Bridles, Rein Tension, and Saddle Pressure
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Saddle-Nodes and Period-Doublings of Smale Horseshoes: a Case Study Near Resonant Homoclinic Bellows
Saddle-nodes and period-doublings of Smale horseshoes: a case study near resonant homoclinic bellows Ale Jan Homburg KdV Institute for Mathematics, University of Amsterdam e-mail: [email protected] Alice C. Jukes Department of Mathematics, Imperial College London email: [email protected] Jurgen¨ Knobloch Department of Mathematics, TU Ilmenau e-mail: [email protected] Jeroen S.W. Lamb Department of Mathematics, Imperial College London email: [email protected] December 17, 2007 Abstract In unfoldings of resonant homoclinic bellows interesting bifurcation phe- nomena occur: two suspensed Smale horseshoes can collide and disappear in saddle-node bifurcations (all periodic orbits disappear through saddle-node bifurcations, there are no other bifurcations of periodic orbits), or a suspended horseshoe can go through saddle-node and period-doubling bifurcations of the periodic orbits in it to create an additional \doubled horseshoe". 1 Introduction In these notes we discuss specific homoclinic bifurcations involving multiple ho- moclinic orbits to a hyperbolic equilibrium with a resonance condition among the eigenvalues of the linearized vector field about the equilibrium; the resonant homo- clinic bellows. A homoclinic bellows consists of two homoclinic orbits γ1(t); γ2(t) to a hyperbolic equilibrium with real leading eigenvalues, that are tangent to each other as t ! ∞. If the homoclinic orbits are symmetry related through the action of a Z2 symmetry, the homoclinic bellows is a bifurcation of codimension one (we review the bifurcation theory in x 2); the additional resonance condition makes it a bifurcation of codimension two. 1 The resonant homoclinic bellows is an organizing center for an interesting bifur- cation phenomenon involving suspended Smale horseshoes (this is our motivation for studying the bifurcation). -
Effortless. All Flat Shod Pleasure Entries Should Have Comfortable Gaits; Giving the Distinct Impression It Is an Agreeable Mount to Ride
effortless. All Flat Shod Pleasure entries should have comfortable gaits; giving the distinct impression it is an agreeable mount to ride. The Flat Shod Pleasure horse should be effortless in their motion and for their rider. The Flat Shod Pleasure classes are to be judged on true pleasure qualities and the performance of the horse. Talent should be rewarded in this division. Neatness and appearance of the horse and exhibitor and conformation of the horse should be a consideration in final judging. All Flat Shod Pleasure entries must stand quietly in the lineup and back readily. The judge must walk the line-up in all flat shod classes and ask each entry to back individually. Any entry that leans back on its haunches and drags both front feet instead of picking them up individually to back must be heavily penalized. Also, the flat shod horse that refuses to back cannot be placed over a horse that does back in the final judging. If any horse that has been judged comes out of a class line up presenting a non-standard image (See Standards Chart), the judge(s) must report the class and entry number to SHOW and a letter of warning will be sent to the trainer. English flat shod pleasure entries must be ridden with a light/relaxed rein at all gaits. Western flat shod entries must be ridden on a loose rein at all gaits. Loose reins along with neck reining and a lower head set are the main factors differentiating the Western flat shod horse from the English flat shod horse. -
User's Manual
USER’S MANUAL The Bitless Bridle, Inc. email: [email protected] Phone: 719-576-4786 5220 Barrett Rd. Fax: 719-576-9119 Colorado Springs, Co. 80926 Toll free: 877-942-4277 IMPORTANT: Read the fitting instructions on pages four and five before using. Improper fitting can result in less effective control. AVOIDANCE OF ACCIDENTS Nevertheless, equitation is an inherently risky activity and The Bitless Bridle, Inc., can accept no responsibility for any accidents that might occur. CAUTION Observe the following during first time use: When first introduced to the Bitless Bridle™, it sometimes revives a horse’s spirits with a feeling of “free at last”. Such a display of exuberance will eventually pass, but be prepared for the possibility even though it occurs in less than 1% of horses. Begin in a covered school or a small paddock rather than an open area. Consider preliminary longeing or a short workout in the horse’s normal tack. These and other strategies familiar to horse people can be used to reduce the small risk of boisterous behavior. APPLICATION The action of this bridle differs fundamentally from all other bitless bridles (the hackamores, bosals, and sidepulls). By means of a simple but subtle system of two loops, one over the poll and one over the nose, the bridle embraces the whole of the head. It can be thought of as providing the rider with a benevolent headlock on the horse (See illustration below) . Unlike the bit method of control, the Bitless Bridle is compatible with the physiological needs of the horse at excercise. -
Horse Racing Tack for the Hivewire (HW3D) Horse by Ken Gilliland Horse Racing, the Sport of Kings
Horse Racing Tack for the HiveWire (HW3D) Horse by Ken Gilliland Horse Racing, the Sport of Kings Horse racing is a sport that has a long history, dating as far back as ancient Babylon, Syria, and Egypt. Events in the first Greek Olympics included chariot and mounted horse racing and in ancient Rome, both of these forms of horse racing were major industries. As Thoroughbred racing developed as a sport, it became popular with aristocrats and royalty and as a result achieved the title "Sport of Kings." Today's horse racing is enjoyed throughout the world and uses several breeds of horses including Thoroughbreds and Quarter Horses in the major race track circuit, and Arabians, Paints, Mustangs and Appaloosas on the County Fair circuit. There are four types of horse racing; Flat Track racing, Jump/Steeplechase racing, Endurance racing and Harness racing. “Racehorse Tack” is designed for the most common and popular type of horse racing, Flat Track. Tracks are typically oval in shape and are level. There are exceptions to this; in Great Britain and Ireland there are considerable variations in shape and levelness, and at Santa Anita (in California), there is the famous hillside turf course. Race track surfaces can vary as well with turf being the most common type in Europe and dirt more common in North America and Asia. Newer synthetic surfaces, such as Polytrack or Tapeta, are also seen at some tracks. Individual flat races are run over distances ranging from 440 yards (400 m) up to two and a half miles, with distances between five and twelve furlongs being most common. -
Read Book Through England on a Side-Saddle Ebook, Epub
THROUGH ENGLAND ON A SIDE-SADDLE PDF, EPUB, EBOOK Celia Fiennes | 96 pages | 02 Apr 2009 | Penguin Books Ltd | 9780141191072 | English | London, United Kingdom Sidesaddle - Wikipedia Ninth century depictions show a small footrest, or planchette added to the pillion. In Europe , the sidesaddle developed in part because of cultural norms which considered it unbecoming for a woman to straddle a horse while riding. This was initially conceived as a way to protect the hymen of aristocratic girls, and thus the appearance of their being virgins. However, women did ride horses and needed to be able to control their own horses, so there was a need for a saddle designed to allow control of the horse and modesty for the rider. The earliest functional "sidesaddle" was credited to Anne of Bohemia — The design made it difficult for a woman to both stay on and use the reins to control the horse, so the animal was usually led by another rider, sitting astride. The insecure design of the early sidesaddle also contributed to the popularity of the Palfrey , a smaller horse with smooth ambling gaits, as a suitable mount for women. A more practical design, developed in the 16th century, has been attributed to Catherine de' Medici. In her design, the rider sat facing forward, hooking her right leg around the pommel of the saddle with a horn added to the near side of the saddle to secure the rider's right knee. The footrest was replaced with a "slipper stirrup ", a leather-covered stirrup iron into which the rider's left foot was placed. -
Cavalry Equipment of the Roman Army in the First Century A.D
Originally published in Coulston, J.C. (ed.) 1988: Military Equipment and the Identity of Roman Soldiers. Proceedings of the Fourth Roman Military Equipment Conference, BAR International Series 394, Oxford CAVALRY EQUIPMENT OF THE ROMAN ARMY IN THE FIRST CENTURY A.D. M.C. Bishop INTRODUCTION The main aim of this paper is to identify and describe the elements that went together to make up Roman military horse (or riding) harness in the first century A.D.1 Closely linked with this, however, will be a consideration of just how much the archaeological evidence can tell us about the military use of mounts.2 It is to be hoped that the present work will at least serve to generate new interest in cavalry equipment and provoke discussion about the functions of its various components. There are two main source areas for the study of Roman military horse equipment: monuments depicting its use and artefacts recovered from the archaeological record. Pictorial evidence, most notably that represented by sculpture, can be used to show how the various elements of horse harness functioned as a whole. The value of such depictions is hotly debated, but it is generally true that funerary monuments tend to give a more accurate picture than official sculpture, although both categories vary widely in quality.3 Two types of tombstone, the 'Reiter' and the 'Totenmahl' are characteristic of the first century A.D. (although not exclusively so):4 these show, in the first instance, the deceased cavalryman riding his mount in combat, often with a cowering barbarian being trampled beneath the horse;5 the other type depicts the dead man enjoying a funerary banquet in the afterlife in an upper scene, whilst his horse is paraded in all its equipment in a lower.6 Totenmahl depictions usually show the horse being controlled from behind by means of long-reins and with its saddle covered by an overblanket, whilst the trooper's calo carries spare spears (javelins?). -
Approved Tack and Equipment for British Dressage Competitions
Approved tack and equipment for British Dressage competitions Eff ective from 17 June 2019 To be used with the corresponding rules in the Members’ Handbook This revised pictorial guide has been devised to be used alongside the British Dressage Members’ Handbook for clarification on permitted tack and equipment. British Dressage endeavours to mirror FEI Rules for permitted tack and equipment. Tack reviews are ongoing but, any additional permitted tack and equipment updates will only be issued twice yearly to coincide with the beginning of the summer and winter seasons (1 December and 18 June). At all BD Championships, there will be an appointed BD Steward(s) in attendance in all warm up arenas responsible for tack and equipment checking every competitor each time they compete. This will be a physical (not just visual) tack check, including nosebands. It’s the organisers’ responsibility to appoint stewards for this function and they must be BD or FEI qualified to the appropriate level, for further guidelines on the official tack check, please see rule 106 in the 2019 Members Handbook. For the complete guidelines on permitted tack and riding the test and penalties, please see section Section 1 of the Members’ Handbook. If the equipment that you are looking at are similar to those pictured, it’s permitted for use in BD competitions. If you have a query on any tack or equipment that you’re unsure about, please email a picture of the item to the Sports Operations Officer for clarification. NB: Please note that bridles without a throatlash will be permitted for use for national competitions, for international competitions please check FEI rules. -
The Dog Scout Scoop
The Dog Scout Scoop Official Newsletter ~ Dog Scouts of America Published for DSA’s responsible dog-loving members and for the friends of dogs everywhere Volume 20 Issue 5 September/October 2017 FYI: Troop 219 is collecting donations for pet victims of Rainbow Hurricane Harvey and Irma. Bridge Contact Kelly Ford if you’d like to donate: P2 [email protected] Photo: Wendy Nugent Teaching Trail Etiquette to Dogs P7-9 Badge Bulletin & Title Tales P4-6 Scout Scoop Attitude of & Troop Talk Gratitude P10-39 P40 Deadline: for the next newsletter is November 15th Please e-mail your news, articles, and pictures to [email protected] STAY TUNED . UPDATES WILL BE POSTED ON OUR WEBSITE, FACEBOOK PAGE AND E-MAILED TO THE YAHOO LISTS. Page 2 The Dog Scout Scoop Rainbow Bridge It is with great sadness that we share news of the You don’t want to miss this one! The 2017 Jam- passing of one of boree will take place October 20-22. You don’t troop 157’s need a team to join us, just a sense of humor, an active imagination and an expectation that you longest standing will have an unforgettable adventure as you work members. Bella, with others to ESCAPE! the beloved Sheltie of Alice The weekend will be packed with games and ac- Perez passed tivities based on urban legends. Then, you’ll take away after a 3- the clues you gathered during the weekend and month battle with work with others, applying the information you’ve lung cancer. Bella gathered to the Sunday morning “lock in”. -
Reproduction of the Early Medieval Knight's Saddle
Reproduction of the Early Medieval Knight’s Saddle by Sir Armand de Sevigny [The following is a re-writing of an article done some ten years ago by Sir Armand for the Caid Leathercrafters Guild’s newsletter Tanned Hydes. Although the errors in the printed portions of that article have been removed, Sir Armand apologizes for the elemental nature of his drawings included therein.] The saddle of the medieval knight was essential to his effectiveness as a heavy cavalryman. By the end of the Eleventh Century the saddle had evolved into the basic form it was to maintain for the next four hundred years. The front piece, the pommel, was high and broad, as was the back of the seat, the cantle. Typically the cantle was curved forward to cradle the knight’s hips. A reproduction of a typical early medieval saddle [1050-1350 AD] can be made by anyone with rudimentary leather and woodworking skills and a degree of patience and imagination. The place to start is with the saddle’s foundation, the saddle “tree”. The tree is basically two shaped wooden “planks” that straddle the horse’s rib cage on either side of the backbone. These planks are secured by the wooden “pommel” and “cantle” fore and aft respectively. Because construction of a well- fitting saddle tree is beyond the artistic capacities of most of us, and because the proper shape and fitting of the tree is absolutely essential to the comfort of the horse, I would recommend against producing your own tree unless you are an expert with horses, saddles, and carpentry to begin with. -
NE 4-H Horse Show Bit Rules
New England 4-H Horse Show Bit Rules and Guidelines Basic guide to local, county, and state/regional 4-H Horse shows as well as for those classes in open shows limited to 4-H membership entry. This rules manual is for organizers, officials, exhibitors, parents and judges. Revised February 2020 These guidelines should be used in conjunction with the current New England 4-H Horse Show Rulebook. See rulebook for additional details involving bits and equipment for respective classes. Because the New England 4-H Horse Program is diverse in both its divisions and in the breeds that compete, it is difficult to generate a complete list of acceptable bits. Bits that are permitted by respective breed associations may be acceptable at the judge's discretion. A judge at his/her discretion can penalize a horse with non-conventional types of bits. Please understand that this supplement gives only examples of legal and u acceptable bits. In no way does it try to include every bit that is allowed or not allowed. If exhibitors have questions concerning a bit they wish to use, and that specific bit is not mentioned in the current rules or these guidelines, then exhibitors should ask the show stewards and/or the judge if the bit is acceptable for that show. Exhibitors should have alternative bits available so that they can make a change if it is determined by show officials that their preferred bit is unacceptable for that show. Each county, district or regional, and state show is officiated by different stewards and judges. -
MU Guide PUBLISHED by MU EXTENSION, UNIVERSITY of MISSOURI-COLUMBIA Muextension.Missouri.Edu
Horses AGRICULTURAL MU Guide PUBLISHED BY MU EXTENSION, UNIVERSITY OF MISSOURI-COLUMBIA muextension.missouri.edu Choosing, Assembling and Using Bridles Wayne Loch, Department of Animal Sciences Bridles are used to control horses and achieve desired performance. Although horses can be worked without them or with substitutes, a bridle with one or two bits can add extra finesse. The bridle allows you to communicate and control your mount. For it to work properly, you need to select the bridle carefully according to the needs of you and your horse as well as the type of performance you expect. It must also be assembled correctly. Although there are many styles of bridles, the procedures for assembling and using them are similar. The three basic parts of a bridle All bridles have three basic parts: bit, reins and headstall (Figure 1). The bit is the primary means of communication. The reins allow you to manipulate the bit and also serve as a secondary means of communica- tion. The headstall holds the bit in place and may apply Figure 1. A bridle consists of a bit, reins and headstall. pressure to the poll. The bit is the most important part of the bridle The cheekpieces and shanks of curb and Pelham bits because it is the major tool of communication and must also fit properly. If the horse has a narrow mouth control. Choose one that is suitable for the kind of perfor- and heavy jaws, you might bend them outward slightly. mance you desire and one that is suitable for your horse. Cheekpieces must lie along the horse’s cheeks. -
Sand Canyon & Rock Creek Trails
Sand Canyon & Rock Creek Trails Canyons of the Ancients National Monument © Kim Gerhardt CANYONS OF THE ANCIENTS NATIONAL MONUMENT Ernest Vallo, Sr. Canyons of the CANYONS Eagle Clan, Pueblo of Acoma: Ancients National OF THE Monument ANCIENTS MAPS & INFORMATION When we come to and the Anasazi a place like Sand Heritage Center Anasazi Heritage Canyon, we pray Center to the ancestral 27501 Highway 184, Hovenweep people. As Indian Dolores, CO 81323 National Monument Canyons people we believe Tel: (970) 882-5600 of the 491 the spirits are Hours: Ancients still here. National Monument 9–5 Summer Mar.- Oct. We ask them Road G for our strength 10–4 Winter Nov.- Feb. and continued https://www.blm.gov/ 160 Mesa Verde survival, and programs/national- 491 National Park thank them conservation-lands/ colorado/canyons-of-the- for sharing their home place. In the Acoma ancients language I say, “Good morning. I’ve brought A public land administered my friends. If we approached in the wrong way, by the Bureau of Land please excuse our ignorance.” Management. 2 Please Stay on Designated Trails Welcome to the Sand Canyon & Rock Creek Trails 3 anyons of the Ancients National Monument was created to protect cultural and Cnatural resources on a landscape scale. It is part of the Bureau of Land Management’s National Landscape Conservation System and includes almost 171,000 acres of public land. The Sand Canyon and Rock Creek Trails are open for hiking, mountain biking, or horseback riding on designated routes only. Most of the Monument is backcountry. Visitors to Canyons of the Ancients are encouraged to start at the Anasazi Heritage Center near Dolores, Mountain Biking Tips David Sanders Colorado, where they can get current information from local rider Dani Gregory: Park Ranger, Canyons of the Ancients: about the Monument and experience the museum’s • Hikers and bikers are supposed to stop for • All it takes is for exhibits, films, and hands-on discovery area.