Contemporary American Screenplay Collection, Date (Inclusive): 1990-1997 Collection Number: PN1997 .A1 C66 1990 Collector: Stanford University
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Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................ -
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
February 7, 2021
VILLANOVA THEATRE PRESENTS STREAMING JANUARY 28 - FEBRUARY 7, 2021 About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the University’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the M. Louise Fitzpatrick College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 The Donald R. Kurz Family Peter J. Lavezzoli ’60 Patricia A. Maskinas Msgr. Joseph F. X. McCahon ’65 Mary Anne C. Morgan ̓70 and Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 Eric J. Schaeffer and Susan Trimble Schaeffer ’78 The Thomas and Tracey Gravina Foundation For information about how you can support the Theatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. gratefully acknowledges the generous support of our many patrons & subscribers. We wish to offer special thanks to our donors. 20-21 Benefactors A Running Friend William R. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
THE WARMWATER STREA]US SYNTPOSIUM a National Symposium on Fisheries Aspects of Warmwater Streams
THE WARMWATER STREA]US SYNTPOSIUM A National Symposium on Fisheries Aspects of Warmwater Streams LOUIS A. KRUMHOLZ Editor Crrenr-Bs F. Bnyam, GonooN E. HnLr-, GeRr-eNo B. Penour Associate Editors PnocBnorNGS oF e Syuposrulr Hnro AT THE UurvBnsrry or TeNxnssen, KNoxtlt lr Kloxvrrr-o, TrNNessrE 9-II March Ig80 Southern Division American Fisheries Societv WARMWATHSTREAMS SYMPOSIUM THE WARMWATER STRtrAMS SYMPOSIUM S A National Syrnposium on Fisheries Aspects of Warmwater Streams LOUIS A. KRUN,IHOLZ Editor Cu.rrups F. Bnv,rx. Conoox E. Ihr,r-. G.rrrr,,rxu B. Prru>uu A.s.s o r : i t t t t, li d it o r.s PnocnBulxcs oF .r Syrtposturr Hrilr> AT THl.l Ul.lrl,rtrstrv rtr TrxrpssuE. Ktoxt,lLLg KxoxvrLLs. Ttxr,lnssse 9-11 \larch 1980 Southenr Division Anerictrn Fisheries Societr THE WARMWATER STREAMS SYMPOSIUM Srnenrxc Cornrrrrps Melvin T. Huish, Chairman W. Donalcl Baker Allen A. Forshage Wendell J. Lorio Charles F. Bryar-r Ronnie J. Gilbert Barry Lyons Tohn Cloud Amold J. Herring Paul E. Mauck David T. Cox Daniel R. Holder Robert E. Miles Daniel W. Crochet Ben D. Jaco Anthony W. Mullis Edrvin E. Crowell Tohn W. Kaufmann Garland B. Pardue Gladney Duvidson Charles J. Killebrew Monte E. Seehorn Robert M. Drrvis Jar.nes Little Agustin Valido J. Phillip Edwarcls Clarence E. White, Jr. Spoxsons Publication o[ these Proceedings u'irs aided by grirnts liom the Bass Anglers Sportsnan Society National Science Foundation Bass Research Foundartion Sport Fishing Institute Carolina Power and Light Company U.S. Environmental Protection Agency Duke Power Comptury U.S. -
Malcolm's Video Collection
Malcolm's Video Collection Movie Title Type Format 007 A View to a Kill Action VHS 007 A View To A Kill Action DVD 007 Casino Royale Action Blu-ray 007 Casino Royale Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action Blu-ray 007 Die Another Day Action DVD 007 Die Another Day Action Blu-ray 007 Dr. No Action VHS 007 Dr. No Action Blu-ray 007 Dr. No DVD Action DVD 007 For Your Eyes Only Action DVD 007 For Your Eyes Only Action VHS 007 From Russia With Love Action VHS 007 From Russia With Love Action Blu-ray 007 From Russia With Love DVD Action DVD 007 Golden Eye (2 copies) Action VHS 007 Goldeneye Action Blu-ray 007 GoldFinger Action Blu-ray 007 Goldfinger Action VHS 007 Goldfinger DVD Action DVD 007 License to Kill Action VHS 007 License To Kill Action Blu-ray 007 Live And Let Die Action DVD 007 Never Say Never Again Action VHS 007 Never Say Never Again Action DVD 007 Octopussy Action VHS Saturday, March 13, 2021 Page 1 of 82 Movie Title Type Format 007 Octopussy Action DVD 007 On Her Majesty's Secret Service Action DVD 007 Quantum Of Solace Action DVD 007 Quantum Of Solace Action Blu-ray 007 Skyfall Action Blu-ray 007 SkyFall Action Blu-ray 007 Spectre Action Blu-ray 007 The Living Daylights Action VHS 007 The Living Daylights Action Blu-ray 007 The Man With The Golden Gun Action DVD 007 The Spy Who Loved Me Action Blu-ray 007 The Spy Who Loved Me Action VHS 007 The World Is Not Enough Action Blu-ray 007 The World is Not Enough Action DVD 007 Thunderball Action Blu-ray 007 -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
Tales from the Crypt
Ah, HBO. Here in the year 2014, those three little initials are shorthand for quality, original programming; small screen event television almost certain to be immeasurably superior to the megabucks offerings of your local multiplex. The network also boasts a rich tradition of brining monsters into our living rooms, with the unsavoury actions of Livia Soprano, Gyp Rosetti, Cy Tolliver and Joffrey Baratheon horrifying viewers of all walks of life. Way back in the late 1980s, however, HBO introduced us to an altogether different kind of miscreant; a wisecracking living corpse, a teller of tall tales that focussed on vampires, zombies and the evil that men do. Jackanory it most certainly wasn’t – we’re referring, of course, to the legendary Tales from the Crypt. In the 80s, TV anthology horror was as much a fixture as leg warmers, John Hughes movies and the musical stylings of Duran Duran. Rod Serling’s Twilight Zone had enjoyed a redux, James Coburn invited us to his Darkroom, a certain pizza-faced dream demon hosted Freddy’s Nightmares, and genre enthusiasts were gripped by the Ray Bradbury Theater. Perhaps the most prosperous purveyor of small screen shivers was producer Richard Rubinstein, who enjoyed phenomenal success with Tales from the Darkside (the brainchild of none other than George Romero, director of the beloved portmanteau picture Creepshow) and Monsters. Bright and breezy 30-minute creature features with their tongue frequently placed firmly in their cheek, these shows were heavily influenced by the infamous EC horror comics of the 1950s, with a perverse sense of morality at the dark heart of the stories. -
THE LOST WORLD: JURASSIC PARK Screenplay by David Koepp Based on the Novel "The Lost World" by Michael Crichton
THE LOST WORLD: JURASSIC PARK Screenplay by David Koepp Based on The Novel "The Lost World" by Michael Crichton PRODUCTION DRAFT August 22, 1996 1 EXT TROPICAL LAGOON DAY A 135 foot luxury yacht is anchored just offshore in a tropical lagoon. The beach is a stunning crescent of sand at the jungle fringe, utterly deserted. ISLA SORNA 87 miles southwest of Nublar Two SHIP HANDS, dressed in white uniforms, have set up a picnic table with three chairs on the sand and are carefully laying out luncheon service - - fine china, silver, crystal descanters with red and white wine. PAUL BOWMAN, fortyish, sits in a chair off to the side, reading. MRS. BOWMAN, painfully thin, with the perpetually surprised look of a woman who’s had her eyes done more than once, supervises the setting of the table. She looks up and sees a little girl, CATHY, seven or eight years old, wandering off down the beach. MRS. BOWMAN Cathy! Don’t wander off! Cathy keeps wandering. MRS. BOWMAN (CONT’D) Come back! You can look for shells right here! Cathy gestures, pretending she can’t hear. BOWMAN (eyes still in his book) Leave her alone. MRS. BOWMAN What about snakes? BOWMAN There’s no snakes on the beach. Let her have fun, for once. 2 FURTHER DOWN THE BEACH, Cathy keeps wandering away, MUTTERING to herself as her parents’ quarreling voices fade in the distance. (CONTINUED) CONTINUED: (2) 2. CATHY Please be quiet, please be quiet, please be quiet . Rounding a curve in the beach, her parents disappear from view behind her. -
Female Authorship in the Slumber Party Massacre Trilogy
FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY By LYNDSEY BROYLES Bachelor of Arts in English University of New Mexico Albuquerque, NM 2016 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2019 FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY Thesis Approved: Jeff Menne Thesis Adviser Graig Uhlin Lynn Lewis ii Name: LYNDSEY BROYLES Date of Degree: MAY, 2019 Title of Study: FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY Major Field: ENGLISH Abstract: The Slumber Party Massacre series is the only horror franchise exclusively written and directed by women. In a genre so closely associated with gender representation, especially misogynistic sexual violence against women, this franchise serves as a case study in an alternative female gaze applied to a notoriously problematic form of media. The series arose as a satire of the genre from an explicitly feminist lesbian source only to be mediated through the exploitation horror production model, which emphasized female nudity and violence. The resulting films both implicitly and explicitly address feminist themes such as lesbianism, trauma, sexuality, and abuse while adhering to misogynistic genre requirements. Each film offers a unique perspective on horror from a distinctly female viewpoint, alternately upholding and subverting the complex gender politics of women in horror films. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION ......................................................................................................1 -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
Capt. Lance H. Julian
CAPT. LANCE H. JULIAN Marine Consultant/Coordinator Marine Team International, INC *Marine Director, **Marine Consultant, ***Marine Coordinator www.marineteam.net PROJECT (PARTIAL LIST) DIRECTOR STUDIO / PRODUCTION CO. SILENCE*** Martin Scorcese Paramount / AI Film BLACKHAT*** Michael Mann Universal / Forward Pass ESCAPE PLAN** Mikael Hafstrom Summit Entertainment / Emett-Furla Films PERCY JACKSON: SEA OF MONSTERS** Thor Freudenthal Fox 2000 / Prod: Chris Columbus CYBER** Michael Mann Warner Bros./Forward Pass; Prod: Thomas Tull, Jon Jashni SUPERMAN: MAN OF STEEL** Zack Snyder Warner Bros.; Prod: Christopher Nolan BULLET TO THE HEAD** New Orleans Walter Hill Warner Bros./Dark Castle Ent; Prod: Joel Silver, Al Gough, Miles Millar HANGOVER 2*** Thailand Todd Phillips Warner Bros.; Prod: Daniel Goldberg RED** Southeast Louisiana Robert Schwenkte Summit Ent.; Prod: Lorenzo Di Bonaventura, Mark Vahradian THE HUNGRY RABBIT JUMPS** New Orleans Roger Donaldson Endgame Ent.; Prod: James Stern, Ram Bergman MEDIEVAL*** Croatia Rob Cohan Fox; Prod: Chris Symes, Kurt Williams ‘XXX’ – Return of Xander Cage*** Australia Ericson Core Sony; Prod: Lloyd Phillips, Joe Roth THE ZONE** Andy Davis EP: Peter MacGregor-Scott; Prod: Wolf Schmidt BOND 22: QUANTUM OF SOLACE*** Panama Marc Forster MGM; Prod: Barbara Broccoli, Michael Wilson THE PACIFIC*** Carl Franklin & Timothy HBO/DreamWorks; Prod: Tom Hanks, Gary Goetzman, Gold Coast Australia Van Patten Steven Spielberg FOOL’S GOLD*** Andrew Tennant Warner Bros./De Line Pictures; Gold Coast Australia & Eleuthera,