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Barrington Pheloung's Cv
BARRINGTON PHELOUNG’S CV 2004/05 FILMS SHOPGIRL Production Company: Hyde Park Entertainment Directed by: Anand Tucker Produced by: Jon Jashni, Ashok Amritraj & Steve Martin Written by: Steve Martin LITTLE FUGITIVE Production Company: Little Fugitive Directed by: Joanna Lipper Produced by: Joanna Lipper, Vince Maggio, Nicholas Paleologos & Fredrick Zollo Written by: Joanna Lipper A PREVIOUS ENGAGEMENT Production Company: Bucaneer Films Directed by: Joan Carr-Wiggin Produced by: Joan Carr-Wiggin , David Gordian & Damita Nikapota Written by: Joan Carr-Wiggin TELEVISION IMAGINE: SMOKING DIARIES Directed by: Margy Kinmonth Production Company: BBC THE WORLD OF NAT KING COLE Produced by: Kari Lia Production Company: Double Jab Productions 2002/03 FILMS TOUCHING WILD HORSES Production Company: Animal Tales Productions Inc. Directed by: Eleanore Lindo Produced by: Lewis B. Chesler, David M. Perlmutter, Frank Huebner, Rob Vaughan Written by: Murray McRae TELEVISION THE STRANGE TALE OF BARRY WHO Directed by: Margy Kinmonth Documentary on Barry Joule Produced by: Margy Kinmonth/Sam Organ Production Company: Darlowsmithson Productions For BBC4. MOVE TO LEARN Directed by: Sheila Liljeqvist Documentary for Video Produced by: Sheila Liljeqvist and Barbara Pheloung Australian documentary, children with learning difficulties. SHORTS ARDEEVAN Short Feature film made in the UK. Directed and Produced by: Jonathan Richardson NIGHT’S NOONTIME Short Feature film made in the Canada. Executive Producers: Richard Clifford & Amar Singh Produced by: Hanna Tower Directed -
Equipment Roster
Location 3400 NE Grand Blvd. Oklahoma City, OK 73111 (405) 424-8222 Conveniently located just a half mile west of Interstate 35 off Exit 131 (NE 36th Street), on historic Grand Boulevard. - Half-mile east of Martin Luther King Boulevard - Just south of Lincoln Park Golf Course - 1 mile south of the Oklahoma City Zoo Oklahoma Railway Museum 3400 NE Grand Blvd. Oklahoma City, OK 73111 (405) 424-8222 www.oklahomarailwaymuseum.org EQUIPMENT ROSTER 40 1 Oklahoma Railway Museum The Oklahoma Railway Museum, Ltd. Bridge Logos (ORM) offers 35-minute excursion trains on the first and third Saturdays of each month for the public from 10 am until 4 pm starting the first Saturday in April. The trains leave the historic Oakwood Depot at 9:15, 11:15, 1:15 and 3:15 The Museum itself is open Thursday - Saturday from 9 am to 4 pm and there is no admission charge to tour the grounds. Train rides are free for children under the age of 3, $5 for children 3 years to 12 years, and These Frisco and Rock Island Railroad $12 for those 13 years and older. In heralds were displayed for almost 80 years addition to the train ride, railroad (1931-2010) on Oklahoma City’s South equipment, including motor cars, Robinson Street Bridge. The bridge was locomotives and passenger cars, are on located approximately a half mile east of display. A display car contains permanent Union Station and allowed both railroads to exhibits of railroad memorabilia. pass above Robinson to access to the station. The bridge was torn down to make Oakwood Station way for a new bridge with the rerouting of the I-40 crosstown expressway. -
Julia Smith Lighting CV.Pages
CV Lighting Designer Julia Smith 1991: BBC camera trainee - Studios, Film & OBs 1992: BBC camera woman 1996: BBC Lighting & vision operator (racks) 1999: BBC Lighting & vision supervisor (console operator) 2002: Freelance Lighting director & console operator Production History Lighting Designer Rob Beckett’s Playing for Rumpus Media Channel 4 Hospital Studios Time The Darkness of John Phil McIntyre TV Not broadcast as yet BBC Radio Theatre Robbins Tim Vine Travels in Time Baby Cow Productions BBC1 Pinewood Studios Citizen Khan BBC Comedy BBC 1 Dock 10 Yes Primeminister BBC Comedy UKTV TVC Lighting Director - original designs by other Lighting designers Harry Hill’s Alien Fun Capsule CPL Productions ITV 1 TLS Live From the BBC Phil McIntyre TV BBC2 BBC Radio Theatre Cats Do Countdown Zeppatron Productions Channel 4 Dock 10 Eggheads 12 Yard Productions BBC1 BBC2 BBC Scotland Perfection 12 Yard Productions BBC1 BBC Scotland Who Dares Wins 12 Yard Productions BBC1 BBC Scotland Russel Howard’s Good News Avalon BBC2 BBC3 Riverside Studios Sheperton, TLS Unspun with Matt Ford Avalon Dave TLS Question of Sport BBC Entertainment BBC1 Dock 10 Insert Name Here 12 Yard Productions BBC2 Pinewood Studios Football on Five Sunset & Vine Channel 5 Sky Studios Various BT Sport Timeline BT Sport Channel International Broadcasting programmes Centre Dog Ate my homework BBC Children’s Glasgow CBBC Pacific Quay !1 of !3 Production History Vision Supervisor or Console Operator Sitcom Upstart Crow BBC Comedy BBC 2 TLS Not Going Out Avalon BBC 1 TVC, Teddington -
NPO-Fonds Presentatie Cijfers 2018
CIJFERS 2018 Gebaseerd op 1 jaar feitelijke gegevens NPO-fonds (met uitzondering van de diverse talentontwikkelingstrajecten) !1 ALGEMEEN 2018 !2 Hoeveel aanvragen zijn er in totaal bij het NPO-fonds ingediend en toegekend? 2018 !3 TOTAAL INGEDIENDE AANVRAGEN Ontwikkeling Productie Totaal 160 153 140 120 100 89 81 80 72 60 47 40 42 40 30 24 15 20 10 9 0 Video drama Video documentaire Audio Totaal 2018 !4 TOTAAL TOEGEKENDE AANVRAGEN Ontwikkeling Productie Totaal 100 91 90 80 70 56 60 51 50 40 40 28 28 30 22 17 20 13 7 10 5 6 0 Video drama Video documentaire Audio Totaal 2018 !5 TOTAAL SLAGINGS% Ontwikkeling Productie Totaal 100% 80% 67% 67% 63% 63% 60% 59% 60% 57% 55% 54% 50% 52% 47% 40% 20% 0% Video drama Video documentaire Audio Totaal 2018 !6 Hoe is de verhouding tussen indieningen en toekenningen per omroep? 2018 !7 TOTAAL INGEDIEND PER OMROEP Ontwikkeling Productie Totaal 40 34 34 35 30 25 26 25 19 18 20 15 16 16 15 13 15 12 11 9 9 10 7 8 5 4 4 4 5 1 0 1 0 EO MAX NTR VPRO HUMAN BNNVARA AVROTROS KRO-NCRV 2018 !8 TOTAAL TOEGEKEND PER OMROEP Ontwikkeling Productie Totaal 25 20 19 20 18 18 15 13 9 10 10 9 9 10 7 8 7 5 6 5 3 3 5 2 1 0 0 0 0 EO MAX NTR VPRO HUMAN BNNVARA AVROTROS KRO-NCRV 2018 !9 2018 59% 52% 63% 69% Gemiddeld 60% 82% VPRO 80% 78% 81% NTR Totaal 0% 0% MAX 53% 50% Productie 56% !10 54% KRO-NCRV 50% OMROEP 56% HUMAN 56% Ontwikkeling 53% EO 60% 38% 75% TOTAAL SLAGINGS% PER 0% 50% BNNVARA 20% 71% AVROTROS 0% 20% 10% 90% 80% 70% 60% 50% 40% 30% Hoeveel geld is er in totaal toegekend? 2018 !11 2018 € 15.978.099 € 8.927.107 € 7.251.100 -
What Is a Lighting Director?
What is a lighting director by Martin Kempton What is a lighting director? Simply put - a lighting director designs the lighting for multi-camera television productions. He or she instructs the crew of electricians in their work in addition to guiding the team of operators who usually sit with the LD in the lighting control room. All this while working closely with the director and the rest of the production team to deliver the best possible pictures. However, there's rather more to it than that, and on this page on the website I explain where LDs work, what kinds of shows LDs work on and give some of the background to what we do. It's important to point out right away that simple 'illumination' is actually a relatively unimportant part of our work. Current TV cameras are capable of operating in very low light levels so it would be quite possible to see what was going on in most studios simply by switching on the houselights. Fortunately, producers and directors realise that the result would look pretty awful. Another thing is also worth making clear – a lighting director is not an electrician. He or she might have been once, but an LD is not another name for a crew chief or gaffer. Most television LDs do not have electrical qualifications, although some may have. In any case, this is not a requirement of the job. The electrical supervisor (gaffer) is in charge of realising the LD’s design in the studio from the rigging and electrical point of view. -
Proceedings of the 2015 Joint Rail Conference JRC2015 March23-26, 2015, San Jose, CA, USA
Proceedings of the 2015 Joint Rail Conference JRC2015 March23-26, 2015, San Jose, CA, USA DRAFT JRC2015-5621 STUDY ON IMPROVING RAIL ENERGY EFFICIENCY (E2): BEST PRACTICES AND STRATEGIES Dr. Aviva Brecher Melissa Shurland USDOT USDOT Volpe National Transportation Center Federal Railroad Administration Energy Analysis and Sustainability Washington, DC, USA Cambridge, MA, USA ABSTRACT development test and evaluation (RDT&E)on advanced A recent Volpe Center report [1] for the Federal equipment (electric and hybrid, or dual fuel locomotives), or Railroad Administration’s (FRA) Rail Energy, Environment, alternative fuels (biodiesel, CNG/LNG, Fuel cells/Hydrogen); and Engine (E3) Technology research and development participation in international rail organizations (UIC) and trade program reviewed rail industry best practices (BPs) and associations (AAR, AREMA, APTA, AASHTO), and strategies for improving energy efficiency (E2) and partnering with regional and State environmental protection environmental sustainability. The review included examples of agencies for cross-enterprise E2 and sustainability and opportunities for adoption of international transferrable improvements. BPs, and US technologies for equipment, operations and logistics software tools that have measurably improved E2 INTRODUCTION performance for passenger and freight railroads. Drivers providing renewed impetus for rail industry E2 advances Although the primary FRA mission is to preserve, include environmental compliance requirements with US enforce, and enhance rail safety, -
Jarin Van Oort
Curriculum Vitae - Jarin van Oort Persoonlijke gegevens: Volledige naam en titel: ing. Jasper Christiaan (Jarin) van Oort Adres: Smidsgilde 21, 3994 BG Houten Telefoonnummer: 06-16408076 E-mail: [email protected] LinkedIn profiel: linkedin.com/in/jarin Geboortedatum: 26 november 1976 Professionele werkervaring: 2011 – heden: Leading Projects (Houten) Zelfstandig Projectmanager in ICT / Multimedia • 18 jaar achtergrond in Telecom/Broadcasting (HTS Telematica, KPN, Imtech, EO, Solcon, NPO, AVROTROS, BVN TV, KRO-NCRV, e.a.) en Universiteit Leiden • Ervaren in specialistische ICT-projecten: Streaming Video, IPTV, Multimedia, Telecom en Infrastructuur, 24/7 realtime omgevingen Recente opdrachtgevers: § KRO-NCRV (National Broadcaster) 2017 Sr. Projectmanager&Consultant Vernieuwing externe netwerk-infrastructuur KRO-NCRV (firewalls, glasvezel- infrastructuur TV / Radio / Data); Verbeteronderzoek Videomontage-workflow; Coaching teamleiders (Agile, projectleiding); Sparring partner t.b.v. ICT-manager Marktoriëntaties (Ericsson, NEP, KPN, etc.), Programma van Eisen, Aanbesteding, Implementatie § Universiteit Leiden 2014-2016 Sr. Projectmanager&Consultant Aanbesteding en implementatie Cloud Video Platform t.b.v. 30.000 users; Integratie in Blackboard (SSO); Publieke portal (video.leidenuniv.nl); SAML-integratie campus Identity Management; Migratie video content; Opstart supportorganisatie Programma van Eisen; Aanbesteding; Pilots; Leveranciersmanagement; Stuurgroep; Supportproces § AVROTROS (National Broadcaster) 2015 Consultant Onderzoek -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
CAST BIOS TOM RILEY (Leonardo Da Vinci) Tom Has Been Seen in A
CAST BIOS TOM RILEY (Leonardo da Vinci) Tom has been seen in a variety of TV roles, recently portraying Dr. Laurence Shepherd opposite James Nesbitt and Sarah Parish in ITV1’s critically acclaimed six-part medical drama series “Monroe.” Tom has completed filming the highly anticipated second season which premiered autumn 2012. In 2010, Tom played the role of Gavin Sorensen in the ITV thriller “Bouquet of Barbed Wire,” and was also cast in the role of Mr. Wickham in the ITV four-part series “Lost in Austen,” alongside Hugh Bonneville and Gemma Arterton. Other television appearances include his roles in Agatha Christie’s “Poirot: Appointment with Death” as Raymond Boynton, as Philip Horton in “Inspector Lewis: And the Moonbeams Kiss the Sea” and as Dr. James Walton in an episode of the BBC series “Casualty 1906,” a role that he later reprised in “Casualty 1907.” Among his film credits, Tom played the leading roles of Freddie Butler in the Irish film Happy Ever Afters, and the role of Joe Clarke in Stephen Surjik’s British Comedy, I Want Candy. Tom has also been seen as Romeo in St Trinian’s 2: The Legend of Fritton’s Gold alongside Colin Firth and Rupert Everett and as the lead role in Santiago Amigorena’s A Few Days in September. Tom’s significant theater experiences originate from numerous productions at the Royal Court Theatre, including “Paradise Regained,” “The Vertical Hour,” “Posh,” “Censorship,” “Victory,” “The Entertainer” and “The Woman Before.” Tom has also appeared on stage in the Donmar Warehouse theatre’s production of “A House Not Meant to Stand” and in the Riverside Studios’ 2010 production of “Hurts Given and Received” by Howard Barker, for which Tom received outstanding reviews and a nomination for best performance in the new Off West End Theatre Awards. -
“Doukhobor” Switchers “Doukhobor” Switchers T
“Doukhobor” Switchers Canadian Pacific's V1 Class 0-8-0 by Jeff Pinchbeck hroughout the Canadian Pacific system, switching The V1 class was rebuilt from two orders of locomotives locomotives worked day in and day out without attracting manufactured in 1898 by Baldwin Locomotive Works, Tthe sort of attention that some of their main line sisters Philadelphia, Pennsylvania and American Locomotive received. The U3 class of six-coupled locomotives was the most Company at its Richmond, Virginia plant. True to design common of the CP switchers and perhaps the first that comes practices of the day, the locomotives were built compounded1, to mind. Almost 200 of these locomotives were built and non-superheated2 and deckless3. The Richmond order comprised distributed throughout the CP system: U3a engines, numbered of Pittsburg4 compound locomotives with “D” slide valves and 6101-6130; 3 U3b engines, 6140-6142; 66 U3c engines, 6143- Belpaire fireboxes. This feature was not commonly seen on CP 6208, 51 U3d engines, 6209-6259 and 45 U3e engines, 6260- locomotives. The Baldwin order were Vauclain5 compounds 6304; total 195 engines. The later U3d/e classes were modern, with piston valves, another feature not common on CP. When these efficient, sure-footed locomotives that were capable of working locomotives were delivered, they were designated S.E. 2 class. in almost any track conditions. But even as those classes were on a drawing board, the CP was converting other locomotives The S.E. 2 class locomotives were originally assigned in the to help handle the switching needs created by the ever-expanding mountains to serve as pushers on the “Big Hill” and other grain harvest. -
Miptv 2020 Producers to Watch Contents
MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO(BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary