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Annual Report 2012 Contents Welcome
music.people.connected ANNUAL REPORT 2012 CONTENTS WELCOME ..................................................................................................... 1 INTRODUCTION ............................................................................................ 1 MESSAGE FROM SOCAN CEO ERIC BAPTISTE .......................................... 2 MESSAGE FROM SOCAN BOARD PRESIDENT STAN MEISSNER ............................................................................................ 4 BOARD ELECTIONS ...................................................................................... 6 GOVERNANCE .............................................................................................. 6 STRATEGY ...................................................................................................... 7 VISION ........................................................................................................... 7 BUSINESS PURPOSE ..................................................................................... 7 STRATEGIC OBJECTIVES .............................................................................. 8 2012 FINANCIAL REPORT ..........................................................................10 A WORD FROM SOCAN’S CHIEF FINANCIAL OFFICER .......................... 10 PERFORMING RIGHTS REVENUE ............................................................... 10 SOCAN FINANCIAL STATEMENTS ............................................................19 MEMBERSHIP ............................................................................................. -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
2019 JUNO Award Nominees
2019 JUNO Award Nominees JUNO FAN CHOICE AWARD (PRESENTED BY TD) Alessia Cara Universal Avril Lavigne BMG*ADA bülow Universal Elijah Woods x Jamie Fine Big Machine*Universal KILLY Secret Sound Club*Independent Loud Luxury Armada Music B.V.*Sony NAV XO*Universal Shawn Mendes Universal The Weeknd The Weeknd XO*Universal Tory Lanez Interscope*Universal SINGLE OF THE YEAR Growing Pains Alessia Cara Universal Not A Love Song bülow Universal Body Loud Luxury Armada Music B.V.*Sony In My Blood Shawn Mendes Universal Pray For Me The Weeknd, Kendrick Lamar Top Dawg Ent*Universal INTERNATIONAL ALBUM OF THE YEAR Camila Camila Cabello Sony Invasion of Privacy Cardi B Atlantic*Warner Red Pill Blues Maroon 5 Universal beerbongs & bentleys Post Malone Universal ASTROWORLD Travis Scott Sony ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) Darlène Hubert Lenoir Simone* Select These Are The Days Jann Arden Universal Shawn Mendes Shawn Mendes Universal My Dear Melancholy, The Weeknd The Weeknd XO*Universal Outsider Three Days Grace RCA*Sony ARTIST OF THE YEAR (PRESENTED WITH APPLE MUSIC) Alessia Cara Universal Michael Bublé Warner Shawn Mendes Universal The Weeknd The Weeknd XO*Universal Tory Lanez Interscope*Universal GROUP OF THE YEAR (PRESENTED WITH APPLE MUSIC) Arkells Arkells*Universal Chromeo Last Gang*eOne Metric Metric Music*Universal The Sheepdogs Warner Three Days Grace RCA*Sony January 29, 2019 Page 1 of 9 2019 JUNO Award Nominees -
Droppin‟ Knowledge on Race: Hip-Hop, White Adolescents, and Anti-Racism Education
ISSN: 1941-0832 Droppin‟ Knowledge on Race: Hip-Hop, White Adolescents, and Anti-Racism Education By Steven Netcoh “SPREAD LOVE: COMMANDANTE BIGGIE” ARTISTS: JOHN GARCIA, CERN ONE, SEAN MEENAN PHOTOGRAPH BY CHRIS TINSON RADICAL TEACHER 10 http://radicalteacher.library.pitt.edu No. 97 (Fall 2013) DOI 10.5195/rt.2013.39 1. White Kids and Hip Hop Though white adolescents comprise a large percentage limited in its capacity to mobilize racially just ideologies of Hip Hop‟s audience, relatively few academic studies and politics in white youth (Hayes, 2004; Rodriguez, examine why they readily gravitate toward the music and 2006). One study indicates Hip Hop may in fact hinder how they engage with the culture. The majority of racial progress as many whites use stereotypical scholarship on white adolescents and Hip Hop focuses on representations of black males and females in Hip Hop to how these individuals adapt the music and culture to their legitimize discrimination against black Americans in both local settings. Rodriguez (2006) investigates the racial “personal” and “political behaviors” (Reyna, Brandt, & Viki, ideologies of politically conscious Hip-Hop fans primarily in 2009, p. 374). Additionally, Hip Hop has been a prominent Northampton, Massachusetts. Hayes (2004) examines how cultural force for over twenty years, yet there has been white Canadian youth in rural Ontario identified with Hip little change in white Americans‟ racial discourse, Hop to distinguish themselves from their racially and ideologies, or politics. Since Hip Hop entered the culturally homogenous home community. Cutler (1999) mainstream, color-blindness has been solidified as the explores how a white teenager from one of New York City‟s dominant racial ideology, and the belief that the United wealthiest neighborhoods aligned with Hip-Hop by adopting States is a “post-racial” society has been accepted as African American vernacular English and stereotypical “common sense” (Bonilla-Silva, 2006; Winant, 2002, p. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Coca-Cola Stage Backgrounder 2016
May 26, 2016 BACKGROUNDER 2016 Coca-Cola Stage lineup Christian Hudson Appearing Thursday, July 7, 7 p.m. Website: http://www.christianhudsonmusic.com/ Facebook: https://www.facebook.com/ChristianHudsonMusic Twitter: www.twitter.com/CHsongs While most may know Christian Hudson by his unique and memorable performances at numerous venues across Western Canada, others seem to know him by his philanthropy. This talented young man won the prestigious Calgary Stampede Talent Show last summer but what was surprising to many was he took his prize money of $10,000 and donated it all to the local drop-in centre. He was touched by the stories he was told by a few people experiencing homelessness he had met one night prior to the contest’s finale. His infectious originals have caught the ears of many in the industry that are now assisting his career. He was honoured to receive 'The Spirit of Calgary' Award at the inaugural Vigor Awards for his generosity. Hudson will soon be touring Canada upon the release of his first single on national radio. JJ Shiplett Appearing Thursday, July 7, 8 p.m. Website: http://www.jjshiplettmusic.com/ Facebook: https://www.facebook.com/jjshiplettmusic/ Twitter: www.twitter.com/jjshiplettmusic Rugged, raspy and reserved, JJ Shiplett is a true artist in every sense of the word. Unapologetically himself, the Alberta born singer-songwriter and performer is both bold in range and musical creativity and has a passion and reverence for the art of music and performance that has captured the attention of music fans across the country. He spent the major part of early 2016 as one of the opening acts on the Johnny Reid tour and is also signed to Johnny Reid’s company. -
February 18, 2002 TABLE of CONTENTS DUKE DAYS EVENTS CALENDAR
■ P*f* M PJ PU.17 PtVMMia Exilarlno artistic firms mm —I»pumn— From boy bands lo 'Oawson s A professional artist presents a collection George Mason University s defense sparks a 72- JMU students discuss thei including intricate m 'Burning King of Fire' 64 comeback win over ]MU in a crucial confer- toward today's pop culture. at the Mitten Gallery. ence game. James Madison University Today: Sunny rN(h:«a REEZE * Low: 22 THEVol. i '', /sM(C ><S Father dies Habitat after D-hall Black Panther Party myths dispelled heart attack Co-founder speaks on party origins; Malcolm X assassination struggles BY DAVID CI.EMENTSON Black Panther Party in 1966 The father of two students senior writer to raise died Thursday after suffering in Oakland, Calif. According a heart attack in D-hall. There are two things that to Jacqueline Walker, associ- William Tarrant III. 49, Bobby Scale, co-founder and ate professor of history, funds collapsed in D-hall around 7 former chairman of the Black many viewed the Black Panther Party, said he really Panthers as a violent, revolu- BY BRANDON HUC.III \K\ fin Thursday, according to contributing writer hates: myths and the assassi- tionary organization aimed Director of University This semester, the |MU Communications Fred nation of Malcolm X. at overthrowing the federal "1 don't care for myths government in an armed chapter of Habitat lor Hilton. People on the scene Humanity will help two and rescue squad paramedics and all that stuff," Seale told Marxist rebellion. 150 people in the 1SAT Health "They called me a hood- underpnvdeged local families administered CPR. -
Legislative Chamber
HANSARD 13-04 DEBATES AND PROCEEDINGS Speaker: Honourable Kevin Murphy Published by Order of the Legislature by Hansard Reporting Services and printed by the Queen's Printer. Available on INTERNET at http://nslegislature.ca/index.php/proceedings/hansard/ First Session MONDAY, DECEMBER 2, 2013 TABLE OF CONTENTS PAGE GOVERNMENT NOTICES OF MOTION: Res. 48, CA Exams - Grads., Hon. D. Whalen .....................................................................................................96 Vote - Affirmative......................................................................................96 INTRODUCTION OF BILLS: No. 5, Importation of Hydraulic Fracturing Wastewater Prohibition Act, Hon. R. Delorey .....................................................................................................97 No. 6, Elections Act, Hon. J. Baillie ........................................................................................................97 No. 7, Public Service Act, Hon. A. Younger ....................................................................................................97 No. 8, Nova Scotia Jobs Fund Transfer Act, Hon. J. Baillie ........................................................................................................97 2 NOTICES OF MOTION: Res. 49, Maritime Link: ʽGood Deal’ - Concede, Hon. M. MacDonald ..............................................................................................97 Res. 50, Sherlock, Dr. Patrick - NSTU Award, Mr. A. Rowe ..........................................................................................................98 -
2008/2009 Annual Report
Manitoba is overjoyed to announce the rebirth of Manitoba Film & Sound Manitoba Film & Music on January 1, 2009 continuing to make fi lm and music flourish in Manitoba Letter of Transmittal July 31, 2009 Honourable Eric Robinson Minister of Culture, Heritage, Tourism and Sport Room 118, Legislative Building 450 Broadway Winnipeg, Manitoba R3C 0V8 Dear Minister Robinson: In accordance with Section 16 of the Manitoba Film and Sound Recording Development Corporation Act, I have the honour to present the Annual Report of the Manitoba Film and Sound Recording Development Corporation for the fi scal year ended March 31, 2009. Respectfully submitted, David Dandeneau Chairperson Table of Contents Message ...............................................4 The Corporation ....................................... 7 Manitoba Film & Music Showcase 2009 ........ 8 Year in Review ........................................10 Production Activity ....................................16 Tax Credit ............................................. 16 Front Cover: The following are all MANITOBA FILM & MUSIC Other Dollars Levered ...............................17 supported artists and projects. TOP ROW (L - R): Promotional poster for the feature fi lm Amreeka • Twilight Hotel • The Perms • The Juries ...................................................18 Details • Alana Levandoski • Promotional poster for feature fi lm, The Haunting in Connecticut • BOTTOM ROW (L - R): Promotional Film Projects Supported .............................18 poster for Feature Film New in Town -
2004 / 2005 Annual Report
RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 1 RADIO STARMAKER FUND ANNUAL REPORT 2004–2005# RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 2 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate | 2004-2005 Overview 04. Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 06. Radio Starmaker Funded Artists 07. Sales Certifications | Grant Allocation by Genre 08. Grant Allocation by Music Industry Association | Grant Allocation by Province 09. Awards Won by Radio Starmaker Funded Artists 10. Allocation of Funding by Category 11. – 15. Condensed Financial Statements 16. Appendix: Criteria for Qualifying 25 Adelaide Street East, Suite 1300, Toronto, Ontario M5C 3A1 PHONE.416.597.6622 FAX.416.597.2760 TOLL FREE.1.888.256.2211 www.radiostarmaker.com RADIO STARMAKER FUND ANNUAL REPORT 2004-2005 .01 RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 3 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND This year has seen some ed in the fact that 89% of applicants were spent on the independent sector (including dards of accountability to our stakeholders tremendous improve- approved for funding. artist owned labels) and over $300,000 in and the industry at large. Our audit process ments at the Radio other industry initiatives such as funding once again shows complete compliance Starmaker Fund while we In general terms the Radio Starmaker regional music associations. with our funding rules and regulations and continued our primary Fund continues to be focused on making a we appreciate the efforts made by our objectives of remaining discernable difference to our artists with We have responded to feedback from our applicants to maintain this track record.