Scott Hamilton Scott's Buddy Mp3, Flac, Wma

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Scott Hamilton Scott's Buddy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Scott's Buddy Country: US Released: 1981 MP3 version RAR size: 1994 mb FLAC version RAR size: 1413 mb WMA version RAR size: 1170 mb Rating: 4.6 Votes: 991 Other Formats: VOC VOX AIFF MOD MP4 VOX MOD Tracklist A1 There Will Never Be Another You 4:22 A2 Everything Happens To Me 4:23 A3 Scott's Buddy 5:46 A4 Swingin' Away 5:34 B1 Close Your Eyes 5:15 B2 I Want A Little Girl 5:16 B3 Scott's Soup 5:02 B4 Doggin' Around 4:18 Companies, etc. Recorded At – Coast Recorders Mastered At – Greg Lee Processing – L-4820 Credits Art Direction – Dick Hendler Bass – Bob Maize Drums – Jake Hanna Engineer – Phil Edwards Guitar – Cal Collins Liner Notes – John S. Wilson Mastered By – George Horn Photography By – Charles Stewart* Piano – Nat Pierce Producer – Carl E. Jefferson Tenor Saxophone – Buddy Tate, Scott Hamilton Barcode and Other Identifiers Matrix / Runout (Side A etched): CJ 148 A L-4820 Matrix / Runout (Side B etched): CJ 148 B L-4820-X Other versions Category Artist Title (Format) Label Category Country Year Scott Hamilton And Buddy Scott Hamilton CJ-148-C Tate - Scott's Buddy (Cass, Concord Jazz CJ-148-C US 1981 And Buddy Tate Album) Related Music albums to Scott's Buddy by Scott Hamilton Scott Hamilton - Scott Hamilton Is A Good Wind Who Is Blowing Us No Ill Buddy Tate - Swinging Like Tate Buddy Tate With Humphrey Lyttelton And Ruby Braff - Buddy Tate With Humphrey Lyttelton And Ruby Braff Buddy Tate Meets Abdullah Ibrahim - Buddy Tate Meets Abdullah Ibrahim Eddie "Lockjaw" Davis - Buddy Tate - Coleman Hawkins - Arnett Cobb - Very Saxy Ruby Braff And Scott Hamilton - A First Buck Clayton & Buddy Tate - Buck & Buddy Bob Wilber And The Scott Hamilton Quartet - Bob Wilber And The Scott Hamilton Quartet Buddy Tate Et Wild Bill Davis - Buddy Tate Et Wild Bill Davis The Buddy Tate Celebrity Club Orchestra - Unbroken.

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Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
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Emmett Berry
1 The TRUMPET of EMMETT BERRY Solographer: Jan Evensmo Last updated: July 18, 2019 2 Born: Macon, Georgia, July 23, 1915 Died: June 22, 1993 Introduction: Emmett Berry was an excellent swing trumpeter but possibly suffered by being overshadowed by the charismatic Roy Eldridge with a related style. It was quite obvious that he should be a candidate for a solography on internet! Early history: Raised in Cleveland, Ohio; began ‘gigging’ with local bands, then joined J. Frank Terry’s Chicago Nightingales in Toledo, Ohio (1932), left Terry in Albany, New York, in 1933and ‘gigged’ mainly in that area during the following three years. Joined Fletcher Henderson in late 1936, and remained until Fletcher disbanded in June 1939. With Horace Henderson until October 1940, briefly with Earl Hines, then with Teddy Wilson’s sextet from May 1941 until July 1942, then joined Raymond Scott at C.B.S. With Lionel Hampton from spring of 1943, week with Teddy Wilson in August 1943, briefly with Don Redman and Benny Carter, then again rejomed Teddy Wilson c. November 1943. With John Kirby Sextet from summer 1944 until January 1945, Eddie Heywood, February until October 1945, then joined Count Basie. Left Basie in 1950. (ref. John Chilton). Message: I met Emmett Berry’s daughter Christina at the National Jazz Museum of Harlem a few years ago, seeking information about her father. I promised her a solography, it has taken some time, but here it is. Hopefully you are happy with this tribute to your father, Christina! 3 EMMETT BERRY SOLOGRAPHY FLETCHER HENDERSON & HIS ORCHESTRA NYC.
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