Orality in Medieval Irish Narrative: an Overview
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Provided by the author(s) and University College Dublin Library in accordance with publisher policies. Please cite the published version when available. Title Working and Weeping: Women's Oral Poetry in Irish and Scottish Gaelic Authors(s) Bourke, Angela Publication date 1988 Series Women and Gender Studies Series Publisher University College Dublin. School of Social Justice. Women's Studies Item record/more information http://hdl.handle.net/10197/5715 Downloaded 2021-10-04T15:48:41Z The UCD community has made this article openly available. Please share how this access benefits you. Your story matters! (@ucd_oa) © Some rights reserved. For more information, please see the item record link above. Angela Bourke ~ AND WEEPING \'DtmN 1 S OOAL OOEIRY IN IRISH AND SCDI'l'ISH GAELIC Angela Bourke lectures in the Department of Mcx::lern Irish at University College, I:Xlblin page 2 ----------------------------------------------------------------------------------- Irish and Scottish Gaelic are both rich in oral tradition and there exists in each a lari'e body of anonymous oral literature, mostly stories and poetry. A considerable amount of this poetry is known to have been composed by women and is associated with aspects of traditional culture which were always women's particular responsibility. It is the purpose of this paper to compare the women's poetry of Ireland and Scotland and to examine the integration of 'literary' creativity with traditional life in both cultures. Until the seventeenth century, Ireland and Scotland shared a common language and a common social structure. There was a privileged elite of male poets whose power and prestige were fundamentally linked to political stability. -
Flann Mainistrech's Götterdämmerung As a Junction Within Lebor Gabála Érenn
Edinburgh Research Explorer Flann Mainistrech's Götterdämmerung as a Junction within Lebor Gabála Érenn Citation for published version: Thanisch, E 2013, Flann Mainistrech's Götterdämmerung as a Junction within Lebor Gabála Érenn. in Quaestio Insularis: Selected Proceedings of the Cambridge Colloquium in Anglo-Saxon Norse and Celtic. vol. 13, pp. 69-93. <http://www.asnc.cam.ac.uk/publications/quaestio/Quaestio2012.html> Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Quaestio Insularis General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Flann Mainistrech's Götterdämmerung as a Junction within Lebor 1 Gabála Érenn INTRODUCTION Lebor Gabála Érenn: Content Lebor Gabála Érenn (‘the Book of the Invasion of Ireland’) is the conventional title for a lengthy Irish pseudo-historical text extant in multiple recensions probably compiled during the eleventh and twelfth centuries.2 The text comprises a history of the Gaídil (‘Gaels’) within the context of a universal history derived from the Bible and from Classical historiography.3 Lebor Gabála traces the ancestry of the Gaídil back to Noah and follows their tortuous migrations, spanning many generations, from the Tower of Babel to Ireland via Spain. -
The Five Paths to a Judge: an Interpretation Of
1 Christophe Archan The five paths to a judge: an interpretation of Cóic Conara Fugill (Five Paths to Judgement)1 Les cin chemins vers un juge : une interpr!tation du Cóic Conara Fugill (Cinq chemins du jugement) A"stract: This interpretation o#ers an anal%sis "ased on the Small Primer (Uraicecht Becc)& a te't (hich may come from the same schoo$ as Cóic Conara Fugill) A passage from that tract about social ranks notab$% presents a hierarch% of three judges& (ho seem to correspond to the first three procedures of the Five Paths of Judgement) The choice of the right procedure (ould then actual$% "e the choice of the right judge) A first "$oc* of three paths (ould then "e distinguished& to (hich a second b$oc* of t(o paths wou$d then be added) +!sum! : Cette interpr!tation pr!sente une anal%se fond!e sur $a Petite introduction (Uraicecht Becc)& un te'te ui provient sans doute de $a m,me !co$e ue $es Cóic Conara Fugill) -n passage de ce trait! sur les rangs sociaux pr!sente une hiérarchie de trois juges ui sem"$e correspondre aux trois premières proc!dures des Cinq chemins du jugement. Choisir $a "onne proc!dure reviendrait en fait / choisir $e "on juge) -n premier groupe de trois proc!dures pourrait ,tre identifi!& auque$ un second groupe de deux proc!dures aurait ét! ajout!) 0e%(ords: 1ar$% 2rish Law 3 procedure 3 trial 3 c$assification 4 2rish *ing as judge 3 judges 3 recourse to appeal 5ots4c$!s : droit ir$andais ancien 3 proc!dure 3 proc.s 3 c$assification 3 roi ir$andais ui juge 3 juges 3 proc!dures d6appe$ 1) To(ards the end of the -
Ruth Preston Miller Lehmann
Ruth Preston Miller Lehmann From the Austin American-Statesman, Tuesday, 4 April 2000, Page B4 Ruth Preston Miller Lehmann, literary educator and poet, with specialties in Old English and Irish, died on Monday, April 3, 2000. She was born in Ithaca, New York, on February 18, 1912, the third child of Ernest Allen Miller and Lillian Allen Philipps Miller. She completed the B.A. Degree at Cornell University in 1932, holding the Blauvelt Scholarship during her four years there; she was elected to Phi Beta Kappa in her junior year, to Phi Kappa Phi in 1932. She continued her studies at Cornell to the M. A. degree in 1934, and was elected to Phi Lambda Theta in 1933. After travel in Europe she spend a year at Bryn Mawr College as Scholar in English in 1935-36. She completed the Ph.D. at the University of Wisconsin in 1942, where she was Anne Gorham Research Fellow 1937-38, then served as teaching assistant, and was awarded the Edwin Markham Post- Doctorate Fellowship for 1943043. She began her professional career in 1943, as editor of language texts published by the U. S. Armed Forces Institute, Washington D.C. for military personnel to acquire speaking proficiency in the languages of the countries to which they were sent, ranging from Arabic, Chinese, Japanese, Turkish to the languages of Europe. Their format had an important influence on foreign language texts published for universities after the war. She was appointed instructor in English at George Washington University (1944-45) and then lecturer at Washington University, St. -
Storytelling in Medieval Wales
Oral Tradition, 7/2 (1992):231-57 Storytelling in Medieval Wales Sioned Davies The Storyteller Very little is known of the storyteller and his functions in medieval Welsh society. Welsh sources imply that tales were recited in prose by professional storytellers—the cyfarwyddiaid (singular cyfarwydd). In medieval Ireland, there is evidence to suggest that the composition of both prose and poetry was linked to the fili, the poet, although storytelling was not one of his main functions.1 In Wales, however, there is no direct evidence regarding the relationship between the bardd (poet) and cyfarwydd (storyteller). One much quoted passage in an eleventh-century tale tells of Gwydion and his companions visiting the court of Pryderi in the guise of poets2— They were made welcome. Gwydion was placed beside Pryderi that night. “Why,” said Pryderi, “gladly would we have a tale [cyfarwyddyd] from some of the young men yonder.” “Lord,” said Gwydion, “it is a custom with us that the first night after one comes to a great man, the chief bard [pencerdd] shall have the say. I will tell a tale gladly.” Gwydion was the best teller of tales [cyfarwydd] in the world. And that night he entertained the court with pleasant tales and storytelling [cyfarwyddyd] till he was praised by everyone in the court. —while on another occasion Gwydion, in the guise of a poet from Glamorgan (in South Wales) is made welcome at a North Wales court and narrates cyfarwyddyd (stories) after feasting (Jones and Jones 1949:67). Both passages are open to interpretation regarding the role and significance 1 Mac Cana 1980; see also Bromwich 1978:lxxxiii-lxxxvi. -
Eoghán Rua Ó Suilleabháin: a True Exponent of the Bardic Legacy
134 Eoghán Rua Ó Suilleabháin: A True Exponent of the Bardic Legacy endowed university. The Bardic schools and the monastic schools were the universities of their day; they bestowed privileges and Barra Ó Donnabháin Symposium: status on their students and teachers, much as the modern university awards degrees and titles to recipients to practice certain professions. There are few descriptions of the structure and operation of Eoghán Rua Ó Suilleabháin: A the Bardic schools, but an account contained in the early eighteenth century Memoirs of the Marquis of Clanricarde claims that admission True Exponent of the Bardic WR %DUGLF VFKRROV ZDV FRQÀQHG WR WKRVH ZKR ZHUH GHVFHQGHG from poets and had within their tribe “The Reputation” for poetic Legacy OHDUQLQJ DQG WDOHQW ´7KH TXDOLÀFDWLRQV ÀUVW UHTXLUHG VLF ZHUH Pádraig Ó Cearúill reading well, writing the Mother-tongue, and a strong memory,” according to Clanricarde. With regard to the location of the schools, he asserts that it was necessary that the place should “be in the solitary access of a garden” or “within a set or enclosure far out of the reach of any noise.” The structure containing the Bardic school, we are told, “was snug, low, hot and beds in it at convenient distances, each within a small apartment without much furniture of any kind, save only a table, some seats and a conveniency for he poetry of Eoghan Rua Ó Súilleabháin (1748-1784)— cloaths (sic) to hang upon. No windows to let in the day, nor any Tregarded as one of Ireland’s great eighteenth century light at all used but that of candles” according to Clanricarde,2 poets—has endured because of it’s extraordinary metrical whose account is given credence by Bergin3 and Corkery. -
Review of Mac Cana the Cult of the Sacred Centre: Essays on Celtic
REVIEWS 127 The Cult of the Sacred Centre: Essays on Celtic Ideology, by Proinsias Mac Cana, Dublin 2011: Dublin Institute for Advanced Studies, ISBN 9-781855-002197, hardcover, vii + 344 pp. In May 2004, the world of Celtic Studies was greatly saddened to learn of the death of Proinsias Mac Cana. At the time, Professor Mac Cana had been finalising a collection of essays focussing on the question of unity in what might loosely be termed the Celtic nations (a problematic term, as the collection makes clear). Thanks to the generous and careful efforts of Mac Cana’s family and a number of distinguished scholars, prominent amongst them Catherine McKenna and Fergus Kelly, the work is now available to the scholarly community. In the Introduction, Mac Cana lays out the paradox, which he first noticed in print in 1978, of the contrast between Ireland’s ‘notoriously fissile political organization’ and its ‘remarkably coherent and uniform culture and ideology’ (p. 1). He then frames this paradox of the Irish, and the Celts in general, within debates on the subject of nationalism, pointing out the difficulties created by scholars who do not look beyond the modern, or at best early modern, in the quest to understand the development of nationalism and national consciousness. This latter point is taken up and explored in detail in the first part of the book, The Paradox of Irish History. Here, Mac Cana makes an extremely thought-provoking analysis of Irish revision- ist history, giving a detailed description and balanced analysis of each side of the revisionism debate. -
Lenition of the Conjugated Prepositions in Irish and Welsh
Lenition of the Conjugated Prepositions in Irish and Welsh Sanne Jongeleen 3765105 25-07-2016 RMA Ancient, Medieval and Renaissance Studies Supervised by prof. dr. Peter Schrijver Plagiarism Statement I hereby declare that I have committed neither fraud nor plagiarism prior, during or after the process that has resulted in this thesis. 25-07-2016, Sanne Jongeleen 2 Table of Contents Table of Contents .................................................................................................. 3 Abbreviations ....................................................................................................... 4 0. Introduction ...................................................................................................... 6 1. Research Questions ........................................................................................... 8 2. Theoretical background ...................................................................................... 9 3. Methodology ................................................................................................... 14 4. Selected Corpus .............................................................................................. 18 4.1 Irish .......................................................................................................... 18 4.2 Welsh ........................................................................................................ 20 5. Selected Prepositions ...................................................................................... -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
Honour and Early Irish Society: a Study of the Táin Bó Cúalnge
Honour and Early Irish Society: a Study of the Táin Bó Cúalnge David Noel Wilson, B.A. Hon., Grad. Dip. Data Processing, Grad. Dip. History. Submitted in partial fulfilment of the requirements of the degree of Masters of Arts (with Advanced Seminars component) in the Department of History, Faculty of Arts, University of Melbourne. July, 2004 © David N. Wilson 1 Abstract David Noel Wilson, Honour and Early Irish Society: a Study of the Táin Bó Cúalnge. This is a study of an early Irish heroic tale, the Táin Bó Cúailnge (The Cattle Raid of the Cooley). It examines the role and function of honour, both within the tale and within the society that produced the text. Its demonstrates how the pursuit of honour has influenced both the theme and structure of the Táin . Questions about honour and about the resolution of conflicting obligations form the subject matter of many of the heroic tales. The rewards and punishments of honour and shame are the primary mechanism of social control in societies without organised instruments of social coercion, such as a police force: these societies can be defined as being ‘honour-based’. Early Ireland was an honour- based society. This study proposes that, in honour-based societies, to act honourably was to act with ‘appropriate and balanced reciprocity’. Applying this understanding to the analysis of the Táin suggests a new approach to the reading the tale. This approach explains how the seemingly repetitive accounts of Cú Chulainn in single combat, which some scholars have found wearisome, serve to maximise his honour as a warrior in the eyes of the audience of the tale. -
" Sorrow Penny Yee Payed for My Drink": Taboo, Euphemism, and A
DOCUMENT RESUME ED 395 506 FL 023 850 AUTHOR Odlin, Terence TITLE "Sorrow Penny Yee Payed for My Drink": Taboo, Euphemism, and a Phantom Substrate. CLCS Occasional Paper No. 43. INSTITUTION Trinity Coll., Dublin (Ireland). Centre for Language and Communication Studies. REPORT NO ISSN-0332-3889 PUB DATE 96 NOTE 28p.; An abbreviated version of this paper was given as a public lecture in the Centre for Language and Communication Studies (Dublin, Ireland, 1996). PUB TYPE Collected Works Serials (022) Reports Descriptive (141) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Diachronic Linguistics; *English; English Literature; Foreign Countries; *Irish; *Language Patterns; Language Role; Language Usage; *Negative Forms (Language); *Scots Gaelic; Uncommonly Taught Languages IDENTIFIERS Euphemism; Ireland; *Language Contact; Scotland; Taboo Terms ABSTRACT Possible origins for the use of "sorrow" as a negation in Hiberno-English are considered. Much of the evidence examined here comes from English literature. It is concluded that the uses of "sorrow" as negator and as euphemism probably reflect Celtic substrate influence. Structural evidence indicates that "sorrow" negation has grammaticalized properties similar to those for "devil" negation. Geographical and chronological evidence suggests that "sorrow" negation developed early in Scotland and that it was restricted mainly to Scotland and Ireland. Cultural evidence shows "sorrow" negation to be part of a long-standing tradition of taboo and'euphemism, one not unique to Celtic lands but certainly robust in those regions. Although several words in Irish and Scottish Gaelic are partial translation equivalents for "sorrow," only two have attested uses as negators and euphemisms for the devil: "donas" and "tubaiste." Of these, the former seems to have been an especially important word in Scotland and Ireland, 31though it may never have been a full-fledged negator in Irish. -
List of Manuscript and Printed Sources Current Marks and Abreviations
1 1 LIST OF MANUSCRIPT AND PRINTED SOURCES CURRENT MARKS AND ABREVIATIONS * * surrounds insertions by me * * variant forms of the lemmata for finding ** (trailing at end of article) wholly new article inserted by me + + surrounds insertion from the addenda ++ (trailing at end of article) wholly new article inserted from addenda † † marks what is (I believe) certainly wrong !? marks an unidentified source reference [ro] Hogan’s Ro [=reference omitted] {1} etc. different places but within a single entry are thus marked Identical lemmata are numbered. This is merely to separate the lemmata for reference and cross- reference. It does not imply that the lemmata always refer to separate names SOURCES Unidentified sources are listed here and marked in the text (!?). Most are not important but they are nuisance. Identifications please. 23 N 10 Dublin, RIA, 967 olim 23 N 10, antea Betham, 145; vellum and paper; s. xvi (AD 1575); see now R. I. Best (ed), MS. 23 N 10 (formerly Betham 145) in the Library of the RIA, Facsimiles in Collotype of Irish Manuscript, 6 (Dublin 1954) 23 P 3 Dublin, RIA, 1242 olim 23 P 3; s. xv [little excerption] AASS Acta Sanctorum … a Sociis Bollandianis (Antwerp, Paris, & Brussels, 1643—) [Onomasticon volume numbers belong uniquely to the binding of the Jesuits’ copy of AASS in their house in Leeson St, Dublin, and do not appear in the series]; see introduction Ac. unidentified source Acallam (ed. Stokes) Whitley Stokes (ed. & tr.), Acallam na senórach, in Whitley Stokes & Ernst Windisch (ed), Irische Texte, 4th ser., 1 (Leipzig, 1900) [index]; see also Standish H.