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Papieren En Kartonnen Helden
Papieren en Kartonnen Helden Coverontwerp: Peter den Blaauwen ISBN: 9789402134063 © Peter den Blaauwen Papieren en Kartonnen Helden plat vermaak voor de beroepsverzamelaar - deel 1 Peter den Blaauwen Voor Mam, die mij het bewaren en verzamelen heeft meegegeven. inhoud voorwoord 1 verantwoording 3 Thousands To Chose From 4 voorafgaand aan wat komen gaat 1 5 Mars Attacks 6 cards: Mars Attacks Topps 1962 8 Dinosaurs Attack! 13 cards: Dinosaurs Attack! Topps 1988 16 voorafgaand aan wat komen gaat 2 19 Batman 21 Batman The Movie 1966 25 Batman the series 1966 – 1968 29 signeersessies en fanmail vanaf 1966 47 Popular Batman Cards in Pictures Part Six - 1966 Riddle Back (Riddler’s Riddle) Cards 49 cards: Batman Riddler’s Riddle Topps 1966 52 voorafgaand aan wat komen gaat 3 54 cards: Batman Riddler’s Riddle illegale uitgave jaartal onbekend 55 aankondiging in TV2000: Batman de tv-serie door de KRO 1966 56 cards: Batman tv-opnames illegale uitgave jaartal onbekend 57 snoepverpakking Batman 1966 58 snoepverpakking Batman 1977 59 voorafgaand aan wat komen gaat 4 60 Popular Batman Cards in Pictures Part Five - 1966 Bat Laffs Cards 61 cards: Batman Bat Laffs Topps 1966 63 Popular Batman Cards in Pictures Part One - 1966 Black Bat Batman Cards 66 A&BC Picture Card Album A&BC 1966 69 cards: reissue Batman Black Bat Topps 1989 70 Popular Batman Cards in Pictures Part two - 1966 Red Bat Batman Cards 73 cards: reissue Batman Red Bat Topps 1989 76 Popular Batman Cards in Pictures Part three - 1966 Blue Bat Batman Cards 78 cards: reissue Batman Blue Bat Topps 1989 81 voorafgaand aan wat komen gaat 5 83 Norman Blaine Saunders (by David Saunders) 84 cards: tv-shows Batman Monty Gum serie 1 België 1966 96 paspoort Batman en Robin, rijbewijs Batmobile, vliegbrevet Batcopter Ned. -
T.H.U.N.D.E.R. Agents ™&©2005 John Carbonaro
T.H.U.N.D.E.R. Agents ™&©2005 John Carbonaro ™ TABLE OF CONTENTS T.H.U.N.D.E.R. AGENTS: CONTEXT & CHARACTERS 1984-86: THE DELUXE COMICS YEARS Dave Cockrum, Steve Englehart, Keith Giffen, T.H.U.N.D.E.R. Road!: Jerry Ordway, George Pérez, David M. Singer, Those Timeless, Titanic Agents of T.H.U.N.D.E.R. ..................7 Dann Thomas and John Workman..................125 Distant Thunder: James Bond 007 & Marvel Comics Jim Shooter on T-Agents Ownership................147 Setting the Stage for T-Agents ............................................8 1987: THE SOLSON INTERLUDE Those Halcyon Days of the 1960s’ High Camp Heroes ........12 John Carbonaro, James E. Lyle T.H.U.N.D.E.R. Agents 101: and Michael Sawyer ....................................148 In-Depth History of the Heroes of Tower..............................14 1987: BLUNDERS OVER T.H.U.N.D.E.R. Death of a Hero: Demise of the Man Called Menthor............24 Boris the Bear & Thunder Bunny....................156 Days of Blunder: Mocking the Men from T.H.U.N.D.E.R.........26 1995: PENTHOUSE COMIX “T&A”GENTS Terry Austin, Paul Gulacy, THE T.H.U.N.D.E.R. FILES John Carbonaro and Jordan Raskin ................158 The Curious Background of T.H.U.N.D.E.R. Agents ................30 1995: T.H.U.N.D.E.R. AGENTS ANIMATED? The Ultimate T.H.U.N.D.E.R. Agents Checklist ......................31 Dan DiDio and Marv Wolfman........................162 T.H.U.N.D.E.R. ARTISTS SECTION 2003: THE “ALMOST” NEW T-AGENTS: Marc Andreyko & J.G. Jones ........................164 T.H.U.N.D.E.R. -
Book Update 106 August 2020
BOOK UPDATE 106 AUGUST 2020 S MR BOOK UPDATE An Ode to the Classic 1952 Topps Baseball Card Set of your father’s beer that your mom was to never know The latest book in Tom and about. Ellen Zappala’s card collecting The senses also serve as a powerful tool for recol- lecting the past for those who were sports card collec- series offers up sensory delight tors as kids. Few things hold the sensory vividness as the smell in the backstories and current- of gum wafting up or the sight of a much sought-after day fascination surrounding the card in a freshly opened pack of cards. What can pull a card collector back in time more than remembering the legendary Topps issue feel of wax packs in your hands while waiting to pay for them at a candy store counter and wondering what may ur five senses have an amazing power that can be inside? Offering an equally intense sense of men- draw us back in time, even as far back as our tal time travel is recalling the sound of a card wedged childhood. For those who grew up loving the through a bike’s spokes that made it tick like a motor Ogame of baseball and were fortunate enough to the faster you rode and the taste of those pink rectangle attend a Major League game as a kid, that is especially strips lightly dusted with powdery white sugar. true. As a kid growing up just outside of Boston in the Just close your eyes and you can recall the smell of late 1950s and early 1960s, Tom Zappala’s senses were a field’s freshly cut grass; the sight of a favorite player stirred by the game of baseball and the men, equip- stepping into the batter’s box; the feel of the soft pocket ment, venues and cards associated with it. -
(1936 to 1971) and the Card Collectors Hall of Fame Idea
Hobby History Who’s Who in Card Collecting (1936 to 1971) and the Card Collectors Hall of Fame Idea By George Vrechek A long time ago, in a galaxy far, far away...before there were Star Wars cards, the Internet, eBay, card stores, or card shows, collectors had to find each other through Facebook pages. No, that wasn’t how they did it either. They used the U.S. Postal Service and hobby publications to find out who else in the galaxy was collecting cardboard. Burdick’s Bulletin In previous SCD articles, I have described how lonesome, twenty-year-old card collector Lionel Carter hunted around in 1938 until he found collector Harry Lilien who led him to the “father of card collecting,” Jefferson Burdick of Syracuse, New York. Burdick started his bi-monthly Card Collectors Bulletin (CCB) in 1936. In the very first issue he effectively started the first “Who’s Who” in card collecting by listing all (15) of his subscribers and their collecting interests. Collectors were hungry to find others who had similar interests and who might compliment their own needs with available duplicates. Baseball card collector Carter circled the names of promising subscribers on his copies of the CCB and went about writing to each of them. Burdick continued to list new subscribers though 1938 when the subscription list appears to have been all of 34 people. Some of the subscribers in those years whose names continued to show up in CCB were Carter, John D. Wagner, Ray Walker, Don Van Brakle, P.M. Nagle, Harry Lilien, Paul Ritchie, Edwards Lancaster, and A.O. -
Hsmarch2011 Day1.Pdf
To My Fellow Hobbyists, Welcome to our second auction of 2011. With this auction we are asking our bidders and consignors to respond to a poll we are conducting about changing the requirements for initial bids in our future auctions. We are very much in favor of this new concept, especially considering many of you have suggested it to us over the past few years. The new procedure is explained in a starburst on our homepage. Please feel free to call us with any questions. Our dedicated team has once again outdone itself in assembling this fantastic array of rare, unusual and one-of-a-kind items. Dave Stoddard has added even more new features to keep our site simple and user friendly while incorporating new and useful ideas. James Feagin, Mark Raines, Kevin Heffner, and Ricky Huggins have carefully described all the items, while Matt Flores and Stefan Wisinski have captured the images. Randy Curtis has done a fantastic job of working with our consignors to create some unique and interesting lots. Mark Spinrad and Jamey Austin have swept the catalog for #@%#”s, and Josh Wulkan and Stefan have given Mike and Sally Henry the “canvas and paint” they need for them to create another mas- terpiece. Kris Fraley did another amazing job sending out all the lots in a safe and timely manner, while Barry Malkin's eagle eyes have once again spotted some high-grade gems!! Our constantly growing nationwide staff of consignor reps (now at 37 strong), lead by the tireless Steve Dickler, has gathered together another fine assortment of “goodies.” Should you have items or an entire col- lection you are thinking about selling, a full list of our well-qualified reps (along with their contact info) is available in this catalog. -
Hsoct12web.Pdf
elcome to Huggins and Scott Auctions, the Nation's fastest grow- W ing Sports & Americana Auction House. With this catalog, we are presenting another extensive list of sports cards and memo- rabilia, plus an array of historically significant Americana items. We hope you enjoy this. V E RY IMPORTA N T: DUE TO SIZE CONSTRAINTS AND T H E COST FAC TOR IN THE PRINT VERSION OF MOST CATA LOGS, WE ARE UNABLE TO INCLUDE ALL PICTURES AND ELA B O- R ATE DESCRIPTIONS ON EV E RY SINGLE LOT IN THE AUCTION. HOW EVER, OUR WEBSITE HAS NO LIMITATIONS, SO W E H AVE ADDED MANY MORE PH OTOS AND A MUCH MORE ELA B O R ATE DESCRIPTION ON V I RT UA L LY EV E RY ITEM ON OUR WEBSITE. WELL WO RTH CHECKING OUT IF YOU ARE SERIOUS ABOUT A LOT ! WEBSITE: W W W. H U G G I N S A N D S C OTT. C O M Here's how we are running our October 11, 2012 to STEP 2. A way to check if your bid was accepted is to go auction: to “My Bid List”. If the item you bid on is listed there, you are in. You can now sort your bid list by which lots you BIDDING BEGINS: hold the current high bid for, and which lots you have been Monday October 1, 2012 at 12:00pm Eastern Ti m e outbid on. IF YOU HAVE NOT PLACED A BID ON AN ITEM BEFORE 10:00 pm EST (on the night the Our auction was designed years ago and still remains geared item ends), YOU CANNOT BID ON THAT ITEM toward affordable vintage items for the serious collector. -
Tim Burton's Reimaginings
University of Lethbridge Research Repository OPUS http://opus.uleth.ca Faculty Research and Publications Taylor, Aaron 2013 How to see things differently: Tim Burton's Reimaginings Taylor, Aaron Palgrave Macmillan Taylor, A. (2013). How to see things differently: Tim Burton's Reimaginings. In J. Weinstock (Ed.), The works of Tim Burton: From margins to mainstream (pp. 99-116). Basingstoke, UK: Palgrave Macmillan. https://hdl.handle.net/10133/5220 Downloaded from University of Lethbridge Research Repository, OPUS CHAPTER 5 How to See Things Differently: Tim Burton’s Reimaginings Aaron Taylor I try not to draw too heavily on those types of influences, because then you’re just trying to emulate something as opposed to creating something new ...I might like to draw a certain feeling or flavor out of an older movie, but I’m not trying to make a Xerox copy of it. —Tim Burton (qtd. in Pizzello 56) arnabas Collins (Johnny Depp) emerges from his earthy prison to find Collinsport, Maine, much changed from the colonial fishing port he Blast set eyes upon 200 years ago. Bedeviled by monstrous construction equipment, satanic Golden Arches, and unnervingly smooth tarmac, he even- tually stands transfixed by a pair of blazing Gorgonic orbs that rush toward him at supernatural speed. Expecting death, he is instead unceremoniously told to “Get out of the road, asshole” by the car’s panicked driver. Wrenched out of his New World fiefdom, this undead aristocrat has been rudely awak- ened to the fallen world of Nixon’s America. His abrupt recontextualization is disconcerting to say the least. -
The National Streak of Record Holders Rumierz, Murry and Quinn
The National streak of record holders Rumierz, Murry and Quinn Left to right: record holders John Rumierz, B.A. Murry and Pat Quinn, photos G. Vrechek By George Vrechek Sure, there are memorable streaks in sports: DiMaggio’s 56 games, Cal Ripken Jr.’s 2,632 games, the Celtics’ 8 NBA Championships, UCLA’s 88 and UConn’s 90 basketball games. But what are the streaks in the hobby of sports collectibles? Topps has been issuing baseball cards for 68 years. Another less known streak, until now, has been set by three individuals who have been the only ones to hold tables at all 38 National Sports Collectors Conventions. Group #38 Table choice at the National is based on a point system that rewards those who have participated the most. The top priority group is currently #38 which equates to the number of years a table holder has been at the National. Typically at 7:15 AM on Friday during the National, table holders in the highest priority groups participate in a lottery and quickly select their locations for the next year. It is sort of like boarding a Southwest airline flight. If you sleep in, you lose your spot. You know everyone in your priority group and have an opportunity to briefly socialize with them. You also take note of anyone missing from prior years. Priority group #38 consists of John Rumierz, B.A. Murry and Pat Quinn, per that threesome. How did these fine sports collectibles athletes stay in such great physical and financial shape to keep hauling the cardboard and standing on those hard, concrete floors for so many years? John Rumierz When you attend a National, you will likely spot booths that feature advertising banners, high-end cases and attractive displays. -
OCTOBER 2020 INVENTORS DIGEST 3 American Innovation Needs to Hit the Gym
OCTOBER 2020 Volume 36 Issue 10 DIGEST and AMBYR CHILDERS JEWELRY SPARKLES WITH PROUD HERITAGE Cardboard King HOW SY BERGER INVENTED THE ICONIC BASEBALL CARD Get Busy! USE TIME AT HOME TO BUILD YOUR PROTOTYPING SKILLS $5.95 FULTON, MO MO FULTON, FULTON, PERMIT 38 38 PERMIT PERMIT US POSTAGE PAID PAID POSTAGE POSTAGE US US PRSRT STANDARD STANDARD PRSRT PRSRT EDITOR’S NOTE Inventors DIGEST Oh, the Humanity! EDITOR-IN-CHIEF REID CREAGER USPTO Winners ART DIRECTOR End of year is typically awards season, and at CARRIE BOYD Inventors Digest it’s no different. But in this year of extraordinary health challenges throughout the CONTRIBUTORS world, some awards announcements salute innova- ELIZABETH BREEDLOVE LOUIS CARBONNEAU tion with particularly powerful and lasting impact. DON DEBELAK This year’s Patent for Humanity winners come ALYSON DUTCH to mind. The United States Patent and Trademark Office program JACK LANDER promotes life-changing innovations that address and sometimes solve JEREMY LOSAW long-standing development challenges. GENE QUINN Worried about our planet’s future? Here are a half-dozen reasons EDIE TOLCHIN to calm down: Global Vision 2020 GRAPHIC DESIGNER is one of three Maryland winners on this year’s JORGE ZEGARRA list. The Easton-based nonprofit, founded by retired U.S. Marine J. Kevin White, developed the USee Vision Kit that provides prescription INVENTORS DIGEST LLC eyeglasses cost effectively to hundreds of people. These include those PUBLISHER in parts of the world who normally do not have access to vision care. LOUIS FOREMAN Sisu Global in Baltimore, which designs and commercializes medi- cal devices with and for emerging markets, created the Hemafuse. -
Interview with Bruce Yeko, the First Full-Time Card Dealer
Right- Bruce Yeko today Interview with Bruce Yeko, the first full-time card dealer By George Vrechek Bruce Yeko was an interesting name that I remembered from the tales of the early collectors. I remembered reading that he had gone from Milwaukee to New York City in the early 1960s and had millions of cards coming out of every nook and cranny of his apartment. Long-time collector and SCD reader George Husby contacted me to let me know that 70-year-old Bruce Yeko was “in rare form” recently as he reminisced with George about his career as a baseball card dealer which started in the 1950s. I thought I should try to reminisce a little with Bruce as well so I gave him a call, sat back, and listened. Milwaukee Boy Visits Canada A young Bruce dabbled in late 40s and early 50s cards. The Topps 1952 high numbers proved an inspiration for the young Bruce Yeko getting into the card business. Bruce described how he had dabbled in baseball and football cards as a pre-teenager, remembering the awful colors of the 1948-9 Leafs and the less-than- exciting early Bowmans and 1951 Topps. He also collected comics and records. He was twelve years old when he visited Canada with his parents in 1952. He came across a store selling Topps cards and bought a few. To his surprise the cards were ones he had never seen before even though he had increased his “dabbling” in 1952 and had quite a few cards purchased from his meager allowance. -
How to See Things Differently: Tim Burton's Reimaginings
CHAPTER 5 How to See Things Differently: Tim Burton’s Reimaginings Aaron Taylor I try not to draw too heavily on those types of influences, because then you’re just trying to emulate something as opposed to creating something new ...I might like to draw a certain feeling or flavor out of an older movie, but I’m not trying to make a Xerox copy of it. —Tim Burton (qtd. in Pizzello 56) arnabas Collins (Johnny Depp) emerges from his earthy prison to find Collinsport, Maine, much changed from the colonial fishing port he Blast set eyes upon 200 years ago. Bedeviled by monstrous construction equipment, satanic Golden Arches, and unnervingly smooth tarmac, he even- tually stands transfixed by a pair of blazing Gorgonic orbs that rush toward him at supernatural speed. Expecting death, he is instead unceremoniously told to “Get out of the road, asshole” by the car’s panicked driver. Wrenched out of his New World fiefdom, this undead aristocrat has been rudely awak- ened to the fallen world of Nixon’s America. His abrupt recontextualization is disconcerting to say the least. Darkly Byronic romanticism is now passé, supplanted by the banalities of the Carpenters, the studied glam of T. Rex, and the calculated grotesqueries of Alice Cooper. He endeavors to restore the grandeur of his family name but finds the process of adaptation distaste- ful. In short, Barnabas discovers to his dismay that enthrallingly Gothic dark shadows have been enfeebled by postmodernity’s florescence, and he is but an insubstantial shade. His second coming has been prefigured and diminished by an array of pop cultural predecessors, and his ghoulish charisma dwindles to tolerable eccentricity in an era incapable of astonishment. -
Case Statements
Michelle Delaney Director, Smithsonian Consortium for Understanding the American Experience Office of the Under Secretary for History, Art, and Culture Smithsonian Institution [email protected] 202-633-3810 Civil War Sesquicentennial Working Group, NCPH--April 19, 2012 Case Study: Smithsonian Civil War 150 The Smithsonian Civil War 150 project is a collaborative, interdisciplinary, pan-Institutional initiative coordinating the Civil War commemorative exhibitions, educational programs and tours, symposia, publications, documentaries, podcasts, digitization initiatives, web and social media projects, and app being produced by scholars and educators at Smithsonian museums and research centers 2011-2015. The Smithsonian Civil War 150 steering committee was formed to encourage open and active collaboration between the Smithsonian units currently planning Sesquicentennial projects, including the Consortium for Understanding the American Experience, National Museum of American History, National Portrait Gallery, Smithsonian American Art Museum, National Museum of African American History and Culture, National Museum of the American Indian, National Museum of Natural History, National Air and Space Museum, Anacostia Community Museum, Smithsonian Institution Archives, Smithsonian Libraries, Smithsonian Folkways, Smithsonian Networks, Smithsonian Books, Smithsonian Magazine, Smithsonian Journeys, and The Smithsonian Associates and Resident Associate Program. Smithsonian Civil War 150 projects explore the unique Civil War collections held at the Institution, the social, cultural, and technological impact of the war, and the history of the Institution during the war. Smithsonian historians and educators are interested in building new partnerships with national and international organizations, and developing innovative ways to present and interpret collections, and archive projects during the Sesquicentennial. During the American Civil War 1861-1865, the Smithsonian Castle stood as the only building representing the young Institution, and where history unfolded.