Investor Presentation

Total Page:16

File Type:pdf, Size:1020Kb

Investor Presentation INVESTOR PRESENTATION FEBRUARY – MARCH 2016 This presentation contains certain forward-looking statements based on current expectations, forecasts and assumptions that involve risks and uncertainties. These statements are based on information available to the Company as of the date hereof. All forward-looking statements are TF1 management’s present expectations of future events, beliefs, intentions or strategies and are subject to a number of factors and uncertainties that could cause actual results to differ materially from those described in the forward-looking statements. 2 BROADCASTING & CONTENT CONSUMER SERVICES PAY-TV HOME THEME CHANNELS BROADCASTING CONTENT VIDEO DIVERSIFICATION SHOPPING IN FRANCE FREE-TO-AIR TV E-TF1 OTHER MEDIA ** * * LCI will be broadcasted on the free DTT as of 5 Avril 2016 3 .**Owned at 50%. TV CONSUMPTION REMAINS AT A HIGH LEVEL AND NOW INCLUDES A PART OF NON- LINEAR CONSUMPTION EVOLUTION OF TV CONSUMPTION (LINEAR & IPTV) BETWEEN 2000 AND 2015 Individuals aged 4+: 3h39, i.e + 3’ vs. 2014 Women<50 PDM : 3h33, ie + 1’ vs 2014 3h56 3h58 3h49 3h40 3h42 3h36 3h39 3h41 3h44 3h32 3h34 3h50 3h28 3h47 3h46 3h24 3h23 3h38 3h19 3h37 3h16 3h32 3h27 3h27 3h21 3h21 3h24 3h24 3h24 3h25 3h14 3h18 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 These figures do not include viewing time (live or catch-up) spent on secondary devices (computers, tablets, smartphones). However, Médiametrie has been measuring daily catch-up IPTV consumption since September 29, 2014, and these figures have been included in viewing time statistics from the fourth quarter of 2014. * PDM = Purchase Decision Makers 4 Source : Médiamétrie – Médiamat TV RECEPTION MODES IN FRANCE EVOLUTION OF RECEPTION MODES AS A % OF HOUSEHOLDS (Main reception mode as a % of households equipped with TV) 70% 69% 67% 67% 67% 65% 63% 60% 60% 59% 56% Hertzian reception 48% TV reception by IPTV / fiber 46% 45% (IPTV/Fiber box equipped 42% and connected to TV) 44% 44% HD DTT connected 40% 31% 36% 23% 29% 18% 19% 16% 16% 16% 15% 16% 14% 13% 14% 15% 12% 13% 13% 13% 12% 11% 14% 15% 14% Free Satellite 14% 12% 12% 12% 11% 10% 10% 10% 11% Pay Satellite subscribers 9% 9% 8% 8% 9% 5% Cable (total) 2% 5 Source: TF1 estimations from Médiamétrie / GfK – Référence des Equipements Multimédias (2005-2013) ; Médiamétrie – Home Devices (since 2014) 2015: AUDIENCE SHARE PER GROUP 6 Source : Médiamétrie – Médiamat SHARE OF VIEWING (%) – 2015 CHANGE -1.5 +0.2 -0.2 -0.2 +0.2 +0.1 === +0.2 +0.2 +0.2 -0.1 +0.1 -0.2 +0.3 +0.3 = +0.4 +0.1 +0.4 = +0.2 +0.1 ON 2014 21,4 14,3 9,9 9,2 3,4 3,4 3,1 2,6 2,6 2,2 2,2 2,0 1,8 1,7 1,6 1,3 1,2 1,2 1,1 1,0 0,7 0,6 0,6 0,6 TF1 F2 M6 F3 F5 D8 TMC C+ W9 Arte BFM NT1 NRJ12 F4 Gulli RMC HD1 D17 6Ter I-Télé Ch.25 FÔ L'Eq. N23 TV déc. 21 Source : Médiamétrie – Médiamat – 2015 TF1’S STRONG-DRAWING LINEUP CONTINUES TO EXPAND TF1, THE LEADING CHANNEL Source : Médiamétrie – Médiamat – 2015 THOROUGHLY REVAMPED NEWS PROGRAMMING THE UNCONTESTED NEWS LEADER Source : Médiamétrie – Médiamat – 2015 UNMATCHED SUCCESS IN ALL GENRES UNEQUALLED VIEWRSHIP RECORDS Source : Médiamétrie – Médiamat – 2015 A MULTICHANNEL OFFER WITH STRONG MOMENTUM GROWTH BOLSTERED BY NT1 AND HD1 11 Source: Médiamétrie - Médiamat AN OFFER THAT IS INCREASINGLY DITITAL… 2014 2015 ESTABLISHED LEADERSHIP Sources: (1) Médiamétrie eSTAT Streaming, AT internet, données opérateurs – (2) Médiamétrie Mediamat 12 … AND MULTIFACETED 2014 2015 CEASELESS INNOVATION 13 A DIVERSE PORTFOLIO FOR THE GENERAL PUBLIC 14 CREATIVE ADVERTISING OPTIONS TF1 PUBLICITE ELECTED FRANCE’S BEST ADVERTISING SALES AGENCY * * Survey conducted by Harris Interactive for CB News. AN INNOVATION APPROACH APPLIED GROUP-WIDE TO SPREAD IDEAS AND ENERGIES 16 VALUE – GENERATING INITIATIVES A NEW GROUP IS TAKING SHAPE 17 NEWEN STUDIOS 18 NEWEN STUDIOS : ACQUISITION RATIONAL 19 NEWEN STUDIOS 20 CITIZENSHIP : EXEMPLARY CONDUCT 21 * Awarded by HR consulting firm Diversity Conseil, in parternship with the AFMD FINANCIAL INFORMATION The results shown hereafter are presented in accordance with IFRIC 21, “Levies”, applied with effect from January 1, 2015 and also applied retroactively to the 2014 comparatives. EVOLUTION OF GROSS MULTIMEDIA INVESTMENTS Source IREP – 2015 vs.2014 – ecl. Internet / National and regional press with promotion (excl.self-promotion ans subscription) / Television : National , regional TV and thermed channels NET ADVERTISING TURNOVER FOR THE TF1 GROUP’S FOUR FREE CHANNELS 24 EVOLUTION OF THE ADVERTISING SECTORS FOR TF1 GROUP’S 4 FTA CHANNELS Source: Kantar Media, 2015 vs. 2014. CONSOLIDATED REVENUE BREAKDOWN 26 GROUP ADVERTISING AND NON-ADVERTISING REVENUE 27 COSTS OF PROGRAMMES 28 CONSOLIDATED INCOME STATEMENT(1/2) 29 CURRENT OPERATING PROFIT BREAKDOWN 30 CONSOLIDATED INCOME STATEMENT(2/2) 31 CONSOLIDATED BALANCE SHEET 32 CONSOLIDATED CASH FLOW STATEMENT 33 OUTLOOK FAIR RETURN TO SHAREHOLDERS 35 HIGH RETURNS TO SHAREHOLDERS IN 2016 36 2016 : A GROUP FOCUSED ON THE FUTURE 37 HYPOTHESES 2016 38 APPENDIX LANDSCAPE OF DTT MARKET IN FRANCE STATE-OWNED CANAL+ TF1 GROUP M6 GROUP NRJ GROUP NextRadioTV OTHERS CHANNELS GROUP Lagardère Amaury FREE DTT Private Investors French * [FTV – French State – Parliament Radio France – INA] PAY DTT * Is being acquired by NextRadioTV * LCI will be broadcasted on the free DTT as of 5 Avril 2016 40 TF1 CHANNEL, A PRIVATE EUROPEAN LEADER (1/2) Audience share (in%) of European channels, leaders in their respective national territories Gap between each leader and its challenger: 41 Source: Médiamétrie – 4years & over (France) / Eurodata TV – BARB - Kanter Media (UK) / Eurodata TV – AGB – GFK (Germany) / Kantar Media (Spain) / Eurodata TV – Auditel – AGB Nielsen (Italy) TF1 CHANNEL, A PRIVATE EUROPEAN LEADER (2/2) Audience share (in%) of private European channels, leaders in their respective national territories over 2014 42 Source: Médiamétrie – 4years & over (France) / Eurodata TV – BARB - Kanter Media (UK) / Eurodata TV – AGB – GFK (Germany) / Kantar Media (Spain) / Eurodata TV – Auditel – AGB Nielsen (Italy), Jan-Aug 2015 except France (Jan-Sept 2015) A CAPACITY FOR BUILDING PARTNERSHIPS 43 REGULATION: PRESENT SITUATION OBLIGATIONS TO INVEST OBLIGATIONS TO BROADCAST 3.2% in the co-production of European cinema works* Cinema and audiovisual works: 60% European-origin and 40% French origin at least 12.5% for the commissioning of national heritage A maximum of 192 movies per year audiovisual works* A minimum of 2/3 of the annual broadcasting airtime o 75% of the previous investments commissioned from devoted to French-speaking programmes independent producers o a producer is considered independent where the 750 hours of children’s programmes broadcaster owns less than 15% of its capital 800 hours of news bulletins and magazines * of the previous year’s net annual advertising turnover, within a calendar year. ADVERTISING MEDIA INDEPENDENCE Up to 12’ per hour 49% maximum ownership (of the capital of a company Up to 9’ per hour on average each day operating a domestic DTT service with an average annual audience Movies: up to 2 slots and 6’ of advertising share >8% of total TV audience) 7 DTT licences State-owned channels: no advertising broadcast 2 out of 3 media (among TV, radio and daily press, with national from 8pm to 6am coverage) 44 REGULATION: WHAT WE ARE LOBBYING FOR ADVERTISING FISCAL ISSUES PRODUCTION & CONTENT Prohibited sectors: Audiovisual taxes Mandates for distribution of content (CNC, France Télévisions, radio, press) Promotions in the retail sector >25% of dependent production Cinema (movie trailers…) €94m in 2014 Tobacco / Alcohol Audiovisual sector financing 15% of ownership threshold (above which a producer is considered as (obligations to invest) dependent) €293m in 2014 MORE FAIRNESS IN COMPETITION BETWEEN TV AND DIGITAL 45 CSR COMMITMENT INCLUSIVE & COHESIVE SUSTAINABLE • In the content • In the content Large visibility offered to associations on TF1’s Ushuaïa TV since 2005 channels More than 1000 topics in TV News Bulletin every year Promoting diversity and women Special editorial content ahead of the COP 21 Diversity training given to employees of the Dedicated ad slots for responsible advertisers production department Diversity and Solidarity commitees • In the company • In the company Energy and GHG réduction plan Ecoprod’s collective Employement and wage policies, social framework Dialogue with Diversity label and equal opportunities policy Urban mobility plan HSS policy and collective agreements Stakeholders Responsible Purchases TF1 Corporate Foundation Transparancy in communication ETHICS & DEONTOLOGICAL INNOVATIVE • In the content • In the content Fulfilling commitments with audience, notably in New Formats and partnerships terms of journalistic ethics MYTF1 digital platform Personnal data protection Fight against piracy • In the company TF1’s University, Masterclass • In the company Innovation Department Compliance Department Media for Equity Code of Ethics’ roll out Responsible Purchases Signature of the UN Global Compact since 2006 46 CONTACTS Philippe DENERY – CFO IR department [email protected] tel: 33-1 41 41 27 32 Fax : 33-1 41 41 29 10 Christine BELLIN – Head of Investor Relations [email protected] [email protected] TF1 François-Xavier GIMONNET – Deputy Head of Investor Relations 1 quai du Point du Jour [email protected] 92 656 Boulogne-Billancourt Cedex Laurence SARREMEJEAN - IR France [email protected] http://www.groupe-tf1.fr/ 47.
Recommended publications
  • Download The
    Press release Cannes, October 16th, 2018 A SUCCESSFUL PARTNERSHIP 909 Productions (A Lagardère Studios’ company) and RMC Découverte partnered with Discovery to adapt Naked and Afraid in France. The very first adaptation of the US format worldwide made great ratings on RMC Découverte’s prime time slot. After 6 weeks of broadcast, over 8 million people have watched the show. Over this first season, the series reached an average of 512 000 viewers and 2.4% market share. An increase of 43% compared to the average of the slot last season. Frédéric JOLY, 909 Productions’ CEO: « I am very happy about this collaboration with Discovery and RMC. NAKED AND AFRAID is an amazing and strong format and I believe we succeeded in adapting the format in respect to its basics but also RMC’s expectations ». Saevar LEMKE, Vice President International Program Sales EMEA & APAC: « This is the first international adaptation of NAKED AND AFRAID and we could not be more pleased with the outcome of our partnership with 909 Productions and RMC Découverte. The rating success is the result of the great work, expertise and care that has gone into the adaptation of this wonderful format ». Guenaëlle TROLY, RMC Découverte, RMC Story CEO: « Our excellent collaboration with 909 Productions and Discovery has contributed to the success of the French adaptation “Retour à l’Instinct Primaire”. This program has unquestionably found its public on our channel and fits perfectly with RMC Découverte’s editorial policy ». Naked and Afraid, is originally produced by Renegade 83 for Discovery Channel and distributed by Discovery International.
    [Show full text]
  • Television Advertising Insights
    Lockdown Highlight Tous en cuisine, M6 (France) Foreword We are delighted to present you this 27th edition of trends and to the forecasts for the years to come. TV Key Facts. All this information and more can be found on our This edition collates insights and statistics from dedi cated TV Key Facts platform www.tvkeyfacts.com. experts throughout the global Total Video industry. Use the link below to start your journey into the In this unprecedented year, we have experienced media advertising landscape. more than ever how creative, unitive, and resilient Enjoy! / TV can be. We are particularly thankful to all participants and major industry players who agreed to share their vision of media and advertising’s future especially Editors-in-chief & Communications. during these chaotic times. Carine Jean-Jean Alongside this magazine, you get exclusive access to Coraline Sainte-Beuve our database that covers 26 countries worldwide. This country-by-country analysis comprises insights for both television and digital, which details both domestic and international channels on numerous platforms. Over the course of the magazine, we hope to inform you about the pandemic’s impact on the market, where the market is heading, media’s social and environmental responsibility and all the latest innovations. Allow us to be your guide to this year’s ACCESS OUR EXCLUSIVE DATABASE ON WWW.TVKEYFACTS.COM WITH YOUR PERSONAL ACTIVATION CODE 26 countries covered. Television & Digital insights: consumption, content, adspend. Australia, Austria, Belgium, Brazil, Canada, China, Croatia, Denmark, France, Finland, Germany, Hungary, India, Italy, Ireland, Japan, Luxembourg, The Netherlands, Norway, Poland, Russia, Spain, Sweden, Switzerland, UK and the US.
    [Show full text]
  • LES CHAÎNES TV by Dans Votre Offre Box Très Haut Débit Ou Box 4K De SFR
    LES CHAÎNES TV BY Dans votre offre box Très Haut Débit ou box 4K de SFR TNT NATIONALE INFORMATION MUSIQUE EN LANGUE FRANÇAISE NOTRE SÉLÉCTION POUR VOUS TÉLÉ-ACHAT SPORT INFORMATION INTERNATIONALE MULTIPLEX SPORT & ÉCONOMIQUE EN VF CINÉMA ADULTE SÉRIES ET DIVERTISSEMENT DÉCOUVERTE & STYLE DE VIE RÉGIONALES ET LOCALES SERVICE JEUNESSE INFORMATION INTERNATIONALE CHAÎNES GÉNÉRALISTES NOUVELLE GÉNÉRATION MONDE 0 Mosaïque 34 SFR Sport 3 73 TV Breizh 1 TF1 35 SFR Sport 4K 74 TV5 Monde 2 France 2 36 SFR Sport 5 89 Canal info 3 France 3 37 BFM Sport 95 BFM TV 4 Canal+ en clair 38 BFM Paris 96 BFM Sport 5 France 5 39 Discovery Channel 97 BFM Business 6 M6 40 Discovery Science 98 BFM Paris 7 Arte 42 Discovery ID 99 CNews 8 C8 43 My Cuisine 100 LCI 9 W9 46 BFM Business 101 Franceinfo: 10 TMC 47 Euronews 102 LCP-AN 11 NT1 48 France 24 103 LCP- AN 24/24 12 NRJ12 49 i24 News 104 Public Senat 24/24 13 LCP-AN 50 13ème RUE 105 La chaîne météo 14 France 4 51 Syfy 110 SFR Sport 1 15 BFM TV 52 E! Entertainment 111 SFR Sport 2 16 CNews 53 Discovery ID 112 SFR Sport 3 17 CStar 55 My Cuisine 113 SFR Sport 4K 18 Gulli 56 MTV 114 SFR Sport 5 19 France Ô 57 MCM 115 beIN SPORTS 1 20 HD1 58 AB 1 116 beIN SPORTS 2 21 La chaîne L’Équipe 59 Série Club 117 beIN SPORTS 3 22 6ter 60 Game One 118 Canal+ Sport 23 Numéro 23 61 Game One +1 119 Equidia Live 24 RMC Découverte 62 Vivolta 120 Equidia Life 25 Chérie 25 63 J-One 121 OM TV 26 LCI 64 BET 122 OL TV 27 Franceinfo: 66 Netflix 123 Girondins TV 31 Altice Studio 70 Paris Première 124 Motorsport TV 32 SFR Sport 1 71 Téva 125 AB Moteurs 33 SFR Sport 2 72 RTL 9 126 Golf Channel 127 La chaîne L’Équipe 190 Luxe TV 264 TRACE TOCA 129 BFM Sport 191 Fashion TV 265 TRACE TROPICAL 130 Trace Sport Stars 192 Men’s Up 266 TRACE GOSPEL 139 Barker SFR Play VOD illim.
    [Show full text]
  • Download This PDF File
    internet resources John H. Barnett Global voices, global visions International radio and television broadcasts via the Web he world is calling—are you listening? used international broadcasting as a method of THere’s how . Internet radio and tele­ communicating news and competing ideologies vision—tuning into information, feature, during the Cold War. and cultural programs broadcast via the In more recent times, a number of reli­ Web—piqued the interest of some educators, gious broadcasters have appeared on short­ librarians, and instructional technologists in wave radio to communicate and evangelize the 1990s. A decade ago we were still in the to an international audience. Many of these early days of multimedia content on the Web. media outlets now share their programming Then, concerns expressed in the professional and their messages free through the Internet, literature centered on issues of licensing, as well as through shortwave radio, cable copyright, and workable business models.1 television, and podcasts. In my experiences as a reference librar­ This article will help you find your way ian and modern languages selector trying to to some of the key sources for freely avail­ make Internet radio available to faculty and able international Internet radio and TV students, there were also information tech­ programming, focusing primarily on major nology concerns over bandwidth usage and broadcasters from outside the United States, audio quality during that era. which provide regular transmissions in What a difference a decade makes. Now English. Nonetheless, one of the benefi ts of with the rise of podcasting, interest in Web tuning into Internet radio and TV is to gain radio and TV programming has recently seen access to news and knowledge of perspec­ resurgence.
    [Show full text]
  • Investor Presentation
    Investor Presentation September / October 2011 TF1 GROUP Pay TV Advertising Diversification Audiovisual Broadcasting Free Channels Production (()France) adggyency & Internet rights international 2011: A RECORD FOR TV CONSUMPTION Women<50: 3h52 12’ min more vs 2010 / +5% 3h52 3h44 4 +: 3h46 3h40 3h40 16’min more vs 2010 / +8% 3h34 3h32 3h46 3h28 3h31 3h24 3h24 3h13 3h19 3h27 3h24 3h26 3h29 3h23 3h30 3h11 3h22 3h23 3h02 3h18 3h16 3h03 3h08 3h09 3h14 3h00 3h00 2h59 2h57 2h53 3h07 3h03 2h59 2h52 2h47 2h51 2h46 2h46 2h39 2h42 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source: Médiamétrie/Médiamat (TV Consumption / January-July) TF1, A EUROPEAN LEADER Audience share (in%) of leading European channels Gap between each leader on their own national territories for H1 2011 (*) and its challenger Leader TF1 23,8 8.6 pts Challenger France 2 15,2 Leader BBC 1 20,9 5.4 pts Challenger ITV1 15,5 Leader RTL 14,2 1.4 pts Challenger Das Erste 12,8 Leader TVE1 14,9 0.8 pts Challenger Tele 5 14,1 Leader Rai 1 19,1 1.5 pts Challenger Canale 5 17,6 Source: Médiamétrie – 1st half 2011. 4 + (France) / Eurodata TV – BARB - Kanter Media (UK) / Eurodata TV – AGB – GFK (Germany) / Kantar Media (Spain) / Eurodata TV – Auditel – AGB Nielsen (Italy). FIRST-HALF 2011: UNRIVALLED TELEVISION OFFER 50 best audiences All channels combined 23. 8% 26. 8% audience share audience share Individuals Women<50 pdm Very solid leader 6.3 50 / 16 / 2 million viewers 50 prime time with over 8 million viewers in prime time 16 with over 9 million 87% 2 with over 10 million of top evenings with Individuals Source: Médiamétrie – Médiamat 5 TF1, 1ST FRENCH TV CHANNEL (ON INDIVIDUALS – 4 YEARS AND +) Audience share 4 years and + (in %) Jan.–Aug.
    [Show full text]
  • Industrial Trajectory and Regulation of the French TV-Market Victor Lavialle
    Industrial trajectory and regulation of the French TV-market Victor Lavialle To cite this version: Victor Lavialle. Industrial trajectory and regulation of the French TV-market. Economics and Fi- nance. Université Paris sciences et lettres, 2019. English. NNT : 2019PSLEM049. tel-02439079 HAL Id: tel-02439079 https://pastel.archives-ouvertes.fr/tel-02439079 Submitted on 14 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Prepar´ ee´ a` MINES ParisTech Trajectoire Industrielle et Reglementation´ de l’Audiovisuel en France Industrial Trajectory and Regulation of the French TV-market Soutenue par Composition du jury : Victor Lavialle Franc¸oise Benhamou Le 17 decembre´ 2019 Professeure d’Economie,´ Universite´ Presidente´ Paris 13 Marc BOURREAU Professeur d’Economie,´ Tel´ ecom´ Paris- Rapporteur ´ o Tech Ecole doctorale n 396 Paul BELLEFLAMME Economie,´ Organisation, Professeur, UC Louvain Rapporteur Societ´ e´ Thomas PARIS Professeur, HEC Paris Examinateur Elisabeth´ FLURY-HERARD¨ Vice-presidente´ de l’Autorite´ de la Con- Examinatrice Specialit´ e´ currence Olivier BOMSEL Economie´ et Finance Professeur d’Economie,´ Mines Paris- Directeur de these` Tech Acknowledgements First and foremost, I would like to express my gratitude to Olivier Bomsel, for trusting me with this challenging research topic, and for providing me with a dedicated and pedagogical supervision.
    [Show full text]
  • “MISSION EUROPE” a Bilingual Radio Fiction & a Quest
    “MISSION EUROPE” A bilingual radio fiction & a quest “Mission Europe” aims to help young Europeans become familiar with other European languages and cultures. The project is based on an original concept drafted by RFI which enables listeners to follow a bilingual radio-drama with little to no effort. The listeners follow the story of a heroine who speaks in their native tongue, and must learn to get by in a foreign culture with another language. Radio France Internationale, Deutsche Welle and Polskie Radio have joined forces in order to produce three series of 26 episodes. “Mission Berlin”, “Misja Kraków” and “Mission Paris” are three quests, each set in a video game. The player must guide his avatar on dangerous missions in Gemany, France and Poland respectively, finding clues and winning points. The player and his avatar must not only face extraordinary challenges, but also cope with everyday problems as they navigate the cities. In order to do this successfully they must ask for help and unveil their enemies’ identities by learning communication skills appropriate to the country’s language and culture. The listeners follow the video game adventures from the point of view of the player and his avatar who – just like the computer - speak the listeners’ mothertongue. The three series will be broadcast in Europe by the three radio stations involved as well as any other radiostations that are interested. It is possible to produce versions of the series combining any two languages. The co-producers will ensure the promotion of this original concept, by targeting organisations such as radio stations, language learning centres, cultural exchange networks and tourist boards.
    [Show full text]
  • (Restoring Shortwave Radio) Bill 2017 Submission 53
    Committee Secretary Senate Standing Committees on Environment and Communications PO Box 6100 Parliament House Canberra ACT 2600 Re: Australian Broadcasting Corporation Amendment (Restoring Shortwave Radio) Bill 2017 Dear Secretary, I live in Alice Springs and in the course of my work I travel all around Central Australia. Beyond about 70km from Alice Springs and in several select communities I can receive no radio broadcasts, and my only contact with the outside world is the occasional mobile phone reception area or wifi hotspot surrounding a roadhouse or station homestead or similar. I also have a satellite phone which I try to leave turned on when travelling. This way, if someone (e.g. my family) hears of a fire, flood or road closure in the area I am travelling in, they can try to get through to me and warn me. However, the disadvantages of this setup are 1) someone on the outside needs to have up-to-date information on emergencies which are unfolding, 2) they then need to know my whereabouts and understand that I may be in danger and need contacting and 3) They need to be able to get through to me on my satellite phone at the appropriate time. On point #3, there have already been times when I have been travelling with my satellite phone turned on and I have not received incoming calls. This is despite being connected to what is regarded as the most reliable satellite network. It is also possible that I will not have my satphone on at the appropriate time and there are any number of other inhibitions which might prevent me receiving an emergency call or update.
    [Show full text]
  • Public Service Broadcasting in Transition: a Documentary Reader
    University of Pennsylvania ScholarlyCommons Other Publications from the Center for Global Center for Global Communication Studies Communication Studies (CGCS) 11-2011 Public Service Broadcasting in Transition: A Documentary Reader Monroe Price University of Pennsylvania, [email protected] Marc Raboy Follow this and additional works at: https://repository.upenn.edu/cgcs_publications Part of the Broadcast and Video Studies Commons Recommended Citation Price, Monroe and Raboy, Marc. (2011). Public Service Broadcasting in Transition: A Documentary Reader. Other Publications from the Center for Global Communication Studies. Retrieved from https://repository.upenn.edu/cgcs_publications/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cgcs_publications/1 For more information, please contact [email protected]. Public Service Broadcasting in Transition: A Documentary Reader Abstract This is a book of documents, comments, and cases that has been prepared, at the request of the European Institute for the Media, for the use of government officials and citizens interested in strengthening public service broadcasting in transition societies. In this book we try to provide a small chest of tools and background information that will be of assistance. We start, in Chapter 1, with an overview of some of the general principles of public service broadcasting, and include pertinent comments on each of them. Here, as throughout the book, we concentrate on issues of governance and financing, with some attention as well ot issues surrounding programming. In Chapter 2, we turn to current issues in the European-level debate, partly from the perspective of European expectations and standards that are employed in evaluation and accession processes.
    [Show full text]
  • Médiamat'thématik
    PRESS RELEASE Levallois, July 9, 2019 Médiamat’Thématik Audience of channels on satellite, ADSL, cable or optical fibre From 31st of December 2018 to 16th of June 2019 Médiamat’Thématik is the audience measurement in France for TV watched live, time-shifted and via catch-up TV on the TV set by people receiving a satellite, ADSL, cable or fibre optic TV package, namely 79% of the total TV-equipped population base residing in France. Reference sample : 9,390 people aged 4 years and over, living in 3,894 households that receive one of these packages. 1 Médiamétrie - Médiamat’Thématik – January / June 2019 - Copyright Médiamétrie – All rights reserved PRESS RELEASE Médiamat’Thématik From 31st of December 2018 to 16th of June 2019 VIEWING TIME – AVERAGE MONDAY-SUNDAY 3am-3am Individuals 4+ Total TV daily viewing time* Daily viewing time on TV set** Global universe Total TV-equipped Global universe Total TV-equipped Mediamat'Thematik population base Mediamat'Thematik population base Viewing Time by 3:36 3:46 3:27 3:36 Individual (h:mn) AUDIENCE SHARE BY AGGREGATE – AVERAGE MONDAY-SUNDAY 3am-3am Individuals 4+ Audience share as % Audience share as % Global universe Established Pay-TV Mediamat'Thematik reception Total TV of which: 100.0 100.0 Free-to-air DTT channelsa) 86.8 76.8 Special-interest channels 12.9 22.8 REACH AND AUDIENCE SHARE FOR FREE DTT CHANNELS AVERAGE MONDAY- SUNDAY 3am-3am – MEDIAMAT’THEMATIK UNIVERSE Individuals 4+ 4 weeks reach CHANNELS Nb of viewers (in Audience share as % thousands) TF1 40,620 19.7 FRANCE 2 37,866 13.1 FRANCE
    [Show full text]
  • First Name Last Name
    ACT WELCOMES TFI GROUP AND JEUNESSE TELEVISION FOR IMMEDIATE RELEASE - 2 JULY 2018 Association of Commercial Television in Europe welcomes TF1 Group and Jeunesse Télévision as new members BRUSSELS, 2 JULY 2018. The Association of Commercial Television in Europe (ACT) is delighted to welcome TF1 and Jeunesse Télévision (part of the Lagardère Group) as new members. Bringing the number of ACT Members to a total of 28. The Association continues to grow as commercial broadcasters across Europe seek a united voice for their common views on a range of policy issues that impact investment in European original content as well as jobs and growth for the audiovisual industry. Commenting on the new membership, Grégoire POLAD, ACT Director General, stated: "We are delighted to welcome back TF1, a founding member of the ACT, amongst the ACT family. We are also very pleased that Jeunesse Télévision, part of the Lagardère Group, has chosen to join its name to commercial broadcasters’ voice in Brussels. A wide and unified voice is essential to demonstrate the importance of commercial broadcasting for investing, promoting and distributing Europe’s creative and cultural works; particularly at this critical time when key legislation for our sector is being shaped and revised.” Jean-Michel COUNILLON, General Counsel, TF1 Group at this occasion, said: “As a leader of television in Europe, TF1 Group is proud and delighted to join the Association of Commercial Television in Europe (ACT) and its experts team to reinforce the voice of commercial TV broadcasters in Brussels. Many current and future major challenges, especially on the digital market, require more than ever a strong unity to preserve cultural works quality and diversity, equity between different kind of players in the same playing field and more generally to promote European values”.
    [Show full text]
  • Nohra Haime Gallery
    NOHRA HAIME GALLERY ANDREA CHIESI Born in Modena, Italy, 1966 Lives and works in Tre Olmi, Modena, Italy AWARDS 2013 Gotham Prize, Italian Cultural Institute, New York 2012 Gotham Prize, Italian Cultural Institute, New York 2008 First Terna Prize 2004 V Cairo Communication Prize 1998 XXXVIII Suzzara Prize ONE PERSON EXHIBITIONS 2017 “Tutto,” Otto Gallery, Bologna, Italy 2016 “C'era già tutto,” Hiro Proshu gallery, Modena, Italy “Karman,” Guidi&Schoen Gallery, Genoa, Italy “Orizzonte Variabile,” Bologna 2015 “The City of God,” Being3 Gallery, Beijing, China 2014 “19 Andrea Chiesi Paintings, 19 Giorgio Cassali Poems,” Italian Cultural Institute, New York 2012 "Scomparse," Paggerie di Palazzo Ducale, Sassuolo, Italy Winner of Gotham Prize, Italian Cultural Institute, New York 2011 "Perpetuum Mobile," X-Lab Corrosive Art Farm, Berlin, Germany "Io Rifletto," Guidi & Schoen Arte Contemporanea, Genoa "Coney Island," Artesucarte Gallery, Modena 2009 “Beyond Time,” Nohra Haime Gallery, New York “Comunita di memoria,” D406 Arte Contemporanea, Modena “Elogio dell’ombra,” Otto Gallery, Bologna 2008 “Kryptoi,” Corsoveneziaotto Arte Contemponea, Milan, Italy 2007 “Kali Yuga,” Guidi & Schoen Arte Contemporanea, Genoa 2006 “La Divisione del Piacere,” Allegretti Arte Contemporanea, Torino, Italy 2005 “Nero,” Corsoveneziaotto Arte Contempornea, Milan 2004 “Thule/Altrove,” Fondazione La Fabbrica, Locarno, Switzerland “La Casa,” Otto Gallery, Bologna “Thule,” Lipanjepuntin Artecontemporanea, Trieste, Italy 2002 “S.P.K.,” Galleria Luciano Inga-Pin, Milan “Generazioni 2,” Galleria Civica, Museum of Modern Art, Modena 2001 “Moloch,” Lipanjepuntin Artecontemporanea, Trieste “8 Artisti, 8 Critici, 8 Stanze,” Villa delle Rose, GAM, Galleria d’Arte Moderna, Bologna 2000 “G.R.U.,” Maurizio Corraini Gallery, Mantua, Italy 1999 “Clandestina,” Sala delle Colonne, Nonantola, Modena “Viscera,” Galleria Marazzani Visconti Terzy, Piacenzia, Italy “Spazio Aperto,” GAM, Galleria d’Arte Moderna, Bologna 1998 “L’Apocalisse di Giovanni,” Chiostro di S.
    [Show full text]