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The Night Vigil of Shen Zhou
Glossator: Practice and Theory of the Commentary 3 (2010) THE NIGHT VIGIL OF SHEN ZHOU J. H. Prynne On a cold night sleep is very sweet. I woke in the middle of the night, my mind clear and untroubled, and as I was unable to go to sleep again, I put on my clothes and sat facing my flickering lamp. On the table were a few folders of books. I chose a volume at random and began to read, but tiring I put down the book and sat calmly doing nothing [shushou weizuo]. A long rain had newly cleared, and a pale moon was shining through the window. All around was silence. Then after a long time absorbing the fresh brightness, I gradually became aware of sounds. Listening to the rustling of the wind stirring the bamboo gave one the feeling of going bravely and unwaveringly onward. Hearing the harsh snarling of dogs gave feelings of barring out evil, of opposing marauders. Hearing the sound of drums, large and small—the small ones thin, and the far ones clear and deep and uninterrupted—stirred restless thoughts that were lonely and sad. The official drum was very close, from three beats, to four and then five, gradually faster, hastening the dawn. Suddenly in the northeast the sound of a bell, a bell pure and clean through rain-cleared air, and hearing it came thoughts of waiting for the dawn, rising and doing. It was inevitable. My nature is such as to enjoy sitting in the night [yezuo]. So I often spread a book under the lamp going back and forth over it, usually stopping at the second watch. -
A New World Tragedy $13.95
... - Joumey to Nowhere A NEW WORLD TRAGEDY $13.95 Rarely does a book come along which so transcends its apparent subject that the reader is ultimately given something larger, richer, and more revealing than he might initially have imagined. Already published in Eng land to overwhelming acclaim (see back of jacket), Shiva Naipaul’s Journey to Nowhere is such a book — a “power ful, lucid, and beautifully written book” (The Spectator) that is destined to be one of the most controversial works of 1981. In it, this major writer takes us far beyond the events and surface details surrounding the tragedy of Jones town and the People’s Temple —and gives us his remark able, unique perspective on the deadly drama of ideas, environments, and unholy alliances that shaped those events both in Guyana and, even more significantly, in America. Journey to Nowhere is, on one level, a “brilliantly edgy safari” (New Statesman) inside the Third World itself—a place of increasing importance in our lives—and on another, a book about America, about the corrupt and corrupting ideologies and chi-chi politics of the past twenty years that enabled the Reverend Jim Jones and the Temple to flourish and grow powerful in California and Guyana. Drawing on interviews —with former members of the Temple, various officials, and such people as Buckmin ster Fuller, Huey Newton, Clark Kerr, and others —on documents, and most importantly, on his own strong, clear reactions to what he observed, Naipaul examines the Guyana of Forbes Bumham, the CIA stooge turned Third World socialist leader, whose stated ideals of socialism, racial brotherhood, and cooperative agricul tural enterprise coincided so neatly, we learn for the first time, with those of the People’s Temple — ideals that led all too easily to violence and death. -
Jazz Drums Thelonious Monk Institute of Jazz Online Jazz Handbook
Jazz Drums Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the drums chapter of the Thelonious Monk Institute of Jazz’s Online Jazz Handbook! When learning jazz, there is no substitute for listening to the classic recordings and understanding the lineage. Please refer often to the albums listed at the end of this chapter for great examples of the material listed below. Don’t forget to practice with a metronome: This is important for drummers at all levels when learning new styles and ideas! Introduction: The drums can be heard in almost every style of music, and just like every instrument, the style helps dictate the specific roll of the instrument. For example, in traditional Afro-Cuban ensembles, the many drummers and percussionists create the main body of music that the bass, guitar, vocals, and other instruments float above. On the opposite side of that, you might hear an orchestra in which the only job of the percussionists is to create interesting sounds and colors on top of a the string section. In jazz, the drummer plays both a crucial part in creating a strong foundation, and helping add color and shape to the music. The first step is creating that strong foundation with the ride cymbal! Getting Started with the Ride Cymbal: Since the 1930’s and the beginning of the be-bop era, the main focal point on a jazz drum kit has been the ride cymbal. The phrasing of the ride cymbal is based around the quarter note, however instead of thinking in eighth notes (like most rock music on the radio today), we want to think in eighth note triplets. -
Michael Wollny & Vincent Peirani
Michael Wollny & Vincent Peirani Tandem ACT 98 25-2 German release date: 30.09.2016 Impromptu meetings can have far-reaching consequences. These two much-lauded, and exceedingly busy musicians German pianist Michael Wollny and French accordionist Vincent finally found some time together during which they could let Peirani quite literally got to know each other on stage during the their musical paths coincide. In “Tandem” they are to be heard ACT20 Jubilee Night at the “New Morning” club in Paris in 2012. exploring and expoiting all the sound possibilities of their instruments. Before performing together that night, they had exchanged little more “I hear Vincent's playing less and less as an accordion, and more as than a peremptory handshake. However, those who heard their first an orchestra with thousands of possibilities,” says Wollny. And Peirani spontaneous jam as a duo certainly won’t have forgotten the sheer loves the impressive freedom this duo provides. With a gleam in his excitement, and it has certainly stayed in the minds of both of the eyes he says: “Michael can text on his mobile and play the piano at the musicians. “It was like we used to play for decades together! No need same time. Everything is possible with him. The sky is the limit for to talk, no need to look at each other, we just breathed together…” Michael!” Wollny is also full of praise for his colleague: “With Vincent you can roam freely across a whole gamut of styles and moods, and nothing For their rehearsal time at Schloss Elmau , both of them had gets in the way. -
Alabama Summer Bedding Plant Performance in 1997
AV 4F 47 '1 A~ ~/ -~ ~' CONTENTS GREENHOUSE CROPS Effects of Foliar Application of Growth Regulators on Coreopsis rosea ............ ........ ................... 2 BA Application Promotes Offset Formation in Hosta Cultivars ............ .... .... ........................ 3 Presence of Offsets Reduces Hosta's Response to Benzyladenine ............................... 4 Plant Growth Retardants Affect Growth and Flowering of Achillea x 'Coronation Gold' in 6-inch Pots.......... 5 Plant Growth Retardants Reduce Peduncle Elongation of Achillea x 'Coronation Gold' in 4-inch Pots .......... 6 Using Plant Growth Retardants to Produce Coreopsis verticillata 'Moonbean' as a Greenhouse Pot Crop ...... 8 Application Timing of B-Nine and Cutless after Shearing Affects Growth and Flow ering of 'M oonbeam ' ................................................................................. ........... ............. 10 Shasta Daisy Response to Photoperiod and Vernalization ............................................ 12 Alabama Winter Bedding Plant Performance, 1996-97 .................................................... 14 Alabama Summer Bedding Plant Performance in 1997 ............................. ..................... 16 Herbaceous Perennial Variety Trials in Central Alabama, 1996-97 .............................. 18 1997 Poinsettia Cultivar Evaluations for Gulf Coast Greenhouse Conditions ............................................ 23 INSECT, DISEASE, AND WEED CONTROL Reduced Herbicide Use with Recycled Paper ........................................................... -
How to Read a Poem by Julie Patterson
Share: Tweet 2 Share: Tweet 2 How to Read a Poem by Julie Patterson Quick Links Readers and writers have strong - and disparate - opinions about the "right" way to read a poem. Worse yet, there's wide disagreement among accomplished and highly educated poets, too. There's really only one point we all agree on - poems are meant to be read aloud. Beyond that, it gets dicey, but here are some things to consider. Former poet laureate Billy Collins says, "Obviously, poems come in lines, but pausing at the end of every line will create a choppy effect and interrupt the flow of the poem's sense. Readers should pause only where there is punctuation, just as you would when reading prose, only more slowly." Look at the text of his poem "You, Reader" (at left) as you listen to him read it, and you'll see what he means. Julie Patterson is associate director and writer-in-residence at the Indiana Partnership for Young Writers. Her poems, essays and articles have appeared in literary journals, magazines and newspapers throughout the U.S. She has a Master of Fine Arts degree in creative writing from Lesley University. Billy Collins reads "You, Reader" You, Reader by Billy Collins Yet poet Georgia Heard says, "...after every single line, my voice is going to stop a little-because in poetry, blank I wonder how you are going to feel space means silence" (For the Good of the Earth and when you find out Sun). that I wrote this instead of you, that it was I who got up early Clearly other poets agree with Heard. -
Sounding the Last Mile: Music and Capital Punishment in the United States Since 1976
SOUNDING THE LAST MILE: MUSIC AND CAPITAL PUNISHMENT IN THE UNITED STATES SINCE 1976 BY MICHAEL SILETTI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Professor Jeffrey Magee, Chair and Director of Research Professor Gayle Magee Professor Donna A. Buchanan Associate Professor Christina Bashford ABSTRACT Since the United States Supreme Court reaffirmed the legality of the death penalty in 1976, capital punishment has drastically waxed and waned in both implementation and popularity throughout much of the country. While studying opinion polls, quantitative data, and legislation can help make sense of this phenomenon, careful attention to the death penalty’s embeddedness in cultural, creative, and expressive discourses is needed to more fully understand its unique position in American history and social life. The first known scholarly study to do so, this dissertation examines how music and sound have responded to and helped shape shifting public attitudes toward capital punishment during this time. From a public square in Chicago to a prison in Georgia, many people have used their ears to understand, administer, and debate both actual and fictitious scenarios pertaining to the use of capital punishment in the United States. Across historical case studies, detailed analyses of depictions of the death penalty in popular music and in film, and acoustemological research centered on recordings of actual executions, this dissertation has two principal objectives. First, it aims to uncover what music and sound can teach us about the past, present, and future of the death penalty. -
Dixon Entrance
118 ¢ U.S. Coast Pilot 8, Chapter 4 19 SEP 2021 Chart Coverage in Coast Pilot 8—Chapter 4 131°W 130°W NOAA’s Online Interactive Chart Catalog has complete chart coverage http://www.charts.noaa.gov/InteractiveCatalog/nrnc.shtml 133°W 132°W UNITEDCANADA ST ATES 17420 17424 56°N A 17422 C L L U A S R N R 17425 E I E N N E V C P I E L L A S D T N G R A I L B A G E E I L E T V A H N E D M A L 17423 C O C M I H C L E S P A B A L R N N I A A N L A N C C D E 17428 O F W 17430 D A 17427 Ketchikan N L A E GRAVINA ISLAND L S A T N I R S N E E O L G T R P A E T A S V S I E L N A L P I A S G S L D I L A G O N E D H D C O I N C 55°N H D A A N L N T E E L L DUKE ISLAND L N I I S L CORDOVA BAY D N A A N L T D R O P C Cape Chacon H A T H A 17437 17433 M S O Cape Muzon U N 17434 D DIXON ENTRANCE Langara Island 17420 54°N GRAHAM ISLAND HECATE STRAIT (Canada) 19 SEP 2021 U.S. -
“The Greatest Gift Is the Realization That Life Does Not Consist Either In
“The greatest gift is the realization that life does not consist either in wallowing in the past or peering anxiously into the future; and it is appalling to contemplate the great number of often painful steps by which ones arrives at a truth so old, so obvious, and so frequently expressed. It is good for one to appreciate that life is now. Whatever it offers, little or much, life is now –this day-this hour.” Charles Macomb Flandrau Ernest Hemingway drank here. Cuban revolutionaries Fidel Castro and Che Guevera drank here. A longhaired young hippie musician named Jimmy Buffett drank and performed here, too. From the 1930’s through today this rustic dive bar has seen more than its share of the famous and the infamous. It’s a little joint called Capt. Tony’s in Key West, Florida. Eighty-seven-year-old Anthony ‘Capt. Tony’ Tarracino has been the owner and proprietor of this boozy establishment since 1959. It seems Tony, as a young mobster, got himself into some serious trouble with ‘the family’ back in New Jersey and needed to lay low for a while. In those days, the mosquito invested ‘keys’ (or islands) on the southernmost end of Florida’s coastline was a fine place for wise guys on the lam to hide out. And this was well before the tee-shirt shops, restaurants, bars, art galleries, charming B&B’s and quaint hotels turned Key West into a serious year-round tourist destination. Sure, there were some ‘artsy’ types like Hemingway and Tennessee Williams living in Key West during the late 50’s when Tony bought the bar, but it was a seaside shanty town where muscular hard-working men in shrimp boats and cutters fished all day for a living. -
Geologic Map of the Ketchikan and Prince Rupert Quadrangles, Southeastern Alaska
DEPARTMENT OF THE INTERIOR TO ACCOMPANY MAP I-1807 U.S. GEOLOGICAL SURVEY GEOLOGIC MAP OF THE KETCHIKAN AND PRINCE RUPERT QUADRANGLES, SOUTHEASTERN ALASKA By Henry C. Berg, Raymond L. Elliott, and Richard D. Koch INTRODUCTION This pamphlet and accompanying map sheet describe the geology of the Ketchikan and Prince Rupert quadrangles in southeastern Alaska (fig. 1). The report is chiefly the result of a reconnaissance investigation of the geology and mineral re sources of the quadrangles by the U.S. Geological Survey dur ing 1975-1977 (Berg, 1982; Berg and others, 1978 a, b), but it also incorporates the results of earlier work and of more re cent reconnaissance and topical geologic studies in the area (fig. 2). We gratefully acknowledge the dedicated pioneering photointerpretive studies by the late William H. (Hank) Con don, who compiled the first 1:250,000-scale reconnaissance geologic map (unpublished) of the Ketchikan quadrangle in the 1950's and who introduced the senior author to the study 130' area in 1956. 57'L__r-'-'~~~;:::::::,~~.::::r----, Classification and nomenclature in this report mainly fol low those of Turner (1981) for metamorphic rocks, Turner and Verhoogen (1960) for plutonic rocks, and Williams and others (1982) for sedimentary rocks and extrusive igneous rocks. Throughout this report we assign metamorphic ages to various rock units and emplacement ages to plutons largely on the basis of potassium-argon (K-Ar) and lead-uranium (Pb-U) (zircon) isotopic studies of rocks in the Ketchikan and Prince Rupert quadrangles (table 1) and in adjacent areas. Most of the isotopic studies were conducted in conjunction with recon naissance geologic and mineral resource investigations and re 0 100 200 KILOMETER sulted in the valuable preliminary data that we cite throughout our report. -
Gravina Access Tongass Narrows Biop AKR-2018-9806
Endangered Species Act (ESA) Section 7(a)(2) Biological Opinion for Construction of the Tongass Narrows Project (Gravina Access) Public Consultation Tracking System (PCTS) Number: AKR-2018-9806 Action Agencies: Alaska Department of Transportation and Public Facilities (ADOT&PF) on behalf of the Federal Highway Administration (FHA) Affected Species and Determinations: Is Action Likely Is Action Likely Is Action to Adversely To Destroy or Likely To ESA-Listed Species Status Affect Species or Adversely Jeopardize Critical Modify Critical the Species? Habitat? Habitat? Humpback whale (Megaptera Threatened Yes No N/A novaeangliae) Mexico DPS Consultation Conducted By: National Marine Fisheries Service Issued By: ____________________________________ James W. Balsiger, Ph.D. Administrator, Alaska Region Date: February 6, 2019 Ketchikan Tongass Narrows Project PCTS AKR-2018-9806 TABLE OF CONTENTS List of Tables .................................................................................................................................. 4 List of Figures ................................................................................................................................. 4 Terms and Abbreviations ................................................................................................................ 6 1. Introduction ............................................................................................................................. 8 1.1 Background ..................................................................................................................... -
Geology of Gravina Island, Alaska
Geology of Gravina Island, Alaska By HENRY C. BERG GEOLOGICAL SURVEY BULLETIN 1373 A description of the stratigraphy, lithology_, general geology_, and mineral resources of a structurally complex 1 00-square-mile island near Ketchikan) Alaska UNITED STATES GOVERNMENT PRINTING OFFICE, WASHINGTON : 1973 UNITED STATES DEPARTMENT OF THE INTERIOR ROGERS C. B. MORTON, Secretary GEOLOGICAL SURVEY V. E. McKelvey, Director Library of Congress catalog-card No. 72-600391 For sale by the Superintendent of Documents, U.S. Government Printing Ofllee Washiagton, D.C. 20401 • Price $1.ti0 (paper cover) CONTENTS Page Abstract................................................................................................................... 1 Introduction............................................................................................................ 1 Geologic summary................................................................................................. 3 Stratigraphy and lithology.................................................................................. 5 Southwest of Bostwick-Vallenar valley..................................................... 5 Undivided metamorphosed bedded and intrusive rocks.................. 5 Southern belt.................................................................................. 6 Northern belt................................................................................. 7 Altered leucocratic plutonic rocks...................................................... 8 Puppets Formation..............................................................................