The American Clock
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
Two Tendencies Beyond Realism in Arthur Miller's Dramatic Works
Inês Evangelista Marques 2º Ciclo de Estudos em Estudos Anglo-Americanos, variante de Literaturas e Culturas The Intimate and the Epic: Two Tendencies beyond Realism in Arthur Miller’s Dramatic Works A critical study of Death of a Salesman, A View from the Bridge, After the Fall and The American Clock 2013 Orientador: Professor Doutor Rui Carvalho Homem Coorientador: Professor Doutor Carlos Azevedo Classificação: Ciclo de estudos: Dissertação/relatório/Projeto/IPP: Versão definitiva 2 Abstract Almost 65 years after the successful Broadway run of Death of a Salesman, Arthur Miller is still deemed one of the most consistent and influential playwrights of the American dramatic canon. Even if his later plays proved less popular than the early classics, Miller’s dramatic output has received regular critical attention, while his long and eventful life keeps arousing the biographers’ curiosity. However, most of the academic works on Miller’s dramatic texts are much too anchored on a thematic perspective: they study the plays as deconstructions of the American Dream, as a rebuke of McCarthyism or any kind of political persecution, as reflections on the concepts of collective guilt and denial in relation to traumatizing events, such as the Great Depression or the Holocaust. Especially within the Anglo-American critical tradition, Miller’s plays are rarely studied as dramatic objects whose performative nature implies a certain range of formal specificities. Neither are they seen as part of the 20th century dramatic and theatrical attempts to overcome the canons of Realism. In this dissertation, I intend, first of all, to frame Miller’s dramatic output within the American dramatic tradition. -
International Research Journal of Commerce, Arts and Science Issn 2319 – 9202
INTERNATIONAL RESEARCH JOURNAL OF COMMERCE, ARTS AND SCIENCE ISSN 2319 – 9202 An Internationally Indexed Peer Reviewed & Refereed Journal Shri Param Hans Education & Research Foundation Trust WWW.CASIRJ.COM www.SPHERT.org Published by iSaRa Solutions CASIRJ Volume 9 Issue 2 [Year - 2018] ISSN 2319 – 9202 Reflection of a new society in the works of Arthur Miller Ojasavi Research Scholar Singhania University,Pacheri, Jhunjhunu Analysis of writings of Arthur Asher Miller is one of the land mark in English literature. It not only increase the analytical capacity of a scholar but add some information in existing literature which increase the curiosity of the reader in concerned subject and leads to origin of new ideas. The present research concentrates on critical analysis of selected writings of Arthur Asher Miller with emphasis on circumstances under which ideas came in the mind. Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist, and prominent figure in twentieth-century American theatre. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman is often numbered on the short list of finest American plays in the 20th century alongside Long Day's Journey into Night and A Streetcar Named Desire. Before proceeding forward about writings of Miller it is necessary to know about his life and society when he came in to public eye, particularly during the late 1940s, 1950s and early 1960s. -
LOS ANGELES, April 9, 2013 – Pulitzer Prize Winner David Mamet's
LOS ANGELES, April 9, 2013 – Pulitzer Prize winner David Mamet’s classic American Buffalo, starring Ron Eldard (Justified, ER), Freddy Rodriguez (Six Feet Under) and Bill Smitrovich (Life Goes On) opens in the Gil Cates Theater at the Geffen Playhouse on April 10, 2013. The production is directed by Geffen Playhouse Artistic Director Randall Arney, whose previous work at the theater includes Superior Donuts by Tracy Letts, Speed-the-Plow by David Mamet, All My Sons by Arthur Miller, Take Me Out by Richard Greenberg, Boy Gets Girl by Rebecca Gilman and David Rambo’s God’s Man in Texas. One of David Mamet’s defining works, American Buffalo was instantly hailed as a new American classic when it opened on Broadway in 1977. The New York Times reviewer Frank Rich said it was, “One of the best American plays of the last decade.” Mamet is the winner of a Pulitzer Prize for Glengary Glen Ross, he also received Tony nominations for Glengary Glen Ross and Speed-the-Plow and Oscar nominations for The Verdict and Wag the Dog. Now, Randall Arney takes a fresh look at these three misguided characters who are a little out of luck and way out of their league as they plot the theft of a rare coin collection. As the time of the heist approaches, tension and anticipation build revealing loyalties and testing friendships. Negotiating explosive humor, frenetic energy and surprising tenderness, this play promises a mesmerizing night whether seeing it for the first time or rediscovering this groundbreaking work. Opening night festivities for American Buffalo will be sponsored by Audi of America, Los Angeles magazine, Malibu Family Wines, Napa Valley Grille and St. -
Arthur Miller
ARTHUR MILLER PENGUIN CLASSICS PENGUIN CELEBRATES THE THE PENGUIN ARTHUR MILLER Arthur Miller To celebrate the centennial of his birth, the collected plays of America’s THE CRUCIBLE greatest twentieth-century dramatist in a Penguin Classics Deluxe Edition. Introduction by CENTENNIAL | 1915 – 2015 Christopher W. E. Bigsby 978-0-14-243733-9 | 176 pages | $15.00 PAID THE PENGUIN Presort Std U.S. Postage Penguin celebrates the Permit No. 169 Staten Island, NY ARTHUR MILLER Arthur Miller Centennial Collected Plays Foreword by Lynn Nottage DEATH OF A Including eighteen plays—some known by SALESMAN all and others that will come as discoveries to many readers—The Penguin Arthur Miller is a Introduction by collectible treasure for fans of Miller’s drama Christopher W. E. Bigsby and an indispensable resource for students of 978-0-14-118097-7 | 144 pages | $14.00 the theatre. The Man Who Had All the Luck All My Sons Death of a Salesman An Enemy of the People ALL MY SONS The Crucible Introduction by A View from the Bridge Christopher W. E. Bigsby After the Fall 978-0-14-118546-0 | 112 pages | $14.00 Incident at Vichy The Price The Creation of the World and Other Business A VIEW FROM The Archbishop’s Ceiling PENGUIN PUBLISHING GROUP Academic Marketing Department 375 Hudson Street NY 10014-3657 New York, The American Clock THE BRIDGE Playing for Time Foreword by The Ride Down Mt. Morgan Philip Seymour Hoffman The Last Yankee 978-0-14-310557-2 | 96 pages | $14.00 Broken Glass Mr. Peters’ Connections Resurrection Blues Penguin ClassiCs | 1,312 Pages | 978-0-14-310777-4 | $30.00 AN ENEMY OF THE PEOPLE THE PORTABLE ARTHUR MILLER Preface by Arthur Miller Introduction by Christopher W. -
The American Clock
Press Information Rediscoveries2012 Season February to April 2012 The Steam Industry, Franklin Productions Ltd and Neil McPherson at the Finborough Theatre by arrangement with Josef Weinberger Limited presents The first professional UK production in more than 25 years THE AMERICAN CLOCK by Arthur Miller . Directed by Phil Willmott. Designed by Philip Lindley. Lighting Design by Jason Meininger. Sound Design by Edward Lewis. Costume Design by Gregor Donnelly. Cast includes: Michael Benz. David Ellis. Eva Fontaine. Michael J Hayes. Christopher Heyward. James Horne. Natalie Kent. Richard Morse. Daniel Norford. Megan Elizabeth Pitt. Patrick Poletti. Issy Van Randwyck. Multi-award-winning director – and former Artistic Director – Phil Willmott returns to the Finborough Theatre with the first professional UK production in more than 25 years of Arthur Miller's The American Clock , opening at the Finborough Theatre on Tuesday, 27 March 2012 ( Press Night: Thursday, 29 March 2012 at 7.30pm ) for a four week limited season. Inspired partly by Studs Terkel's oral history Hard Times , and partly by Arthur Miller's own recollections, The American Clock is a panoramic 'dramatic vaudeville' about the Great Depression of the 1930s. When the stock market crashes, a well-to-do family loses everything and is forced to move from their plush penthouse apartment to the modest home of a relative in Brooklyn... More relevant than ever, The American Clock is a deeply affecting evocation both of a tortured time in American history and of the indomitable spirit of the people who survived in the face of unaccustomed adversity. The American Clock premiered on Broadway at the Biltmore Theatre in 1980. -
Religion Five Years After the Crucible Was First Produced, Historian Edmund S
Religion Five years after The Crucible was first produced, historian Edmund S. Morgan offered this trenchant summary of Puritanism’s inherent religious tensions: Puritanism required that a man devote his life to seeking salvation but told him he was helpless to do anything but evil. Puritanism required that he rest his whole hope in Christ but taught him that Christ would utterly reject him unless before he was born God had foreordained his salvation. Puritanism required that man refrain from sin but told him that he would sin anyhow. Puritanism required that he reform the world in the image of God’s holy kingdom but taught him that the evil of the world was incurable and inevitable. Puritanism required that he work to the best of his ability at whatever task was set before KLP DQG SDUWDNH RI WKH JRRG WKLQJV WKDW *RG KDG ¿OOHG WKH ZRUOG with but told him he must enjoy his work and his pleasures only, as it ZHUHDEVHQWPLQGHGO\ZLWKKLVDWWHQWLRQ¿[HGRQ*RG Miller’s play reflects this constellation of paradoxes in its characters’ earnest seeking after truth despite their blindness to their own ignorance, their determination to root out evil wherever they might find it except in their own assumptions and beliefs, and in their longing for a perfectly moral life that would dominate their irrepressible human passions. For them, the devil was a spiritual reality that encompassed these and other barriers to a pious and godly life. As Miller himself commented, religious faith is central to the play’s intent: The form, the shape, the meaning of The Crucible were all compounded out of the faith of those who were hanged. -
Camping with Henry and Tom by Mark St
AND Bonnie and Terry Burman PRESENT Camping with Henry and Tom BY Mark St. Germain FEATURING PJ Benjamin Patrick Husted Fisher Neal Kevin O'Rourke SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER David M. Barber Charlotte Palmer-Lane Scott Pinkney Brad Berridge CASTING PRODUCTION STAGE MANAGER Pat McCorkle, CSA Renée Lutz BERKSHIRE NATIONAL PRESS REPRESENTATIVE PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations DIRECTED BY Christopher Innvar SPONSORED IN PART BY The Dobbins Foundation & Richard Ziter, MD Camping with Henry and Tom is presented by special arrangement with SAMUEL FRENCH, INC. This production made possible through special arrangements with Lucille Lortel, Daryl Roth, Wind Dancer Theatre, Inc. and Randall L. Wreghitt. BOYD-QUINSON MAINSTAGE OCTOBER 5-23, 2016 CAST Henry Ford .........................................................................................Patrick Husted* Warren G. Harding ..............................................................................Kevin O'Rourke* Thomas Alva Edison .............................................................................. PJ Benjamin* Colonel Edmund Starling ..........................................................................Fisher Neal* TIME PLACE July 24, 1921. The woods outside Licking Creek, Maryland. STAFF Production Stage Manager ....................................................................... Renee Lutz* Assistant to the Director .................................................................Becky Abramowitz -
Sample Chapter
Contents Acknowledgements ix Editors’ Preface x 1 Beginnings (1915–39) 1 2 The Golden Years (1939) and The Man Who Had 8 All the Luck (1944) 3 All My Sons (1947) 14 4 Death of a Salesman (1949) 20 5 Betrayals (1949–56) 29 6 The Crucible (1953) 37 7 A Memory of Two Mondays (1955) and A View from 47 the Bridge (1955) 8 Celebrity (1956–61) 55 9 The Misfits (1956–61) 60 10 Refuge (1961–68) 65 11 After the Fall (1964) 73 12 The Price (1968) 81 13 Alienation (1968–2000) 91 vii viii Contents 14 The Creation of the World and Other Business (1972) 95 15 The Archbishop’s Ceiling (1977) 100 16 The American Clock (1980–86) 105 17 Incident at Vichy (1964) and Playing for Time (1979–85) 110 18 Four One-Act Plays (1980–87) 116 19 The Ride Down Mount Morgan (1991–2000) 121 20 The Last Yankee (1991–93) 126 21 Broken Glass (1994) 130 22 Mr Peters’ Connections (1998) 134 23 Resurrection Blues (2002) 139 24 Non-Theatrical Writing 143 25 Finishing the Picture (2004) 157 26 Conclusion 162 Notes 167 Bibliography 174 Index 178 1 Beginnings (1915–39) Arthur Miller has been called the greatest dramatist of the twentieth century. While that claim may be open to challenge, the writer’s death in 2005 brought to a close a sixty-year career of astonishing variety and distinction. As playwright, novelist, essayist and indefatigable spokesman for artistic and human rights, Miller achieved an international celebrity quite exceptional in its scope. -
Death of a Salesman the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Death of a Salesman The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: William Leach in Death of a Salesman, 1991. DeathContents of a Salesman Information on the Play Synopsis 4 Characters 5 About the Playwright 5 Scholarly Articles on the Play A Landmark Date in Theatre 7 A Tragedy of a Common Man! 8 A Remarkable Classic 11 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: Death of a Salesman The story of Death of a Salesman is told partly through the mind and memory of Willy Loman, the protagonist. The times of the play’s action fluctuate between 1942 and 1928, mak- ing a simple narration of plot impossible and probably not very meaningful, thus a summary of the action, not necessarily in the order of the play, is much more helpful: Willy Loman has been a traveling salesman for thirty-four years, and he likes to think of himself as being vital to the New England territory he works. -
DEATH of a SALESMAN Certain Private Conversations in Two Acts and a Requiem
DEATH OF A SALESMAN Certain Private Conversations in Two Acts and a Requiem ARTHUR MILLER WITH AN INTRODUCTION BY CHRISTOPHER BIGSBY p PENGUIN BOOKS penguin twentieth-century classics DEATH OF A SALESMAN Arthur Miller was born in New York City in 1915 and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge and A Memory of Two Mondays (1955), After the Fall (1964), Incident at Vichy (1965), The Price (1968), The Creation of the World and Other Business (1972), and The American Clock (1980). He has also written two novels, Focus (1945) and The Misfits, which was filmed in 1960, and the text for In Russia (1969), Chinese Encounters (1979), and In the Country (1977), three books of photographs by Inge Morath. His most recent works include a memoir, Mr. Peters’ Connections (1999), Echoes Down the Cor- ridor: Collected Essays 1944–2000, and On Politics and the Art of Acting (2001). Timebends (1987), and the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994). He has twice won the New York Drama Critics Circle Award, and in 1949 he was awarded the Pulitzer Prize. Gerald Weales is Emeritus Professor of English at the University of Pennsylvania. He is the author of Religion in Modern English Drama, American Drama Since World War II, The Play and Its Parts, Tennessee Williams, The Jumping-Off Place, Clifford Odets, and Canned Goods as Cav- iar: American Film Comedy of the 1930s. Mr. -
Volumes Available for Endowment As of November 2020
THE GUARDIANS OF AMERICAN LETTERS FUND An opportunity to share in the preservation of America’s literary heritage by endowing a volume in the Library of America Series Volumes Available for Endowment As of November 2020 Please see catalog or loa.org/books for description of each title. Henry Adams, History of the United States During the Administrations of Thomas Jefferson John Adams Revolutionary Writings 1755–1775 Revolutionary Writings 1775–1783 Writings from the New Nation 1784–1826 John Quincy Adams, Diaries 1821–1848 African American Poetry: 250 Years of Struggle and Song James Agee Film Writing & Selected Journalism Let Us Now Praise Famous Men, A Death in the Family, Shorter Fiction Louisa May Alcott, Work, Eight Cousins, Rose in Bloom, Stories & Other Writings American Birds: A Literary Companion American Conservatism: Reclaiming an Intellectual Tradition American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps American Musicals 1950-1969, The Complete Books & Lyrics of Eight Broadway Classics: Guys and Dolls, The Pajama Game, My Fair Lady, Gypsy, A Funny Thing Happened on the Way to the Forum, Fiddler on the Roof, Cabaret, 1776 American Poetry, The Seventeenth and Eighteenth Centuries American Science Fiction: Classic Novels of the 1950s Four Classic Novels 1953-1956: The Space Merchants, More Than Human, The Long Tomorrow, The Shrinking Man Five Classic Novels 1956-1958: Double Star, The Stars My Destination, A Case of Conscience, Who?, The Big Time 1 American Science Fiction: Classic Novels of the 1960s Four