S Election Through the Black Americas:Ethnographic Perspectives As a Mirror
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Treat Greed in Africa As a War Crime Article Link: A-War-Crime.Html
January 29, 2013 Treat Greed in Africa as a War Crime Article Link: http://www.nytimes.com/2013/01/30/opinion/treat-greed-in-africa-as- a-war-crime.html By KAMARI MAXINE CLARKE ADDIS ABABA, Ethiopia WHEN the International Criminal Court made public an arrest warrant in November for Simone Gbagbo, a former first lady of Ivory Coast, on charges of crimes against humanity, it set two precedents. For the first time, it had indicted a woman — and someone who had held no formal public office. The previous year, Mrs. Gbagbo’s husband, Laurent, became the first former head of state to face trial before the I.C.C. He is charged with thousands of murders and “other inhuman acts” after refusing to accept defeat in a presidential election that was held in November 2010. The indictments of the Gbagbos are welcome, but they don’t bring the court any closer to confronting the fundamental causes of the violence that has plagued Ivory Coast — and most of sub-Saharan African — for centuries. Colonial rule, and the military takeovers and suppression of democratic movements that followed it, have contributed enormously to the misery. But even those legacies are not the root cause. Violence in Africa begins with greed — the discovery and extraction of natural resources like oil, diamonds and gas — and continues to be fed by struggles for control of energy, minerals, food and other commodities. The court needs the power to punish those who profit from those struggles. So do other judicial forums. At a summit meeting here last week, leaders of the African Union proposed expanding the criminal jurisdiction of the African Court on Human and Peoples’ Rights to include corporate criminal liability for the illicit exploitation of natural resources, trafficking in hazardous wastes and other offenses. -
Acknowledgments
ACKNOWLEDGMENTS Academic books, like all books, represent journeys, and all the contributors to this volume have embarked on a four-year journey with us as we contem- plated the analytic and practical relationships among processes of globaliza- tion, racial formation, and the cultural production of blackness in various localities. Accordingly, this book is truly the result of a collaborative e√ort. The idea for the volume first emerged as a result of a double session called ‘‘2001 Black Odyssey: The Cultural Politics of Race and Nation at the Dawn of the New Millennium’’ at the American Anthropological Association meeting in 2001. Organized by Deborah Thomas, Kamari Clarke, and John Jackson and co-sponsored by the Association of Black Anthropologists and the Asso- ciation for Africanist Anthropology, this session was designed to interrogate the relationships between globalization and race in a range of ethnographic and historical settings. Most of the authors in this book participated in that panel, and our discussants—Maureen Mahon, Faye Harrison, Randy Matory, and Charlie Piot—contributed dynamically to our deliberations and we are grateful to them for their input, participation, and feedback. The addition of several other essays here was intended to build on the ideas presented in that AAA session, and we extend our gratitude to the following presses for their permission to reproduce versions of copyrighted material: University of Wisconsin Press, for Lee D. Baker, ‘‘Missionary Positions.’’ A version of this essay was previously published as ‘‘Research, Reform, and Racial Uplift: The Mission of the Hampton Folklore Society 1893–1899,’’ in Excluded Ancestors, Inventible Traditions: Essays Toward a More Inclusive History of Anthropology, Volume 9, ed. -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection Wcurrent and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
Pursuing Justice in Africa Contents Acknowledgments Ix
Pursuing Justice in Africa Contents Acknowledgments ix Introduction Re-centering Justice in African Studies JESSICA JOHNSON AND GEORGE HAMANDISHE KAREkwAIVANANE 1 PART I: MORALITY, RELIGION, AND LANGUAGES OF JUSTICE Competing Conceptions of Justice in Colonial Buganda JONATHONEON L. EARLE 33 Legal Pluralism and the Pursuit of a Just Life Muslim Views on LawT wandO Justice in East Africa FELICITAS BECKER 51 Social Justice and Moral Space in Hospital Cancer Care in Kenya BENSONTh A.REE MULEMI 72 Relational Justice and Transformation in Postapartheid South Africa DUNCFOURAN SCOTT 92 PART II: GENDER JUSTICE Chilungamo and the Question of LGBTQ+ Rights in Malawi ALANFI MvESOSA 115 Justice Intervention Mobile Courts in the EasternSI Democraticx Republic of Congo PATRICK HOENIG 139 Conflicting Conceptions of Justice and the Legal Treatment of DSEefilementvEN Cases in Malawi NGEYI RUTH KANYONGOLO AND BERNADETTE MALUNGA 159 “Home People” and “People of Human Rights” Understanding ResponsesEIG to hRapeT in Northern Uganda HOllY PORTER 179 PART III: RESOURCES, CONFLICT, AND JUSTICE Out of the Mouths of Babes Tracing Child Soldiers’ NotionsNINE of “Justice,” ca. 1940–2012 STACEY HYND 201 Good and Bad Muslims Conflict, Justice, and TENReligion among Somalis at Dagahaley Refugee Camp in Kenya FRED NYONGESA IKANDA 222 Land Restitution (Old and New), Neotraditionalism, and the Contested ValuesELE of vLandEN Justice in South Africa OLAF ZENKER 243 Transitional Justice and Ordinary Justice in Postconflict Acholiland ANNAT MAwELCDONAvE LD 264 Afterword KAMARI MAXINE CLARKE 289 Bibliography 293 Contributors 325 Index 329 Introduction Re-centering Justice in African Studies JESSICA JOHNSON AND GEORGE HAMANDISHE KAREkwAIVANANE IsubjectN RECENT of concern decades for scholars, justice of Africa hAS b byEEN vast O literaturesvershADO centeringwED AS on A rights, crime, punishment, policing, and social order. -
The Pennsylvania State University the Graduate School College of the Liberal Arts
The Pennsylvania State University The Graduate School College of the Liberal Arts PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS SATIRISTS UNLOCK THE MASTER’S HOUSE A Dissertation in English By Mahpiua-Luta Deas © 2012 Mahpiua-Luta Deas Submitted in Partial Fulfillment Of the Requirements For the Degree of Doctor of Philosophy December 2012 ii The dissertation of Mahpiua-Luta Deas was reviewed and approved by the following: Aldon L. Nielsen The George and Barbara Kelly Professor of American Literature Dissertation Adviser Chair of Committee Linda F. Selzer Associate Professor of English Shirley Moody Assistant Professor of English Lovalerie King Associate Professor of English Director of the Africana Research Center Garrett A. Sullivan Professor of English Director of Graduate Studies, English *Signatures are on file in the Graduate School. iii ABSTRACT In the post-civil rights era, which is marked by the eradication of legalized racial boundaries, racial passing should be unnecessary and obsolete. Yet contemporary satirists have found satiric portrayals of racial passing to be productive on two levels. On a plot-level, they use passing to interrogate contemporary racial subjectivity and to both explore racial advances and to critique persistent racial inequities. On a structural level, they write fiction that challenges the prescriptive and restrictive aesthetic criteria that they believe African American fiction is required to meet. Ultimately, this fiction offers dynamic critiques of contemporary racial identity and textual production. These authors use satire to examine how the fictional depiction of racial identities/bodies informs, depends on, and dictates the textual body and vice versa. The purpose of the study is to draw on two parallel contemporary literary theories, racial passing and satire, in order to analyze the works of five of the most important and recognized contemporary satiric writers of the post-civil rights generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach. -
Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jana Nováková The Magic Negro in Recent American Film Bachelor‘s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Dr. 2009 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Jana Nováková Acknowledgement I would like to thank my supervisor doc. PhDr. Tomáš Pospíšil, Dr. for his valuable advice and comments. I would also like to thank my friends Barbora and Naděžda for keeping me sane while writing this thesis. TABLE OF CONTENTS 1. Introduction .......................................................................................................... 1 1.1. Film as a Reflection of Race Relations ....................................................... 2 2. Who Is the Magic Negro? .................................................................................... 8 2.1. Synopses .................................................................................................... 8 2.2. Characteristic Traits .................................................................................. 11 2.2.1. Primary Objective: Salvation of the White Character ..................... 14 2.2.2. Getting in Touch with Oneself ......................................................... 17 2.2.3. Family .............................................................................................. 19 2.2.4. Sexual Magic .................................................................................. -
The First One Hundred Years
The Maryland‐District of Columbia‐Virginia Section of the Mathematical Association of America: The First One Hundred Years Caren Diefenderfer Betty Mayfield Jon Scott November 2016 v. 1.3 The Beginnings Jon Scott, Montgomery College The Maryland‐District of Columbia‐Virginia Section of the Mathematical Association of America (MAA) was established, just one year after the MAA itself, on December 29, 1916 at the Second Annual Meeting of the Association held at Columbia University in New York City. In the minutes of the Council Meeting, we find the following: A section of the Association was established for Maryland and the District of Columbia, with the possible inclusion of Virginia. Professor Abraham Cohen, of Johns Hopkins University, is the secretary. We also find, in “Notes on the Annual Meeting of the Association” published in the February, 1917 Monthly, The Maryland Section has just been organized and was admitted by the council at the New York meeting. Hearty cooperation and much enthusiasm were reported in connection with this section. The phrase “with the possible inclusion of Virginia” is curious, as members from all three jurisdictions were present at the New York meeting: seven from Maryland, one from DC, and three from Virginia. However, the report, “Organization of the Maryland‐Virginia‐District of Columbia Section of the Association” (note the order!) begins As a result of preliminary correspondence, a group of Maryland mathematicians held a meeting in New York at the time of the December meeting of the Association and presented a petition to the Council for authority to organize a section of the Association in Maryland, Virginia, and the District of Columbia. -
Slaves, Cannibals, and Infected Hyper-Whites: the Race and Religion of Zombies
ARTICLE Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies Elizabeth McAlister Wesleyan University ABSTRACT The first decade of the new millennium saw renewed interest in popular culture featuring zombies. This essay shows that a comparative analysis of nightmares can be a productive method for analyzing salient themes in the imaginative products and practices of cultures in close contact. It is argued that zombies, as the first modern monster, are embedded in a set of deeply symbolic structures that are a matter of religious thought. The author draws from her ethnographic work in Haiti to argue that the zonbi is at once part of the mystical arts that developed there since the colonial period, and comprises a form of mythmaking that represents, re- sponds to, and mystifies the fear of slavery, collusion with it, and rebellion against it. In turn, some elements of the Haitian zonbi figure can be found in patterns that haunt recent American zombie films. Zombies in these films are read as figures in a parable about whiteness and death-dealing consumption. This essay suggests that the messianic mood surrounding the presidential candidacy of Barack Obama was consistent with a pat- tern in zombie films since the 1960s where many zombie-killing heroes are figured as black American males. Zombies are used in both ethno- graphic and film contexts to think through the conditions of embodiment, the boundaries between life and death, repression and freedom, and the Anthropological Quarterly, Vol. 85, No. 2, p. 457–486, ISSN 0003-5491. © 2012 by the Institute for Ethnographic Research (IFER) a part of the George Washington University. -
Geospatial Materials As Evidentiary Matters
Law Text Culture Volume 23 Legal Materiality Article 7 2019 ‘The beauty…is that it speaks for itself’: geospatial materials as evidentiary matters Kamari Maxine Clarke University of California Los Angeles Sara Kendall University of Kent Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Clarke, Kamari Maxine and Kendall, Sara, ‘The beauty…is that it speaks for itself’: geospatial materials as evidentiary matters, Law Text Culture, 23, 2019, 91-118. Available at:https://ro.uow.edu.au/ltc/vol23/iss1/7 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ‘The beauty…is that it speaks for itself’: geospatial materials as evidentiary matters Abstract This essay takes up the incorporation of geospatial materials into international criminal law and its institutional locations, focusing on the Hague-based International Criminal Court (ICC). We consider how geospatial materials such as satellite imagery are conscripted as legal materials for international criminal trials, and how these relatively novel forms of evidence require interventions of technical knowledge through expert witness testimony. The assemblage of satellite imagery, expert testimony, and submitted reports are subjected to what we call ‘juridical mediation’ – the vetting of materials through interpretive processes that bring them into a relationship with textual forms, such as statutory principles and the Rules of Procedure and Evidence. What appears on the other side of this mediated process is a complex and composite relationship between textual, technological, and hermeneutic forms, troubling the claim that geospatial material ‘speaks for itself’. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Race of Machines: A Prehistory of the Posthuman Permalink https://escholarship.org/uc/item/90d94068 Author Evans, Taylor Scott Publication Date 2018 License https://creativecommons.org/licenses/by-nc-sa/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Race of Machines: A Prehistory of the Posthuman A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Taylor Scott Evans December 2018 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Mark Minch-de Leon Mr. John Jennings, MFA Copyright by Taylor Scott Evans 2018 The Dissertation of Taylor Scott Evans is approved: ____________________________________________________ ____________________________________________________ ____________________________________________________ Committee Chairperson University of California, Riverside Acknowledgments Whenever I was struck with a particularly bad case of “You Should Be Writing,” I would imagine the acknowledgements section as a kind of sweet reward, a place where I can finally thank all the people who made every part of this project possible. Then I tried to write it. Turns out this isn’t a reward so much as my own personal Good Place torture, full of desire to acknowledge and yet bereft of the words to do justice to the task. Pride of place must go to Sherryl Vint, the committee member who lived, as it were. She has stuck through this project from the very beginning as other members came and went, providing invaluable feedback, advice, and provocation in ways it is impossible to cite or fully understand.