Extended through July 6, 2019

Opening reception: Sunday, October 14, 2–6pm October 16, 2018–February 2, 2019 26 avenue de l’Europe,

Michael Heizer, Ciliata, 1968 (top), and Slot Mass, 1968 (bottom)

October ,

When I made the negative sculptures I realized the possibility of an entire vocabulary, making sculptures with basic materials such as earth. I felt that the areas of drawing and painting should also be enveloped so as to expose the whole vocabulary. —Michael Heizer

Gagosian is pleased to present works by Michael Heizer, dating from to the present.

Over fifty years, Heizer has redefined the very idea of sculpture in his explorations of size, mass, and process. His earth-moving constructions, paintings, and drawings explore the dynamics of positive and negative space.

As a young artist in New York in the s, Heizer began making “displacement paintings,” geometric canvases in light and dark tones. In the winter of , in the mountains, he excavated several chasms in the earth, adapting the New York paintings to three dimensions. These “un-sculptures,” or “sculptures in reverse,” became the basis of a new sculptural vocabulary, as Heizer began using the land, and its removal, as his media. In the summer of , Heizer installed Ciliata and Slot Mass on the California-Nevada border. Ciliata, a rectangular volume of hollowed-out earth, contained jutting wooden protuberances like the cilia of a cell. The adjacent Slot Mass comprised parallel descending tracks cut into the ground. The negative forms undergirded a rock that rested on their deepest end. Slot Mass was the precursor of , a sculpture Heizer originally attempted to make in ; a larger version of Levitated Mass was permanently installed in at the County Museum of Art. Both Ciliata and Slot Mass were built with wood and earth, and intended to degrade. Permanent steel versions of both, titled Cilia (–) and Slot Mass (–), are on public view for the first time at Gagosian Paris, in the identical configuration to .

Scoria Negative Wall Sculpture (), a mass of dark vesicular rock tightly encased in a deep steel frame, is set into an adjoining gallery wall, reproducing the positive/negative configuration of Heizer’s Displaced/Replaced Mass ().

The exhibition includes three paintings from the s, in geometric shapes and dark and light tones. A triptych of paintings from , (Untitled), will be shown for the first time. The curved canvases are related to the earlier Munich Optical Paintings from , and to the Munich Depression sculpture. The diagrammatic forms of the recent paintings echo the suggestion, present in the earlier works, of seeing beyond vision’s periphery.

Vitrines installed in an ante-gallery contain archival materials from Heizer’s files, including original painting studies. Given that the first iterations of Heizer’s works of the late s were conceived as temporary installations and subsequently deteriorated, they now exist only in photographs and preparatory sketches. Serving as contextual material to Heizer’s monumental body of work, these documents shed light on the evolution of a unique American artist, from the early desert excavations to the ongoing project of Heizer’s (–), a vast sculpture in the desert of central Nevada, now nearly fifty years in the making.

Michael Heizer was born in Berkeley, California, in , and lives and works in New York and Nevada. Collections include the Whitney Museum of American Art, New York; Metropolitan Museum of Art, New York; , New York; Museum of , New York; Los Angeles County Museum of Art; and Museum of Contemporary Art, Los Angeles. Solo exhibitions include Kröller-Müller Museum, Otterlo, Netherlands (); Museum of Contemporary Art, Los Angeles (); Whitney Museum of American Art, New York (); and Fondazione Prada, Milan (). Permanent installations include Adjacent, Against, Upon (, Myrtle Edwards Park, ); Levitated Mass (, Madison Avenue, New York); 45°, 90°, 80° (, , ); Isolated Mass/Circumflex (/), Dissipate (/), and Rift (/), , Houston; North, East, South, West ( –, Dia:Beacon, NY); Tangential Circular Negative Line (–, Fondation Air & Art, Sierre, Switzerland); Levitated Mass (, Los Angeles County Museum of Art); and Collapse (–) and Compression Line (–), Glenstone, Potomac, MD). Double Negative (), a land sculpture owned and managed by the Museum of Contemporary Art, Los Angeles, remains on permanent public view in the Mormon Mesa near Overton, NV. Heizer’s land sculpture, City (–) remains closed to the public pending completion; the land on which the sculpture is located was declared a National Monument by President Obama in .

MichaelHeizer

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