DOCSLIB.ORG

Students Take the Stage

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Black Panther Women’s basketball wins SPORTS New Marvel movie Women secure bye into quarterfinals raises the bar for heroes Spotlight on the Grove’s Groups LIFE ENTERTAINMENT Investigation into GCC’s extracurriculars TheThe Friday, February 16, 2018 CollegianThe Grove City College Student Newspaper Vol. 103, No. 12 Experience of a semester PIERRE ELKOMS Senior Pierre ElKoms captures the beauty of ancient Greece in his beautiful landscape which pictures the remnants of a once strong and powerful nation. ElKoms is one of many students who have amazing stories of their travels during their study abroad experience. See page 3 for more information about study aboard. ‘Faith through a song’ Students Maverick Dickinson Staff Writer Grove City College is take blessed with a unique, Christian community, and it is one of the goals of the College to en- the stage courage that Christian Karen Postupac She is a member of the community. Editor-in-Chief II Violin section; this The 17th Annual concert will be her first Christian Writers Con- Grove City College’s as a conductor and ference will commence orchestra typically therefore a wonderful at Grove City College on stuns the crowds with opportunity for her. March 22. The English its musical talents, but “When I conduct, I department hopes to this concert brings a feel like it takes a lot shed more light on this whole new level of tal- of concentration. I’m subject with the up- ent to the stage. not only thinking about coming conference. ANDREW STEIN At 7:30 p.m. tonight what I am doing, but This year, the confer- 17th annual writers conference features Peterson Brothers who bring faith and art in Ketler Auditorium of I’m listening to what ence is titled “The Art together through their musical talent. the Pew Fine Arts Cen- everyone else is doing,” of Community: Faith ter, the GCC student or- said Nicolette-Fantin. through Story and their work running an about art, stories and the president of the chestra will be perform- “One thing I really like Song,” and will feature artists’ collective called how these all lead us to Rabbit Room, a tal- ing a wide selection of about it is that I get to Andrew and Pete Pe- the Rabbit Room, who we are called to be ented musician and music. The set includes listen to the orchestra which has contribu- in Christ. terson. The Peterson a range of composers as a whole. When I am tions and conversations Andrew Peterson is CONFERENCE 2 brothers are known for Rachmaninoff, Doni- in the II Violin section, zetti, Dvorak and Tchai- I’m just thinking about kovsky. my part and what I’m The main attraction supposed to be playing will be the several stu- with my section. How- Exhibit honors Creator dents showcasing their ever, when I am con- Haley Monts Mike Weber and writ- musicality. Sophomore ducting I really get to Contributing Writer ers Jasmine Tate and pianist Josiah Talam- listen to everyone as an David Wade. pas and senior soprano ensemble.” “Life in a Lens” is the While Weber’s pho- Rebekah Willson will When asked about be the two soloists for the technique of con- latest art exhibit tour- tos are the central focus the evening. ducting, she said, “I ing at the Pew Fine Arts of the exhibit, Tate and Seniors Lindsey Mill- really try to make eye Center, showcasing a Wade’s poetry offers a er, Rachel Sinclair and contact, especially multi-media explora- meditative analysis of Emily Nicolette-Fantin when cueing. It helps tion of “humanity’s in- Weber’s work, explor- will also be conducting the section know when teraction with creation ing the themes implicit the orchestra. Nico- to come in and gives the and the Creator.” in his pictures. lette-Fantin will be con- instrumentalists more The show, which The exhibit features ducting Dvorak’s Sym- confidence. I also try to opened Feb. 2, is a col- 20 photographs on WESLEY KINNEY The exhibit combines photography and poetry to create phony No. 9 in E minor laborative project be- “From the New World.” unique viewing experience. ORCHESTRA 2 tween photographer EXHIBIT 2 Feb. 16, 2018 The Collegian Page 2 USASBE awards entrepreneurs Danielle DiQuattro State University and Since Grove City’s Contributing Writer North Carolina State philosophy embraces University. The other and encourages innova- Grove City College’s finalist was the Jim tion and entrepreneur- Entrepreneurship pro- Moran School of Entre- ship, although a great gram won the United preneurship at Florida honor, it is no surprise States As- State University, which the Entrepreneurship sociation is backed by a $100 mil- program obtained a for Small lion dollar gift. national award. What Business English said “…the began as an application and En- accomplishments of to gain feedback for our trepre- our students and alum- program turned into a neurship English ni, almost speak for major distinction for (USASBE) themselves. I just told the program and the Model Emerging Pro- the audience and judg- College. gram Award early this es the very compelling Connor Grieb, a se- year. story of the impact that nior Entrepreneurship The USASBE strives our students and grad- major, expressed simi- to advance and pro- uates have been making lar sentiments. “As an mote entrepreneurship in the world and how Entrepreneurship and and innovation in col- we equip them to do so. Finance major at Grove leges and universities The college’s success City College, I am con- across the country. The shows the importance stantly blessed by how award recognizes new of a program being much time and effort programs that embody backed by the right phi- the ENTR department a bold and innovative losophy, passion, and spends pouring into us approach to teaching commitment to a com- as students. The faculty entrepreneurship. mon goal.” always go above and be- On Jan. 13, the execu- As we all know, Grove yond what is expected tive director of the pro- City’s motto is “Faith to represent us. I wit- gram, Yvonne English and Freedom Matter.” ness it, experience it, ’97, attended the an- An integral part of that and am so thankful for nual conference in Los freedom is the ability to the impact it has had in Angeles, as Grove City’s innovate and create, to my life.” program had been cho- serve our fellow man. The program has al- sen as a finalist. Eng- Entrepreneurs can ready gained increased lish presented at the change the world and interest from other uni- conference for panel- Grove City students are versities to collaborate ist from West Virginia equipped to be at the and inquiries to observe GCC ORCHESTRA University, San Diego forefront of the action. our program in action. Emily Nicolette-Fantin, one of the student conductors for the upcoming orchestra concert, plays the piano at last year’s winter orchestra concert. ORCHESTRA everything I can to get and give the audience a the sound I want out of joyful experience. continued from 1 the orchestra.” The concert begins work on my presence. The orchestra at the at 7:30 p.m. tonight in Making sure I am con- College is full of dedi- Ketler Auditorium of fident in what I’m doing cated musicians who the Pew Fine Arts Cen- and trying my best to do love to celebrate music ter. CONFERENCE including a pair of Rev- significance of com- olutionary War novels munity in their work, continued from 1 called “The Fiddler’s and give Grove City stu- writer, most notably the Gun” and “Fiddler’s dents takeaways on the “Wingfeather Saga. The Green.” These novels significance of commu- Wingfeather Saga fol- follow the story of a nity in professional and lows the epic tale of a woman named Fin But- creative development. family called the Igibys, ton and the dangers she Loretto pointed out who are fighting against traverses as she avoids a hoard of beasts called the hands of the British that “it’s refreshing to The Fangs of Dang who during the Revolution- see people intentionally have taken over all the ary War. pursuing collaboration land. The series has The Peterson broth- and community in ways WESLEY KINNEY four books, including ers’ work with the Rab- that reflect our design Located in Pew Fine Arts Center, the “Life in a Lens” exhibit will be running unitl “On the Edge of the bit Room helps to sup- and God-given needs. March 2. Dark Sea of Darkness,” port and bring attention The stories of our lives “North! Or Be Eaten,” to artists and works that journey through each sides in Grove City but are shaped by our rela- EXHIBIT “Monster in the Hol- are relatively unknown. piece, [they] will en- is a voracious traveler; tionships, and Andrew lows” and “The Warden Loretto explained that continued from 1 counter the ‘More’ that and Pete will be able to many of the photos fea- and the Wolf King.” Andrew Peterson’s an- metal prints, each cen- [they] seek.” talk to us about how we tured in “Life in a Lens” According to Adam nual Christmas tour tered on a different Tate and Wade’s can pursue our callings were taken on one of his Loretto, professor of brings along other art- landscape. While the complementary poetry – artistic, professional, travel ventures, which English, his series is “a ists who are not as well- scenery varies, ranging focuses explicitly on relational – in commu- include international surprising and fun read known as Peterson, from monochrome for- themes of transcen- locations like Iceland that reveals some deep such as Jenny & Tyler nity.” ests to dazzling moun- dence.
Recommended publications
  • And Type the TITLE of YOUR WORK in All Caps

    And Type the TITLE of YOUR WORK in All Caps

    A SPACE FOR CONNECTION: A PHENOMENOLOGICAL INQUIRY ON MUSIC LISTENING AS LEISURE by JOSEPH ALFRED PATE IV (Under the Direction of Corey W. Johnson) ABSTRACT This polyvocal text leveraged Post-Intentional Phenomenology (Vagle, 2010) to trouble, open up, and complexify understanding of the lived leisure experience (Parry & Johnson, 2006) of connection with and through music listening. Music listening was foregrounded as one horizon within the aural soundscape that affords deeply meaningful and significant experiences for many. Past scholarship within the Leisure Studies literature has primarily attended to the impact and relevancy of music in the lives of adolescents. This study focused on engagement with music of five adults, accessing phenomenology as both a philosophical and methodological lens to look along (Lewis, 1990) this lived-experience. Using multiple voices and styles of representation, this polyvocal work challenged traditional ways of knowing by inviting listening, music, and voice to serve as additional data embedded throughout its discursive representation. Accessing Bachelard‟s (1990) phenomenology of the resonation-reverberation doublet revealed five partial, fleeting, and tentative manifestations (Vagle, 2010) of this lived leisure experience, which included: Getting Lost: Felt Resonation and Embodiment; I‟m Open: Openness, Receptivity, and Enchantment; Serendipitous Moments; The Found Mirror: Oh There You Are; and Cairns and Echoes: The Lustering Potency of Song. Ultimately, music appeared to speak to so as to speak for participants, providing musical affirmation and sustenance throughout their lives. INDEX WORDS: Music, Listening, Leisure, Post-Intentional Phenomenology, Polyvocal Text A SPACE FOR CONNECTION: A PHENOMENOLOGICAL INQUIRY ON MUSIC LISTENING AS LEISURE by JOSEPH ALFRED PATE IV B.
  • Ruby Hunter, 1955-2010 John Harding and Oliver Haag Ruby

    Ruby Hunter, 1955-2010 John Harding and Oliver Haag Ruby

    Zeitschrift für Australienstudien / Australian Studies Journal ZfA 26/2012 Seite | 111 In Memory of a Deadly Voice: Ruby Hunter, 1955-2010 John Harding and Oliver Haag Ruby Hunter was more than a song writer: her songs are autobiographical, socio-critical and eminently historical, revolving around political issues, such as the Stolen Generations, Indigenous sovereignty and women’s issues. Her music, partly performed in collaboration with her life partner Archie Roach, is not merely entertainment and pleasure. Hunter’s songs are deeply personal. They reveal her own experiences of having been forcibly removed from her family and the path of becoming a devoted artist, activist and intellectual. Ruby’ Story tells of her own life as a member of the Stolen Generation—without bitterness or reproach. Let My Children Be is a powerful voice for diversity and plurality in Australian society. Ruby Hunter was born in South Australia in 1955 and died of a heart attack in February 2010. Despite her relatively short life, she became a songwriter of international recognition. Zeitschrift für Australienstudien honours Ruby Hunter’s life and work. It presents a poem by John Harding which captures Hunter’s road to becoming an artist and includes a selected discography of her songs. I raise my glass to Ruby by John Harding I remember the 80’s in suburban Fitzroy, my youth at that time meant my memory is clear. You could see the camaraderie that exuded silently from all the Kooris, a smile a kiss and a handshake our passports to each other. 112 | Seite Obituaries You could honestly smell the love and respect we had for one another.
  • History of Batavia 1801 to 2015

    History of Batavia 1801 to 2015

    HISTORY OF BATAVIA 1801 TO 2015 Larry Dana Barnes Batavia City Historian 2015 Dedication This book is dedicated to future Batavians who may read this publication years into the future. May they find it both interesting and useful. Author . Larry Dana Barnes is the current historian for the City of Batavia, New. York, a position . mandated by State law. Bom on October 19, 1940 in Dansville; New York, he grew up in . Jamestown. He is a graduate of Jamestown High School,Jamestown Community College, Harpur College, State University of Iowa, and, most recently, Genesee Community College. The author taught courses in psychology while serving on the faculty of Mohawk Valley Community College in Utica, New York from 1966 to 1968 and then at Genesee Community College from· 1968 until his retirement in 2005. After earning an associate's degree from G.C.C.; he also taught courses in industrial model-making. Although formally educated primarily in the field of psychology, the author had along-term interest in history prior to being appointed as the Batavia City Historian in 2008. In addition to being the City Historian, he has served as President of the landmark Society of Genesee County, is a member of the Batavia Historic Preservation Commission, and works as a volunteer in the Genesee County History Department. He also belongs to the Genesee County Historians . Association, Government Appointed Historians of Western New York, and the Association of Public Historians of New York State. The author is married to. Jerianne Louise Barnes, his wife ofSO years and a retired public school librarian who operated a genealogical research service prior to herretirement.
  • The Music of Indigenous Australia

    The Music of Indigenous Australia

    CTP Template: CD_6PR2 COLOURS Compact Disc Booklet: Six Page Roll-fold (Outer) CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Darwin-based Shellie Morris is both a sometime member of super group !e !e award-winning Saltwater Band are an institution at home on Galiwin’ku Black Arm Band - billed as ‘part Aboriginal soul revue, part civil rights statement,’ (Elcho Island) off the Northern Territory’s East Arnhem Land coast. by the London Evening Standard - and a respected solo artist; her five octave Djilawurr, their smooth reggae-rock tribute to local fauna, is led by the range renders the anthemic Swept Away, a song inspired by her reunion with her unmistakeable voice of Gurrumul, an artist approaching world domination; birth family, both hopeful and gloriously unforgettable. on the melodious Gopuru their lilting beats are underpinned by clapsticks, chants and finally the didj, which ties it all together. Here, too, are songs from other Black Arm Band members, other national THE MUSIC OF treasures. With a voice that may well come from the centre of the earth, Known as ‘the garage band who never had a garage’, Narbalek Band of central South Australia’s legendary Ruby Hunter tells of her teenage homelessness in the INDIGENOUS AUSTRALIA Arnhem Land have spent years honing their cra": Little Journey to Manmoyi - heart-wrenching Down City Streets; her equally renowned husband Archie Roach electro twinkles, pastoral choruses, CB-style distortions - is a song about coming - one of Australia’s ‘stolen generation’ of children forcibly taken from their families ndigenous Australia has always had soul.
  • October 2010

    October 2010

    TheBurgGreater Harrisburg’s Community Newspaper October 2010 Distributed in Dauphin, Cumberland, York, Lancaster and Perry counties. Free. West Shore Farmers 3rdINTHEBURG Market & FRIDAY, JANUARY 15 Shoppes Artsat510—Oil paintings by Terri Amig, music by Bon Jovi,Everything 5:10–7:10p under One Roof! Sandwiches Prepared Food Baked Goods Cheese Produce Veggies Coffees Meats Chicken Barbeque Soups Candies DJ’S SMOKE SHACK PASCALE’S GOURMET PIE & CAKE CO. REAL BBQ, SLOW SMOKED FRESH BAKED PIES AND CHEESECAKES CATERING FOR ALL OCCASIONS GOURMET CUPCAKES 717-554-7220 717-737-9010 SHUGAR’S SOUTH STREET STEAKS ZOOKS SOFT PRETZELS CHEESESTEAKS, HOAGIES, WRAPS SOFT PRETZELS ROTISSERIE CHICKEN DRINKS 717-602-5162 717-761-1389 WILSON SPORTS JERSEYS VASCO’S 2ND FLOOR OF THE MARKET IMPORTED AND DOMESTIC CHEESES MENTION THIS AD & GET 10% DISCOUNT CHEESE TRAYS 717-737-5111 717-389-8272 NINI’S LET’S TALK TURKEY LIBERTY PRIMITIVES & COUNTRY GIFTS STUFFED TURKEY ROLLS, SOUPS, MEATBALLS, SANDWICHES SPECIALIZING IN ITEMS THAT ARE HANDMADE WRAPS, SALADS & MORE & UNIQUELY PRIMITIVE 717-350-0177; [email protected] 717-737-7147 PEGGY’S SILVER SPOON TAKING CARE OF APPETITES GOURMET FOODS MADE TO ORDER SANDWICHES & SUBS GIFT BOXES LUNCH MEATS. WE CATER! 717-761-2860; [email protected] 717-774-5162/717-798-4006 LEICHT’S POULTRY ART & SOUL GALLERY FARM FRESH EGGS & FRESH POULTRY PRODUCTS Original Fine art • lOcal artists • lOcal scenes “SERVING THE PUBLIC SINCE 1950” Diverse MeDia • exhibits • artist DeMOnstratiOns 717-975-3385 2ND FLOOR OF THE MARKET/717-761-1270 W.L. KEPLER’S SEAFOOD D&S PRODUCE FRESH SEAFOOD, PREPARED ITEMS HOME-GROWN FRUITS AND VEGETABLES SOUPS, SALADS AND SEASONAL ITEMS PRODUCED ON OUR FARM IN YORK SPRINGS 717-737-7513 717-357-3552 900 Market Street, Lemoyne, Pa.
  • Archie Roach the Australian Aboriginal Singer Has Had a Remarkable Life and Career, As Jane Cornwell Reveals

    Archie Roach the Australian Aboriginal Singer Has Had a Remarkable Life and Career, As Jane Cornwell Reveals

    FestivalBeginner’s pass guide ARCHIE ROACH The Australian Aboriginal singer has had a remarkable life and career, as Jane Cornwell reveals 52 songlines › issue 99 SARAWAK hen Archie Roach walked on and played a Hank Williams tune. That was it; I BEST ALBUMS stage at the Playhouse Theatre wanted to play guitar after that.” in Melbourne during the 2012 He was 14 when he got a letter from his blood Into the Bloodstream W (Liberation Music, 2012) Australasian Worldwide Music Expo (AWME), sister, Myrtle, explaining who he was, who Having suffered the loss of the applause bounced off the walls. The stocky his siblings were and that his mother had just his wife Ruby Hunter, and 57-year-old is one of Australia’s most beloved passed away. Head spinning, Roach grabbed survived both lung cancer voices and songwriters, but this was something his guitar and left to search for the truth. He and a stroke, Roach rose from the ashes like else. Having endured a stroke, lung cancer and fell apart along the way, living on the streets as a proverbial phoenix with what is arguably the loss of his partner and muse Ruby Hunter an alcoholic. It was at a Salvation Army hostel his finest album to date. Reviewed in #89. in the preceding three years, that Roach was in Adelaide that he met Hunter. Roach was Charcoal Lane there at all – let alone dressed in a dinner suit, 17; they would be together until she died in (Hightone, 1990) with a 13-piece band and ten-voice indigenous February 2010.
  • Redfern Mural Gathering 13-11-2015 Transcript

    Redfern Mural Gathering 13-11-2015 Transcript

    Redfern Mural Gathering (13/11/2015) 1. Uncle Ray Davison, Welcome to Country (2) 2. Nathan Moran (3-4) 3. Dave Beaumont (5) 4. Matt Poll (6-8) 5. Matt Poll Q&A (9-11) 6. Jason Wing (12-14) 7. Jason Wing Q&A (15-17) 8. Djon Mundine (18-21) 9. Djon Mundine Q&A (22-26) 10. Introduction to Afternoon Session (27) 11. Desley Haas (28-30) 12. Carol Ruff & Audience (31-40) 13. Cara Martinez & Audience (41-48) 14. Afternoon Wrap Up (49-56) 15. Community Responses (57-59) 1 Uncle Ray Davison – Welcome to Country RD: It’s lovely to be here today. Each time I get the opportunity to do a Welcome to Country, I like to express to people that are unaware of what Country actually means, I’ll explain what it means a little bit. But I also like to make the non-Aboriginal people feel more at home with our culture, because it’s part of your heritage and tradition now as well. Especially people around this area here. The significance of the meaning of today is really important for the local area so just before I do the actual Welcome to Country I’ll speak for another moment. To have that mural opposite the station there for the amount of years that we’ve had it now, it projects the community. And one of the main drawings or paintings on that wall is the early, our first premiership winning team from this area, the Redfern All Blacks, way back in the 1970s.
  • US Recorded Music Revenue Reaches $11.1 Billion in 2019, 79% from Streaming

    US Recorded Music Revenue Reaches $11.1 Billion in 2019, 79% from Streaming

    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE FEBRUARY 25, 2020 Page 1 of 25 INSIDE US Recorded Music Revenue • Four Key Reaches $11.1 Billion in 2019, Takeaways From the RIAA’s 2019 Year-End 79% From Streaming: RIAA Report • What Is Password BY DAN RYS Sharing Costing Streaming & the The U.S. recorded music business generated $11.1 two years it bottomed out at $6.7 billion total from Music Business at billion in revenue in 2019, according to the RIAA’s its 1999 peak. Limited-tier subscriptions — which Large? annual year-end report, a 13% year-over-year increase includes services like Amazon Prime and Pandora • Coronavirus from the $9.8 billion it reached in 2018. That repre- Plus which do not provide full-catalog, unlimited on- Fears Hit Music sents the fourth straight year of double-digit growth demand access — accounted for $829 million of that and Entertainment for the sector, and a faster rate of growth over 2018, total. Paid subscribers to on-demand services reached Stocks when it increased 11.9% over the prior year. (Sales 60.4 million in 2019, up 29% over 2018’s 46.9 million, • Country Radio were up 16.5% in 2017 and 11.4% in 2016.) as subscriber growth and subscriber revenue continue Seminar: An Older Unsurprisingly, that growth was driven largely by to grow concurrently. Medium Looks for continued gains in streaming revenue, which grew Meanwhile, ad-supported on-demand stream- Youthful Passion 19.9% year-over-year to $8.8 billion from 2018’s $7.4 ing also grew significantly, up 20% over 2018, yet it billion, accounting for 79.5% of all revenue.
  • Off the Record Review

    Off the Record Review

    OFF THE RECORD REVIEW A ten-part review series in which presenter/producer Brian Wise reviews recent releases, pays tribute to musicians who have passed away and wraps up the year in music. This series looks at the career of legendary New Orleans musician Allen Toussaint and also reviews some of the more notable local and international releases as well as unveiling the story of Lucinda Williams ox set titled The 100 Greatest Australian Singles also a review of a book on Australian promoter Michael Gudinski, Suzannah 01 Allen Toussaint Tribute to legendary New Orleans musician/composer/producer. When Allen Toussaint died in November New Orleans lost one of its greatest ever musicians. Yet Toussaint only achieved international prominence as recording artist in his own right recently when he collaborated with Elvis Costello. In the early part of his career Toussaint penned dozens of hit songs for others some of them Australians. This review pays tribute to an extraordinary talent. TRACKS Jazz Fest Intro / Fortune Teller The Throb Happy Times Allen Toussaint Live / Southern Nights Allen Toussaint: LP: Southern Nights 02 Bob Dylan The Cutting Edge s including an 18 CD box set!. The Bootleg Series contains outtakes from 1965 1966, the era that produced Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde most acclaimed releases in his 53 year recording career. TRACKS (All from The Cutting Edge 1965 - 1966: The Bootleg Series Vol. 12) Like A Rolling Stone (Two takes)/ Positively 4th Street / Subterranean Homesick Blues / Desolation Row 03 Archie Roach Recently inducted in The Age/Music Victoria Hall of Fame, Archie Roach was one of the Stolen Brian Wise spoke to Archie Roach just a few days after his induction into the Hall of Fame and they talked about songwriting and the 25th Anniversary Edition of the classic album Charcoal Lane.
  • Living Democracy Songs of Influence: Australian Songs of Protest

    Living Democracy Songs of Influence: Australian Songs of Protest

    Living Democracy Songs of Influence: Australian songs of protest The Museum of Australian Democracy’s Living Democracy exhibition shares the stories of a diverse range of people whose lives are intrinsically linked with Australia’s democracy. People who have protested for change, petitioned government, represented others, secured voting equality for all Australians, become leaders of change in their communities and had their voice heard through music and art. A protest song is a powerful way to raise awareness and unite opinion on issues large and small. A protest song describes and explains society. It can celebrate a situation, or it can confront and criticise. It can voice anger, pain, pride or resistance or it can say, with simple strength, we are here and we matter. A protest song can make people think differently and take action. This list features a variety of people, places, eras and musical genres. I am Woman. Helen Reddy. 1972 And the Band Played Waltzing Matilda. Eric Bogle. 1971 One Day in October. Peter Hicks. 1998 Treaty. Yothu Yindi. 1991 Let the Franklin Flow. Gordon Franklin Wilderness Ensemble. 1983 Like a Dog. Powderfinger. 2000 U.S Forces. Midnight Oil. 1982 Sam Griffith. Jack Luscombe. 1953 (I’m) Stranded. The Saints. 1976 Love and Justice. Kavisha Mazzella and choir. 2008 Down City Streets. Ruby Hunter. 2005 I Was Only 19 (A Walk in the Light Green). Redgum. 1983 Thou Shalt Not Steal. Kev Carmody. 1988 The Death of Ben Hall. Sally Sloan. c.1953 Took the Children Away. Archie Roach. 1990 The Equal Pay Song. Lola Wright.