DOCSLIB.ORG

Dexter Gordon

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Dexter Gordon Dexter Gordon, sommo stilista dello strumento principe del jazz, il sax tenore, ha sviluppato la sua carriera tra gli Stati Uniti e l’Europa, dove ha soggiornato per lunghi anni e ha raggiunto i risultati più alti negli anni ’60, portando ai massimi livelli la jam session e la improvvisazione con gruppi sempre diversi, che hanno visto suonare con lui altri grandi jazzisti itineranti dell’epoca, come i trombettisti Donald Byrd o Freddie Hubbard, il vibrafonista Bobby Hutcherson, e con diverse formidabili sezioni ritmiche, formate dai bassisti Bobby Cranshaw, Paul Chambers, Niel-Henning Orsted Pedersen, i batteristi Philly Joe Jones e Billy Higgins, i pianisti Kenny Drew, Sonny Clark, Horace Parlan e Bud Powell. Anno Titolo Ospiti Label 1945 Move Spotlite 1945 Long Tall Dexter Savoy 1945 New Trends in Modern Jazz, Vol. 3 Savoy 1945 Master Takes: The Savoy Recordings Savoy 1945 Dexter Rides Again Savoy Jazz 1947 The Chase! Prestige 1947 The Hunt Savoy 1947 The Duel Dial 1947 Dexter Gordon Quintet Dial 1955 Daddy Plays the Horn Bethlehem 1955 Dexter Blows Hot and Cool Boplicity 1960 The Resurgence of Dexter Gordon Jazzland 1961 Dexter Gordon Blue Note 1961 Doin' Alright Blue Note 1961 Landslide Blue Note 1961 Dexter Calling.... Blue Note 1962 Go! Blue Note 1962 A Swingin' Affair Blue Note 1962 Cry Me a River Steeple Chase 1963 Our Man in Paris Blue Note 1964 One Flight Up Donald Byrd Blue Note 1964 Cheesecake [live] Steeple Chase 1964 King Neptune [live] Steeple Chase 1964 I Want More [live] Steeple Chase 1964 Love for Sale [live] Steeple Chase 1964 It's You or No One [live] Steeple Chase 1964 Billie's Bounce [live] Steeple Chase 1964 After Hours Steeple Chase - 1 - 1964 After Midnight [live] Steeple Chase 1965 Clubhouse Blue Note 1965 Gettin' Around Bobby Hutcherson Blue Note 1967 Body and Soul 1201 Music 1967 Both Sides of Midnight Black Lion 1967 Live at the Montmartre Black Lion 1967 Take the "A" Train Black Lion Jazzhus 1967 Squirrel: Live at Montmartre Blue Note 1969 Live at the Amsterdam Paradiso Affinity 1969 Day in Copenhagen Polydor 1969 Power Prestige 1969 The Tower of Power Prestige 1969 More Power Prestige 1970 The Panther! Prestige/OJC 1970 Dexter Gordon at Montreux (With Junior Prestige Mance) 1970 Jumpin' Blues Prestige 1971 The Shadow of Your Smile Steeple Chase 1972 Ca' Purange Prestige 1972 Generation Prestige/OJC 1972 Tangerine Prestige 1973 Dexter Gordon-Sonny Grey with the Spotlite Georges... 1973 Parisian Concert [live] EPM 1973 Blues a La Suisse Prestige 1974 The Apartment Steeple Chase 1974 Revelation Steeple Chase 1975 More than You Know Steeple Chase 1975 Stable Mable Inner City 1975 Swiss Nights, Vol. 1 [live] Inner City 1975 Swiss Nights, Vol. 2 [live] Steeple Chase 1975 Swiss Nights, Vol. 3 Steeple Chase 1975 Something Different Steeple Chase 1975 Bouncin' with Dex Steeple Chase 1976 Strings and Things Steeple Chase 1976 Lullaby for a Monster Steeple Chase 1976 Biting the Apple Steeple Chase 1976 Featuring Joe Newman Monad 1976 Homecoming: Live at the Village Columbia Vanguard - 2 - 1976 True Blue Xanadu 1977 Sophisticated Giant Columbia 1977 Midnight Dream West Wind 1978 Nights at the Keystone, Vols. 1-3 [live] Blue Note 1978 Nights at the Keystone, Vol. 2 [live] Blue Note 1978 Nights at the Keystone, Vol. 1 [live] Blue Note 1978 Nights at the Keystone, Vol. 3 [live] Blue Note 1978 Great Encounters Columbia 1978 Manhattan Symphonie Columbia 1980 Gotham City Columbia 1981 Jive Fernando Chiaroscuro 1985 'Round Midnight Columbia 1985 The Other Side of Round Midnight Blue Note 1990 Jazz Concert: West Coast [live] Savoy 1995 Dexter Gordon & Joe Newman Monad 1995 Dexterity Jazz World 1995 Those Were the Days Moon 1995 Gordon Cantata Westwind 1996 There Will Never Eclipse Music 1996 Swedish Nights Steeple Chase 1996 Backstairs E.J. 1997 Tenor Titans Storyville 1997 Bebop Masters Indigo 1998 Live at Montmartre Jazz Colours 2001 L.T.D. Live at the Left Bank Prestige 2001 Lionel Hampton Presents Dexter Gordon Who's Who In Jazz 2001 Hot and Cool West Wind 2001 Lionel Hampton and Dexter Gordon Allegro (in rosso i dischi maggiormente consigliati) Bibliografia "Long Tall Dexter - the discography of Dexter Gordon", Thorbjørn Sjøgren, Copenhagen 1986. "Long Tall Dexter - a critical musical biography of Dexter Gordon", Stan Britt, Quartet Books 1989. (contiene una breve discografia) "More than you know - Dexter Gordon i Danmark", Leonard Malone, Ashehoug 1996 (Copenhagen). (in danese, in preparazione versione in inglese) - 3 - Link http://hotel.prosa.dk/~jes/dexter/ http://members.aol.com/jaz206/profiles/gordon.html/ - 4 - .
Recommended publications
  • Sellafield Magazine: Issue 7

    Sellafield Magazine: Issue 7

    Editor's Letter Editor’s Letter British engineering making a hole lot of difference page 54 his issue of Sellafield Magazine comes later than originally advertised. As a publicly funded organisation we minimised our communication Tactivity in the run up to the General Election in June. It is our home within the civil service and as a subsidiary of the Nuclear Aspiring young writers visit Sellafield Decommissioning Authority that prompted another highlight from the page 70 last few months. Our digital home has moved. We are now part of the GOV.UK platform. You can read more about the transition of our website on page 63 and don’t forget to save our new address to your favourites: www.gov.uk/sellafieldltd We have been busy since our last issue so our pages are bursting with stories about the progress we are making on the Sellafield site. You can read about the doors we have installed into the side of an old waste silo on page 54; about the robots our supply chain partner Forth Engineering have developed to help us complete radiological surveys on page 12; and find out everything you need to know about our Site Ion Exchange Plant in the latest of our ‘In Focus’ series on page 50. Our new website: www.gov.uk/sellafieldltd is now live page 63 At a corporate level, we have published our new strategy as well as our transformation plan. Together they provide an overview of our direction and our approach to fundamental and far-reaching changes in our organisation.
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters

    The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters

    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
  • Charles Ruggiero's "Tenor Attitudes": an Analytical Approach to Jazz

    Charles Ruggiero's "Tenor Attitudes": an Analytical Approach to Jazz

    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences Nicholas Vincent DiSalvio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation DiSalvio, Nicholas Vincent, "Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences" (2016). LSU Doctoral Dissertations. 1. https://digitalcommons.lsu.edu/gradschool_dissertations/1 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CHARLES RUGGIERO’S “TENOR ATTITUDES”: AN ANALYTICAL APPROACH TO JAZZ STYLES AND INFLUENCES A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Nicholas Vincent DiSalvio B.M., Rowan University, 2009 M.M., Illinois State University, 2013 May 2016 For my wife Pagean: without you, I could not be where I am today. ii ACKNOWLEDGEMENTS I would first like to thank my committee for their patience, wisdom, and guidance throughout the writing and revising of this document. I extend my heartfelt thanks to Dr. Griffin Campbell and Dr. Willis Delony for their tireless work with and belief in me over the past three years, as well as past professors Dr.
  • Robert GADEN: Slim GAILLARD

    Robert GADEN: Slim GAILLARD

    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
  • Undercurrent (Blue Note)

    Undercurrent (Blue Note)

    Kenny Drew Undercurrent (Blue Note) Undercurrent Freddie Hubbard, trumpet; Hank Mobley, tenor sax; Kenny Drew, piano; Sam Jones, bass; Louis Hayes, drums. 1. Undercurrent (Kenny Drew) 7:16 Produced by ALFRED LION 2. Funk-Cosity (Kenny Drew) 8:25 Cover Photo by FRANCIS WOLFF 3. Lion's Den (Kenny Drew) 4:53 Cover Design by REID MILES 4. The Pot's On (Kenny Drew) 6:05 Recording by RUDY VAN GELDER 5. Groovin' The Blues (Kenny Drew) 6:19 Recorded on December 11, 1960, 6. Ballade (Kenny Drew) 5:29 Englewood Cliffs, NJ. The quintet that plays Kenny Drew's music here had never worked as a unit before the recording but the tremendous cohesion and spirit far outdistances many of today's permanent groups in the same genre. Of course, Sam Jones and Louis Hayes have been section mates in Cannonball Adderley's quintet since 1959 and this explains their hand-in- glove performance. With Drew, they combine to form a rhythm trio of unwavering beat and great strength. The two hornmen are on an inspired level throughout. Hank Mobley has developed into one of our most individual and compelling tenor saxophonists. His sound, big and virile, seems to assert his new confidence with every note. Mobley has crystallized his own style, mixing continuity of ideas, a fine sense of time and passion into a totality that grabs the listener and holds him from the opening phrase. Freddie Hubbard is a youngster but his accomplished playing makes it impossible to judge him solely from the standpoint of newcomer. This is not to say that he is not going to grow even further as a musician but that he has already reached a level of performance that takes some cats five more years to reach.
  • Dexter Gordon Doin' All Right + a Swingin' Affair Mp3, Flac, Wma

    Dexter Gordon Doin' All Right + a Swingin' Affair Mp3, Flac, Wma

    Dexter Gordon Doin' All Right + A Swingin' Affair mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Doin' All Right + A Swingin' Affair Country: Europe Released: 2013 Style: Hard Bop, Post Bop MP3 version RAR size: 1122 mb FLAC version RAR size: 1983 mb WMA version RAR size: 1754 mb Rating: 4.3 Votes: 382 Other Formats: MPC VOX ASF MMF FLAC DTS MP2 Tracklist Doin' Allright 1-1 I Was Doing All Right 1-2 You've Changed 1-3 For Regulars Only 1-4 Society Red 1-5 It's You Or No One 1-6 I Want More 1-7 For Regulars Only (alt Take) A Swingin' Affair 2-1 Soy Califa 2-2 Don't Explain 2-3 You Stepped Out Of A Dream 2-4 Tha Backbone 2-5 (It Will Have To Do) Until The Real Thing Comes Along 2-6 McSplivens Companies, etc. Phonographic Copyright (p) – Universal International Music B.V. Copyright (c) – Universal International Music B.V. Credits Producer – Alfred Lion (tracks: 1-1 to 1-7, 2-1 to 2-6) Reissue Producer – Michael Cuscuna (tracks: 1-1 to 1-7, 2-1 to 2-6) Remastered By – Rudy Van Gelder (tracks: 1-1 to 1-7, 2-1 to 2-6) Notes ©+℗ 2013 Universal International Music B.V. ALBUM 1: Doin' Allright - Label code: 00724359650425 - Original Album Label: Blue Note 96503 - Recorded on May 6, 1961 by Rudy Van Gelder - Tracks 1-6, 1-7 not part of original LP - Remastered in 2003 by Rudy Van Gelder - ©+℗ 2004 Blue Note Records ALBUM 2: Swingin' Affair - Label code: 00077778413325 - Original Album Label: Blue Note 84133 - Remasterd in 2005 by Rudy Van Gelder - ©+℗ 2006 Blue Note Records Barcode and Other Identifiers Barcode: 0600753471142 Rights Society: BIEM/SDRM Label Code: LC 01846 Matrix / Runout (CD1): 07243 596 504-2 01 + 53412723 Mastering SID Code (CD1): IFPI LV27 Mould SID Code (CD1): IFPI 0139 Matrix / Runout (CD2): 00777 784 133-2 01 * 53412693 Mastering SID Code (CD2): IFPI LV26 Mould SID Code (CD2): IFPI 0120 Related Music albums to Doin' All Right + A Swingin' Affair by Dexter Gordon 1.
  • Impex Records and Audio International Announce the Resurrection of an American Classic

    Impex Records and Audio International Announce the Resurrection of an American Classic

    Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics.
  • Disability and Music

    Disability and Music

    th nd 19 November to 22 December UKDHM 2018 will focus on Disability and Music. We want to explore the links between the experience of disablement in a world where the barriers faced by people with impairments can be overwhelming. Yet the creative impulse, urge for self expression and the need to connect to our fellow human beings often ‘trumps’ the oppression we as disabled people have faced, do face and will face in the future. Each culture and sub-culture creates identity and defines itself by its music. ‘Music is the language of the soul. To express ourselves we have to be vibrating, radiating human beings!’ Alasdair Fraser. Born in Salford in 1952, polio survivor Alan Holdsworth goes by the stage name ‘Johnny Crescendo’. His music addresses civil rights, disability pride and social injustices, making him a crucial voice of the movement and one of the best-loved performers on the disability arts circuit. In 1990 and 1992, Alan co- organised Block Telethon, a high-profile media and community campaign which culminated in the demise of the televised fundraiser. His albums included Easy Money, Pride and Not Dead Yet, all of which celebrate disabled identity and critique disabling barriers and attitudes. He is best known for his song Choices and Rights, which became the anthem for the disabled people’s movement in Britain in the late 1980s and includes the powerful lyrics: Choices and Right That’s what we gotta fight for Choices and rights in our lives I don’t want your benefit I want dignity from where I sit I want choices and rights in our lives I don’t want you to speak for me I got my own autonomy I want choices and rights in our lives https://youtu.be/yU8344cQy5g?t=14 The polio virus attacked the nerves.
  • Charles Mcpherson Leader Entry by Michael Fitzgerald

    Charles Mcpherson Leader Entry by Michael Fitzgerald

    Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d.
  • Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material

    Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material

    BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4.
  • Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes

    Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes

    CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey.
  • Savoy and Regent Label Discography

    Savoy and Regent Label Discography

    Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.