Directions to the Sands Casino in Bethlehem
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Fy 2018-2019 (Pdf)
A B C D E F Grant 1 County Grantee Sub-Grantee or Department Amount Track/Program/Division Sub-Program 2 Adams Adams County Arts Council $6,084 Arts Organizations and Arts Programs Direct Grant 3 Adams Citizens for the Arts in Pennsylvania Adams County Arts Council $2,000 Professional Development & Consulting Professional Development & Consulting 4 Adams Cultural Alliance of York County Adams County Head Start $1,925 Arts in Education Teaching Artist Residency 5 Adams Cultural Alliance of York County Alloway Creek Elem School Self-Funded Arts in Education Teaching Artist Residency 6 Adams Cultural Alliance of York County Arentsville Elementary School Self-Funded Arts in Education Teaching Artist Residency 7 Adams Cultural Alliance of York County Bendersville Elementary School Self-Funded Arts in Education Teaching Artist Residency 8 Adams Cultural Alliance of York County Biglerville Elementary School Self-Funded Arts in Education Teaching Artist Residency 9 Adams Cultural Alliance of York County Cross Keys Village $1,763 PA Partners in the Arts - Project Project Stream 10 Adams Cultural Alliance of York County Gettysburg Brass Band Festival $1,834 PA Partners in the Arts - Project Project Stream 11 Adams Cultural Alliance of York County Gettysburg Chamber Orchestra $3,000 PA Partners in the Arts - Program Program Stream 12 Adams Cultural Alliance of York County Gettysburg Community Concert Association $3,000 PA Partners in the Arts - Program Program Stream 13 Adams Cultural Alliance of York County Gettysburg Community Theatre $1,999 PA -
Guide to the Las Vegas, Nevada Strip Hotel Labor Relations Collection
Guide to the Las Vegas, Nevada Strip Hotel Labor Relations Collection This finding aid was created by Hannah Robinson on September 18, 2017. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1j01f © 2017 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Las Vegas, Nevada Strip Hotel Labor Relations Collection Table of Contents Summary Information ..................................................................................................................................... 3 Historical Note ................................................................................................................................................. 3 Scope and Contents Note ................................................................................................................................ 4 Arrangement .................................................................................................................................................... 5 Administrative Information ............................................................................................................................. 5 Names and Subjects ........................................................................................................................................ 5 Collection Inventory ....................................................................................................................................... -
Bring Me the Head of Frank Sinatra! Credit, and That He Keeps Three Loaded Double- in Early 1988
BRING ME THE HEAD OF FRANK “Old No. 6-7/8.” Screw those guys. Really. SINATRA! Jimmy's Bar Introduction If the group is already an adventuring party, then it stands to reason they will be in a tavern. If not, This is a module for 4-6 player characters of level well, they might as well meet at a tavern. 4-6. It is set in a gonzo post-apocalyptic past- Specifcally, Three-Arm Jimmy's, on the Hoboken future. waterfront. What that means, in practical terms, is that it is Three Arm Jimmy's is the sort of generic tavern set in the world presented in Gamma World or that unimaginative Game Masters always start Mutant Future (Encounter Critical could also easily modules in. It's got a bar, manned by Jimmy be used, although the setting is Earth, rather than himself—the extra arm comes in very handy for Vanth or Asteroid 1618). Statistics in this module pulling beers. The bar serves cheap but adequate will be given in Mutant Future terms. beer, a variety of rotgut liquors, most of which are nasty-ass industrial ethanol with a few drops of Other systems can be used, of course: since it favoring agents, and standard bar food, such as has been said that First Edition Gamma World salty deep-fried starchy things, onion rings, was the best edition of Dungeons and Dragons, pickled eggs, and the ubiquitous rat-on-a-stick D&D would work fne, as would Paranoia, Call of (show players Illustration #1). In addition to Cthulhu, Arduin, or an-only-slightly-variant Spawn Jimmy, there will be a waitress and a of Fashan, for instance. -
N R H T DS O
NoRTH S i De Sunday, August 6 Wells Fargo Yuengling Red Stag Pub Hotel Bethlehem Provident Bank FLYLVIA IBEW Local 375 Festplatz Lagerplatz Liederplatz Platz Main Street Plaza Tropical Volksplatz 12 PM Post Junction Lehigh Valley 12:15 (funk) No Good Sister Cloggers (country, roots, (family, country, 12:30 12-1 PM Martin Guitar rock) oldies, pop) 12-1 PM 12:45 Open Mic BETHLEHEM, PA WASHINGTON, NJ 12-1:30 PM 1 PM 12-2:30 PM PHILADELPHIA, PA 1:15 John Stevens’ Acoustic Doubleshot Fest-goers Roadshow 1:30 encouraged Post Junction Trouble City (polka) (blues, family) 1:45 to take the stage (funk) All Stars 12-3:30PM 12-3:30PM (reggae) 2 PM 1:30-2:30 PM SWOYERSVILLE, PA TEMPLE, PA Blue Jean 1:30-2:30 PM 2:15 (alternative) BETHLEHEM, PA Hounds BETHLEHEM, PA 2:30 1-4 PM (indie, rock) 2:45 BANGOR, PA 2-3:30 PM 3 PM Jason McGovern SAINT LOUIS, MO (American, folk) 3 PM Heath Green 3:15 PHILADELPHIA, PA Meet the and the 3:30 Makeshifters Mayor 3:45 (blues, R&B, soul, (funk) rock) 3-4:30 PM 4 PM Playing to Vapors Big Valley The Large (alternative) 4 PM Bluegrass (folk, 3-5 PM BIRMINGHAM, AL 4:15 COLUMBUS, OH Americana, BETHLEHEM, PA Flowerheads 4:30 bluegrass) 4-5 PM (1960s music 4:45 ALLENTOWN, PA tribute) Fritz’s Polka 5 PM 4-5:30 PM Band Gentleman 5:15 LEHIGH VALLEY, PA (polka) Brawlers 5:30 Appalachian (funk, rock, 4-7 PM Caleb and 5:45 Gypsy Tribe world) VERONA, NY the Gents 6 PM (folk, Americana, 5-6:30 PM (blues, folk, jazz) 6:15 bluegrass) Summer BROOKLYN, NY 5:30-7 PM Scouts 6:30 3AM 5:30-7 PM ATLANTA, GA (indie, pop, rock) 6:45 (blues) -
Dissociative Identity: Bethlehem, Pennsylvania After Big Steel Evan Orf
Lehigh University Lehigh Preserve Volume 22 - 2014 Lehigh Review 2014 Dissociative Identity: Bethlehem, Pennsylvania After Big Steel Evan Orf Follow this and additional works at: http://preserve.lehigh.edu/cas-lehighreview-vol-22 Recommended Citation Orf, Evan, "Dissociative Identity: Bethlehem, Pennsylvania After Big Steel" (2014). Volume 22 - 2014. Paper 15. http://preserve.lehigh.edu/cas-lehighreview-vol-22/15 This Article is brought to you for free and open access by the Lehigh Review at Lehigh Preserve. It has been accepted for inclusion in Volume 22 - 2014 by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. DISSOCIATIVE In 1943, Bethlehem Steel, then the second largest steel manufacturer in the United States, employed a record 283,735 workers. IDENTITY By 1945, the company held net assets of $880 million and had revenues of $1.1 billion. The industrial giant unified the BETHLEHEM, PENNSYLVANIA small, incredibly diverse City of Bethlehem under one roof, one cause and one AFTER BIG STEEL extremely proud identity. But in 2001, “the Steel” went bankrupt, and the blast furnaces that once roared and blazed all Evan Orf day and night went cold. Today, the city is in a state of urban renewal in attempts to reclaim a sense of unified identity in the wake of Bethlehem Steel’s collapse. Though the blast furnaces still stand, the urban renewal project, called Southside Vision 2014, is steering Bethlehem in too many different directions at the same time, giving the city a sort of dissociative identity. This essay charts both of these stories — the rise and fall of Bethlehem Steel, and the renewal of the city post-steel — and the links between them. -
Download Full Book
Vegas at Odds Kraft, James P. Published by Johns Hopkins University Press Kraft, James P. Vegas at Odds: Labor Conflict in a Leisure Economy, 1960–1985. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.3451. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/3451 [ Access provided at 25 Sep 2021 14:41 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Vegas at Odds studies in industry and society Philip B. Scranton, Series Editor Published with the assistance of the Hagley Museum and Library Vegas at Odds Labor Confl ict in a Leisure Economy, 1960– 1985 JAMES P. KRAFT The Johns Hopkins University Press Baltimore © 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid- free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Mary land 21218- 4363 www .press .jhu .edu Library of Congress Cataloging- in- Publication Data Kraft, James P. Vegas at odds : labor confl ict in a leisure economy, 1960– 1985 / James P. Kraft. p. cm.—(Studies in industry and society) Includes bibliographical references and index. ISBN- 13: 978- 0- 8018- 9357- 5 (hardcover : alk. paper) ISBN- 10: 0- 8018- 9357- 7 (hardcover : alk. paper) 1. Labor movement— Nevada—Las Vegas— History—20th century. 2. Labor— Nevada—Las Vegas— History—20th century. 3. Las Vegas (Nev.)— Economic conditions— 20th century. I. Title. HD8085.L373K73 2009 331.7'6179509793135—dc22 2009007043 A cata log record for this book is available from the British Library. -
Similar Hats on Similar Heads: Uniformity and Alienation at the Rat Pack’S Summit Conference of Cool
University of Huddersfield Repository Calvert, Dave Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool Original Citation Calvert, Dave (2015) Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool. Popular Music, 34 (1). pp. 1-21. ISSN 0261-1430 This version is available at http://eprints.hud.ac.uk/id/eprint/22182/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool Abstract This article considers the nightclub shows of the Rat Pack, focussing particularly on the Summit performances at the Sands Hotel, Las Vegas, in 1960. Featuring Frank Sinatra, Dean Martin, Sammy Davis Jr, Peter Lawford and Joey Bishop, these shows encompassed musical, comic and dance routines, drawing on the experiences each member had in live vaudeville performance. -
N R H T DS O
NoRTH S i De Friday, August 4 Wells Fargo Yuengling Red Stag Pub Hotel Bethlehem Provident Bank FLYLVIA IBEW Local 375 Festplatz Lagerplatz Liederplatz Platz Main Street Plaza Tropical Volksplatz 12 PM 12:15 12:30 12:45 1 PM 1:15 1:30 1:45 2 PM 2:15 2:30 2:45 3 PM 3:15 3:30 3:45 4 PM 4:15 4:30 4:45 5 PM 5:15 5:30 Scoville Blues The National Parks 5:45 (blues) (folk, indie, pop) 6 PM Opening Ceremonies 5:30-6:30 PM 5:30-6:30 PM 6:15 6-6:30 PM BUCKS COUNTY, PA PROVO, UT 6:30 Tim Cold Fronts 6:45 Harakal (alternative, Grupo En (pop, rock) rock) Secuencia 7 PM All the King’s Men: Supérmac Cricket Tell A Tribute to Lehigh (alternative) 7 PM 5-9 PM 6-8 PM (Latin) The 7:15 Valley’s Polka King, BETHLEHEM, PA the Weather WHITEHALL, PA PHILADELPHIA, PA 6:30-8 PM Commonheart 7:30 Jolly Joe Timmer (folk, Americana, (Polka) 7-8 PM WHITEHALL, PA (rock) 7:45 BETHLEHEM, PA bluegrass) 7-8:30 PM 8 PM 7-8:30 PM PITTSBURGH, PA 8:15 BROOKLYN, NY 8:30 8:45 Martin Guitar La Mega The Radio 9 PM Open Mic The Accidentals Showcase: 9:15 8-11 PM Bastard Aardvarks Vanessa (indie, folk) Karlos Rose 9:30 Bearded (funk, party) Fest-goers Collier 8:30-10:30 PM and Luisito 9:45 encouraged Irishmen 8:30-11 PM (blues) TRAVERSE CITY, MI (Latin) 10 PM to take the stage (Celtic rock) ALLENTOWN, PA 9-11 PM 8:30-11 PM 10:15 9-11 PM PHILADELPHIA, PA DOMINICAN PITTSBURGH, PA 10:30 REPUBLIC 10:45 11 PM 11:15 11:30 11:45 12 AM R 3 7 5 62 musikfest.org musikfest.org 63 S ou TH S i De Friday, August 4 Air Products BB&T Martin Guitar PNC Series TD Community Americaplatz Jazz Cabaret -
The Righteous Brothers by Jerry Bfay At
The Righteous Brothers B yJerry Bfayat •— —■ a d i o , w i t h o u t a d o u b t , is t h e m o s t i m p o r - and “Leaving It All lip to You,” which years later tant vehicle for a recording artist. How became a Number One hit for Dale & Grace. Two- many times did y o u turn on your radio part harmony was not unique then - but a pair of and hear a great song b y a great a r t i s t s ! white boys emulating the great black two-part-har Rmaybe Johnny Otis singing “Willie and thm e Hand on y sound? That w as new. Jive,” the Magnificent Men doing “Peace of Mind,” or For Bobby Hatfield and Bill M edley (bom a m onth the Soul Survivors performing “Expressway (To Your apart in 1940), it began separately. Both started Heart)” - not realizing these were white performers, singing at Orange County, California, clubs as ones who had the soul and the ability to sound teenagers. In the early 1960s, Bobby had his group, black? Conversely, did you ever lis the Variations, and Bill his, the ten to an artist like Ella Fitzgerald, Paramours. In 1962, Bobby’s group Carmen McRae or Nancy Wilson incorporated with the Paramours. and say to yourself, “Wow, what a One of their first big shows together fantastic performer,” and assume was at the Rendezvous Ballroom, in she was white? That’s the wonder Balboa, California, a famous haunt ful thing about music: The great during the big-band era. -
Topical Weill
Volume 20 Number 2 topical Weill Fall 2002 A supplement to the Kurt Weill Newsletter news &news events The Threepenny Opera Thrives Seventy-four years after its Berlin premiere, Die Dreigroschenoper remains contem- porary to audiences all around the world, as attested by recent performances in Bucharest, Ankara, Ljubljana, Izmir, and Rio de Janeiro. In Germany, new produc- tions open this fall in Wiesbaden (28 September) and Augsburg (23 November), among others; and on 21 December Landestheater Linz revives its lauded 2001–2002 season production (see review, p. 3a). HK Gruber continues his concert performances of the work with Ensemble Modern, begun in Weill’s centenary year, at the Cologne Philharmonie (6 November), the Frankfurt Alte Oper (7 November), the Dortmund Konzerthaus (8 November), and the Baden-Baden Festspielhaus (9 November). Pittsburgh Opera Center will showcase its young artists in The Threepenny Opera 27 February–2 March 2003. The Royal National Theatre’s education department will tour a new production throughout the UK from October 2002–February 2003, after which it will have a limited run in the Cottesloe Theatre at the National Theatre in London. In Scotland, the Dundee Firebrand on Broadway, 1945 Repertory Theatre will present the work 7 April–31 May 2003, in Dundee and on tour. Weill in Concert The Firebrand of Florence Notable upcoming Weill concert offerings include the New Year’s Eve concert of is Published the Berlin Philharmonic, conducted by Sir Simon Rattle and including Walt Whitman songs and excerpts from Street Scene. Thomas Hampson, Kim Criswell, European American Music Audra McDonald, and Brent Barrett will be among the concert soloists. -
Case 2:10-Cv-00765-KJD-LRL Document 2 Filed 05/24/10 Page 1 of 32
Case 2:10-cv-00765-KJD-LRL Document 2 Filed 05/24/10 Page 1 of 32 THE O'MARA LAW FIRM, P.C. WILLIAM 0. O'MARA (Nevada Bar No, 0837) DAVID C. O'MARA (Nevada Bar No. 05899) 311 East Liberty Street Reno, NV 89501 Telephone: 775/323-1321 775/323-4082 (fax) Attorneys for Plaintiff [Additional Counsel on Signature Page] UNITED STATES DISTRICT COURT DISTRICT OF NEVADA FRANK I. FOSBRE, JR., Individually and On ) No. Behalf of All Others Similarly Situated, ) ) CLASS ACTION Plaintiff, ) ) CLASS ACTION COMPLAINT FOR VS. ) VIOLATIONS OF THE FEDERAL ) SECURITIES LAWS LAS VEGAS SANDS CORP., SHELDON G. ADELSON and WILLIAM P. WEIDNER, ) ) . Defendants. ) ) ) DEMAND FOR JURY TRIAL Case 2:10-cv-00765-KJD-LRL Document 2 Filed 05/24/10 Page 2 of 32 Plaintiff alleges the following based upon the investigation of his counsel, which included a review of United States Securities and Exchange Commission ("SEC") filings made by Las Vegas Sands Corp. ("Las Vegas Sands" or the "Company"), as well as regulatory filings and reports, securities analysts' reports and advisories about the Company, press releases and other public statements issued by the Company, and media reports about the Company, and believes that substantial additional evidentiary support will exist for the allegations set forth herein after a reasonable opportunity for discovery. NATURE OF THE ACTION 1. This federal securities class action is brought on behalf of purchasers of the common stock of Las Vegas Sands between August 1, 2007 and November 6, 2008, inclusive (the "Class Period"), seeking to pursue remedies under the Securities Exchange Act of 1934 (the "Exchange Act").