks should be made payable to the Town of Clifton Park and mailed to 6 Clifton Common Court, Clifton Park.