CCBC Choices 2018 Booklet
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Book of Abstracts: Studying Old Master Paintings
BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 1618 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 1618 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenthcentury 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From noninvasive insitu assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini -
Selected Highlights of Women's History
Selected Highlights of Women’s History United States & Connecticut 1773 to 2015 The Permanent Commission on the Status of Women omen have made many contributions, large and Wsmall, to the history of our state and our nation. Although their accomplishments are too often left un- recorded, women deserve to take their rightful place in the annals of achievement in politics, science and inven- Our tion, medicine, the armed forces, the arts, athletics, and h philanthropy. 40t While this is by no means a complete history, this book attempts to remedy the obscurity to which too many Year women have been relegated. It presents highlights of Connecticut women’s achievements since 1773, and in- cludes entries from notable moments in women’s history nationally. With this edition, as the PCSW celebrates the 40th anniversary of its founding in 1973, we invite you to explore the many ways women have shaped, and continue to shape, our state. Edited and designed by Christine Palm, Communications Director This project was originally created under the direction of Barbara Potopowitz with assistance from Christa Allard. It was updated on the following dates by PCSW’s interns: January, 2003 by Melissa Griswold, Salem College February, 2004 by Nicole Graf, University of Connecticut February, 2005 by Sarah Hoyle, Trinity College November, 2005 by Elizabeth Silverio, St. Joseph’s College July, 2006 by Allison Bloom, Vassar College August, 2007 by Michelle Hodge, Smith College January, 2013 by Andrea Sanders, University of Connecticut Information contained in this book was culled from many sources, including (but not limited to): The Connecticut Women’s Hall of Fame, the U.S. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circu
Author Title AR Book AR Interest Joyce, Melanie (Ls) Billy's Boy 1.6 0.5 MY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Pearson, Danny (Ls) Escape From The City 1.9 0.5 MY Pearson, Danny (Ls) Escape From The City 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Powell, Jillian (Ls) Cage Boy: Level 5 1.9 0.5 MY Gray, Kes Oi Goat!: World Book Day 2018 2 0.5 LY Hurn, Roger (Ls) Too Hot: Level 3 2 0.5 MY Thomas, Valerie Winnie Flies Again 2 0.5 LY Thomas, Valerie Winnie Flies Again 2 0.5 LY Adams, Spike T. (Ls) Evil Ink 2.1 0.5 UY Adams, Spike T. (Ls) Snap Kick 2.1 0.5 UY Clayton, David Hell-Ride Tonight! 2.1 0.5 MY Cullimore, Stan (Ls) Bubble Attack 2.1 0.5 UY Cullimore, Stan (Ls) Bubble Attack 2.1 0.5 UY Cullimore, Stan (Ls) Robert And The Werewolf 2.1 0.5 UY Cullimore, Stan (Ls) Robert And The Werewolf 2.1 0.5 UY Higson, Charlie Silverfin: The Graphic Novel 2.1 1 MY Lee, Janelle (Ls) Badu Boys Rule! 2.1 0.5 MY Orme, David Boffin Boy And The Emperor's Tomb 2.1 0.5 MY Powell, Jillian (Ls) Chip Boy 2.1 0.5 UY Tompsett, C.L. -
Henderson Street Names A
Henderson Street Names STREET NAMEP* FIRE SAM NUMBERING ADDRESS LOCATION MAP MAP STARTS/ENDS A Abbeystone Circle 3728-94 86 Mystical / 360’ CDS 2484-2495 Sunridge Lot 21 Abbington Street 3328-43 77 Courtland / Muirfield 300-381 Pardee GV South Abby Avenue 3231-64 120 Dunbar / Sheffield 1604-1622 Camarlo Park Aberdeen Lane 3229-23 102 Albermarle / Kilmaron 2513-2525 Highland Park Abetone Avenue 4226-16 422 CDS/Cingoli Inspirada Pod 3-1 Phase 2 Abilene Street (Private 3637-94, 260 Waterloo / Mission / San 901-910 Desert Highlands; Blk Mt Ranch within Blk Mtn Ranch) 3737-14 Bruno Ability Point Court 3533-48 169 Integrity Point / 231-234 Blk Mt Vistas Parcel C Unit 3 Abracadabra Avenue 3637-39 259 Hocus Pocus / Houdini 1168-1196 Magic View Ests Phs 2 Abundance Ridge Street 3533-46/56 169 Solitude Point / Value 210-299 Blk Mt Vistas Parcel C Unit 2, 3 Ridge Acadia Parkway 3332-92 143 Bear Brook/American Acadia Phase I Pacific Acadia Place 3329-63 99 Silver Springs / Big Bend No #’s Parkside Village Acapulco Street 3638-42 270 DeAnza / Encanto 2005-2077 Villa Hermosa Accelerando Way 3236-85 233 Barcarolle/Fortissimo Cadence Village Phase 1-G4 Ackerman Lane 3329-16 100 Magnolia / CDS 400-435 The Vineyards Acorn Way 3427-52 54 Wigwam / Pine Nut No #’s Oak Forest Acoustic Street 3537-29 257 Canlite / Decidedly 1148-1176 The Downs Unit 3 Adagietto Drive 3828- 87, 88 Moresca / Reunion 1361-1399 Coventry Homes @ Anthem 3, 4 66/56/46 Adagio Street 3728-11 85 Anchorgate / Day Canyon 801-813 Sunridge Lot 18 Adams Run Court 3735-63 218 155' CDS -
The International Swimming Hall of Fame's TIMELINE Of
T he In tte rn a t iio n all S wiim m i n g H allll o f F am e ’’s T IM E LI N E of Wo m e n ’’s Sw iim m i n g H i s t o r y 510 B.C. - Cloelia, a Roman maid, held hostage with 9 other Roman women by the Etruscans, leads a daring escape from the enemy camp and swims to safety across the Tiber River. She is the most famous female swimmer of Roman legend. 216 A.D. - The Baths of Caracalla, regarded as the greatest architectural and engineering feat of the Roman Empire and the largest bathing/swimming complex ever built opens. Swimming in the public bath houses was as much a part of Roman life as drinking wine. At first, bathing was segregated by gender, with no mixed male and female bathing, but by the mid second century, men and women bathed together in the nude, which lead to the baths becoming notorious for sexual activities. 600 A.D. - With the gothic conquest of Rome and the destruction of the Aquaducts that supplied water to the public baths, the baths close. Soon bathing and nudity are associated with paganism and be- come regarded as sinful activities by the Roman Church. 1200’s - Thinking it might be a useful skill, European sailors relearn to swim and when they do it, it is in the nude. Women, as the gatekeepers of public morality don’t swim because they have no acceptable swimming garments. -
Complete Production History 2018-2019 SEASON
THEATER EMORY A Complete Production History 2018-2019 SEASON Three Productions in Rotating Repertory The Elaborate Entrance of Chad Deity October 23-24, November 3-4, 8-9 • Written by Kristoffer Diaz • Directed by Lydia Fort A satirical smack-down of culture, stereotypes, and geopolitics set in the world of wrestling entertainment. Mary Gray Munroe Theater We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884-1915 October 25-26, 30-31, November 10-11 • Written by Jackie Sibblies Drury • Directed by Eric J. Little The story of the first genocide of the twentieth century—but whose story is actually being told? Mary Gray Munroe Theater The Moors October 27-28, November 1-2, 6-7 • Written by Jen Silverman • Directed by Matt Huff In this dark comedy, two sisters and a dog dream of love and power on the bleak English moors. Mary Gray Munroe Theater Sara Juli’s Tense Vagina: an actual diagnosis November 29-30 • Written, directed, and performed by Sara Juli Visiting artist Sara Juli presents her solo performance about motherhood. Theater Lab, Schwartz Center for the Performing Arts The Tatischeff Café April 4-14 • Written by John Ammerman • Directed by John Ammerman and Clinton Wade Thorton A comic pantomime tribute to great filmmaker and mime Jacques Tati Mary Gray Munroe Theater 2 2017-2018 SEASON Midnight Pillow September 21 - October 1, 2017 • Inspired by Mary Shelley • Directed by Park Krausen 13 Playwrights, 6 Actors, and a bedroom. What dreams haunt your midnight pillow? Theater Lab, Schwartz Center for the Performing Arts The Anointing of Dracula: A Grand Guignol October 26 - November 5, 2017 • Written and directed by Brent Glenn • Inspired by the works of Bram Stoker and others. -
History of Swimwear
On Exhibit at the International Swimming Hall of Fame From Bloomer’s to Bikini’s: How the sport of Swimming Changed Western Culture In the 20th Century From Bloomer’s to Bikini’s: How the lapse, swimming fell out of favor in the the body and led Sport of Swimming Changed Western Christian west. The Popes also railed to a sound night’s Society in the 20th Century, is a multi- against the sexual excesses of the Roman sleep. Because media exhibit that demonstrates how baths and equated both nudity and swim- Franklin, like all swimming acted as the most significant ming with sin. During the Middle Ages male swimmers of cultural force in the women’s rights open air bathing was thought to be a his time, swam in movement of the 20th Century. This cause of the plague. the nude, swim- exhibit demonstrates how the sport of ming was deemed swimming changed the way women Interest in swimming revived somewhat inappropriate for dressed, thought about themselves and during the Age of Exploration when women until, tra- Illustration of an 1860’s women’s the way society thought about women sailors thought it dition has it, one bathing gown. While the gown and their role in society. The exhibit pri- might be a good of Franklin’s female enabled women to bathe, it made swimming impossible. marily focuses on four women swimmers idea to know how admirers threw who broke through the social and moral to swim before herself into the Seine fully dressed. barriers that held women back during the stepping on board While this popularized public bathing for Victorian era: Annette Kellerman, the their ships. -
Theorizing the Transcendent Persona: Amelia Earhart's Vision In
Eastern Illinois University The Keep Faculty Research and Creative Activity Communication Studies January 2010 Theorizing the Transcendent Persona: Amelia Earhart’s Vision in The unF of It Robin E. Jensen Purdue University Erin F. Doss Purdue University Claudia Irene Janssen Eastern Illinois University, [email protected] Sherrema A. Bower Purdue University Follow this and additional works at: http://thekeep.eiu.edu/commstudies_fac Part of the Organizational Communication Commons Recommended Citation Jensen, Robin E.; Doss, Erin F.; Janssen, Claudia Irene; and Bower, Sherrema A., "Theorizing the Transcendent Persona: Amelia Earhart’s Vision in The unF of It" (2010). Faculty Research and Creative Activity. 6. http://thekeep.eiu.edu/commstudies_fac/6 This Article is brought to you for free and open access by the Communication Studies at The Keep. It has been accepted for inclusion in Faculty Research and Creative Activity by an authorized administrator of The Keep. For more information, please contact [email protected]. Theorizing the Transcendent Persona: Amelia Earhart’s Vision in The Fun of It Robin E. Jensen, Erin F. Doss, Claudia I. Janssen, & Sherrema A. Bower In this article, we define and theorize the ‘‘transcendent persona,’’ a discursive strategy in which a rhetor draws from a boundary-breaking accomplishment and utilizes the symbolic capital of that feat to persuasively delineate unconventional ways of communicating and behaving in society. Aviator Amelia Earhart’s autobiography The Fun of It (1932) functions as an instructive representative anecdote of this concept and demonstrates that the transcendent persona’s persuasive force hinges on one’s ability to balance distance from audiences with similarities to them. -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
Redacted - for Public Inspection
REDACTED - FOR PUBLIC INSPECTION Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In the Matter of ) ) AMC NETWORKS INC., ) Complainant, ) File No.:______________ ) v. ) ) AT&T INC., ) Defendant. ) TO: Chief, Media Bureau Deadline PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC. Tara M. Corvo Alyssia J. Bryant MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. 701 Pennsylvania Avenue, NW Suite 900 Washington, DC 20004 (202) 434-7300 Scott A. Rader MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. Chrysler Center 666 Third Avenue New York, NY 10017 (212) 935-3000 Counsel to AMC Networks Inc. August 5, 2020 REDACTED - FOR PUBLIC INSPECTION TABLE OF CONTENTS INTRODUCTION .......................................................................................................................... 1 STATEMENT OF FACTS ............................................................................................................. 5 1. Jurisdiction ........................................................................................................................ 5 2. AMCN ................................................................................................................................ 5 3. AT&T ................................................................................................................................. 6 4. AT&T’s Public Assurances During the Civil Antitrust Litigation .............................. 7 5. AT&T’s Discriminatory Conduct .................................................................................. -
2D Mercury Crater Wordsearch V2
3/24/2019 Word Search Generator :: Create your own printable word find worksheets @ A to Z Teacher Stuff MAKE YOUR OWN WORKSHEETS ONLINE @ WWW.ATOZTEACHERSTUFF.COM NAME:_______________________________ DATE:_____________ Craters on Mercury SICINIMODFIQPVMRQSLJ BEETHOVEN MICHELANGELO BLTVPTSDUOMRCIPDRAEN BYRON RAPHAEL YAPVWYPXSEHAUEHSEVDI CUNNINGHAM SAVAGE RRZAYRKFJROGNIGSNAIA DAMER SHAKESPEARE ORTNPIVOCDTJNRRSKGSW DOMINICI SVEINSDOTTIR NOMGETIKLKEUIAAGLEYT DRISCOLL TOLSTOI PCLOLTVLOEPSNDPNUMQK ELLINGTON VANGOGH YHEGLOAAEIGEGAHQAPRR FAULKNER VIEIRADASILVA NANHIDLNTNNNHSAOFVLA HEMINGWAY VIVALDI VDGYNSDGGMNGAIEDMRAM HOLST GALQGNIEBIMOMLLCNEZG HOMER VMESTIWWKWCANVEKLVRU IMHOTEP ZELTOEPSBOAWMAUHKCIS IZQUIERDO JRQGNVMODREIUQZICDTH JOPLIN SHAKESPEARETOLSTOIOX KIPLING BBCZWAQSZRSLPKOJHLMA LANGE SFRLLOCSIRDIYGSSSTQT LARROCHA FKUIDTISIYYFAIITRODE LENGLE NILPOJHEMINGWAYEGXLM LENNON BEETHOVENRYSKIPLINGV MARKTWAIN 1/2 Mercury Craters: Famous Writers, Artists, and Composers: Location and Sizes Beethoven: Ludwig van Beethoven (1770−1827). German composer and pianist. 20.9°S, 124.2°W; Diameter = 630 km. Byron: Lord Byron (George Byron) (1788−1824). British poet and politician. 8.4°S, 33°W; Diameter = 106.6 km. Cunningham: Imogen Cunningham (1883−1976). American photographer. 30.4°N, 157.1°E; Diameter = 37 km. Damer: Anne Seymour Damer (1748−1828). English sculptor. 36.4°N, 115.8°W; Diameter = 60 km. Dominici: Maria de Dominici (1645−1703). Maltese painter, sculptor, and Carmelite nun. 1.3°N, 36.5°W; Diameter = 20 km. Driscoll: Clara Driscoll (1861−1944). American glass designer. 30.6°N, 33.6°W; Diameter = 30 km. Ellington: Edward Kennedy “Duke” Ellington (1899−1974). American composer, pianist, and jazz orchestra leader. 12.9°S, 26.1°E; Diameter = 216 km. Faulkner: William Faulkner (1897−1962). American writer and Nobel Prize laureate. 8.1°N, 77.0°E; Diameter = 168 km. Hemingway: Ernest Hemingway (1899−1961). American journalist, novelist, and short-story writer. 17.4°N, 3.1°W; Diameter = 126 km.