Alabama Summer Bedding Plant Performance in 1997
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Natural Heritage Program List of Rare Plant Species of North Carolina 2016
Natural Heritage Program List of Rare Plant Species of North Carolina 2016 Revised February 24, 2017 Compiled by Laura Gadd Robinson, Botanist John T. Finnegan, Information Systems Manager North Carolina Natural Heritage Program N.C. Department of Natural and Cultural Resources Raleigh, NC 27699-1651 www.ncnhp.org C ur Alleghany rit Ashe Northampton Gates C uc Surry am k Stokes P d Rockingham Caswell Person Vance Warren a e P s n Hertford e qu Chowan r Granville q ot ui a Mountains Watauga Halifax m nk an Wilkes Yadkin s Mitchell Avery Forsyth Orange Guilford Franklin Bertie Alamance Durham Nash Yancey Alexander Madison Caldwell Davie Edgecombe Washington Tyrrell Iredell Martin Dare Burke Davidson Wake McDowell Randolph Chatham Wilson Buncombe Catawba Rowan Beaufort Haywood Pitt Swain Hyde Lee Lincoln Greene Rutherford Johnston Graham Henderson Jackson Cabarrus Montgomery Harnett Cleveland Wayne Polk Gaston Stanly Cherokee Macon Transylvania Lenoir Mecklenburg Moore Clay Pamlico Hoke Union d Cumberland Jones Anson on Sampson hm Duplin ic Craven Piedmont R nd tla Onslow Carteret co S Robeson Bladen Pender Sandhills Columbus New Hanover Tidewater Coastal Plain Brunswick THE COUNTIES AND PHYSIOGRAPHIC PROVINCES OF NORTH CAROLINA Natural Heritage Program List of Rare Plant Species of North Carolina 2016 Compiled by Laura Gadd Robinson, Botanist John T. Finnegan, Information Systems Manager North Carolina Natural Heritage Program N.C. Department of Natural and Cultural Resources Raleigh, NC 27699-1651 www.ncnhp.org This list is dynamic and is revised frequently as new data become available. New species are added to the list, and others are dropped from the list as appropriate. -
The Night Vigil of Shen Zhou
Glossator: Practice and Theory of the Commentary 3 (2010) THE NIGHT VIGIL OF SHEN ZHOU J. H. Prynne On a cold night sleep is very sweet. I woke in the middle of the night, my mind clear and untroubled, and as I was unable to go to sleep again, I put on my clothes and sat facing my flickering lamp. On the table were a few folders of books. I chose a volume at random and began to read, but tiring I put down the book and sat calmly doing nothing [shushou weizuo]. A long rain had newly cleared, and a pale moon was shining through the window. All around was silence. Then after a long time absorbing the fresh brightness, I gradually became aware of sounds. Listening to the rustling of the wind stirring the bamboo gave one the feeling of going bravely and unwaveringly onward. Hearing the harsh snarling of dogs gave feelings of barring out evil, of opposing marauders. Hearing the sound of drums, large and small—the small ones thin, and the far ones clear and deep and uninterrupted—stirred restless thoughts that were lonely and sad. The official drum was very close, from three beats, to four and then five, gradually faster, hastening the dawn. Suddenly in the northeast the sound of a bell, a bell pure and clean through rain-cleared air, and hearing it came thoughts of waiting for the dawn, rising and doing. It was inevitable. My nature is such as to enjoy sitting in the night [yezuo]. So I often spread a book under the lamp going back and forth over it, usually stopping at the second watch. -
A New World Tragedy $13.95
... - Joumey to Nowhere A NEW WORLD TRAGEDY $13.95 Rarely does a book come along which so transcends its apparent subject that the reader is ultimately given something larger, richer, and more revealing than he might initially have imagined. Already published in Eng land to overwhelming acclaim (see back of jacket), Shiva Naipaul’s Journey to Nowhere is such a book — a “power ful, lucid, and beautifully written book” (The Spectator) that is destined to be one of the most controversial works of 1981. In it, this major writer takes us far beyond the events and surface details surrounding the tragedy of Jones town and the People’s Temple —and gives us his remark able, unique perspective on the deadly drama of ideas, environments, and unholy alliances that shaped those events both in Guyana and, even more significantly, in America. Journey to Nowhere is, on one level, a “brilliantly edgy safari” (New Statesman) inside the Third World itself—a place of increasing importance in our lives—and on another, a book about America, about the corrupt and corrupting ideologies and chi-chi politics of the past twenty years that enabled the Reverend Jim Jones and the Temple to flourish and grow powerful in California and Guyana. Drawing on interviews —with former members of the Temple, various officials, and such people as Buckmin ster Fuller, Huey Newton, Clark Kerr, and others —on documents, and most importantly, on his own strong, clear reactions to what he observed, Naipaul examines the Guyana of Forbes Bumham, the CIA stooge turned Third World socialist leader, whose stated ideals of socialism, racial brotherhood, and cooperative agricul tural enterprise coincided so neatly, we learn for the first time, with those of the People’s Temple — ideals that led all too easily to violence and death. -
Coastal Landscaping in Massachusetts Plant List
Coastal Landscaping in Massachusetts Plant List This PDF document provides additional information to supplement the Massachusetts Office of Coastal Zone Management (CZM) Coastal Landscaping website. The plants listed below are good choices for the rugged coastal conditions of Massachusetts. The Coastal Beach Plant List, Coastal Dune Plant List, and Coastal Bank Plant List give recommended species for each specified location (some species overlap because they thrive in various conditions). Photos and descriptions of selected species can be found on the following pages: • Grasses and Perennials • Shrubs and Groundcovers • Trees CZM recommends using native plants wherever possible. The vast majority of the plants listed below are native (which, for purposes of this fact sheet, means they occur naturally in eastern Massachusetts). Certain non-native species with specific coastal landscaping advantages that are not known to be invasive have also been listed. These plants are labeled “not native,” and their state or country of origin is provided. (See definitions for native plant species and non-native plant species at the end of this fact sheet.) Coastal Beach Plant List Plant List for Sheltered Intertidal Areas Sheltered intertidal areas (between the low-tide and high-tide line) of beach, marsh, and even rocky environments are home to particular plant species that can tolerate extreme fluctuations in water, salinity, and temperature. The following plants are appropriate for these conditions along the Massachusetts coast. Black Grass (Juncus gerardii) native Marsh Elder (Iva frutescens) native Saltmarsh Cordgrass (Spartina alterniflora) native Saltmeadow Cordgrass (Spartina patens) native Sea Lavender (Limonium carolinianum or nashii) native Spike Grass (Distichlis spicata) native Switchgrass (Panicum virgatum) native Plant List for a Dry Beach Dry beach areas are home to plants that can tolerate wind, wind-blown sand, salt spray, and regular interaction with waves and flood waters. -
State of New York City's Plants 2018
STATE OF NEW YORK CITY’S PLANTS 2018 Daniel Atha & Brian Boom © 2018 The New York Botanical Garden All rights reserved ISBN 978-0-89327-955-4 Center for Conservation Strategy The New York Botanical Garden 2900 Southern Boulevard Bronx, NY 10458 All photos NYBG staff Citation: Atha, D. and B. Boom. 2018. State of New York City’s Plants 2018. Center for Conservation Strategy. The New York Botanical Garden, Bronx, NY. 132 pp. STATE OF NEW YORK CITY’S PLANTS 2018 4 EXECUTIVE SUMMARY 6 INTRODUCTION 10 DOCUMENTING THE CITY’S PLANTS 10 The Flora of New York City 11 Rare Species 14 Focus on Specific Area 16 Botanical Spectacle: Summer Snow 18 CITIZEN SCIENCE 20 THREATS TO THE CITY’S PLANTS 24 NEW YORK STATE PROHIBITED AND REGULATED INVASIVE SPECIES FOUND IN NEW YORK CITY 26 LOOKING AHEAD 27 CONTRIBUTORS AND ACKNOWLEGMENTS 30 LITERATURE CITED 31 APPENDIX Checklist of the Spontaneous Vascular Plants of New York City 32 Ferns and Fern Allies 35 Gymnosperms 36 Nymphaeales and Magnoliids 37 Monocots 67 Dicots 3 EXECUTIVE SUMMARY This report, State of New York City’s Plants 2018, is the first rankings of rare, threatened, endangered, and extinct species of what is envisioned by the Center for Conservation Strategy known from New York City, and based on this compilation of The New York Botanical Garden as annual updates thirteen percent of the City’s flora is imperiled or extinct in New summarizing the status of the spontaneous plant species of the York City. five boroughs of New York City. This year’s report deals with the City’s vascular plants (ferns and fern allies, gymnosperms, We have begun the process of assessing conservation status and flowering plants), but in the future it is planned to phase in at the local level for all species. -
Jazz Drums Thelonious Monk Institute of Jazz Online Jazz Handbook
Jazz Drums Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the drums chapter of the Thelonious Monk Institute of Jazz’s Online Jazz Handbook! When learning jazz, there is no substitute for listening to the classic recordings and understanding the lineage. Please refer often to the albums listed at the end of this chapter for great examples of the material listed below. Don’t forget to practice with a metronome: This is important for drummers at all levels when learning new styles and ideas! Introduction: The drums can be heard in almost every style of music, and just like every instrument, the style helps dictate the specific roll of the instrument. For example, in traditional Afro-Cuban ensembles, the many drummers and percussionists create the main body of music that the bass, guitar, vocals, and other instruments float above. On the opposite side of that, you might hear an orchestra in which the only job of the percussionists is to create interesting sounds and colors on top of a the string section. In jazz, the drummer plays both a crucial part in creating a strong foundation, and helping add color and shape to the music. The first step is creating that strong foundation with the ride cymbal! Getting Started with the Ride Cymbal: Since the 1930’s and the beginning of the be-bop era, the main focal point on a jazz drum kit has been the ride cymbal. The phrasing of the ride cymbal is based around the quarter note, however instead of thinking in eighth notes (like most rock music on the radio today), we want to think in eighth note triplets. -
Michael Wollny & Vincent Peirani
Michael Wollny & Vincent Peirani Tandem ACT 98 25-2 German release date: 30.09.2016 Impromptu meetings can have far-reaching consequences. These two much-lauded, and exceedingly busy musicians German pianist Michael Wollny and French accordionist Vincent finally found some time together during which they could let Peirani quite literally got to know each other on stage during the their musical paths coincide. In “Tandem” they are to be heard ACT20 Jubilee Night at the “New Morning” club in Paris in 2012. exploring and expoiting all the sound possibilities of their instruments. Before performing together that night, they had exchanged little more “I hear Vincent's playing less and less as an accordion, and more as than a peremptory handshake. However, those who heard their first an orchestra with thousands of possibilities,” says Wollny. And Peirani spontaneous jam as a duo certainly won’t have forgotten the sheer loves the impressive freedom this duo provides. With a gleam in his excitement, and it has certainly stayed in the minds of both of the eyes he says: “Michael can text on his mobile and play the piano at the musicians. “It was like we used to play for decades together! No need same time. Everything is possible with him. The sky is the limit for to talk, no need to look at each other, we just breathed together…” Michael!” Wollny is also full of praise for his colleague: “With Vincent you can roam freely across a whole gamut of styles and moods, and nothing For their rehearsal time at Schloss Elmau , both of them had gets in the way. -
MF2327 a Perennial Flower Bed Design
GARDEN CENTER GUIDE A PERENNIAL FLOWER BED DESIGN Perennial plants play an important function in land- the south or west side of a building or fence. The bed may scape design. They provide a broad variety of color, form be planted as designed or can be adapted to greater length and flower types unavailable in annual flowers. Bloom by repeating it as a unit. Repeating the design by planting periods for most perennials are relatively short—from its mirror image, end-to-end, will provide a delightful, two to four weeks. A well-designed perennial bed, longer flower bed. The design is intended to be a starting planted with a variety of plant species, may provide point, the plants can be changed in future years as your continuous bloom from spring through fall. The perennial appreciation and knowledge of perennial flowering plants bed described in this publication is a basic planting plan. changes. Enjoy the floral variety of perennials in your It is designed to be placed along a property line or against landscape. Figure 1. The bed is designed to be viewed from one side with a full sun exposure—minimum of 6 hours per day—moderate soil moisture. Perennial flower bed was designed by Alice LeDuc, Assistant Professor, Horticulture. Kansas State University Agricultural Experiment Station and Cooperative Extension Service Table 1. Plant List No. Plants Scientific Name Common Name Color Height Spacing 4 Coreopsis grandiflora Coreopsis Yellow 2–3' 18" 2 Perovskia atriplicifolia ‘Filigram’ Russian Sage Lavender 3–5' 30–36" 3 Paeonia ‘Shawnee Chief’ -
New York Natural Heritage Program Rare Plant Status List May 2004 Edited By
New York Natural Heritage Program Rare Plant Status List May 2004 Edited by: Stephen M. Young and Troy W. Weldy This list is also published at the website: www.nynhp.org For more information, suggestions or comments about this list, please contact: Stephen M. Young, Program Botanist New York Natural Heritage Program 625 Broadway, 5th Floor Albany, NY 12233-4757 518-402-8951 Fax 518-402-8925 E-mail: [email protected] To report sightings of rare species, contact our office or fill out and mail us the Natural Heritage reporting form provided at the end of this publication. The New York Natural Heritage Program is a partnership with the New York State Department of Environmental Conservation and by The Nature Conservancy. Major support comes from the NYS Biodiversity Research Institute, the Environmental Protection Fund, and Return a Gift to Wildlife. TABLE OF CONTENTS Introduction.......................................................................................................................................... Page ii Why is the list published? What does the list contain? How is the information compiled? How does the list change? Why are plants rare? Why protect rare plants? Explanation of categories.................................................................................................................... Page iv Explanation of Heritage ranks and codes............................................................................................ Page iv Global rank State rank Taxon rank Double ranks Explanation of plant -
How to Read a Poem by Julie Patterson
Share: Tweet 2 Share: Tweet 2 How to Read a Poem by Julie Patterson Quick Links Readers and writers have strong - and disparate - opinions about the "right" way to read a poem. Worse yet, there's wide disagreement among accomplished and highly educated poets, too. There's really only one point we all agree on - poems are meant to be read aloud. Beyond that, it gets dicey, but here are some things to consider. Former poet laureate Billy Collins says, "Obviously, poems come in lines, but pausing at the end of every line will create a choppy effect and interrupt the flow of the poem's sense. Readers should pause only where there is punctuation, just as you would when reading prose, only more slowly." Look at the text of his poem "You, Reader" (at left) as you listen to him read it, and you'll see what he means. Julie Patterson is associate director and writer-in-residence at the Indiana Partnership for Young Writers. Her poems, essays and articles have appeared in literary journals, magazines and newspapers throughout the U.S. She has a Master of Fine Arts degree in creative writing from Lesley University. Billy Collins reads "You, Reader" You, Reader by Billy Collins Yet poet Georgia Heard says, "...after every single line, my voice is going to stop a little-because in poetry, blank I wonder how you are going to feel space means silence" (For the Good of the Earth and when you find out Sun). that I wrote this instead of you, that it was I who got up early Clearly other poets agree with Heard. -
Sounding the Last Mile: Music and Capital Punishment in the United States Since 1976
SOUNDING THE LAST MILE: MUSIC AND CAPITAL PUNISHMENT IN THE UNITED STATES SINCE 1976 BY MICHAEL SILETTI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Professor Jeffrey Magee, Chair and Director of Research Professor Gayle Magee Professor Donna A. Buchanan Associate Professor Christina Bashford ABSTRACT Since the United States Supreme Court reaffirmed the legality of the death penalty in 1976, capital punishment has drastically waxed and waned in both implementation and popularity throughout much of the country. While studying opinion polls, quantitative data, and legislation can help make sense of this phenomenon, careful attention to the death penalty’s embeddedness in cultural, creative, and expressive discourses is needed to more fully understand its unique position in American history and social life. The first known scholarly study to do so, this dissertation examines how music and sound have responded to and helped shape shifting public attitudes toward capital punishment during this time. From a public square in Chicago to a prison in Georgia, many people have used their ears to understand, administer, and debate both actual and fictitious scenarios pertaining to the use of capital punishment in the United States. Across historical case studies, detailed analyses of depictions of the death penalty in popular music and in film, and acoustemological research centered on recordings of actual executions, this dissertation has two principal objectives. First, it aims to uncover what music and sound can teach us about the past, present, and future of the death penalty. -
Mädchenaugen
Mädchenaugen Die Mädchenaugen (Coreopsis), auch Schöngesicht genannt, sind eine Pflanzengattung innerhalb der Familie Mädchenaugen der Korbblütler (Asteraceae). Nach dem aktuellen Umfang der Gattung kommen alle Arten nur in der Neuen Welt vor. Einige Sorten werden oft als Zierpflanzen kultiviert. Inhaltsverzeichnis Beschreibung Erscheinungsbild und Blätter Blütenstände und Blüten Früchte Chromosomensätze Coreopsis lanceolata, Zuchtform Systematik und Verbreitung Nutzung Systematik Quellen Euasteriden II Einzelnachweise Ordnung: Asternartige (Asterales) Weblinks Familie: Korbblütler (Asteraceae) Unterfamilie: Asteroideae Beschreibung Tribus: Coreopsideae Gattung: Mädchenaugen Wissenschaftlicher Name Coreopsis L. Erscheinungsbild und Blätter Bei Coreopsis-Arten handelt es sich um einjährige oder ausdauernde krautige Pflanzen, seltener auch um Halbsträucher oder um Sträucher. Die meisten Arten erreichen Wuchshöhen von Sektion Gyrophyllum: Quirlblättriges Mädchenauge (Coreopsis verticillata) Illustration des Hohen 10 bis 80 Zentimetern, mit fein fiederteiligen Laubblättern Mädchenauges (Coreopsis tripteris) manche Arten erreichen Wuchshöhen von bis zu 2 Metern oder auch höher. Viele Arten bilden Rhizome oder die Sprossbasis ist verdickt, wenige der Arten (Coreopsis auriculata) können sich mit unter- oder oberirdischen Ausläufern ausbreiten. Bei den meisten Arten wird je Exemplar nur ein selbständig aufrechter Stängel gebildet, die mehr oder weniger auf ihrer gesamten Länge oder erst im oberen Bereich verzweigt sind.[1] Die Laubblätter können