A Brief Chinese Chronology the Traditional Way of Dividing Chinese
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
The Rise of Agricultural Civilization in China: the Disparity Between Archeological Discovery and the Documentary Record and Its Explanation
SINO-PLATONIC PAPERS Number 175 December, 2006 The Rise of Agricultural Civilization in China: The Disparity between Archeological Discovery and the Documentary Record and Its Explanation by Zhou Jixu Center for East Asian Studies, University of Pennsylvania, Philadelphia, Pennsylvania Chinese Department, Sichuan Normal University, Chengdu, Sichuan Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. -
Handbook of Chinese Mythology TITLES in ABC-CLIO’S Handbooks of World Mythology
Handbook of Chinese Mythology TITLES IN ABC-CLIO’s Handbooks of World Mythology Handbook of Arab Mythology, Hasan El-Shamy Handbook of Celtic Mythology, Joseph Falaky Nagy Handbook of Classical Mythology, William Hansen Handbook of Egyptian Mythology, Geraldine Pinch Handbook of Hindu Mythology, George Williams Handbook of Inca Mythology, Catherine Allen Handbook of Japanese Mythology, Michael Ashkenazi Handbook of Native American Mythology, Dawn Bastian and Judy Mitchell Handbook of Norse Mythology, John Lindow Handbook of Polynesian Mythology, Robert D. Craig HANDBOOKS OF WORLD MYTHOLOGY Handbook of Chinese Mythology Lihui Yang and Deming An, with Jessica Anderson Turner Santa Barbara, California • Denver, Colorado • Oxford, England Copyright © 2005 by Lihui Yang and Deming An All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Yang, Lihui. Handbook of Chinese mythology / Lihui Yang and Deming An, with Jessica Anderson Turner. p. cm. — (World mythology) Includes bibliographical references and index. ISBN 1-57607-806-X (hardcover : alk. paper) — ISBN 1-57607-807-8 (eBook) 1. Mythology, Chinese—Handbooks, Manuals, etc. I. An, Deming. II. Title. III. Series. BL1825.Y355 2005 299.5’1113—dc22 2005013851 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116–1911 This book is printed on acid-free paper. -
Ideology of Power and Power of Ideology in Early China
iii Ideology of Power and Power of Ideology in Early China Edited by Yuri Pines Paul R. Goldin Martin Kern LEIDEN | BOSTON For use by the Author only | © 2015 Koninklijke Brill NV ContentsContents v Contents Contents v Acknowledgments vii List of Contributors viii Introduction Ideology and Power in Early China 1 Yuri Pines Part One The Foundations: Unity, Heaven, and Ancestral Models 1 Representations of Regional Diversity during the Eastern Zhou Dynasty 31 Paul R. Goldin 2 Omens and Politics: The Zhou Concept of the Mandate of Heaven as Seen in the Chengwu 程寤 Manuscript 49 Luo Xinhui 羅新慧 3 Long Live The King! The Ideology of Power between Ritual and Morality in the Gongyang zhuan 公羊傳 69 Joachim Gentz 4 Language and the Ideology of Kingship in the “Canon of Yao” 118 Martin Kern Part Two Textual Battles: Rulers, Ministers, and the People 5 Monarch and Minister: The Problematic Partnership in the Building of Absolute Monarchy in the Han Feizi 韓非子 155 Romain Graziani 6 The Changing Role of the Minister in the Warring States: Evidence from the Yanzi chunqiu 晏子春秋 181 Scott Cook 7 Ideologies of the Peasant and Merchant in Warring States China 211 Roel Sterckx 8 Population Records from Liye: Ideology in Practice 249 Charles Sanft For use by the Author only | © 2015 Koninklijke Brill NV vi Contents Epilogue Ideological Authority in China: Past and Present 9 Political and Intellectual Authority: The Concept of the “Sage-Monarch” and Its Modern Fate 273 Liu Zehua 劉澤華 Bibliography 301 Index 337 Contents Contents v Acknowledgments vii List of Contributors -
Ancient Chinese Seasons Cylinder (The Four Beasts)
A Collection of Curricula for the STARLAB Ancient Chinese Seasons Cylinder (The Four Beasts) Including: The Skies of Ancient China I: Information and Activities by Jeanne E. Bishop ©2008 by Science First/STARLAB, 95 Botsford Place, Buffalo, NY 14216. www.starlab.com. All rights reserved. Curriulum Guide Contents The Skies of Ancient China I: Information and Activities The White Tiger ..............................................14 Introduction and Background Information ..................4 The Black Tortoise ............................................15 The Four Beasts ......................................................8 Activity 2: Views of the Four Beasts from Different The Blue Dragon ...............................................8 Places in China ....................................................17 The Red Bird .....................................................8 Activity 3: What’s Rising? The Four Great Beasts as Ancient Seasonal Markers .....................................21 The White Tiger ................................................8 Activity 3: Worksheet ......................................28 The Black Tortoise ..............................................9 Star Chart for Activity 3 ...................................29 The Houses of the Moon ........................................10 Activity 4: The Northern Bushel and Beast Stars .......30 In the Blue Dragon ...........................................10 Activity 5: The Moon in Its Houses ..........................33 In the Red Bird ................................................10 -
The Legendary Emperors
Indiana University, History G380 – class text readings – Spring 2010 – R. Eno 1.3 THE LEGENDARY EMPERORS During the Classical era, the patrician elite was highly concerned with learning about the past and understanding the lessons it taught. In some cases, the effort was a sincere attempt to become enlightened; in other cases, the search for the past was actually a search for more practical tools, such as justifications for contemporary political goals. It is unclear to us just how much material was actually available for constructing an account of the distant past. What is clear is that the narratives of China’s earliest history were cobbled together out of a mix of outright myths, legends with some historical basis, and the political and ethical prejudices of their authors. It is easiest to conceive of the narrative of the past as being constructed backwards from the early Zhou. The Zhou people knew that before them had come a series of rulers belonging to a single ruling house, the Shang Dynasty. A clear picture existed for only a few Shang kings, but the Shang founder, at least, was seen as an heroic man, quite similar in many ways to the Zhou founders. Prior to the Shang, it was believed that there had been a dynasty called the Xia. Although these kings were mostly indistinguishable, again, the founding king, a man known as the Emperor Yu, was clearly conceived. Yu represents a transitional figure. Prior to Yu, history was seen as a succession of emperors, mostly sages, rather than as a succession of dynasties. -
Han Dynasty Classicism and the Making of Early Medieval Literati Culture
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 In Pursuit of the Great Peace: Han Dynasty Classicism and the Making of Early Medieval Literati Culture Lu Zhao University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Asian History Commons Recommended Citation Zhao, Lu, "In Pursuit of the Great Peace: Han Dynasty Classicism and the Making of Early Medieval Literati Culture" (2013). Publicly Accessible Penn Dissertations. 826. https://repository.upenn.edu/edissertations/826 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/826 For more information, please contact [email protected]. In Pursuit of the Great Peace: Han Dynasty Classicism and the Making of Early Medieval Literati Culture Abstract This dissertation is focused on communities of people in the Han dynasty (205 B.C.-A.D. 220) who possessed the knowledge of a corpus of texts: the Five Classics. Previously scholars have understood the popularity of this corpus in the Han society as a result of stiff ideology and imperial propaganda. However, this approach fails to explain why the imperial government considered them effective to convey propaganda in the first place. It does not capture the diverse range of ideas in classicism. This dissertation concentrates on Han classicists and treats them as scholars who constantly competed for attention in intellectual communities and solved problems with innovative solutions that were plausible to their contemporaries. This approach explains the nature of the apocryphal texts, which scholars have previously referred to as shallow and pseudo-scientific. -
Brief Note: the Origin of the Yellow Emperor Era Chronology
origin of yellow emperor chronology alvin p. cohen Brief Note The Origin of the Yellow Emperor Era Chronology uring the period leading up to the Chinese lunar New Year, we D often hear statements that the coming year will be a number on the magnitude of 4700, e.g., in 2010 ce the Chinese lunar New Year was variously said to be 4647, 4706, 4707, or 4708. These high numbers are said to be the year according to the Yellow Emperor Era Calendar (Huangdi jiyuan 黃帝紀元).1 Although these dates give the impression of great antiquity, my study shows that this calendar was actually cre- ated by Liu Shipei 劉師培 (1884–1919), one of the leading conservative anti-Manchu revolutionaries. Having conceived the calendar as a way of emphasizing the unbroken unity of the Han race and Han culture, Liu introduced it publicly in a newspaper article published in the year 1903. Although Liu’s role in the creation of the Yellow Emperor Era Chronology has been noted by various scholars, both Chinese and non- Chinese, this essay demonstrates that it is unambiguously a product of the early twentieth century, and its dating has no antecedent in either legend or history. Consequently, outside of discussions of modern Chi- nese nationalism, the Yellow Emperor Era has no relevance for any serious discussion of Chinese history. The Yellow Emperor Calendar is similar to other long-term calen- drical systems with their beginnings in remote or mythological antiquity that often masked nationalistic implications. For example, the Jewish calendar, starting at the creation of the world in 3760 bce,2 was devised by adding up the “begots” in Genesis and other books of the Old Testament – a calendar that is currently used on the coinage issued by the state of Israel. -
Researching the Image of the Yellow Emperor in China's Early
Journal of chinese humanities 3 (���7) 48-7� brill.com/joch Researching the Image of the Yellow Emperor in China’s Early Textual Sources and Archaeological Materials Su Xiaowei 蘇曉威 Associate Professor of Language and Culture, Tianjin University, China [email protected] Translated by Caterina Weber Abstract In China’s early textual sources and archaeological materials, the Yellow Emperor 黄帝 appears in the following three contexts: in genealogical records, among predynastic rulers, and in sacrificial rituals. The earliest appearance of the Yellow Emperor is prob- ably in genealogical records; then, after being an ancestral ruler, he becomes the earliest emperor and a legendary ruler. This demonstrates his shift from an ancestral context to a monarchic context and illustrates the gradual yet colossal shift in ancient Chinese political thought from a system of enfeoffment built on blood relations to a system of prefectures and counties based on regional ties. The image of the Yellow Emperor in the context of sacrifice is closely linked to the yin-yang and five elements theories begin- ning in the later stage of the Warring States period; as society developed, this image also became associated with a certain Daoist path, thereby acquiring a religious value. Keywords ancient rulers – genealogy – Huang di – sacrificial rites – Yellow Emperor * The author thanks Professor Cao Feng at the School of Philosophy, Renmin University of China, for his valuable suggestions on this article and his help in locating textual sources. © koninklijke brill nv, leiden, ���7 | doi �0.��63/�35��34�-��Downloaded340043 from Brill.com10/01/2021 03:35:30AM via free access Researching the Image of the Yellow Emperor 49 Introduction Among the Daoist classics, one genre builds specifically on the myth of the Yellow Emperor 黄帝. -
Astrology and Cosmology in Early China: Conforming Earth to Heaven David W
Cambridge University Press 978-1-107-00672-0 - Astrology and Cosmology in Early China: Conforming Earth to Heaven David W. Pankenier Index More information Index AHeng (asterism), 244 uniqueness of Ding (Pegasus), Abrabanel, Don Isaac, 413, 417 145 Account of the Proferring Emperor (Xian di Vega-Altair, 377 zhuan ), 423 Warring States, in Kao gong ji , Against Aggressive Warfare (Fei gong ), 129 196, 256 and the Weaving Maid (star), 376 Airs of Yong (Yong feng ), 127 in Western Zhou, 126 Albumasar (Abu-Ma’shar),¯ 407, 411 zheng “correct,” 140 alignment in Zhou bi suan jing , 107 accuracy of, 122, 147 Align-the-Hall (lodge yingshi ), 35, 52, accuracy of in Egypt, 108, 117 53, 60, 61, 128, 129, 132, 144, 179, 195, astral, 95 318, 320, 321, 349, 375, 408, 409, 419, astral in Egypt, 98 428, 429, 432, 433, 435, 459, 470, 474, astronomical in Qin and Han, 317 477, 478, 481, 482, 489 cardinal, 11, 83 1953 BCE planetary massing in, 179 cardinal, in Huainanzi , 130 accuracy of polar alignment, 137 cardinal, in the Neolithic, 119 anciently included Eastern Wall, 135 cultural variability in, 100, 147 as Celestial Temple, 136, 144 of the Dipper, 271 Alioth, 372 Five Planets, 9, 206, 289, 301, 425 alignment function of, 374 Five Planets, in the Song Dynasty, 426 Allan, Sarah, 112, 116, 139, 206, 233, 241 Five Planets, in the Tang Dynasty, alligator 431 bones, 62 inaccuracy, 113, 122 drum, 62 of Luminous Hall (Mingtang ), 148, Neolithic trade in, 62 344 range in Neolithic, 62 Neolithic, at Puyang , 339 seasonal associations, 62 by Pegasus, 131, 137 seasonal behavior, 67 polar, 99, 101, 350 Yangtze, 62 polar, in Egypt, 109, 140 Altair, 376, 377, 454, 472. -
China Lesson
China Lesson By Mark <3 and Joey Our Essential Question How does the constant separation and unification of China’s Empire reflect it’s current state of excessive, yet unsuccessful, control? The Han nationality * Han nationality is the major part of Chinese population in ancient China and modern days. (Unite 2010 Han nationality still have 91.51% of Chinese’s total population) The Han nationality was be formed long time ago. “Han” also is the name of the most famous dynasty. The Beginning of Chinese history Mythology civilization The earliest form of ancient China is. Before Xia Dynasty there aren’t too much history recorded, people use mythology to remember a lot of Chinese history. Chinese mythology is very similar to mythologies from other ancient civilization that most system are rely on each other, not only Chinese mythologies have it’s unique system, but also there are the rudiment of chinese metaphysics or superstition religion. The Beginning of Chinese history Chinese history was start from Fuxi,Shennong, Yellow Emperor . After them Shaohao became the next leader by abdication system, then Zhuanxu,Emperor Ku,Emperor Yao,Shun and Yu. Yu is the first one who choice to change abdication system to system of First Son of the Lineal Descents Inheritance . Then the Xia Dynasty begin. Xia Dynasty Shang Dynasty Zhou Dynasty Xia Dynasty(2100BC-1600BC) 14 generations 17 kings ended by Jie . Shang Dynasty (1700BC-1100BC) Tang is the first king of Shang Dynasty, also who overthrown Xia Dynasty. 17 generations, 31kings. Ended by King Zhou. Zhou Dynasty (1100BC-256BC) The longest Dynasty in Chinese history. -
Culture Bearers
V 2 Culture Bearers A 'lircea Eliade has shown that in most mythologies there is a cen tral myth that describes the beginnings o f the world and that this cos mogonic myth is accompanied by a sequence o f myths that recount the origin o f plants, fire, medicine, animals, and human institutions (1984, 140-41). This was the primordial era o f divine beings, mythical ances tors, and culture heroes. Eliade also notes that “all the important acts o f life were revealed ab origine by gods or heroes” (1971,32). He points out that their value lay not in their cultural benefit per se but in the fact that the cultural benefit was first discovered by a god and revealed to humans by a god (ibid., 30,31). The rich variety o f Greek first-finders is matched by their Chinese parallels: Prometheus and the Fire Driller brought fire, Cadmus and Fu Hsi brought writing, Triptolemus and Hou Chi brought grain, Demeter (or Ceres) and the Farmer God brought agri culture, Athena brought horsemanship while Po Y i brought domestica tion o f animals and fowl, and Athena and Ch’ih Yu brought war and arms. But the surface equations of the divine functions of the Greek and Chinese traditions are immediately diminished when their myths are compared, for beyond simplistic similarities lies a great wealth o f particular differentiation. In most mythological accounts o f culture bearers or first-finders, importance is attached to the concern the gods feel for the physical well 40 Culture Bearers — 41 being and nourishment o f humans and to the great care they take to teach and show humans how to perform the cultural act, such as sow ing, weaving, hunting, or producing fire.