The Cord Weekly (March 8, 2000)
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The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
2019 JUNO Award Nominees
2019 JUNO Award Nominees JUNO FAN CHOICE AWARD (PRESENTED BY TD) Alessia Cara Universal Avril Lavigne BMG*ADA bülow Universal Elijah Woods x Jamie Fine Big Machine*Universal KILLY Secret Sound Club*Independent Loud Luxury Armada Music B.V.*Sony NAV XO*Universal Shawn Mendes Universal The Weeknd The Weeknd XO*Universal Tory Lanez Interscope*Universal SINGLE OF THE YEAR Growing Pains Alessia Cara Universal Not A Love Song bülow Universal Body Loud Luxury Armada Music B.V.*Sony In My Blood Shawn Mendes Universal Pray For Me The Weeknd, Kendrick Lamar Top Dawg Ent*Universal INTERNATIONAL ALBUM OF THE YEAR Camila Camila Cabello Sony Invasion of Privacy Cardi B Atlantic*Warner Red Pill Blues Maroon 5 Universal beerbongs & bentleys Post Malone Universal ASTROWORLD Travis Scott Sony ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) Darlène Hubert Lenoir Simone* Select These Are The Days Jann Arden Universal Shawn Mendes Shawn Mendes Universal My Dear Melancholy, The Weeknd The Weeknd XO*Universal Outsider Three Days Grace RCA*Sony ARTIST OF THE YEAR (PRESENTED WITH APPLE MUSIC) Alessia Cara Universal Michael Bublé Warner Shawn Mendes Universal The Weeknd The Weeknd XO*Universal Tory Lanez Interscope*Universal GROUP OF THE YEAR (PRESENTED WITH APPLE MUSIC) Arkells Arkells*Universal Chromeo Last Gang*eOne Metric Metric Music*Universal The Sheepdogs Warner Three Days Grace RCA*Sony January 29, 2019 Page 1 of 9 2019 JUNO Award Nominees -
Droppin‟ Knowledge on Race: Hip-Hop, White Adolescents, and Anti-Racism Education
ISSN: 1941-0832 Droppin‟ Knowledge on Race: Hip-Hop, White Adolescents, and Anti-Racism Education By Steven Netcoh “SPREAD LOVE: COMMANDANTE BIGGIE” ARTISTS: JOHN GARCIA, CERN ONE, SEAN MEENAN PHOTOGRAPH BY CHRIS TINSON RADICAL TEACHER 10 http://radicalteacher.library.pitt.edu No. 97 (Fall 2013) DOI 10.5195/rt.2013.39 1. White Kids and Hip Hop Though white adolescents comprise a large percentage limited in its capacity to mobilize racially just ideologies of Hip Hop‟s audience, relatively few academic studies and politics in white youth (Hayes, 2004; Rodriguez, examine why they readily gravitate toward the music and 2006). One study indicates Hip Hop may in fact hinder how they engage with the culture. The majority of racial progress as many whites use stereotypical scholarship on white adolescents and Hip Hop focuses on representations of black males and females in Hip Hop to how these individuals adapt the music and culture to their legitimize discrimination against black Americans in both local settings. Rodriguez (2006) investigates the racial “personal” and “political behaviors” (Reyna, Brandt, & Viki, ideologies of politically conscious Hip-Hop fans primarily in 2009, p. 374). Additionally, Hip Hop has been a prominent Northampton, Massachusetts. Hayes (2004) examines how cultural force for over twenty years, yet there has been white Canadian youth in rural Ontario identified with Hip little change in white Americans‟ racial discourse, Hop to distinguish themselves from their racially and ideologies, or politics. Since Hip Hop entered the culturally homogenous home community. Cutler (1999) mainstream, color-blindness has been solidified as the explores how a white teenager from one of New York City‟s dominant racial ideology, and the belief that the United wealthiest neighborhoods aligned with Hip-Hop by adopting States is a “post-racial” society has been accepted as African American vernacular English and stereotypical “common sense” (Bonilla-Silva, 2006; Winant, 2002, p. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Coca-Cola Stage Backgrounder 2016
May 26, 2016 BACKGROUNDER 2016 Coca-Cola Stage lineup Christian Hudson Appearing Thursday, July 7, 7 p.m. Website: http://www.christianhudsonmusic.com/ Facebook: https://www.facebook.com/ChristianHudsonMusic Twitter: www.twitter.com/CHsongs While most may know Christian Hudson by his unique and memorable performances at numerous venues across Western Canada, others seem to know him by his philanthropy. This talented young man won the prestigious Calgary Stampede Talent Show last summer but what was surprising to many was he took his prize money of $10,000 and donated it all to the local drop-in centre. He was touched by the stories he was told by a few people experiencing homelessness he had met one night prior to the contest’s finale. His infectious originals have caught the ears of many in the industry that are now assisting his career. He was honoured to receive 'The Spirit of Calgary' Award at the inaugural Vigor Awards for his generosity. Hudson will soon be touring Canada upon the release of his first single on national radio. JJ Shiplett Appearing Thursday, July 7, 8 p.m. Website: http://www.jjshiplettmusic.com/ Facebook: https://www.facebook.com/jjshiplettmusic/ Twitter: www.twitter.com/jjshiplettmusic Rugged, raspy and reserved, JJ Shiplett is a true artist in every sense of the word. Unapologetically himself, the Alberta born singer-songwriter and performer is both bold in range and musical creativity and has a passion and reverence for the art of music and performance that has captured the attention of music fans across the country. He spent the major part of early 2016 as one of the opening acts on the Johnny Reid tour and is also signed to Johnny Reid’s company. -
February 18, 2002 TABLE of CONTENTS DUKE DAYS EVENTS CALENDAR
■ P*f* M PJ PU.17 PtVMMia Exilarlno artistic firms mm —I»pumn— From boy bands lo 'Oawson s A professional artist presents a collection George Mason University s defense sparks a 72- JMU students discuss thei including intricate m 'Burning King of Fire' 64 comeback win over ]MU in a crucial confer- toward today's pop culture. at the Mitten Gallery. ence game. James Madison University Today: Sunny rN(h:«a REEZE * Low: 22 THEVol. i '', /sM(C ><S Father dies Habitat after D-hall Black Panther Party myths dispelled heart attack Co-founder speaks on party origins; Malcolm X assassination struggles BY DAVID CI.EMENTSON Black Panther Party in 1966 The father of two students senior writer to raise died Thursday after suffering in Oakland, Calif. According a heart attack in D-hall. There are two things that to Jacqueline Walker, associ- William Tarrant III. 49, Bobby Scale, co-founder and ate professor of history, funds collapsed in D-hall around 7 former chairman of the Black many viewed the Black Panther Party, said he really Panthers as a violent, revolu- BY BRANDON HUC.III \K\ fin Thursday, according to contributing writer hates: myths and the assassi- tionary organization aimed Director of University This semester, the |MU Communications Fred nation of Malcolm X. at overthrowing the federal "1 don't care for myths government in an armed chapter of Habitat lor Hilton. People on the scene Humanity will help two and rescue squad paramedics and all that stuff," Seale told Marxist rebellion. 150 people in the 1SAT Health "They called me a hood- underpnvdeged local families administered CPR. -
The Influence of Rap/Hip-Hop Music: a Mixed-Method Analysis by Gretchen Cundiff — 71
The Influence of Rap/Hip-Hop Music: A Mixed-Method Analysis by Gretchen Cundiff — 71 The Influence of Rap/Hip-Hop Music: A Mixed-Method Analysis on Audience Perceptions of Misogynistic Lyrics and the Issue of Domestic Violence Gretchen Cundiff* Strategic Communications Elon University Abstract Using a qualitative content analysis and online survey, this research examined how college students perceive and respond to the portrayal of women when exposed to misogynistic lyrics. Based on cultivation theory, this study analyzed the lyrical content of popular rap and hip-hop songs (n=20) on Billboard’s “Hot 100” chart between 2000 and 2010. Song lyrics were classified into one or more of the following coding categories: demeaning language, rape/sexual assault, sexual conquest and physical violence. Themes of power over, objectification of and violence against women were identified as prevalent throughout the content analysis sample. Survey results indicated a positive correlation between misogynous thinking and rap/hip-hop consumption. I. Introduction This study examined the culture of rap/hip-hop music and how misogynistic lyrical messages influ- enced listeners’ attitudes toward intimate partner violence. Adams and Fuller (2006) define misogyny as the “hatred or disdain of women” and “an ideology that reduces women to objects for men’s ownership, use, or abuse” (p. 939). Popular American hip-hop and rap artists, such as Eminem, Ludacris and Ja Rule, have increasingly depicted women as objects of violence or male domination by communicating that “submission is a desirable trait in a woman” (Stankiewicz & Rosselli, 2008, p. 581). These songs condone male hegemony in which “men find the domination and exploitation of women and other men to be not only expected, but actu- ally demanded” (Prushank, 2007, p. -
Out of Shape? Blame Mcdonald's
VOLUME EIGHT NUMBER 2 Understanding the Law May Change Your Tune About Downloading Music by Cheryl Baisden Chances are you know better than to walk out of a store with a CD of your favorite band stuffed in your jacket pocket. Everyone knows that is a form of stealing that can land you in jail. But what you may not know is that downloading music from the Internet can be considered stealing too, and the penalties for doing it can be just as severe. “Downloading music from the Internet is like being a member of a bad gang,” said Ronald S. Bienstock, a lawyer who works with WINTER2004 musicians and other artists. “You may not think it will happen, but someone’s going to get hurt. And the best thing for you to do is to not join, or get out OutOut ofof Shape?Shape? fast if you’re already involved.” While it may seem like a victimless crime, there are plenty Blame McDonald’s of people who get hurt when you by Roberta K. Glassner, Esq. “misleading advertising” which the plaintiffs claimed download your favorite 50 Cent led them to believe McDonald’s food was healthy. or Linkin Park song, Bienstock Five days a week, 19-year-old Jazlyn crossed under The second charge also dealt with advertising, but this explained. Everyone involved in the golden arches twice a day to eat an Egg McMuffin time with “deceptive advertising.” The teens claimed the production and distribution for breakfast and a Big Mac, super-size fries and an McDonald’s ads did not disclose the actual fat content of the song, from the musicians apple pie for dinner. -
BIO3 1-33New
Bedford Institu te of Oceanography 2007 in Review Change of address notices, requests for copies, and other correspondence regarding this publication should be sent to: The Editor, BIO 2007 in Review Bedford Institute of Oceanography P.O. Box 1006 Dartmouth, Nova Scotia Canada B2Y 4A2 E-mail address: [email protected] Cover Photos © courtesy of Neil MacKinnon These photos were taken in 2007 during an oceanographic expedition in the Barrow Strait aboard the CCGS DesGroseilliers . The mission was part of the ongoing Arctic flow-through research: Canadian Archipelago Throughflow Study – Barrow Strait. On August 4, the team had just finished sampling water with Niskin bottles and a CTD* when this iceberg drifted close to their line. Back cover photo: Jim Hamilton, a scientist in Ocean Physics, in DFO’s Ocean Sciences Division at BIO, aboard the launch as it approaches the iceberg * A CTD is an instrument that measures the conductivity, temperature, and depth of water in a continuous profile. This CTD is also fitted with a device that measures fluorescent particles in the water. The photographer, Neil MacKinnon, is a Mechanical Technician in Ocean Physics, Ocean Sciences Division of DFO, at BIO. © Her Majesty the Queen in Right of Canada, 2008 Cat. No. Fs75-104/2007E ISBN: 978-0-662-48070-9 ISSN: 1499-9951 PDF: Cat. No. Fs75-104/2007E-PDF ISBN: 978-0-662-48077-8 Aussi disponible en français Editor: Judith Ryan Editorial team: Pat Dennis, Carolyn Harvie, Judith Ryan Photographs: BIO Technographics, the authors, and individuals/agencies credited Published by: Natural Resources Canada and Fisheries and Oceans Canada Bedford Institute of Oceanography 1 Challenger Drive, P.O. -
December 13, 2010
2012 JUNO Awards and JUNO Week Events Guide - As of February 24 - Gordon Lightfoot Canadian Railroad Trilogy – Sponsored by the Ontario Media Development Corporation (OMDC) Dates: March 4 – September 9, 2012 Time: Open daily, please visit www.sciencetech.technomuses.ca for hours of operation Location: Canada Science and Technology Museum, 1867 Saint Laurent Boulevard, Ottawa, ON What: An exhibition commemorating the story of the Canadian Railroad Trilogy with 29 original pastel drawings by Canadian author/illustrator Ian Wallace, highlighting Gordon Lightfoot‟s iconic song of the same name. Purchase Details: Please visit www.sciencetech.technomuses.ca for admission prices. Media Contact: Adrienne Kakoullis, Holmes Creative Communications, 416-628-5610, [email protected] “JUNO Rocks” Gardens Date: March 16 – 25, 2012 Time: Open daily, please visit www.canadablooms.com for hours of operation Location: Direct Energy Centre – Hall A, 100 Princes‟ Boulevard, Toronto, ON Participating Artists: Feist, Jann Arden, Keshia Chanté, Royal Wood and Sarah Slean What: The “JUNO Rocks” Gardens will return this year to Canada‟s largest flower and garden festival! JUNO Award nominees and winners Feist, Jann Arden, Keshia Chanté, Royal Wood and Sarah Slean are partnering with professional landscape artists to design and create gardens to reflect their personal styles and tastes. Purchase Details: Please visit www.canadablooms.com for admission prices. Media Contact: Adrienne Kakoullis, Holmes Creative Communications, 416-628-5610, [email protected] Celebrating the JUNOS: Photographs and Album Artwork Date: March 16 – April 9, 2012 Time: Open daily, please visit www.civilization.ca for hours of operation Location: Canadian Museum of Civilization – W.E. -
Moist Silver Mp3, Flac, Wma
Moist Silver mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Silver Country: US Released: 1994 Style: Hard Rock MP3 version RAR size: 1147 mb FLAC version RAR size: 1476 mb WMA version RAR size: 1728 mb Rating: 4.3 Votes: 427 Other Formats: MP2 FLAC XM MMF WAV MP4 ASF Tracklist 1 Push 3:50 2 Believe Me 3:53 3 Kill For You 3:35 4 Silver 4:15 5 Freaky Be Beautiful 3:59 6 Break Her Down 4:27 7 Into Everything 4:15 8 Picture Elvis 3:12 9 Machine Punch Through 4:26 10 This Shrieking Love 5:14 11 Low Low Low 3:15 Companies, etc. Phonographic Copyright (p) – EMI Music Canada Copyright (c) – EMI Music Canada Credits Bass – Jeff Pearce Drums – Jamie Kaufmann* (tracks: 1, 2, 6, 8, 11), Paul Wilcox Guitar – Mark Makowy* Keyboards – Kevin Young Mixed By – Kevin Hamilton (tracks: 5, 6, 8 to 11), Terry Brown (tracks: 1 to 4, 7) Recorded By, Producer – Kevin Hamilton Vocals – David Usher Written-By, Producer – Moist Notes Recorded at 8th Avenue Sound Studios, Vancouver B.C. Tracks 1 to 4, 7 mixed at Orchard Studios, Norval, Ontario. Tracks 5, 6, 8 to 11 mixed at 8th Avenue Sound Studios, Vancouver B.C. Made in Holland Barcode and Other Identifiers Barcode: 7 24382 96082 9 Rights Society: BIEM STEMRA Label Code: LC 1626 Other versions Title Category Artist Label Category Country Year (Format) 7243 8 29608 29, Silver (CD, EMI Music Canada, 7243 8 29608 29, Moist Canada 1994 E2 29608 Album) EMI Music Canada E2 29608 EMI Music Canada, 7243 8 30599 2 8, Silver (CD, Chrysalis, EMI 7243 8 30599 2 8, UK & Moist 1994 CDCHR 6080 Album) Music Canada, -
Brockway Biggs Biography
Brockway Biggs Biography Fredericton-native Brockway Biggs, formerly Pimp Tea, is an Ottawa-based rapper & music enthusiast who won over diverse crowds from the late 90s until a concussion in 2011. As an artist, Biggs won an East Coast Music Award (ECMA) in 2005, while receiving 4 ECMA, 2 CUMA and 1 OIMA nominations over the years. He’s performed or been featured on dozens of TV & radio stations, newspapers & magazines. His resume includes hundreds of shows, a 2008 cross-Canada tour and dozens of festival performances. As a writer, he spent 4 years writing for HipHopCanada.com (2001-2005) with features, interviews and reviews of some of Canada’s finest. His publicity company, Brockway Entertainment, ran campaigns for dozens of artists including Classified, Eternia, Skratch Bastid, JRDN, Jorun, Wordburglar & D.O. Gibson. In 2021, Biggs is excited to be working on new material. This is the next step in his continuing recovery from his 2011 concussion. *** Biggs imparts an infectious energy at every show, leaving his music described as a "breath of fresh air." His entertaining stage presence is cultivated from the vintage vibe of storytelling, crowd participation, props and dance moves. Biggs has been featured or performed on most major TV networks including MusiquePlus, MuchMusic, Global TV, City TV, CBC & CTV. He’s charted on 40+ radio stations and is approaching 100K views on YouTube. He’s collaborated with Gordie Johnson, Nelly's label, Classified, Skratch Bastid, D.O., J-Bru & more. www.BrockwayBiggs.com www.linktr.ee/brockwaybiggs Biggs has played hundreds of shows in dozens of cities, including 6 tours.