DOCSLIB.ORG

SRFF17 ONLINE.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

WELCOME TO SILK ROAD INTERNATIONAL FILM FESTIVAL Between 8th-12th, March, the 5th Silk Road A Masterclass in Editing on Thursday 9th International Film Festival 2017 will screen March will be presented by renowned over 60 films for the fifth time across the editor Tony Kearns whose repertoire city of Dublin - an exclusive array of Asian, includes music videos for The Prodigy, Blur Arab, Persian, Middle Eastern, African, and The Chemical Brothers, Mediterranean and European cinema. TV commercials for Lynx, Peugeot and Diesel plus film work such as Let Us Prey, Inspired to forge connections between Citadel and Kelly and Victor. culture and facilitate international contact between filmmakers the Festival’s A Masterclass in Music Scoring with directors, also filmmakers, Carla Mooney, Singaporean Alex Oh, one of Singapore’s Steinar Oli Jonsson & Delwyn Mooney most prolific and versatile film composers founded the Silk Road Film Festival (SRFF), will present the Music Scoring Masterclass. striving to incite fruitful collaborations at Alex Oh has scored for more than 16 the intersection of cinema, arts and feature films in Singapore, Australia, China business. and the United States, with genres ranging from comedy, family-oriented The SRFF welcomes productions from drama, action films, horror. regions, which were once part of the historical network of ancient trade routes of All masterclasses will be held in Trinity the great Silk Road spanning from Europe College Dublin. across to China. Besides creating a platform for The 2017 edition will showcase a rich international filmmakers to network and diversity of features, documentaries, promote their work, the Festival’s directors animations, short and international student aspire to give student filmmakers an films. This years special guest is Hungarian opportunity to showcase their work on an director Béla Tarr who will be honored at international scale and have thus the Opening Ceremony with the 5th Silk established a student filmmaking Road International Film Festival “Honorary competition as part of Film Festivals Life time Achievement Award”. Cinergy. This is a union of film festivals around the world, aiming to promote Considered to be one of the most talents in filmmaking and to foster important film directors of the past thirty cross-cultural collaboration. Each year an years, Béla Tarr’s body of work has been Irish student filmmaker has an opportunity praised by Jim Jarmusch, Gus Van Sant and to win a prize to travel to Notre Dame Martin Scorsese. Tarr will present the University International Film Festival, Director’s Masterclass “Filmtarrorisme” Lebanon to screen their film in competition. in Trinity College Dublin moderated by Katherine Waugh on Friday 10th March in Very special thank you to Sarah Alyn association with Screen Training Ireland & Stacey from Trinity College Dublin. Cardel Entertainment. We wish you a great festival! Carla Mooney, Steinar Oli Jonsson & Delwyn Mooney HONORARY GUEST BÉLA TARR Béla Tarr was born on July 21, 1955 in Pécs, Hungary. He is a producer and director, known for Werckmeister Harmonies (2000), The Turin Horse (2011) and Satantango (1994). Béla Tarr is widely regarded as the most influential film author of the past thirty years. He is a master of the magnificent long take, a master of wonderfully shot, melancholic films that express the human con- dition. He has received over 21 wins and 6 nominations. Béla Tarr’s body of work has been praised by Jim Jarmusch, Gus Van Sant and Martin Scorsese, among others. Martin Scors- ese called Tarr “one of the cinema’s most adventurous artists, and his films, like ‘Satantan- go’ and ‘The Turin Horse,’ are truly experiences that you absorb, and that keep developing in the mind”. Tarr’s body of work consists mainly of art films with philosophical themes and long takes. His filmography counts nine features that elevated him into the pantheon of world cinema, earning Tarr epithets as legend, master, cult or visionary, among others. Tarr started shooting films as an amateur at the age of 16, and at 22 he got a shot to make a feature-length film, Family Nest (1979), at Béla Balázs Studio. Tarr began his directorial career with a brief period of what he refers to as “social cinema”, aimed at telling mundane stories about ordinary people, often in the style of cinema vérité other early films included The Outsider (1981) and The Prefab People (1982) The core of his work features his singular aesthetics and bleak visions of the post-communist landscape, notably in Damnation (1988), the cinephiliac 432-minute long treat Sátántangó (1994), and Werckmeister Harmonies (2000). His distinctive style stems from black and white, spellbinding photography shot in long takes and meticulously choreographed camera movement hypnotically paced along desolate, melancholic, austere and enigmatic imagery what eventually led to Tarr’s label as a radical filmmaker. Tarr would later compete in the 2007 Cannes Film Festival with his film The Man from London, which opened to less enthusiastic, but nonetheless positive, reviews. In 2013 he started a film school in Sarajevo, known as film.factory and after 4 and half years said goodbye to the school. However, Tarr intends to keep the film.factory going, provided he can find a new home. He is preparing ‘Till the End of the World,” an upcoming exhibition at the EYE Museum that will run from January to May 2017, where he will premiere two new short films. FEATURE FEATURE Bi Gan / China / 113 mins // 2015 Wang Yichun / China / 99 mins // 2015 KAILI BLUES Price: €7 WHAT´S IN THE DARKNESS Price: €7 Thursday, 9th March / 5pm Cast: Yongzhong Chen, Linyan Liu, Friday, March 10th / 4pm Cast: Su Xiaotong, Lu Qiwei, Filmbase, Curved Street, Temple Bar Feiyang Luo, Lixun Xie, Zhuohua Yang Filmbase, Curved Street, Temple Bar Jiang Xueming, Guo Xiao In a small clinic in the rain-drenched city of Kaili, two preoccupied doctors live Qu is happiest when she’s on stage, even though it’s just a rusty container and her ghost-like lives. One of them, Chen, decides to fulfill his late mother’s wish and sets audience a deserted scrapyard. But it’s not so bad being alone sometimes – every- off on a train journey to look for his brother’s abandoned child. His partner in the thing seems so contradictory and opaque among the people in her town. Take her clinic, a lonely old lady, asks Chen to find her old lover, and give him an old pho- parents for example: why won’t they accept that Qu isn’t their real daughter? Why tograph, a shirt and a music cassette. On the way, Chen passes a mysterious town did they even get married, considering they don’t particularly like one another? A where past, present and future appears to slip away. mysterious serial killer throws the town into panic and a vague sense of unease fills the air. Qu is fascinated, and follows the events at close quarters. Tickets sold at the door and at silkroadfilmfestival.com Tickets sold at the door and at silkroadfilmfestival.com FEATURE Jihane Chouaib / France, Switzerland, Belgium, Lebanon, UAE / 98 mins // 2015 GO HOME Price: €7 Friday, March 10th / 8pm Cast: Golshifteh Farahani, Oolong, 4 Stephens Street Lower, Dublin 2 Wissam Fares, Julia Kassar Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she’s a foreigner in her own country. But there’s still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself. Tickets sold at the door and at silkroadfilmfestival.com Maximilian Feldmann / 51 mins / Macedonia // 2016 VALENTINA Saturday, 11th March / 8pm DOCUMENTARY Oolong, 4 Stephens Street Lower, Dublin 2 A slum in a Romani neighbourhood. Ten- year-old Valentina invites us to meet her family. What follows are bizarre anecdotes, daydreams and documentary observations – a film as lively as its roaming heroine. Specialist in DVD Mastering Screen Training Ireland part of Bord Scannán na hÉireann/the Irish Film Board is the national training and development resource specifically created for the Irish and Replication screen sectors. It was established in 1995 to provide continuing training and career development opportunities for professionals in the independent film, television and animation File to Tape Conversion sector, and is founded on a collaborative approach with industry. Screen Training Ireland in co-operation with national and international industry partners delivers a wide range of training to the sector in enterprise and business development, Blu-Ray Mastering creative IP development, and technical skills to creative and technical personnel. The Irish screen sector is part of a competitive global industry where technology is & Video Archiving changing at an incredibly fast pace. Screen Training Ireland is an on-going training resource which is dedicated to assessing skills shortages in the industry and designing courses and opportunities for practitioners to fill those gaps. 14 Emerald Cottages, Dublin 4. Phone: 01 664 1300 Fax: 01 664 1309 Email: [email protected] Web: www.specialistav.ie FEATURE FEATURE Kira Kovalenko / 78 / Russia // 2016 Masakazu Kaneko / 86 mins / Japan // 2016 SOFICHKA Price: €7 THE ALBINO’S TREES Price: €7 Sunday, 12th March / 5pm Cast: Lana Basaria, Tsiala Inapshba, Thursday, 9th March / 8pm Cast: Ryohei Matsuoka, Kanako Higashi, The Sugar Club, 8 Lower Leeson Street, Sergey Tomashevsky, Said Kamkia. Oolong, 4 Stephens Street Lower, Dublin 2 Yusuke Fukuchi, Kinuo Yamada Sofichka returns to her native Abkhaz village in Georgia after twenty years of ab- In 16th century Japan, a young man has to choose between becoming a master sence. Seeing again home and meeting with villagers take her to memory lane and steel maker like his father and grandfather before him, or becoming a samurai so all Sofichka’s life passes before her eyes: her wedding with Rufus, betrayal of the that he can help protect his village from attacks by the various clans which want the neighbour Nuri, difficult years of war, exile in Siberia.
Recommended publications
  • CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism

    CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism

    CDSMS EDITED BY JEREMIAH MORELOCK CRITICAL THEORY AND AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism edited by Jeremiah Morelock Critical, Digital and Social Media Studies Series Editor: Christian Fuchs The peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for in- ternet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy. Editorial Board Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Se- bastian Sevignani, Pieter Verdegem Published Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs https://doi.org/10.16997/book1 Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld https://doi.org/10.16997/book3 Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith https://doi.org/10.16997/book5 Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke https://doi.org/10.16997/book6 The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano https://doi.org/10.16997/book11 The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich https://doi.org/10.16997/book14 Social Capital Online: Alienation and Accumulation Kane X.
  • Download the Simpsons Movie Sub Indo Mp4

    Download the Simpsons Movie Sub Indo Mp4

    Download the simpsons movie sub indo mp4 Continue Toaru Kagaku no Railgun T Episode 1 Subtitle IndonesiaDirilis: genres: Action, Sci-Fi, Super PowerSkor: Darwin Games Episode 2 Subtitle IndonesiaDirilis: genres: genres: Action, Mystery, ShounenSkor: Infinite Tendrogram Episode 1 Subtitle IndonesiaDirilis: genres: Fantasy, GameSkor: Shining Season 2 Episode 14 Subtitle IndonesiaDirilis: Genres: Action, Adventure, Fantasy, MagicSkor: Ahiru no Sora Subtitle Episode 14 Subtitle IndonesiaDlisiri: genres: Drama, School, Shounen, SportsSkor: Kyokou Suiri Episode 1 Subtitle IndonesiaDiris: genres: Comedy, Demons Mystery, Romance, Shunen, SupernaturalSkor: Fix Sub Magic Record: Mahu Shujo Madoka-Magic Hayden (TV) Episode 1 Subtitle IndonesiaDirilis: Genres: Drama, Magic, Psychological, ThrillerScore: No Hero Academy Season 4 Episode 12 Subtitle IndonesiaDirilis: genres: Action, Comedy, School, Shounen, Super PowerSkor: Somalia Mori no Kamisama Episode 1 Subtitle IndonesiaDirilis: genres: Adventure, Fantasy, Piece of LifeSkor : Winland Saga Batch (Episode 01-24 END) Subtitle IndonesiaDirilis : genres: Action, Adventure, Drama, Historical, SeinenSkor: High and Low Subtitle Indonesia High I Tag: Download the movie jepang high and low film 3: The final mission of the sub Indo. Less than the nature of salvation and soul, using Bart Simpson as an avatar.123... 38Berikutnya If you like to download the subtitles of Indonesia's The Simpsons movie of 2007, you can also like: Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, Amazon. Summary: Doodlebops have written a new song about high and low, but want to add more high and low sounds to it. Fish de l'Episode HIGS LOW S01E01. DR. August 27, 2019. Season 1, Episode 4. Daily temperatures can drop to 60 degrees Fahrenheit (16 degrees Celsius) in Chiang Mai and 41 degrees Fahrenheit (5 degrees Celsius) in the mountains; 1 or 2 nights may even see frost.
  • Rooted in Rhetoric Volume 5

    Rooted in Rhetoric Volume 5

    Table of Contents Foreword 4 Introduction 6 Reading Response Georgia DeFehr (Counter)Archiving Atrocity Through Comics Journalism: A Response to Hillary L. Chute’s “History and the Visible in Joe Sacco” 7 Textual Analysis Autumn Sfatcos Shadowed Truth: An Ideological Analysis of the White Saviour Complex in The Help 13 Elaine Ries The Environment, the Economy, and the Consequences of the Alberta Tar Sands 25 Giordana Curatolo Critiquing Representations of Postpartum Depression in the Media: A Case Study 33 Sharee Hochman Sandy Hook Promise OrganiZation’s Back to School Advertisement: How the American Identity Limits Moral Indignation 39 Critique Maddalena Nowosad Disrupting Hegemony: Carnivalesque and Feminist Practices at The Edge Skatepark 48 1 Rachel Ferstl A Metaphoric Critique on Michael Arad and Peter Walker’s 9/11 Memorial: Reflecting Absence 65 Manifesto Valerie Nyamori The Red Wave Manifesto Proposal 77 Research Essay Cassidy Rempel #Clean, Healthy, Perfect: The Image-Text Relationship of Orthorexia-Triggering Content on Instagram 80 Jocelyn Shymko The Powerful Presence of Plants- FertiliZing the Mind with Mental Enhancement 92 Jocelyn Shymko Politics on Thin Ice 99 Leia Patterson The IdealiZation of Virtue: A Generic Description of Canadian War Memorials 107 Lily O’Donnel Bedroom Pop: How Algorithms Created a Genre 116 Thomas Dickson Wendy and Lucy: Between Neorealism and Slow Cinema 120 2 Personal Narrative Rebecca Michaella Daylo A Story of Relocating to Another Country 134 Ziyin Wang Crossing Racial and Cultural Lines with Sincerity 138 Princess Tecson Mandap The Flower that Bloomed in my House 141 3 Foreword It is 2020. Many of us have found ourselves in a moment of complete pause.
  • Nstitute of I Cientific and S Ndustrial I Esearch R

    Nstitute of I Cientific and S Ndustrial I Esearch R

    ISSN 0369-0369 VOLUME 64,2007 MEMOIRS OF THE I nstitute of S cientific and I ndustrial Research OSAKA UNIVERSITY Contents Foreword···················································································································1 Outline of ISIR 1. Research Activities ····································································································2 2. Education···················································································································15 3. International Exchange ····························································································15 4. Concluding Remarks··································································································17 Activities of Divisions Quantum Engineering ··································································································20 Advanced Materials Science & Technology ································································60 Organic Molecular Science ························································································119 Intelligent Systems Science ·······················································································165 Biological Science ···································································································204 Quantum Beam Science & Technology ·····································································231 Next Industry Generation·····························································································248
  • Alive to Boredom

    Alive to Boredom

    Alive to Boredom MARIEL VICTORIA MOK If you ever find yourself looking for something boring to watch, just pick one of Béla Tarr’s films. They are among the most boring films you might ever hope to find: intensely, immersively, and fascinatingly—transcen- dentally, even—boring. Tarr’s The Turin Horse (2011) is almost static, moving at what David Campany, in Photography and Cinema, terms a “glacial tempo” (37). Tarr’s cam- era crawls almost painfully slowly, and the living, breathing humans in the film often move less than the objects around them. The film follows Ohlsdorfer—an elderly man—and his daughter over the course of six days, as they mechanically carry out a routine we can infer was established long ago. Tarr follows their every move, even when what they are doing seems trivial, and even—especially—when they aren’t doing anything at all. In one scene, Ohlsdorfer’s daughter walks to the stove after he lies down to rest; she holds a pot, collects two potatoes, places them inside the pot, and, after pouring water into the pot, begins boiling the potatoes. She sits facing the window, completely still as she looks out and waits. Only the stillness of the scene itself surpasses the stillness of her form: the only movement comes from the leaves that flutter outside, visible through the windowpanes. Tarr’s camera edges steadily until it stops directly behind her, and with a rigid, symmetrical, and static shot, plasters her in a lifeless position of solitude. We look at her back as she looks out the window; the light from the stove occasionally flickers, but beyond that, there is no movement from her or the camera for one and a half minutes.
  • IUGG03-Program.Pdf

    IUGG03-Program.Pdf

    The Science Council of Japan and sixteen Japanese scientific societies will host IUGG2003, the XXIII General Assembly of the International Union of Geodesy and Geophysics. Hosts Science Council of Japan The Geodetic Society of Japan Seismological Society of Japan The Volcanological Society of Japan Meteorological Society of Japan Society of Geomagnetism and Earth, Planetary and Space Sciences Japan Society of Hydrology and Water Resources The Japanese Association of Hydrological Sciences The Japanese Society of Snow and Ice The Oceanographic Society of Japan The Japanese Society for Planetary Sciences The Japanese Society of Limnology Japan Society of Civil Engineers Japanese Association of Groundwater Hydrology The Balneological Society of Japan Japan Society of Erosion Control Engineering The Geochemical Society of Japan Special Support Hokkaido Prefecture City of Sapporo Co-Sponsor National Research Institute for Earth Science and Disaster Prevention (JSS01 Hagiwara Symposium on Monitoring and Modeling of Earthquake and Volcanic Processes for Prediction) Center for Climate System Research, University of Tokyo (JSM01 Toward High Resolution Climate Models and Earth System Models) Support Ministry of Education, Culture, Sports, Science and Technology Ministry of Economy, Trade and Industry Ministry of Land, Infrastructure and Transport Japan Marine Science and Technology Center National Institute of Advanced Industrial Science and Technology Japan Earth and Planetary Science Joint Meeting Organization Japanese Forestry Society Japan Business
  • Metaphysics and the Moving Image Trevor Mowchun a Thesis in The

    Metaphysics and the Moving Image Trevor Mowchun a Thesis in The

    Metaphysics and the Moving Image Trevor Mowchun A Thesis In the Humanities Program For the Degree of Doctor of Philosophy (Humanities (Fine Arts)) at Concordia University July 2018 © Trevor Mowchun, 2018 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Trevor Mowchun Entitled: Metaphysics and the Moving Image and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Humanities (Fine Arts)) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Kristina Huneault External Examiner Dr. George Toles External to Program Dr. Nathan Brown Examiner Dr. Andre Furlani Examiner Dr. Justin E. H. Smith Thesis Supervisor Dr. Martin Lefebvre Approved by Dr. Erin Manning, Graduate Program Director December 10, 2018 Dr. Rebecca Taylor Duclos, Dean Faculty of Fine Arts iii ABSTRACT Metaphysics and the moving image Trevor Mowchun, Ph.D. Concordia University, 2018 The various forms of cross-pollination and encounter between film and philosophy have generated thought experiments which make it possible to think beyond what the two fields can do for each other to what they can do together. My guiding intuition in this thesis is that the distinct historical evolutions of film and philosophy intersect in the speculative domain of the Western metaphysical paradigm, as the film medium technologically and aesthetically reestablishes conditions for “truth” within
  • Reclaiming the Image Béla Tarr's World of 'Inhuman' Becoming: an Artistic and Philosophical Inquiry

    Reclaiming the Image Béla Tarr's World of 'Inhuman' Becoming: an Artistic and Philosophical Inquiry

    WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch Reclaiming the image Béla Tarr's world of 'inhuman' becoming: an artistic and philosophical inquiry Elzbieta Buslowska School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2012. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] RECLAIMING THE IMAGE. Béla Tarr's World of 'Inhuman' Becoming: An Artistic and Philosophical Inquiry ELZBIETA BUSLOWSKA Béla Tarr, Sátántangó (1994), 419min A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy May 2012 abstract: The thesis entitled 'Reclaiming the Image' is an artistic and philosophical enquiry. It aims at a radical re-thinking of the concept of the image outside the accepted notions of realism and representation by opening up the photographic real in the process of bringing together photography and cinema, stillness and movement, life and art, aesthetics and politics.
  • A Film by Béla Tarr Winner Of

    A Film by Béla Tarr Winner Of

    THE TURIN HORSE A film by Béla Tarr Winner of Selected Distribution Spanish Distribution: Press: Irene Visa Mayca Sanz T: +34 932 033 025 T: +34 931 240 353 [email protected] +34 629 91 61 87 [email protected] www.pacopoch.cat/theturinhorse/ Synopsis In Turin in 1889, Nietzsche witness the mistreatment that a farmer inflicts on his exhausted carriage horse. The philosopher flings his arms around the horse, then looses consciousness and his mind for the rest of his life. Somewhere in the countryside: a farmstead, the farmer, his daughter, a cart and the old horse. Outside, a violent windstorm rises. Credits Cast Director Béla Tarr Ohlsdorfer János Derzsi Writers Béla Tarr, László Krasznahorkai Ohlsdorfer’s daughte Erika Bók Co-director & editor Ágnes Hranitzky Bernhard Mihály Kormos Cinematography Fred Kelemen Horse Ricsi Set construction Sándor Kállay Music Mihály Víg Line Producer Gábor Téni Producers por Gábor Téni, Marie-Pierre Macia, Juliette Lepoutre, Ruth Waldburger, Martin Hagemann Executive production Werc Werk Works – Elizabeth G. Redleaf, Christine K. Walker Production companies de T.T. Filmmühely, MPM FILM, Vega Film, Zero fiction film With the support of MMKA, OKM, MTFA, Duna TV, Erste Bank, Radiotelevisione Svizzera, SGR SSR, CNC Paris, Kodak, Medienboard Berlin- Brandenburg, Eurimages Hungary / France / Switzerland / USA / Germany. 35mm. B/W. 146 min. 1: 1,66 Dolby SRD. Language: Hungarian. Year: 2011 On “The Turin Horse” In this, his self-declared last film, the renowned Hungarian filmmaker “Our film follows up this question: Béla Tarr collaborates again with his co-autor, the writer László What did in fact happen to the Krasznahorkai, on the screenplay of The Turin Horse.
  • Download (386.44KB)

    Download (386.44KB)

    Cronfa - Swansea University Open Access Repository _____________________________________________________________ This is an author produced version of a paper published in : The Routledge Companion to World Cinema Cronfa URL for this paper: http://cronfa.swan.ac.uk/Record/cronfa29914 _____________________________________________________________ Book chapter : Rydzewska, J. (2017). Developments in Eastern European Cinema since 1989. R. Stone, P. Cooke, S. Dennison, A. Marlow-Mann (Ed.), The Routledge Companion to World Cinema, Routledge. _____________________________________________________________ This article is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence. Authors are personally responsible for adhering to publisher restrictions or conditions. When uploading content they are required to comply with their publisher agreement and the SHERPA RoMEO database to judge whether or not it is copyright safe to add this version of the paper to this repository. http://www.swansea.ac.uk/iss/researchsupport/cronfa-support/ Developments in Eastern European Cinemas since 1989 Elżbieta Ostrowska, University of Alberta Joanna Rydzewska, Swansea University ABSTRACT This chapter examines the ways in which Eastern European cinema has become Europeanized. It looks at how the idea of Eastern Europe and its cinema has been shaped vis-à-vis the West, and redefined after the collapse of communism. Contrary to the received wisdom that a new paradigm emerged in 1989, this chapter argues that it is only since 2000 that Eastern European cinema has enjoyed recognition after the near collapse of its film industries in the 1990s. In the three case studies of the Hungarian filmmaker Béla Tarr, Eastern European female directors and the Romanian New Wave, the chapter analyses the emergence in Eastern Europe of a new complex model of film production aligned with its larger European counterpart.
  • Guidebook of Daily Life for Foreign Residents - MITO

    Guidebook of Daily Life for Foreign Residents - MITO

    2015 EDITION Guidebook of Daily Life for Foreign Residents - MITO Edited by Mito City International Association INDEX by purpose Learn Japanese ······························································· 149 Call the Police How to call…6 Police box…107 Serious Injuries and Sudden Illnesses Call the Ambulance…7 Search for Hospitals…40 Night-time/holiday Emergencies…41 Emergency Phone Consultation（children’s sickness）…42 In Case of Disasters Earthquake…7 Typhoon…9 Flood…10 Nuclear Power…12 Consultations（Foreign Consultation Center） ·············· 164 Pregnancy / Child-rearing First Things to Do…55 Child’s Health…58 Consultation on Child-rearing…59 Enter Childcare Center / Kindergarten ···························· 135 Enroll in a School ····························································· 144 Look for a Job ·································································· 151 Look for a Place to Live ····················································· 78 Use Water / Electricity / Gas at Home ······························· 81 Garbage Disposal Rules···················································· 94 Neighborhood Association ················································· 97 When Moving ····································································· 80 Use Train / Bus ································································· 119 Get a Mobile Phone ··························································· 89 Attend a Wedding Ceremony / Funeral ··························· 157 Service at Banks ······························································
  • CATÁLOGO CATALOGUE Coordenação Editorial Publishing Coordination

    CATÁLOGO CATALOGUE Coordenação Editorial Publishing Coordination

    13 MOSTRA MUNDIAL WORLD CINEMA 41 MÚSICA DO UNDERGROUND UNDERGROUND MUSIC 57 RETROSPECTIVA BÉLA TARR RETROSPECTIVE BÉLA TARR 79 RETROSPECTIVA CLAIRE DENIS RETROSPECTIVE CLAIRE DENIS CINESESC | CINE OLIDO INDIE 11 | POR UM CINEMA INQUIETO INDIE 11 | FOR A RESTLESS CINEMA Se considerarmos que o cinema é um exercício de criação por meio do mento é limitado, não os recur- If we consider the cinema an exercise of creation which enables us to construct such cinema tends to make aesthetic qual construímos realidades próximas às vividas ou imaginadas, nos sos. Com liberdade sutil, esse realities similar to the ones lived or imagined, by presenting ourselves with the choices that show us what is invis- colocando numa tarefa lúdica de desvendar suas camadas, é fatal per- cinema tende a fazer escolhas playful task of unraveling its layers, it is inevitable to realize how this is such a ible or imperceptible in our realities, ceber o quanto essa arte é complexa e dispendiosa. estéticas que mostram aquilo complex and expensive art. which, in turn, are always too hectic to que é invisível ou imperceptível let us see what they are made of. A nós espectadores, é posta a escolha de uma narrativa, decorrem inte- em nossas realidades atribula- To us, viewers, is given the choice of a narrative from which interactions between rações entre a linguagem visual e sonora; de repente, surgem tempos, das demais para que perceba- the audible and visual language take place; suddenly, there comes times, places In this edition, all these character- lugares e as pessoas em suas escolhas.