Virginia Woolf in 1941
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Novel to Novel to Film: from Virginia Woolf's Mrs. Dalloway to Michael
Rogers 1 Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ Novel to Novel to Film: From Virginia Woolf’s Mrs. Dalloway to Michael Cunningham’s and Daldry-Hare’s The Hours Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2015 By Jacob Rogers ____________________ Thesis Director Dr. Kirk Boyle ____________________ Thesis Advisor Dr. Lorena Russell Rogers 2 All the famous novels of the world, with their well known characters, and their famous scenes, only asked, it seemed, to be put on the films. What could be easier and simpler? The cinema fell upon its prey with immense rapacity, and to this moment largely subsists upon the body of its unfortunate victim. But the results are disastrous to both. The alliance is unnatural. Eye and brain are torn asunder ruthlessly as they try vainly to work in couples. (Woolf, “The Movies and Reality”) Although adaptation’s detractors argue that “all the directorial Scheherezades of the world cannot add up to one Dostoevsky, it does seem to be more or less acceptable to adapt Romeo and Juliet into a respected high art form, like an opera or a ballet, but not to make it into a movie. If an adaptation is perceived as ‘lowering’ a story (according to some imagined hierarchy of medium or genre), response is likely to be negative...An adaptation is a derivation that is not derivative—a work that is second without being secondary. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Leonard Woolf's
Journal X Volume 6 Number 1 Autumn 2001 Article 7 2020 Metropolitan Civility Bloomsbury and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine” Anindyo Roy Colby College Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Roy, Anindyo (2020) "Metropolitan Civility Bloomsbury and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine”," Journal X: Vol. 6 : No. 1 , Article 7. Available at: https://egrove.olemiss.edu/jx/vol6/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Roy: Metropolitan Civility Bloomsbury and the Power of the Modern Colo Metropolitan Civility, Bloomsbury, and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine” Anindyo Roy Anindyo Roy is Assis Leonard Woolf, one of the key figures in the Blooms tant Professor in Eng bury circle, is perhaps most widely known for his role lish at Colby College in labor party politics in Britain and for his engage where he teaches cours ment, during the first two decades of the twentieth es in critical theory, century, with internationalist politics associated with the League of Nations. As someone closely allied postcolonial literatures with Bloomsbury, Britain’s pre-eminent circle of aes and theory, and thetes and intellectuals, Woolf’s political thinking British Modernism, can at best be described as unorthodox: although a He has published essays member of the exclusive Cambridge circle that had on postcolonial theory been nurtured by the aesthetic and moral philosophy and literature, fiction of G. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
Servant of One's Own: the Continuing Class Struggle in Feminist Legal Theories and Practices
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY School of Law 2008 Servant of One's Own: The Continuing Class Struggle in Feminist Legal Theories and Practices Ruthann Robson CUNY School of Law How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cl_pubs/188 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Review/Essay A Servant of One's Own: The Con tin uing Class Struggle in Feminist Legal Theories and Practices MRS. WOOLF AND THE SERVANTS: AN INTIMATE HISTORY OF DOMESTIC LIFE IN BLOOMSBURY by Alison Light. New York: Bloomsbury Press, 2008. 376 pp. $30 hardcover. Reviewed by Ruthann Robsont I. INTRODUCTION Virginia Woolf is a feminist icon. The author of classic essays such as A Room of One's Own and Three Guineas, novels such as To The Lighthouse, The Waves, and Mrs. Dalloway, and volumes of diaries, letters, and essays,' her popularity has only increased since her death by suicide in 1941. She is an object of study in academia: the International Virginia Woolf Society has branches in the UK, Canada, and the United States, 2 and sometimes it seems as if no conference is complete without a panel discussing some aspect of Virginia t Copyright © 2008 by Ruthann Robson, Professor of Law and University Distinguished Professor, City University of New York School of Law. I am grateful to Anna Krieger and the membership of the Berkeley Journal of Gender, Law & Justice for their nurturing of this project. -
UC Berkeley Berkeley Undergraduate Journal
UC Berkeley Berkeley Undergraduate Journal Title The Tower and the Telescope: The Gaze and Colonial Elsewheres in Virginia Woolf’s Fictions Permalink https://escholarship.org/uc/item/78j1x102 Journal Berkeley Undergraduate Journal, 27(2) ISSN 1099-5331 Author Mao, Sophia Publication Date 2014 DOI 10.5070/B3272022891 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Berkeley Undergraduate Journal 98 THE TOWER AND THE TELESCOPE The Gaze and Colonial Elsewheres in Virginia Woolf’s Fictions By Sophia Mao any scholars choose to celebrate Virginia Woolf as a preeminent English modernist who writes from and about the hub of empire, while focusing on her major novels and ne- glecting her short fiction. This thesis takes two of Virginia Woolf’s novels, The Voyage MOut and Mrs. Dalloway, and brings them into conversation with the unpublished draft material of Woolf’s little-known, but heavily revised short story “The Searchlight.” Rather than assuming that Woolf is an author who primarily engages with life within England at the turn of the century, it interrogates the colonial elsewheres (or the places of colony that Woolf writes about but never visited herself) that feature in various scenes of looking in her writing. What do Woolf’s characters see when they gaze over people and places that are both known and unknown? And, perhaps even more importantly, what do they imagine? This thesis claims that the act of looking in Woolf’s fic- tions constitutes a fundamental ambivalence in the ideology of empire—Woolf’s characters gaze at colonial elsewheres in ways that both sustain and dislodge the underlying logic of conquest. -
Leonard Woolf and Imperialism GILLIAN WORKMAN
Leonard Woolf and Imperialism GILLIAN WORKMAN OR historians, it is an accepted fact that "Little- Englanders" existed, in varying strengths at different * periods, throughout the nineteenth century. The rest of us, who are more familiar with twentieth-century anti- imperialist agitation than with nineteenth-century argu• ment, should however beware of misinterpreting this fact. The Little-Englanders were not, as we might immediately suppose, interested in airing their views in relation to territories occupied largely by an alien people. The Indian Mutiny of 1857 did not, for instance, lead them to express the desire that England should withdraw from India. In• stead, they joined with the country as a whole in wishing, simply, to improve England's existing rule. Indeed, as late as 1911, Frederic Harrison (who had persistently spoken out in opposition to wars "of conquest and aggres• sion"1 and who advocated a union of friendship, not of constitution, between England and her settled colonies) wrote: "We have our Indian Empire — let us keep it, but not venture a step beyond."2 It was the "settled" colonies — Canada, New Zealand, Australia, South Africa — which the Little-Englanders wished to be self-governing. The Little-Englanders expressed concern at the over• burdening of England by the administrative, political, fin• ancial and defence loads of countries which they felt to be quite capable of conducting these affairs for themselves. Neither they nor any other vocal section of the public questioned the morality of Empire in general. Any cri• ticism of the morality of the British rule of territories other than the settled colonies — of Britain's rule over alien peoples — was restricted, not to the existence of such rule, but to the means by which it came into exist- 6 GILLIAN WORKMAN enee and was maintained. -
Virginia Woolf's "Orlando" As a Quest for Incandescence
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1999 "She will be a poet[...]in another hundred years' time"| Virginia Woolf's "Orlando" as a quest for incandescence Christopher Piazzola The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Piazzola, Christopher, ""She will be a poet[...]in another hundred years' time"| Virginia Woolf's "Orlando" as a quest for incandescence" (1999). Graduate Student Theses, Dissertations, & Professional Papers. 1446. https://scholarworks.umt.edu/etd/1446 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of MONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission ^ No, I do not grant permission Author's Signature Date i/km Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. "She will be a poet[ ]in another hundred years' time" Virginia Woolf s Orlando as a Quest for Incandescence by Christopher Piazzola B.A., North Central College, 1994 presented in partial fulfillment of the requirements for the degree of Master of Arts University of Montana 1999 Approved by JjsCo TxiXJti Chairperson Dean, Graduate School Date UMI Number EP35853 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Julia Trevelyan Oman Archive
GRAND DESIGNS: THE JULIA TREVELYAN OMAN ARCHIVE Text of an illustrated talk given by Theatre Collection Archivist Amanda Goode to the Friends of the Theatre Collection, 14 Feb 2007 - to be used alongside the Grand Designs Powerpoint presentation. My name is Amanda Goode, and I was appointed Project Archivist in the Theatre Collection here at Bristol University Drama Department in April 2005, cataloguing first the Professor Glynne Wickham archive, and later, the Julia Trevelyan Oman archive. My post was funded by two grants from the Bristol University Annual Fund. It is very unusual for them to give consecutive grants to the same department, which shows how highly they regard the work done by the Theatre Collection, and reflects the fact that many of the collections we hold are of national importance - and that certainly includes the collection which I’m talking about today. So – on to the Julia Trevelyan Oman Archive - what does it consist of? Well, nothing less than the entire adult corpus of work of one of the most highly- rated theatre, opera and ballet designers of her day. Julia kept everything from her art college days onwards, and not only kept it, but ordered it properly, and took steps to preserve it – I must stress that it is very rare to have such a complete run of work. Sadly, though, the reason that the archive is here is that Julia died in October 2003. Her husband, Sir Roy Strong, felt that the Theatre Collection was the right place to house it, and we were of course delighted to accept it. -
University of Chichester
The University of Chichester Honorary Awards 1990 The (late) Very Rev Robert T Holtby Dean Emeritus of Chichester Honorary Fellowship Institute Prof Kenneth J Rawson Dean of Education at Brunel University Honorary Fellowship (The late) Peter Sarginson Principal of West Dean College Honorary Fellowship 1991 Professor Jenifer Wilson-Barnet Hd of Nursing, King’s College, London Honorary Fellowship 1992 No awards 1993 YBhg Dato’ Asiah binte Abut Samah Minister for Education, Malaysia Hon D of Sc in the Soc Sc – Southampton 1994 Mr Bobby Wellins British Jazz Musician of the Year Honorary Fellowship The late Patrick Garland Director Honorary D.Litt –Southampton Ms Jane Lane Commission for Racial Equality Honorary Fellow of Institute 1995 (The late) Ted Walker Fellow of Royal Society of Literature Honorary D.Litt –Southampton 1996 Dr John Wyatt West Sussex/Chichester Institute 1977 – 1996 Honorary D.Litt –Southampton Mr Derek Casey Chief Executive of Sports Council Honorary D.Sc –Southampton 1997 (The late) Christopher Zeuner Director of Weald & Downland Open-Air Museum Honorary MA – Southampton Dr Ray Peacock Steering Groups for maths, former Governor Honorary D.Sc –Southampton 1998 Dr James Gorrie Principal, Chichester College (CCoAST) Hon D. Litt – Southampton 1999 (The late) Hazel Hellyer Assistant Registrar, University College Chichester Honorary M A – Southampton Professor Gordon McGregor Emeritus Professor of the University of Leeds, former Honorary Doctor of Literature – Institute Deputy Director Southampton Professor Dr Christine Keitel- Professor for Mathematics Education and Pedagogy at Honorary Doctor of Science - Kreidt the free University of Berlin Southampton Note: All Awards up to and including 1999 were made through the Honorary Degrees Committee of the University of Southampton. -
Virginia Woolf Miscellany, Issue 62, Spring 2003
NUMBER 62 SPRING 2003 Letter to the Readers: Reader” as well as reviews of books by Jessica Berman, Donald J. Childs, Katherine Dalsimer, and David Ellison. “Never has there been such a time. Last week end we were at Charleston and very gloomy. Gloom increased on Monday. In London it was hectic and gloomy and at the same time This issue of the Virginia Woolf Miscellany represents a new phase in the history of despairing and yet cynical and calm. The streets were crowded. People were everywhere talking this publication. The Miscellany has moved across the country from sunny Sonoma loudly about war. There were heaps of sandbags in the streets, also men digging trenches, lorries to snowy New Haven, from a California State University to a Connecticut State delivering planks, loud speakers slowly driving and solemnly exhorting the citizens of Westminster Go and fit your gas masks. There was a long queue of people waiting outside the Mary Ward University. After nearly 30 years of publishing this small but vital periodical, J.J. settlement to be fitted. [W]e sat and discussed the inevitable end of civilization. [Kingsley Wilson has handed the torch to a new editorial board. The publication itself has a Martin] said the war would last our life time[.] . Anyhow, Hitler meant to bombard London, new future as a soon-to-be subscription periodical with a web presence. Members of probably with no warning; the plan was to drop bombs on London with twenty minute intervals the International Virginia Woolf Society will continue to receive the Miscellany as a for forty eight hours. -
David Horovitch
David Horovitch FILM Rebecca Coroner Working Title Ben Wheatley Summerland Albert Shoebox Films Jessica Swale The Nun Cardinal Conroy New Line Corin Hardy Marrowbone Redmond Tele5 Sergio G Sanchez HHHH Admiral Hansen Adama Pictures Cedric Jimenez The Sense of an Ending Headmaster BBC Films Ritesh Batra The Chamber The Captain Chamber Films Ben Parker The Infiltrator Saul Mineroff Good Films Ltd Brad Fuman Mr. Turner Dr. Price Film 4 Mike Leigh Blink (Short) Harry Starfish Films Paul Wilkins Young Victoria Sir James Clark Initial Entertainment Group Jean Marc Vallee Veiled Michael Dan Susman In Your Dreams Edward Shoreline Entertainment Gary Sinyor WASP 06 Pop Jelly Roll Prods Woody Allen 102 Dalmations Doctor Pavlov Walt Disney Kevin Lima Max MaxÍs Father Pathú Menno Meyjes One of the Hollywood Ten Ben Margolis Bloom Street Prods Karl Francis Soloman and Gaenor Isaac APT Film & Television Paul Morrison Paper Marriage Frank Haddow Mark Forstater Krzysztof Lang Dirty Dozen: The Deadly Mission Pierre Claudel MGM Lee H. Katzin An Unsuitable Job for a Woman Sergeant Maskell Castle Hill Prods Inc. Christopher Petit TELEVISION Dad's Army Colonel Square UKTV Various Untitled NPX Project Judge Raptor Pictures LTD Various Directors Doctors 2018 Harry Brook BBC Various Churchill's Secret Affairs Jock Colville Channel 4 Holby City Rabbi Stein BBC Various Doctors Gerald Dunlop BBC Various The Assets US Ambassador ABC Jeff T.Thomas/ Rudy Bednar/ Adam Feinstein Casualty Morris BBC Paul Murphy Heartbeat Douglas ITV Roger Bamford Trial & Retribution Alistair Darwin ITV Ben Ross Casualty 1907 Lord Rothchild BBC Bryn Higgins Donovan Palmer Thornhill Granada Ciaran Donnelly Dirty War Lambert BBC Daniel Percival Goodbye Mr.