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<I>Scutellospora Tepuiensis</I>
MYCOTAXON ISSN (print) 0093-4666 (online) 2154-8889 Mycotaxon, Ltd. ©2017 January–March 2017—Volume 132, pp. 9–18 http://dx.doi.org/10.5248/132.9 Scutellospora tepuiensis sp. nov. from the highland tepuis of Venezuela Zita De Andrade1†, Eduardo Furrazola2 & Gisela Cuenca1* 1 Instituto Venezolano de Investigaciones Científicas (IVIC), Centro de Ecología, Apartado 20632, Caracas 1020-A, Venezuela 2Instituto de Ecología y Sistemática, CITMA, C.P. 11900, Capdevila, Boyeros, La Habana, Cuba * Correspondence to: [email protected] Abstract—Examination of soil samples collected from the summit of Sororopán-tepui at La Gran Sabana, Venezuela, revealed an undescribed species of Scutellospora whose spores have an unusual and very complex ornamentation. The new species, named Scutellospora tepuiensis, is the fourth ornamented Scutellospora species described from La Gran Sabana and represents the first report of a glomeromycotan fungus for highland tepuis in the Venezuelan Guayana. Key words—arbuscular mycorrhizal fungus, taxonomy, tropical species, Gigasporaceae, Glomeromycetes Introduction The Guayana shield occupies a vast area that extends approximately 1500 km in an east-to-west direction from the coast of Suriname to southwestern Venezuela and adjacent Colombia in South America. This region is mostly characterized by nutrient-poor soils and a flora of notable species richness, high endemism, and diversity of growth forms (Huber 1995). Vast expanses of hard rock (Precambrian quartzite and sandstone) that once covered this area as part of Gondwanaland (Schubert & Huber 1989) have been heavily weathered and fragmented by over a billion years of erosion cycles, leaving behind just a few strikingly isolated mountains (Huber 1995). These table mountains, with their sheer vertical walls and mostly flat summits, are the outstanding physiographic feature of the Venezuelan Guayana (Schubert & Huber 1989). -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: 26 June 2006 I, Cira Guadalupe Parra hereby submit this work as part of the requirements for the degree of: Doctor of Musical Arts in: Choral Conducting It is entitled: A Conductor’s Guide to Selected Choral Works of Modesta Bor This work and its defense approved by: Chair: Dr. Stephen R. Coker___________ Dr. Earl G. Rivers_____________ Dr. Edward Nowacki_____________ _______________________________ _______________________________ A Conductor’s Guide to Selected Choral Works of Modesta Bor A document submitted to the Division of Graduate Studies and Research of the University of Cincinnati In a partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS In the Ensembles and Conducting Division of the College-Conservatory of Music 2006 by Cira Parra 620 Clinton Springs Ave Cincinnati, Ohio 45229 [email protected] B.M., University of Cincinnati, College-Conservatory of Music, 1987 M.M., University of Cincinnati, College-Conservatory of Music, 1989 Committee Chair: Stephen R. Coker ABSTRACT Modesta Bor (1926-98) was one of the outstanding Venezuelan composers, conductors, music educators and musicologists of the twentieth century. She wrote music for orchestra, chamber music, piano solo, piano and voice, and incidental music. She also wrote more than 95 choral works for mixed voices and 130 for equal-voice choir. Her style is a mixture of Venezuelan nationalism and folklore with European traits she learned in her studies in Russia. Chapter One contains a historical background of the evolution of Venezuelan art music since the colonial period, beginning in 1770. Knowing the state of art music in Venezuela helps one to understand the unusual nature of the Venezuelan choral movement that developed in the first half of the twentieth century. -
Catalogue of the Amphibians of Venezuela: Illustrated and Annotated Species List, Distribution, and Conservation 1,2César L
Mannophryne vulcano, Male carrying tadpoles. El Ávila (Parque Nacional Guairarepano), Distrito Federal. Photo: Jose Vieira. We want to dedicate this work to some outstanding individuals who encouraged us, directly or indirectly, and are no longer with us. They were colleagues and close friends, and their friendship will remain for years to come. César Molina Rodríguez (1960–2015) Erik Arrieta Márquez (1978–2008) Jose Ayarzagüena Sanz (1952–2011) Saúl Gutiérrez Eljuri (1960–2012) Juan Rivero (1923–2014) Luis Scott (1948–2011) Marco Natera Mumaw (1972–2010) Official journal website: Amphibian & Reptile Conservation amphibian-reptile-conservation.org 13(1) [Special Section]: 1–198 (e180). Catalogue of the amphibians of Venezuela: Illustrated and annotated species list, distribution, and conservation 1,2César L. Barrio-Amorós, 3,4Fernando J. M. Rojas-Runjaic, and 5J. Celsa Señaris 1Fundación AndígenA, Apartado Postal 210, Mérida, VENEZUELA 2Current address: Doc Frog Expeditions, Uvita de Osa, COSTA RICA 3Fundación La Salle de Ciencias Naturales, Museo de Historia Natural La Salle, Apartado Postal 1930, Caracas 1010-A, VENEZUELA 4Current address: Pontifícia Universidade Católica do Río Grande do Sul (PUCRS), Laboratório de Sistemática de Vertebrados, Av. Ipiranga 6681, Porto Alegre, RS 90619–900, BRAZIL 5Instituto Venezolano de Investigaciones Científicas, Altos de Pipe, apartado 20632, Caracas 1020, VENEZUELA Abstract.—Presented is an annotated checklist of the amphibians of Venezuela, current as of December 2018. The last comprehensive list (Barrio-Amorós 2009c) included a total of 333 species, while the current catalogue lists 387 species (370 anurans, 10 caecilians, and seven salamanders), including 28 species not yet described or properly identified. Fifty species and four genera are added to the previous list, 25 species are deleted, and 47 experienced nomenclatural changes. -
SHOEMAKER, ANN H., DMA the Pedagogy of Becoming
SHOEMAKER, ANN H., D.M.A. The Pedagogy of Becoming: Identity Formation through the Baltimore Symphony Orchestra’s OrchKids and Venezuela’s El Sistema. (2012) Directed by Drs. Michael Burns and Gavin Douglas. 153 pp. Rapid development of El Sistema-inspired music programs around the world has left many music educators seeking the tools to emulate El Sistema effectively. This paper offers information to these people by evaluating one successful program in the United States and how it reflects the intent and mission of El Sistema. Preliminary research on El Sistema draws from articles and from information provided by Mark Churchill, Dean Emeritus of New England Conservatory’s Department of Preparatory and Continuing Education and director of El Sistema USA. Travel to Baltimore, Maryland and to four cities in Venezuela allowed for observation and interviews with people from the Baltimore Symphony Orchestra’s OrchKids program and four núcleos in El Sistema, respectively. OrchKids and El Sistema aim to improve the lives of their students and their communities, but El Sistema takes action only through music while OrchKids has a broader spectrum of activities. OrchKids also uses a wider variety of musical genres than El Sistema does. Both programs impact their students by giving them a strong sense of personal identity and of belonging to community. The children learn responsibility to the communities around them such as their neighborhood and their orchestra, and also develop a sense of belonging to a larger international music community. THE PEDAGOGY OF BECOMING: IDENTITY FORMATION THROUGH THE BALTIMORE SYMPHONY ORCHESTRA’S ORCHKIDS AND VENEZUELA’S EL SISTEMA by Ann H. -
Alan Lomax: Selected Writings 1934-1997
ALAN LOMAX ALAN LOMAX SELECTED WRITINGS 1934–1997 Edited by Ronald D.Cohen With Introductory Essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew L.Kaye ROUTLEDGE NEW YORK • LONDON Published in 2003 by Routledge 29 West 35th Street New York, NY 10001 www.routledge-ny.com Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE www.routledge.co.uk Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” All writings and photographs by Alan Lomax are copyright © 2003 by Alan Lomax estate. The material on “Sources and Permissions” on pp. 350–51 constitutes a continuation of this copyright page. All of the writings by Alan Lomax in this book are reprinted as they originally appeared, without emendation, except for small changes to regularize spelling. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Lomax, Alan, 1915–2002 [Selections] Alan Lomax : selected writings, 1934–1997 /edited by Ronald D.Cohen; with introductory essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew Kaye. -
BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL
BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL No. XXVIII July, 1966 Including the Report of the EXECUTIVE BOARD for the period July 1, 1964 to June 30, 1965 INTERNATIONAL FOLK MUSIC COUNCIL 21 BEDFORD SQUARE, LONDON, W.C.l ANNOUNCEMENTS CONTENTS APOLOGIES PAGE The Executive Secretary apologizes for the great delay in publi cation of this Bulletin. A nnouncements : The Journal of the IFMC for 1966 has also been delayed in A p o l o g i e s ..............................................................................1 publication, for reasons beyond our control. We are sorry for the Address C h a n g e ....................................................................1 inconvenience this may have caused to our members and subscribers. Executive Board M e e t i n g .................................................1 NEW ADDRESS OF THE IFMC HEADQUARTERS Eighteenth C onference .......................................................... 1 On May 1, 1966, the IFMC moved its headquarters to the building Financial C r i s i s ....................................................................1 of the Royal Anthropological Institute, at 21 Bedford Square, London, W.C.l, England. The telephone number is MUSeum 2980. This is expected to be the permanent address of the Council. R e p o r t o f th e E xecutiv e Board July 1, 1964-Ju n e 30, 1965- 2 EXECUTIVE BOARD MEETING S ta tem ent of A c c o u n t s .....................................................................6 The Executive Board of the IFMC held its thirty-third meeting in Berlin on July 14 to 17, 1965, by invitation of the International Institute for Comparative Music Studies and Documentation, N a tio n a l C ontributions .....................................................................7 directed by M. -
Planning Our City's Future
Lynn Lotkowictz Lynn St. Petersburg, FL JAN/FEB 2021 Est. September 2004 Maureen Stafford: A Champion Enjoying a Unique for Historic Preservation Snowbird Lifestyle –– KANDY MAGNOTTI –– ooking back at our own personal history can help us reflect on where we’ve been in order to see how far we’ve come. Architectural preservation can do the same for a community, allowing Lus to look back and appreciate a different time in history. It gives us a visible connection to the past while we forge ahead to the future. Since the early ’90s, Old Northeast resident Maureen Stafford has made it her mission to save and restore well over 30 homes in St. Petersburg – an impressive achievement in helping preserve the city’s unique history. A self-made architectural preservationist with an innate passion, relentless perseverance and an undeniable vision, Eva and Jim Tomlinson in front of their mint-condition 1955 Chevrolet Maureen has done a remarkable job making sure –– JANAN TALAFER –– that run-down old treasures are n rural upstate New York where they live six months out of transformed with new life. the year, Jim and Eva Tomlinson have an apple grove with 100 trees; a field with raspberries, strawberries, and blackberries; Does she have a favorite I two large vegetable gardens, and a big pond. It’s peaceful. They project? “In their own way, can sit on the front porch of their 100-year-old cottage and see each one has been a favorite,” the fireflies and stars at night. Wildflowers like Queen Anne’s says Maureen. It’s not just the lace and day lilies grow everywhere. -
In This Edition Topic of the Week
Ministry of People’s Power for Foreign Affairs Weekly Newsletter / April 30th 2021 TOPIC OF THE WEEK Housing in Venezuela: 10 years of delivering Of interest almost one thousand homes per day • Of the total number of homes delivered by the GMVV until 2020, 418,310 were With an average of more than 40 houses and apart- One of the main lines of participation of the peo- destined for migrants, 82% of them ments delivered every hour, the Great Venezuela ple in the GMVV is self-construction. By 2021, ac- of Colombian origin. Housing Mission (GMVV for its initials in Spanish) cording to the Minister for Housing and Habitat, will celebrate its tenth anniversary in April. There Ildemaro Villarroel, 70% of the houses are built us- • Also through the GMVV, more than are more than 3,550,000 families, almost 30,000 ing this method. 1,100,000 urban land titles have been per month, served through this social program. Bypassing the Unilateral Coercive Measures and the delivered, spaces that had been In 2011, during the GMVV launch ceremony, seizure of Venezuelan assets abroad with the com- converted into merchandise, inaccessible President Hugo Chávez explained that this plan plicity of sectors of the national right, the GMVV is for the vulnerable population. must entirely change lives, play a key role in the heading towards the goal of delivering 5 million transformation of national geography and, in turn, homes by 2025. • In addition, more than 1,498,000 articulate the effort of organized popular power. “We have defended the state of the Great Mis- homes have been refurbished, with Thus, the GMVV began a labour that joined the sions. -
C Aj a D E Mú Sic A
BUSCAR BLOG MARCAR BLOG Siguiente blog» Crear un blog | Acceder C A J A D E M Ú S I C A A L Z A L A T A P A . E S C U C H A . L A M Ú S I C A S E R Á C O M O U N A L I V I O C O M O U N B Á L S A M O A Z U L C O M O U N P O R T A Z O Y L U E G O E S T E S I L E N C I O . L O S A M I G O S S E F U E R O N P E R D I E R O N E L C A M I N O Y L O S R E C U E R D O S . S Ó L O Q U E D A E S A M Ú S I C A . A L Z A L A T A P A Y O Y E . P I E N S A Q U E E L L O S H A N V U E L T O Y E M P U J A R Á N L A P U E R T A Q U E T R A E N L O S R O N E S V I E J O S Y L A I N C O N F O R M I D A D Q U E B A I L A R Á N D E N U E V O A Q U E L L A M E L O D Í A A U N Q U E N O S E A I G U A L A U N Q U E N O L L E G U E N N U N C A A U N Q U E A L C E S L A T A P A Y N O S U E N E L A M Ú S I C A . -
Daniel Del Solar Papers CEMA 145
http://oac.cdlib.org/findaid/ark:/13030/c81j9bj2 Online items available Preliminary Guide to the Daniel del Solar Papers CEMA 145 Finding aid prepared by Callie Bowdish UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections March 2013 Preliminary Guide to the Daniel CEMA 145 1 del Solar Papers CEMA 145 Title: Daniel del Solar papers Identifier/Call Number: CEMA 145 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 55.0 linear feet(55 paige boxes, that have been accessioned into other boxes. The papers include audio, video, photos, documents, digital files, self published books and Mexican antiquities.) Date (inclusive): 1950-2012 Abstract: Daniel del Solar (June 13, 1940 - January 13, 2012) was a prominent Latino media activist, photographer, videographer, documentarian, and poet. He worked with KQED-TV in San Francisco, the Corporation for Public Broadcasting and WYBE-TV in Philadelphia. His papers document his life story using the media available during his lifetime. There are years of digital photos, video, self-printed books and audio files. They chronicle his life while documenting the use of emerging technologies used in social movements concerned with Latin America and the United States. Venezuela, Nicaragua, Chile and Mexico are covered. His family life included artists such as Surrealist and Dynaton artists Lee Mullican, and Wolfgang Paalen who were his stepfathers. Fresco artist Lucienne Bloch and Stephen Pope Dimitroff, family friends, and his mother Luchita Hurtado have threads connecting his family to Frida Kahlo and Diego Rivera. -
Shrouds of Mystery
Story Giles Foden Photographs Philip Lee Harvey SHROUDS OF MYSTERY Venezuela’s bizarre antediluvian landscape hides many secrets, tempting fearless adventurers over the years with the possibility of riches and even enlightenment The waterfall seemed to fall through eternity. Sifted in the sieve of itself – hovering in the air, staggering but never stopping – it appeared to be part of a world in which time had slowed down, or somehow been canceled altogether. There are verifiable reasons to explain how this impression could form in my head. Water from above was decelerating as it hit water below, water that had itself already slowed down – and so on and on. The phenomenon that is Angel Falls comes down in some of the world’s oldest natural formations: the table- like “tepui” mountains that rise, suddenly and inconceivably, from the Gran Sabana. This vast area of grassland and jungle is the heartland of Venezuela. The tepuis themselves are remnant geological features of Gondwanaland, Myth and legend surround a supercontinent that existed some 180 million years ago, when Africa and South America were conjoined. It was the American pilot Jimmie no wonder I felt out of time. Angel, after whom Angel Falls in Venezuela is Silent and amazed, perched on a rocky outcrop opposite the falls, I watched the cascade’s foaming sections, named. He was born streaming and checking in the roaring flow. At 3,212 feet high, Angel Falls is the world’s tallest waterfall, a “vertical in Missouri in 1899 river” that has mesmerized many before me. With a flash of insight, I realized its movement exemplified humanity’s never-ending Auyántepui, the mountain from which it descends, reads like dance between holism and separation; everything is connected, something out of a novel. -
Venezuela, Bolivarian Republic Of
Figure 1. Malaria by Annual Parasite Index (API) at VENEZUELA, BOLIVARIAN municipality level (ADM2), Venezuela 2014 REPUBLIC OF Venezuela is one of the few countries in the Americas that has had an increase of cases since 2000 and ranks as the country with the highest increase at 205% of cases. There were 90,708 cases reported in 2014, which is more than the country has reported in over 50 years (Figures 1 and 2). In the 1950s, Venezuela actually served as a model for elimination efforts and was certified by WHO to have eliminated malaria in its northern part. Despite the current alarming morbidity, Venezuela the death rates have not mirrored the morbidity trends Guyana and there has been a 79% decrease since 2000. API Malaria mostly occurs in the southern states of per 1,000 people Amazonas and Bolivar. Sifontes, a municipality in Bolivar No casesColombia state that shares a border with Guyana, has reported ≤ 0.1 0.11 - 1 1.01 - 5 5.01 - 10 ®Brazil 0 40 80 160 240 Figure 2. Number of cases and deaths due to 10.01 - 50 Kilometers Longitude/Latitude >50 Datum WGS84 malaria in Venezuela, 2000-2014 Source: PAHO/CHA/VT 100,000 50 80,000 40 10058%,000 of all cases in the country (Figure 3).50 The areas s most affected are those where gold mining occurs. The e 80,000 40 s a 60,000 30 s large population in mining areas, poor living conditions, f c s h t o e s and lack of development have all led to the increase of ea a 60,000 30 D s f c h 40,000 20 t o malaria in this area.