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Wolverhampton & Black Country Cover
Wolverhampton Cover Online.qxp_Wolverhampton & Black Country Cover 30/03/2017 09:31 Page 1 LAURA MVULA - Your FREE essential entertainment guide for the Midlands INTERVIEW INSIDE WOLVERHAMPTON & BLACK COUNTRY WHAT’S ON WHAT’S COUNTRY BLACK & WOLVERHAMPTON Wolverhampton & Black Country ISSUE 376 APRIL 2017 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onwolverhamptonwhatson.co.uk APRIL 2017 APRIL inside: Your 16-pagelist week by week listings guide ENGLISH presentsTOURING two classic OPERA works PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART in Wolverhampton StrictlyPASHA star KOVALEVbrings the romance of the rumba to the Midlands TWITTER @WHATSONWOLVES WOLVERHAMPTONWHATSON.CO.UK @WHATSONWOLVES TWITTER celebratingDISNEY 100 ON years ICE of magic at the Genting Arena TIM RICE AND ANDREW LLOYD WEBBER’S SMASH HIT MUSICAL AT THE GRAND Contents April Shrops.qxp_Layout 1 22/03/2017 20:10 Page 1 Birmingham@WHATSONBRUM Wolverhampton @WHATSONWOLVES Shropshire @WHATSONSHROPS staffordshire @WHATSONSTAFFS Worcestershire @WHATSONWORCS warwickshire @WHATSONWARWICKS Contents April Wolves.qxp_Layout 1 22/03/2017 21:16 Page 2 April 2017 Contents Russell Brand - contemplates the responsibilities of parenting at Victoria Hall, Stoke more on page 25 Laura Whitmore New Model Army La Cage aux Folles the list stars in brand new thriller at Yorkshire rock band bring John Partridge talks about his Your 16-page Shrewsbury’s Theatre Severn Winter to Bilston role in the hit West End musical week by week listings guide Interview page 8 page 17 Interview page 26 page 51 inside: 4. First Word 11. Food 16. Music 24. Comedy 28. -
Smash Hits Volume 52
-WjS\ 35p USA $175 27 November -10 December I98i -HITLYRtCS r OfPER TROUPER TMCOMINgOUT EMBARRASSMENT MOTORHEAD NOT THE 9 O'CLOCK NEWS FRAMED BLONDIE PRINTS to be won 3 (SHU* Nov 27 — Dec 10 1980 Vol.2 No.24 ^gTEW^lSl TO CUT A LONG STORY SHORT Spandau Ballet 3 ELSTREE Buggies .....10 EMBARRASSMENT Madness 10 SUPER TROUPER Abba 11 I'M COMING OUT Diana Ross 17 BOURGIEBOURGIE Gladys Knight & The Pips 17 I LIKE WHAT YOU'RE DOING TO ME Young & Co ...23 WOMEN IN UNIFORM Iron Maiden 26 I COULD BE SO GOOD FOR YOU Dennis Waterman 26 SPENDING THE NIGHT TOGETHER Dr. Hook 32 LONELY TOGETHER Barry Manilow 32 TREASON The Teardrop Explodes 35 DO YOU FEEL MY LOVE Eddy Grant 38 THE CALL UP The Clash 38 LOOKING FOR CLUES Robert Palmer 47 TOYAH: Feature 4/5/6 NOT THE 9 O'CLOCK NEWS: Feature 18/19 UB40: Colour Poster 24/25 MOTORHEAD: Feature 36/37 MADNESS: Colour Poster 48 CARTOON 9 HIGHHORDSE 9 BITZ 12/13/14 INDEPENDENT BITZ 21 DISCO 22 CROSSWORD 27 REVIEWS 28/29 STAR TEASER 30 FACT IS 31 BIRO BUDDIES 40 BLONDIE COMPETITION 41 LETTERS 43/44 BADGE & CALENDAR OFFERS 44 GIGZ 46 Editor Editorial Assistants Contributors Ian Cranna Bev Hillier Robin Katz Linda Duff Red Starr Fred DeMar Features Editor David Hepworth Advertisement Manager Mike Stand Rod Sopp JiH Furmanovsky (Tel: 01-4398801) Mark Casto Design Editor Steve Taylor Assistant Steve Bush Mark Ellen Adte Hegarty Production Editor Editorial Consultant Publisher Kasper de Graaf Nick Logan Peter Strong Editorial and Advertising address: Smash Hits. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
The Recording Industry in Japan 2005
RIAJ Yearbook 2005 The Recording Industry in Japan English Edition 2005 Statistics Analysis Trends CONTENTS Overview of Production of Recordings in 2004 ..................................1 Production Statistics by Format (Unit Basis•Value Basis) ............2 1. Total Recorded Music — Unit Basis......................................................................2 2. Total Audio Recordings — Unit Basis ..................................................................2 3. Total CDs — Unit Basis ........................................................................................2 4. Total Recorded Music — Value Basis....................................................................3 5. Total Audio Recordings — Value Basis ................................................................3 6. Total CDs — Value Basis......................................................................................3 7. CD Singles — Unit Basis ......................................................................................4 8. 5" CD Albums — Unit Basis ................................................................................4 0. Reference 1. Video Recordings — Unit Basis ................................................................4 9. CD Singles — Value Basis....................................................................................5 10. 5" CD Albums — Value Basis ..............................................................................5 0. Reference 2. Video Recordings — Value Basis ..............................................................5 -
Running Order
20:55 23:55 19:55 22:55 01:55 20:50 23:50 19:50 22:50 01:50 20:45 23:45 19:45 22:45 01:45 20:40 23:40 19:40 Black Spiders 22:40 01:40 20:35 23:35 19:35 22:35 01:35 20:30 23:30 19:30 22:30 01:30 20:25 23:25 19:25 22:25 01:25 A 20:20 23:20 Silent Disco 19:20 22:20 01:20 20:15 23:15 19:15 22:15 01:15 65daysofstatic 20:10 23:10 19:10 22:10 01:10 20:05 23:05 19:05 22:05 Cooper Alice 01:05 20:00 23:00 02:00 19:00 22:00 01:00 19:55 22:55 01:55 18:55 Bigelf Bizzare 21:55 00:55 19:50 22:50 01:50 18:50 21:50 00:50 19:45 22:45 01:45 18:45 21:45 00:45 19:40 22:40 01:40 18:40 21:40 00:40 Failsafe Chrome Hoof 19:35 22:35 01:35 18:35 Chickenhawk21:35 00:35 Havana Deaf A 19:30 22:30 01:30 18:30 Never Means Maybe21:30 00:30 What You And Army 19:25 22:25 01:25 18:25 21:25 00:25 Turisas Europe 19:20 22:20 01:20 18:20 21:20 00:20 Disco Silent Rock Karaoke Rock 19:15 22:15 01:15 18:15 21:15 00:15 Ultimate Power DJS a 19:10 22:10 01:10 18:10 21:10 00:10 Bizz 19:05 22:05 01:05 18:05 21:05 00:05 e c 19:00 22:00 01:00 18:00 im 21:00 00:00 03:00 Sylosis Bizzare T 18:55 21:55 00:55 17:55 20:55 23:55 02:55 18:50 21:50 00:50 17:50 20:50 23:50 02:50 18:45 21:45 00:45 17:45 20:45 23:45 02:45 18:40 21:40 00:40 17:40 20:40 23:40 02:40 18:35 21:35 00:35 17:35 20:35 23:35 02:35 18:30 21:30 00:30 17:30 20:30 23:30 02:30 18:25 21:25 00:25 17:25 20:25 23:25 02:25 A 18:20 21:20 00:20 17:20 20:20 23:20 02:20 18:15 21:15 00:15 17:15 20:15 23:15 02:15 18:10 21:10 00:10 17:10 20:10 23:10 02:10 18:05 21:05 00:05 17:05 20:05 23:05 02:05 18:00 21:00 00:00 17:00 20:00 23:00 02:00 Friday -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
Your Guide to Over 2500 Channels of Entertainment
YOUR GUIDE TO OVER 2500 CHANNELS OF ENTERTAINMENT Digital Widescreen | July 2017 Journey into the unknown with KONG: SKULL ISLAND and more thrilling movies Voted World’s Best Infl ight Entertainment for the 13th consecutive year! NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE OBCOFCJuly17EX2.indd 51 16/06/2017 10:58 EMIRATES ICE_EX2_DIGITAL_WIDESCREEN_57_JULY17 051_FRONT COVER_V1 200X250 44 An extraordinary ENTERTAINMENT experience... Wherever you’re going, whatever your mood, you’ll find over 2500 channels of the world’s best inflight entertainment to explore on today’s flight. THE LATEST Information… Communication… Entertainment… Track the progress of your Stay connected with in-seat* phone, Experience Emirates’ award- MOVIES flight, keep up with news SMS and email, plus Wi-Fi and mobile winning selection of movies, you can’t miss movies and other useful features. roaming on select flights. TV, music and games. from page 16 514 ...AT YOUR FINGERTIPS STAY CONNECTED 4 Connect to the 1500 OnAir Wi-Fi network on all A380s and most Boeing 777s 1 Choose a channel Go straight to your chosen programme by typing the channel 2 3 number into your handset, or use WATCH the onscreen channel entry pad 1 3 LIVE TV Swipe left and Search for Move around Live news and sport right like a tablet. movies, TV using the games channels are available Tap the arrows shows, music controller pad on on most fl ights. Find onscreen to and system your handset out more on page 9. scroll features and select using the green 2 4 Create and Tap Settings to game button 4 access your own adjust volume playlist using and brightness Favourites e Boss Baby Many movies are 102 available in up to eight languages. -
Ken Hirai Missin' You ~It Will Break My Heart~ Mp3, Flac, Wma
Ken Hirai Missin' You ~It Will Break My Heart~ mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul / Pop Album: Missin' You ~It Will Break My Heart~ Country: Japan Released: 2002 Style: Ballad, J-pop MP3 version RAR size: 1160 mb FLAC version RAR size: 1376 mb WMA version RAR size: 1330 mb Rating: 4.3 Votes: 898 Other Formats: MMF VQF VOC MP4 FLAC AIFF AU Tracklist 1 Missin' You ~It Will Break My Heart~ 4:50 2 It Will Break My Heart ~English Version~ 4:50 3 Missin' You ~It Will Break My Heart~ (Instrumental) 4:50 4 When Can I See You 4:05 5 Kiss Of Life (S.O.U.L Remix) 4:30 Credits Backing Vocals – Ken Hirai (tracks: 3) Bass – Nathan East (tracks: 3) Concertmaster – Tetsuya Ochiai (tracks: 5) Electric Guitar – Michael Thompson (tracks: 3) Engineer – Paul Boutin (tracks: 3) Engineer [Vocals Ken Hirai] – Masashi Kudo (tracks: 3) Guitar – Andrew Smith (tracks: 5) Music By – Babyface (tracks: 1), Masahito Nakano (tracks: 5) Music By, Words By – Babyface (tracks: 2) Other [Make Up] – Kenji Ishida Other [Stylist] – Hisashi "Momo" Kitazawa Photography By – Aya Tokunaga Piano – Greg Phillinganes (tracks: 3) Producer, Music By, Drum Programming, Programmed By [Keyboards], Acoustic Guitar, Electric Guitar, Backing Vocals – Babyface (tracks: 3) Recorded By [Rhythm, Asistant], Mixed By [Rhythm, Assistant] – Adrian Hall (tracks: 5) Recorded By [Rhythm], Mixed By [Rhythm] – Marcellus Fernandes (tracks: 5) Recorded By [Strings] – Masahiro Kawagucci (tracks: 5) Remix, Producer [Additional], Synthesizer, Drum Programming, Arranged -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 285 April Oxford’S Music Magazine 2019
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 285 April Oxford’s Music Magazine 2019 “The mask probably is a defence mechanism. Focussing on this character of Tiger Mendoza rather than photo: Helen Messenger me as a person removes the notion of personality or race or even gender.” tiger mendoza Oxford’s collaboration king talks masks, movies & remixes Also in this issue: THE CELLAR - RIP WHEATSHEAF in peril? Introducing MEANS OF PRODUCTION FESTIVAL NEWS - the latest on Truck, Cornbury, Supernormal, Tandem & more plus all your Oxford music news, previews, reviews and five pages of gigs for April NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk THE CELLAR CLOSED ITS agreed, there were no guarantees doors for the last time on the 11th on the time frame of the building March. work, which required access to the The venue, which has been at the shop above and various structural heart of the Oxford music scene for considerations. Essentially, the 40 years under the ownership of the whole process took far longer than Hopkins family, was forced to shut we were expecting, and we simply after it failed to reach an agreement could not keep operating under these with landlords The St Michael’s and conditions. All Saints “charity”, over a new rent “We are grateful to the landlords for deal. recognising the cultural importance The closure comes at the end of of the venue, and we hope that an 18-month period that saw The we have saved this space from Cellar survive an application for a becoming a store room. -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,