Liza Minnelli’S Oscar for “Cabaret” and Vincente Minnelli’S for “Gigi” Flank Judy Garland’S Juvenile Oscar for “The Wizard of Oz.”
AT 73, THE OSCAR-WINNING STAR OF ‘CABARET’ AND DAUGHTER OF JUDY GARLAND SAYS HER BIGGEST STRUGGLE WAS ‘GETTING TO BE KNOWN AS MYSELF’ Legendary
By Marc Malkin P.4 8
FEBRUARY 04, 2020 US $9.99 JAPAN ¥1280 CANADA $11.99 CHINA ¥80 UK £ 8 HONG KONG $95 EUROPE €9 RUSSIA 400 AUSTRALIA $14 INDIA 800 Untitled-12 1
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THREE’S COMPANY Liza Minnelli’s Oscar for “Cabaret” and Vincente Minnelli’s for “Gigi” flank Judy Garland’s Juvenile Oscar for “The Wizard of Oz.”
P.4 8 P.5 4 P.7 9 P.8 7 Liza With Oscars’ Big Independent Showbiz Real an Oscar We eke nd Spirit Awards Estate Elite Liza Minnelli kicks up her heels From the Governors Ball and For nearly 40 years, the event has High-quality video has become in a no-holds-barred interview the pre- and post-party calendar championed not only indie a key selling tool for luxury ahead of the Academy Awards. to where to stay and what to filmmaking but diversity as well. properties in Los Angeles County. By MARC MALKIN wear, Variety has the scoop. By TODD GILCHRIST By JAMES McCLAIN MANICURE: DENISE BOURNE/THE WALL GROUP; DRESS; ALEXX BROWN X SUSAN BECKER; SHOES; JIMMY CHOO; LOCATION: THE LONDON WEST HOLLYWO WEST THE LONDON LOCATION: SHOES; JIMMY CHOO; BECKER; X SUSAN ALEXX BROWN DRESS; GROUP; MANICURE: DENISE BOURNE/THE WALL (COVER AND THIS PAGE) PHOTOGRAPHS BY ROBERT TRACHTENBERG; STYLING: HAYLEY ATKIN/THE WALL GROUP; ASSISTANT: JENNA REMY; MAKEUP: MAKEUP: JENNA REMY; ASSISTANT: GROUP; WALL ATKIN/THE HAYLEY STYLING: TRACHTENBERG; ROBERT BY PHOTOGRAPHS AND THIS PAGE) (COVER
VARIETY 3 CONTENTS
TOP BILLING
15 DEFENSIVE POSTURE Controversy is dogging Oprah Winfrey from the bookstore to the screen
18 REMEMBERED Iconic programmer Fred Silverman helped change the face of modern television
20 GUEST COLUMN When it comes to nominations, more risk could mean more reward for the Academy
22 ROCKING THE VOTE? “Little Women” helmer Greta Gerwig says she’s planning to switch Academy branches
24 PARK CITY PERSPECTIVE Variety looks back on the films and deals that made an ALSO impact during Sundance INSIDE
30 IN THE RUNNING Senior film awards editor 10 Marc Malkin predicts FIELD NOTES the winners in the major Musings Oscar categories on hot topics
12 PLUGGED IN EXPOSURE P.7 0 What’s trending at Variety.com
33 PARTIES Hatice Cengiz, fiancée of slain 122 Kodak Awards; Super Bowl journalist Jamal Khashoggi (subject FACETIME parties; Sundance events; “The of “The Dissident”), was among “To All the Rhythm Section” premiere the boldface names who stopped Boys: P.S. I Still by Variety’s Sundance Studio Love You” star DEVOUR 39 Lana Condor Chefs Susan Feniger and Mary Sue Milliken open a Mexican restaurant in Santa Monica
44 DIRT Brie Larson sells her Studio City home for $1.4 million AM: JAMES VEYSEY/BAFTA/SHUTTERSTOCK AM: JAMES
ARTISANS P.4 2 115 GLOBAL VIEW Cinematographers for the internaional nominees talk Joe Mantegna lists his about their films’ key scenes Toluca Lake Tudor
116 FASHION FORWARD Costume designer Amanda Needham created bold looks for “Shrill” star Aidy Bryant
117 WORD ON THE STREET “In the Heights” production “In 2020, and not for the first design stayed true to the time in the last few years, we find story’s actual neighborhood ourselves talking again about the need to do more to ensure P.1 2 1 diversity in the sector and in the REVIEWS awards process — that simply cannot be right in this day and age.” “Lance” Prince William, at the annual awards gala in 119 FILM review London, on the lack of diversity among BAFTA “The Glorias,” “Lance” acting nominees P.38 CENGIZ: PHOTOGRAPH BY RYAN PFLUGER; MANTEGNA HOME: ADRIAN VAN ANZ/COMPASS; LANCE: NICK HIGGINS/SUNDANCE INSTITUTE; PRINCE WILLI INSTITUTE; LANCE: NICK HIGGINS/SUNDANCE ANZ/COMPASS; HOME: ADRIAN VAN MANTEGNA PFLUGER; RYAN BY CENGIZ: PHOTOGRAPH
4 VARIETY CONGRATULATES OUR CLIENTS ON THEIR 92ND ACADEMY® AWARD AND 2020 FILM INDEPENDENT SPIRIT AWARD NOMINATIONS
92ND ACADEMY AWARDS® BEST DOCUMENTARY FEATURE BEST FEMALE LEAD THE CAVE RENÉE ZELLWEGER FERAS FAYYAD JUDY BEST MOTION PICTURE OF THE YEAR THE IRISHMAN ADAPTED SCREENPLAY BEST MALE LEAD ROBERT DE NIRO MATTHIAS SCHOENAERTS¥¥¥ JANE ROSENTHAL JOJO RABBIT TAIKA WAITITI THE MUSTANG JOJO RABBIT TAIKA WAITITI JOKER BEST SUPPORTING FEMALE TODD PHILLIPS JENNIFER LOPEZ JOKER HUSTLERS TODD PHILLIPS ORIGINAL SCREENPLAY
BRADLEY COOPER KNIVES OUT BEST SUPPORTING MALE RIAN JOHNSON 1917 WILLEM DAFOE THE LIGHTHOUSE SAM MENDES 1917 PIPPA HARRIS SAM MENDES NOAH JUPE KRYSTY WILSON-CAIRNS*** HONEY BOY PERFORMANCE BY AN ACTRESS IN A LEADING ROLE SPECIAL CONGRATULATIONS TO SHIA LABEOUF SCARLETT JOHANSSON HONEY BOY LADJ LY DIRECTOR/WRITER MARRIAGE STORY BEST INTERNATIONAL FEATURE FILM JONATHAN MAJORS OF THE YEAR NOMINEE SAOIRSE RONAN* LES MISÉRABLES THE LAST BLACK MAN IN LITTLE WOMEN SAN FRANCISCO PEDRO ALMODÓVAR DIRECTOR/WRITER RENÉE ZELLWEGER PENÉLOPE CRUZ¥ CAST BEST INTERNATIONAL FILM JUDY BEST INTERNATIONAL FEATURE FILM INVISIBLE LIFE OF THE YEAR NOMINEE KARIM AÏNOUZ PERFORMANCE BY AN ACTOR PAIN AND GLORY IN A SUPPORTING ROLE LES MISÉRABLES TOM HANKS 2020 FILM INDEPENDENT LADJ LY A BEAUTIFUL DAY IN THE SPIRIT AWARDS NEIGHBORHOOD JOHN CASSAVETES AWARD
AL PACINO BEST FIRST FEATURE BURNING CANE THE IRISHMAN PHILLIP YOUMANS BOOKSMART BRAD PITT OLIVIA WILDE COLEWELL ONCE UPON A TIME...IN HOLLYWOOD THE MUSTANG CRAIG SHILOWICH LAURE DE CLERMONT-TONNERRE PREMATURE PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE THE LAST BLACK MAN IN ZORA HOWARD LAURA DERN SAN FRANCISCO MARRIAGE STORY JOE TALBOT ROBERT ALTMAN AWARD DEDE GARDNER MARRIAGE STORY SCARLETT JOHANSSON JEREMY KLEINER LAURA DERN JOJO RABBIT CHRISTINA OH SCARLETT JOHANSSON MARGOT ROBBIE** BOMBSHELL BEST DIRECTOR SOMEONE TO WATCH AWARD JULIUS ONAH JOE TALBOT BEST ANIMATED FEATURE FILM LUCE THE LAST BLACK MAN IN OF THE YEAR SAN FRANCISCO
MISSING LINK BEST SCREENPLAY TRAVIS KNIGHT AND SALUTES CHINONYE CHUKWU AUBREY PLAZA CLEMENCY TOY STORY 4 HOST JOSH COOLEY TARELL ALVIN MCCRANEY¥¥ JOEL GALLEN HIGH FLYING BIRD ACHIEVEMENT IN DIRECTING DIRECTOR AND EXECUTIVE PRODUCER
TODD PHILLIPS BEST FIRST SCREENPLAY * SHARED REPRESENTATION WITH MACFARLANE CHARD ASSOCIATES JOKER ** SHARED REPRESENTATION WITH ARAN MICHAEL MANAGEMENT BRIDGET SAVAGE COLE *** SHARED REPRESENTATION WITH UNDER NEW MGMT DANIELLE KRUDY ¥ SHARED REPRESENTATION WITH KURANDA SAM MENDES ¥¥ SHARED REPRESENTATION WITH TEAM 1917 BLOW THE MAN DOWN ¥¥¥ SHARED REPRESENTATION WITH UBBA
Untitled-4 1 1/30/20 2:54 PM Untitled-15 1 1/31/20 4:27 PM Untitled-15 2 1/31/20 4:29 PM Michelle Sobrino-Stearns
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8 VARIETY The Breitling Cinema Squad Brad Pitt Adam Driver Charlize Theron
#SQUADONAMISSION
Untitled-4 1 1/7/20 1:01 PM FIELD NOTES
For Variety’s Interview, VARIETY IS OWNED & PUBLISHED BY PENSKE MEDIA CORPORATION Liza Was Really Cookin’ Jay Penske CHAIRMAN & CEO
GEORGE GROBAR CHIEF OPERATING OFFICER GERRY BYRNE VICE CHAIRMAN SARLINA SEE CHIEF ACCOUNTING OFFICER CRAIG PERREAULT EVP BUSINESS DEVELOPMENT TODD GREENE EVP, BUSINESS AFFAIRS & GENERAL I’M ALWAYS TOTALLY thrilled any time to learn to cook, she said Gar- COUNSEL time one of my writers starts spilling land learned on the road during her DEBASHISH GHOSH MANAGING DIRECTOR details to me from a spectacular vaudeville days, early in her career. JENNY CONNELLY interview that he or she just had Another one of his favorite SVP, PRODUCT with a given subject. It’s particularly moments was when Minnelli spon- KEN DELALCAZAR SVP, FINANCE compelling when the interviewee taneously sang for him at the end TOM FINN is a Hollywood legend, especially of their session. With her longtime SVP, OPERATIONS one who in recent years has rarely friend and collaborator Michael NELSON ANDERSON agreed to do an on-the-record Feinstein at the piano, she belted VP, CREATIVE JONI ANTONACCI sit-down with any journalist. out “Embraceable You,” a song her VP, PRODUCTION OPERATIONS Minutes after our senior awards mother performed in the 1943 film REBECCA BIENSTOCK editor Marc Malkin finished talking “Girl Crazy.” She then gave him VP, TALENT RELATIONS STEPHEN BLACKWELL with Oscar-winning icon Liza an encore with “Maybe I’ll Come HEAD OF PORTFOLIO SALES Minnelli for this week’s cover, he Back,” a song from Garland’s 1956 GERARD BRANCATO called me, bursting with excitement self-titled album, “Judy.” VP, PMC DIGITAL ACQUISTION and fun bits from their two-hour I ask Malkin what it was like ANNE DOYLE VP, HR exchange at the performer’s cozy being in the presence of someone MARA GINSBERG Los Angeles apartment. so legendary. VP, HR Here’s a taste of some delicious “I was really nervous — she’s YOUNG KO VP, FINANCE anecdotes that didn’t make it Liza Minnelli,” he says. “But the GABRIEL KOEN into Malkin’s revealing cover story. minute I walked in, she instantly VP, TECHNOLOGY “She just served me pot roast that made me feel at home. When I put KEVIN LABONGE she cooked!” Malkin tells me. out my hand to shake hers, she VP, GLOBAL PARTNERSHIPS & LICENSING NOEMI LAZO Was it good? “Delicious!” said, ‘Come here, give me a hug.’ VP, CUSTOMER EXPERIENCE Illustrative of her skills in “The way she moved, her voice, AND MARKETING OPERATIONS BRIAN LEVINE the kitchen, Minnelli showed him her quips, her laugh, her manner- “I was really VP, REVENUE OPERATIONS two thick binders stuffed with isms were all … just so Liza.” nervous — she’s JUDITH R. MARGOLIN typewritten recipes that she has VP, DEPUTY GENERAL COUNSEL Liza Minnelli. been keeping since she was 19. JULIE TRINH But the minute VP, GLOBAL TAX “She told me that she actually LAUREN UTECHT I walked in, learned to cook from her mom,” VP, HR & CORPORATE COMMUNICATIONS she instantly Malkin says. Judy Garland “was MIKE YE VP, STRATEGIC made me feel a great cook,” Minnelli told him. PLANNING & ACQUISITIONS at home.” When Malkin asked when her Claudia Eller CHRISTINA YEOH Marc Malkin mother would have possibly had Editor-in-Chief VP, TECHNICAL OPERATIONS JULIE ZHU VP, AUDIENCE MARKETING & SUBSCRIPTIONS NICI CATTON ASSOCIATE VP, PRODUCT DELIVERY KARL WALTER ASSOCIATE VP, CONTENT GURJEET CHIMA Uncovered SENIOR DIRECTOR, INTERNATIONAL Photographed Dec. 18, 2019, MARKETS at The London West Hollywood at Beverly Hills EDDIE KO SENIOR DIRECTOR, ADVERTISING OPERATIONS ANDY LIMPUS SENIOR DIRECTOR, TALENT ACQUISITION “I don’t want my stars to be just like us,” says AMIT SANNAD photographer Robert Trachtenberg. “I don’t care if SENIOR DIRECTOR, DEVELOPMENT they’ve never been inside a dry cleaners or know how CONSTANCE EJUMA to use a parking meter. I don’t want them relatable. DIRECTOR, SEO They’re supposed to be indefinable, mesmerizing, LAURA ONGARO unique. Liza Minnelli is that kind of star — she is show EDITORIAL & BRAND DIRECTOR, business personified; it’s in her DNA. I don’t need to INTERNATIONAL talk to her about the traffic on the 405. I need her to KATIE PASSANTINO tell me, as she did when I asked her to be in my Gene DIRECTOR, BUSINESS DEVELOPMENT Kelly documentary, ‘Oh darling, I can’t that day! I have DEREK RAMSAY to sing “New York, New York” at Yankee Stadium!’” SENIOR PRODUCT MANAGER
10 VARIETY WE PROUDLY CONGRATULATE ANTONIO BANDERAS ON HIS ACADEMY AWARD® NOMINATION FOR ACTOR IN A LEADING ROLE.
WE ALSO CELEBRATE THE EXTRAORDINARY RECOGNITION HE HAS RECEIVED FOR PAIN AND GLORY.
WINNER WINNER BEST ACTOR BEST ACTOR CANNES FILM FESTIVAL PREMIOS GOYAS
WINNER WINNER BEST ACTOR INT’L STAR AWARD EUROPEAN FILM AWARDS PALM SPRING INT’L FILM FESTIVAL
WINNER WINNER WINNER BEST ACTOR BEST ACTOR BEST ACTOR DORIAN AWARDS INTERNATIONAL HOLLYWOOD FILM CINEPHILE SOCIETY AWARDS
WINNER WINNER WINNER BEST ACTOR BEST ACTOR BEST ACTOR LOS ANGELES FILM NATIONAL SOCIETY OF NEW YORK FILM CRITICS ASSOCIATION FILM CRITICS CRITICS CIRCLE
Untitled-9 1 1/31/20 11:27 AM PLUGGED IN WHAT’S ON VARIETY.COM
News Stars of Phoenix Calls on Peers: Dismantle Racism ‘Birds of Prey’
JOAQUIN PHOENIX called on his peers to help dismantle racism in the film industry during 68 a rallying acceptance speech for his best actor award at the 2020 BAFTAs. Rosie Perez “I feel conflicted because so many of my fel- Renee Montoya Her score has been on the low actors that are deserving don’t have that same rise since the start of the privilege. I think that we send a very clear message new year. to people of color that you’re not welcome here,” he said onstage as he picked up his trophy. “I think that’s the message that we’re sending to people that have contributed so much to our medium and 62 our industry, and in ways that we benefit from. “I don’t think anybody wants a handout or Mary Elizabeth Winstead preferential treatment, although that’s what Huntress we give ourselves every year. I think people She’s on the right track, just want to be acknowledged, appreciated and picking up four points respected for their work.” since Jan. 1. His speech was one of a few, during a ceremony that was short on controversy, that discussed the issues of inequality within the film industry, and comes after the BAFTAs were criticized for nomi- 47 nating all-white acting categories. EE Rising Star winner Micheal Ward, a black Jurnee Smollett-Bell Black Canary British actor, also touched on the changes that Her number has been need to take place. The “Blue Story” star, who steady, but buzz is almost broke down in tears while accepting his beginning to fly. award, told press backstage that the stories of people of color “are important but a lot of people
don’t know [them].” Vscore, powered by Variety Business Intelligence, identifies the social footprint, familiarity and availability of over 25,000 actors. For more info please • For the full story, head to Variety.com. visit Vscore.com VARIETY/SHUTTERSTOCK
Variety Poll Say What? Favorite Recent “The“ truth is that these are things that are meant to entertain people, Best Picture? to make them feel something and hopefully make them feel good. Obviously, it doesn’t always work. It’s hard when it doesn’t, and when it The biggest night in film is almost upon doesn’t, you have to understand it, you have to acknowledge it, you have us. On Feb. 9, nine movies will face off for to examine it.” Oscars’ top prize, aiming to join the likes J.J. Abrams on his approach to “Star Wars” of recent winners “Spotlight,” “Moonlight,” “The Shape of Water” and “Green Book.” We asked Variety.com readers which “When“ I was coming up the ranks, I just wanted to be successful so recent best picture winner is their favorite. badly that if a consultant said, ‘Your laugh is a little much,’ then I would never laugh. [Over the years] I realized I’m not perfect. I don’t dress like everyone else. … But there’s just a level of acceptance that 14% the viewers feel.” Green HLN morning anchor Robin Meade Book 42% 21% “Watching“ [producers Ken Ehrlich and Ben Winston], with a few writers Moonlight and [host] Alicia [Keys], rework how they were going to open the show, Spotlight what they were going to say and how they were going to handle it on 23% the fly was really the best of live television.” The Shape CBS chief creative officer David Nevins on modifying the Grammys after of Water Kobe Bryant’s death PHOENIX: GUY LEVY/BAFTA/SHUTTERSTOCK; PEREZ, WINSTEAD, SMOLLETT-BELL: ANTHONY HARVEY/SHUTTERSTOCK (3); ABRAMS: MICHAEL BUCKNER/ ANTHONY HARVEY/SHUTTERSTOCK SMOLLETT-BELL: PEREZ, WINSTEAD, GUY LEVY/BAFTA/SHUTTERSTOCK; PHOENIX:
12 VARIETY We proudly congratulate our clients on their Oscar nominations.
Actor in a Leading Role ADAM DRIVER Marriage Story
Best Picture JAYNE-ANN TENGGREN PRODUCER 1917
Film Editing TOM EAGLES Jojo Rabbit
Production Design DENNIS GASSNER 1917
Best International Feature Corpus Christi JAN KOMASA DIRECTOR
0204 WV GERSH - only Oscar noms.v2.indd 1 2/6/20 11:11 AM Untitled-6 1 1/28/20 1:10 PM JOHN PAUL FILO/CBS NEWS Oprah on Defense her selectionof“American Dirt.” Thenovel, world —whoasked Winfreyerary torescind letter attracted 138signatories fromthe lit- wasas achild, one of many writers—the totheU.S.immigrated from thePhilippines would shesay toOprahWinfrey?” Morrison say What thismoment? about what wouldtening tothemthinking, Toni Morrison andOprahWinfrey, andIwas lis between Toni“I was listening tointerviews thedayspent diggingaroundonYouTube. Jose AntonioVargas clubpick, latest book of Jeanine Cummins’“American Dirt,” her Oprah Winfrey torescindherendorsement OF CONTROVERSIES, FENDINGOFFCRITICISM THE MEDIATITAN FINDS HERSELF INUNFAMILIAR TERRITORY —BUFFETEDBY APAIR BEFORE SIGNINGAN Vargas, ajournalist andactivist who open letter open asking TOP BILLING TOP
- on Jan.21. and TonyDokoupil Mason, GayleKing co-hosts Anthony “CBS ThisMorning” “American Dirt” Cummins discuss author Jeanine Oprah Winfreyand POLARIZING PICK with “American scandalandmounting Dirt” inmemory.as thestar hasendured tokickoff apress cyclehelped as negative of race. AndWinfrey’s inclusionof ithas criticized for acondescending treatment the border with Mexic to fleeing violence trying and Latina andabout amother andson written byawoman whoidentifies aswhite tandem, thetwotandem, events have placed onthe there. of herdeal In Plusas part Apple TV on distributed tobe intended that hadbeen allegations against Russell Simmons, afilm sexual about assault from adocumentary criticism over herdecisiontowithdraw
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------and promised a“deeper,and promised moresubstan chord,” adeeper this selectionhasstruck passionate opinionthat of very outpouring tomefromthe “Ithasbecome clear said, club’sbook Instagram avideoinwhichshe oversimplified andill-informed.” the toneortenor shecould have for hoped not intion inMarch—although perhaps “American andissues of representa Dirt” divisive, Winfrey talking about willstill be a novel that’s ahitandpolitically both somethingabout Boundtoproduce sation. communicate andinchangingtheconver for communicating what shewanted to 2011, was amassive megaphoneboth Herdailytalk show,tion. in whichended embodied experiences.”embodied voices, somany Latinx writers, whohave that place whentherehave somany been shame tohave notdeserve that does abook 100years fromnow.bered Itwould a be ory. get remem- whichbooks Icareabout intoourcollectiveto putabook mem list: “Oprah’s Clubhasthepower Book thetotemicforceVillarreal noted ofOprah’s totheletter. andasignatory ning poet But Vanessa Angélica anaward-win Villarreal, isinsulting,”bling down onthisbook says a lackof rigor inthisconversation. Dou has demonstrated alackof fluencyand “Oprahthe critiquesof herjudgment. a generally Teflon celebrity have been threats.death publisher, canceled theauthor’s tour, citing criticism alike; Flatiron Books, Cummins’ asanaccelerantment acted tosalesand inMarch.”)the service Winfrey’s endorse and airon inFebruary Itwillhappen taping. have plansfor notannounced specific the for Winfrey Club” of the“Book episode. “We ing isgoing forward,” says aspokesperson has therighttotellwhat story. tap (“The tive discussion” of who takingontheidea Winfrey 26,placed onher onJan. had, Winfrey isnow stuck inthisconversa Vastly butstill newfor morebenign - -
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- “Anyone “ U.S. rights. subsequently acquired Sundance. HBOMaxhas the docdebutedat Dixon, justbefore Simmons accuserDrew features Russell “On theRecord,” which her endorsementof Winfrey rescinded SUDDEN WITHDRAWAL media consultant Brad Adgate, there is.” controversy stand any She canwith- missteps. will make a profile of thathigh A lions and millions of fans who support her.”lions andmillionsof fanswhosupport ries, butadvertisers like her, andshehasmil- may moreseriousthansomeothersto be andit’sit around, notatopicanymore. This about how dysfunctional itwas. Sheturned talked everyone is —whenOWN launched, She canwithstand any controversy there one of that highaprofile willmake missteps. says consultant media BradAdgate. “Any woman, andshe’s atarget been before,” tion very, seriously.” very know Oprah Winfrey takes that conversa about whogets totellwhat story. AndI Vargas, of thisconversation apart “being versation withthisAmericanicon,” says of thiscon apart being this letter meant don’t “For herjudgment. trust me, signing skeptical audiences asalienate thosewho have winover andcould aseasily expected, with carealonglinesthehost may never scrutinized which herApple willbe special ically, momentfor areal Winfrey —onein cifically.” even perhaps morespecif- And, spe moment for thepublishingindustry at aregoing“people thisasareal tolook we back,” look “When ful. says Vargas, Matt Donnellycontributedtothis report. “American Dirt.” But Winfrey isnow dis similarly central totheargumentsaround of race andrepresentation inentertainment, at thecenter of “On theRecord,” andmatters the#MeTooaddressed movement, whichis that speech Indeed, élan untilthismoment. Winfrey culturalwaves hassurfed with for president, some tocallonherrun justat two theGolden Globes years ago led clubfor Apple.when revivingherbook survived. “She’ssurvived. business apretty savvy power tosellremainsundiminished. public discourse haschanged —even asher onherdailytalkshow asthenature of pened engaged fromthecut-and-thrust that hap- Even someof hercriticsremainhope As a personality whose rousing speech whoserousingspeech As apersonality Yet Winfrey’s herepreviouslyand been ------
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followed. Silverman convinced the network to drop a slate of hugely successful sitcoms — “Gomer Pyle, USMC,” “Green Acres” and “Petticoat Junction,” among them — to make way for the earthier and edgier laughs of groundbreaking series including “All in the Family” and “The Mary Tyler Moore Show.” Silverman knew CBS would suffer in the long run if it relied too much on shows that appealed largely to older and rural viewers. Norman Lear, the legendary producer of “All in the Family” and other shows, puts it simply in paying tribute to the man who went out on a limb to bring Archie Bunker into America’s living rooms. “There would be no ‘All in the Family’ or ‘Maude’ with- out Fred Silverman,” Lear states. “Bless his every memory.” Silverman was never short on confidence, but he was not a braggart about his achieve- ments. Nor did he live in the past. His eye was always on the next show, or the next network stunt that might make some noise. He was full of ideas for friends and associ- ates at the major networks and studios. “Despite being somebody who had done so much, he’d always talk with you on equal terms as a fan of TV,” Kahl recalls. “He didn’t speak down to you. He was just really happy to share his love of TV with some- body who appreciated TV as much as he did. I always felt refreshed after talking with him. He so clearly loved the business.” REMEMBERED Littlefield called Silverman an “unsung hero” as a producer. “Matlock,” which starred Andy Griffith as a folksy and brilliant defense Fred Silverman Helped attorney, ran for nine seasons, starting on NBC in 1986. The show was bought in the room by then-NBC Entertainment chief Shape Modern Television Brandon Tartikoff, in part because it was hard to say no to Silverman given his enthu- siasm for the concept, Littlefield recalls. 1937-2020 EXEC WHO RAN PROGRAMMING AT EACH BIG THREE Silverman had a rocky tenure at NBC from 1978 to mid-1981. But he made an indelible NETWORK BACKED ‘ALL IN THE FAMILY’ By Cynthia Littleton contribution by taking a chance on Tartikoff, then a young executive out of Chicago, to help FRED SILVERMAN NEVER stopped pitching. months ago, industry executives say. lead the charge in programming at the net- He never stopped thinking about televi- “He very much shaped modern TV,” says work. Silverman also gave the greenlight for sion and analyzing the strengths and weak- CBS Entertainment president Kelly Kahl, NBC to experiment with a new kind of cop nesses of the networks he once ran, as well who had a long friendship with Silverman. show, “Hill Street Blues,” which indisputably as the dozens of outlets that came to prom- “He was a huge force in that transitional broadened the horizons of television drama. inence after his storied run as a top execu- period when TV changed from what it had He remained invested in the fortunes of tive ended in the early 1980s. been in the 1950s and ’60s.” his network alma maters. He’d been gone Silverman, a seminal figure in TV who Warren Littlefield, who moved into the from NBC for about four years when he died Jan. 30 at 82, knew that the first line of seat Silverman once held at NBC and also came in to pitch Tartikoff and Littlefield the his obituary would identify him as the only made a successful shift into producing, says idea for “Matlock.” When the group entered person — so far — to have served as head of Silverman’s command of the industry was the same conference room where Silverman programming for ABC, CBS and NBC. impressive. “That’s why Fred was so great at had once presided over meetings as NBC But after scaling the heights, he made selling,” Littlefield says. “Nobody had a better president, he made a beeline for the same a successful shift into producing at a time analysis of the reason why you need to buy head-table chair he’d sat in as boss. “He was when that path was not as nearly common this show. He would come in with an analy- back in the room, telling us what he wanted as it is today for former senior executives. sis of our strengths and weaknesses and the us to do,” Littlefield recalls. His success in the 1980s and ’90s as a competition’s strengths and weaknesses. And Kahl would occasionally get an email or producer of such series as “Matlock” FRESH FACE then he’d say, ‘That’s why you need to play in note from Silverman if CBS notched a big and “In the Heat of the Night,” and later Fred Silverman this world.’ Most of the time he was dead on.” ratings win or some other victory. He was “Diagnosis Murder,” was a testament to his in 1963, as the The risky “rural purge” gamble Silver- never mean-spirited about the competition instincts and experience, his drive and his newly installed man took in his first year after being pro- among the major networks, but he kept tabs director of CBS unbridled love of television. He was still daytime television moted to head of programming at CBS in on everything. “He was always happy when
pitching new shows as recently as a few programming 1970 remains a touchstone for execs who TV succeeded,” Kahl says. IMAGES ARCHIVE/GETTY CBS PHOTO
18 VARIETY WE’VE BEEN IN A LOT OF FILMS BUT NO ROLE HAS MEANT MORE TO US THAN THIS ONE.
CONGRATULATIONS TO THE CAST AND CREW ON THE BEST PICTURE NOMINATION.
LE MANS, 1966
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GUEST COLUMN and was co-directed by another — Kevin Klowden “Captain Marvel.” It was a massive box office success, one of only 46 films in history to earn more than $1 billion worldwide. “Hustlers,” a film by women about women’s empowerment, was one of the year’s most profitable films, grossing Oscars and the almost $160 million globally. Women directed, produced and starred in several other critically acclaimed Calculus of Risk stories that were hugely profitable but failed to win Academy voters’ favor. The Greta Gerwig-written and -directed “Little Women,” which was produced by Denise THE ACADEMY NEEDS TO START TAKING CHANCES Di Novi, Amy Pascal and Robin Swicord, REGARDING NOMINATIONS; REWARDS, INCLUDING deservedly garnered a best picture nomination, but voters neglected Gerwig BETTER RATINGS, WILL FOLLOW in the director category. The women- helmed “Hustlers” (Lorene Scafaria), “Harriet” (Kasi Lemmons) and “The Farewell” (Lulu Wang) combined for a total of two nominations: best actress and song for “Harriet,” which tells the story of the abolitionist Harriet Tubman. Even the good diversity news about the nominations bears a sour note. Although 31% of all nominations went to women, no woman received a director nomination. That’s nothing new. Only five women in Oscar history have been nominated in the category, and none more than once. In addition, Cynthia Erivo’s actress nomination for her portrayal of Tubman highlighted the absence of actors of color among the acting nominees. Academy voters chose not to recognize Awkwafina in “The Farewell,” even after the Asian American actor won a Golden Globe for her widely praised starring role. The Oscars are Hollywood’s way of congratulating itself for work well done. And given the number of outstanding THROUGHOUT ITS HISTORY, the Academy that Hollywood decision-makers did not films this year, the industry has a lot to Awards has been subject to intense crit- expand their networks and take chances on feel good about. Filmmakers tackled icism for the issues it embraces — and talented unknowns, most notably women important, engaging subjects with skill ignores. This year’s uproar over the lack of and minorities. This gap doesn’t just affect and passion. diversity among nominations in the high- hiring of directors and lead actors; it also But the awards also reflect larger, less- est-profile awards categories is the lat- touches on choices in subject matter and a favorable truths. The industry continues est example. This failure reflects a chronic broader acknowledgment that a different, to deny people more representative of dearth of opportunity at Hollywood’s top more modern approach is likely to pay off. the changing world in which we live the artistic and financial levels. The milestone Despite Sony Screen Gems’ highly suc- opportunities they deserve. This error is nominations for best picture for “BlacKk- cessful strategy targeting African American hurting Hollywood where it counts most: Klansman” and “Black Panther” last year moviegoers with films like “Stomp the Yard” its bottom line. In this light, taking a few or the victory of “12 Years a Slave” in 2014 and “Think Like a Man” (each of which chances on creative talent outside the seem like aberrations. cost about $13 million to make and earned traditional pipelines may not be such That lack of diversity also means a more than $75 million at the box office) a big risk. missed financial opportunity due to Hol- and the global popularity of “Black Panther” The Motion Picture Academy is not lywood’s unwillingness to take reasonable and the “Fast & Furious” films with their alone, in Hollywood or in the broader risks. This is largely because the studios’ significantly minority casts and crews, entertainment industry, in falling back on frequently white, male decision-makers Hollywood too often worries that minority- what it knows best. But if it wants to boost and prominent public figures represent and women-driven projects are more likely ratings for the Oscars, and resonate more decades-old demographics and thinking. to fail. That thinking is ironic, since film- with the public, it needs to be willing to The audience for theatrical movies is now dom’s biggest flops have almost always OSCAR WORTHY take new risks — because the rewards will Kasi Lemmons dramatically more diverse in the United had white male directors and stars. surely be worth it. directs Zackary States and internationally. The year 2019 should have been a Momoh, Cynthia In the 2017 report on the Hollywood banner one for women in many respects. Erivo and Vanessa Bell Calloway workforce, “New Skills at Work: Keeping Marvel Studios, The Walt Disney Co.’s highly Kevin Klowden is executive director of on the set of Los Angeles at the Cutting Edge in an Evolv- successful subsidiary, finally gambled on Focus Features’ the Milken Institute Center for Regional
ing Industry,” the Milken Institute found a superhero movie that starred a woman “Harriet.” Economics and California Center. FEATURES GLEN WILSON/FOCUS
20 VARIETY CONGRATULATIONS TO OUR FRIENDS AND CLIENTS ON THEIR NOMINATIONS FOR THE 92ND ACADEMY AWARDS
SCARLETT JOHANSSON BEST ACTRESS MARRIAGE STORY BEST SUPPORTING ACTRESS JOJO RABBIT
TAIKA WAITITI BEST PICTURE JOJO RABBIT BEST ADAPTED SCREENPLAY JOJO RABBIT MORRIS Y ORN BAR NES LE V INE KRINTZMAN RUBEN STEIN K O HN ER ENDLICH GELLMAN LAVV FIRM
0204 WV Morris Yorn - oscar noms.indd 1 1/29/20 3:34 PM TOP BILLING
Also amazing has been the film’s box BIG DREAMS office performance: “Little Women” is hov- Greta Gerwig and DP Yorick ering at $100 million domestically, and has Le Saux check a shot on made more than $150 million worldwide. the set of “Little Women.” Gerwig is nominated for In 2014, Gerwig overheard her agent her screenplay but not talking about how Amy Pascal, Robin Swi- for directing; the film cord, and Denise Di Novi were going to do a is up for six Oscars, including best picture. new version of “Little Women.” “And I was like, ‘They what?’” Gerwig recalls. “I had just reread it. And I had an idea, and it felt fortuitous.” Gerwig actually had many ideas for a new “Little Women,” among them to merge the lives of Jo March and the book’s author, Louisa May Alcott, to begin the story with the March sisters as adults, and to adjust the emphasis on the book’s ideas. “The very first meeting I had with Amy, I said this book is about women and art and money,” she says. “And it’s very much about money — I felt like it was just sitting there on the sur- face of the whole thing.” She was hired, and wrote three or four drafts of the screenplay before going off to make “Lady Bird.” She would also occa- sionally mention that she’d like to direct: “I got what I call a ‘Hollywood no’ — nobody really says no to you, it just doesn’t go any- where.” But the five Oscar nominations for “Lady Bird” — including best picture and two for Gerwig (original screenplay and director) — got her the “Little Women” Greta Gerwig’s directing job as well. In speaking with Gerwig about the “Little Women” screenplay, she gets swept Long Day’s Journey up talking about the movie’s first scene, quoting Jo (Saoirse Ronan) as the charac- ter sells a story to a publisher: “‘What com- to Oscar Night pensation?’ which just kills me when she says that — the embarrassment of bring- ing up money! The way Saoirse does it is DIRECTOR’S PASSION PROJECT BRINGS WRITING NOD wonderful.” AFTER FILM’S YEARS-LONG PATH TO THE SCREEN After the Oscars, Gerwig will return to New York to begin rehearsals on By Kate Aurthur Sam Gold’s revival of Anton Chekhov’s “Three Sisters” with Oscar Isaac. When BECAUSE OF THE rigid voting rules for the “I think that the directors branch could the play opens, she says, she will begin Oscars, Greta Gerwig was not able to vote probably stand to bolster its lady numbers,” writing her next project, which she for herself for best director for “Little Gerwig says over truffle fries at the London declines to detail. “Hopefully by the end Women.” When Gerwig was asked to be a hotel in West Hollywood. “This will go to the of the play, I’ll have a lot of material that member of the Academy in 2016, she was top of my to-do list!” then I can go away and start shaping more invited as an actor, and therefore that’s Had Gerwig been nominated, as she was properly. But I’m not going to direct some- the sole branch in which she votes — even for 2017’s “Lady Bird,” she would have been thing until 2021.” after a year when she wrote and directed a the first woman ever to be nominated for “Little Women” — Gerwig’s first-ever movie that ended up being nominated for best director twice — an outrageous statistic wide release — opened on Christmas best picture. given the Oscars’ 92-year history. Day, causing her holiday to “become a Gerwig remembers this Academy oddity But “Little Women” did receive six nom- little tense!” she says. She found herself while discussing not being nominated inations, including Gerwig for adapted riveted to watching the box office returns in the director category, an omission screenplay. She’s happiest about the best come in, likening the experience to the that was widely perceived, by everyone picture nod. “It felt like it was for every- old-fashioned “fantasy of being in a from Hillary Clinton to the cast of “Saturday one,” she says. “So there was a lot of “I think that theater production, where you’re waiting Night Live,” to be the single biggest snub ecstatic texting among the ‘Little Women’ the directors for the papers.” of this year’s nominations. Though Gerwig chain.” She had awakened that morning branch could “I guess some people just check out, says she had no expectations of being nom- to feed Harold, her 10-month-old baby, probably and they say, ‘It’ll do what it does, and inated, “there was clearly a chance,” she with her partner, “Marriage Story” writer- stand to bol- I’ll see later,’” Gerwig says. “But I don’t says with a laugh. “There’s probably a director Noah Baumbach. “Noah’s across ster its lady know. That’s not my way. It also dictates handful of votes that went that way. I mean, the room, and he was like, ‘I got six too!’” whether or not you get another at-bat,” mine did — oh no, I can’t!” Gerwig says. “I don’t know, it was an numbers.” she continues. “And that’s the whole thing —
She does plan to switch categories. amazing day.” Greta Gerwig another at-bat.” PICTURES WEBB/SONY WILSON
22 VARIETY Untitled-7 1 1/29/20 4:03 PM Filmmaking Diversity Sundance Defines ‘ZOLA,’ PARK FESTIVAL CITY SHINES WITH MOVIES LIKE‘PROMISING YOUNG WOMAN,’ ‘NINEDAYS’ AND sum of 69¢),and“Taylor Swift:Miss Ameri Springs” broke thecheeky salesrecords (by films demonstrated event what the 11-day oxygen halfadozen night, onopening other sity of voices, andcharacters. approaches withadiverits strongest lineupsinmemory dance outdiditselfthisyear, fillingoutoneof at thelevel of, say, Roman Polanski), butSun simply aren’t enoughwomen makingmovies selectionby claimingthere male-dominated auteurs(whereas Venicelished defends its the programfavors newvoices over estab pion relatively marginalized talents, since it’s fest for easier theUtah-based tocham Perhapsrepresentation andinclusionfront. stands for positive change, onthe especially sive tostaunchly stuck-in-its-ways, Sundance that ranges fromprogres along aspectrum “Promisingcalled Young Woman.” showcase was a#MeToo revenge thriller of America’s indie-movie most important thefilmthat the2020edition defined end, star-starved Sundance.erwise But inthe cana” aminimobscene inspired at anoth- 24 ANDY SAMBERG TIME-LOOP TOP BILLING While Swiftwas sucking upmost of the filmfestivalIf every fallssomewhere VREY VARIETY comedy “Palm ------Obama-backed “CripObama-backed Camp” challenged ste “Get inSundance-launched Out”; earlier satire seenthreeyears scares andsocial itshandattried thetrickyblendof genre Justin Simien’s horrorcomedy “BadHair” WhitePeople”had instore: “Dear creator most A24 movie ever made. “A24” were anadjective, “Zola” would the be even morethanlast year’s If “Hustlers” did. manage —boyfriends, pimpsandclients— that surroundsex workers andthe menthey at thefest), “Zola” challenges thestereotypes MirandaJuly’salso acquired “Kajillionaire” “Spring Breakers” and“American Honey,” tion onsuchstylized millennialrompsas indie distrib, whichhasmadeitsreputa One of two A24movies incompetition (the tweet fromdirectorJanicza storm, Bravo. A’Ziahretelling ofstripper “Zola” King’s 2015 Dramatic Competition was “Zola,” arowdy lifeteens) andletthemrapabout inL.A. program for at-risk apoetry linked byGetLit, dozen Angelenos ofdiverse (all backgrounds da’s two nearly assembled “Summertime” directorCarlos“Blindspotting” Estra López withdisabilities; about people and reotypes The next day, thefirst filmtoscreeninU.S.
yPtr Debruge By Peter - - - Young Woman.” thriller “Promising star inEmerald and BoBurnham Carey Mulligan SCORE TOSETTLE Fennell’s revenge audiences —butthat’s somethingprogram montage of flaccid genitalia, “Zola” divided platform toRussell Simmons’accusers. topower bygivinga truth speaks but thedoc an executive just producer before thefestival, outas hotfor whodropped too Oprah, been and Amy Ziering’s “Off theRecord” may have tion doesn’t playing mean itsafe. Kirby Dick Being sensitive toissues like representa Edson Oda’s competition film“NineDays.” from David Cronenberg’s sonBrandon;and ences too, asdid“Possessor,” ahorrormovie “Promising Young Woman” audi divided mers oughttoencourage at film festivals. the grand jury andaudience prizes.the grandjury both competition afterwinning blockbuster sas, whichstands abetter chance against its “Minari,” growing about upKorean inArkan world movies needs like LeeIsaacChung’s And notjustidea. intermsof gender. The diversity features was disappointed), agood Durkin’salums BenhZeitlin andSean second whowereusual suspects (Sundance admitted other festivals topickup. Judging by the overSundance programmerspassed for until muchlater intheyear whichfilmsthe We across theboard. represented won’t know 40-Year-Old Version” —butthey were well her semiautobiographicalcomedy “The RadhaBlankwas with per alsoa breakout, Competition —whereplaywright-cum-rap female directors featured inU.S. Dramatic the 2020awards race. nees, movies frontandcenter both belong in women were amongthisyear’s Oscarnomi kids’ heads. For thosewondering wherethe over toputaroof her itself —asshestruggles well Irishestablishment asthepatriarchal by theDublinhousingcrisis—as fronted asanabused motherconalso co-wrote) the arrival of stage actorClareDunne(who herlatest “Herself,” film, lished, announces director Phyllida Lloyd’s careeriswell-estab young woman. Andthough“MammaMia!” can feminist movement’s originalpromising actors toplay theAmeri GloriaSteinem, Julie Taymor’s Glorias,” “The four united up tothechallenge Moss. inElisabeth lady style —andaleading splintered-reality material forfinds theperfect hersingular, to Sundance she before, butin“Shirley” director Josephine Decker invited hasbeen nancy. Like “Madeline’s Hittman, Madeline” Flanigan) must go toterminate herpreg teen(newcomer Sidney seemingly ordinary view: Hermovie bringstolightthelengthsa tion isthat it’s hiddenfrompublic virtually obstacles tohaving afairdiscussion ofabor Always” recognizes that oneof themajor Eliza Hittman’s “Never RarelySometimes thecamera.Forscreen andbehind instance, “promisingyoungall about women,” on both thefestivalgathering, seemstohave been 100-plusnewfeaturespasses at thisyear’s With shotsof charactersurinating and a If pressed tofindathemethatIf pressed encom Bravo andHittman were just two of seven Arguably thefest’s highest-profile film, ------
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696177-2020-FFG-Citizen-Led Variety 2020 Ad v5.indd 1 1/27/2020 5:28:34 PM Untitled-11 1 1/29/20 4:06 PM From Fest inSnow Best inShow TEN TITLESTHAT GENERATED HEAT AT SUNDANCE 26 a sense of what popped inParka senseof City. what popped online. These10capsules, excerpted fromthosereviews, give 100 filmsat found thehigh-altitudeevent, allof whichcanbe at theSundance Film Festival last week. FROM BUZZ FILMS TOP BILLING Distributor: Neon,Hulu PALM SPRINGS VREY VARIETY
to bigdeals, ahandfulof titlesbroke out attitude liberates this slick but ironic riff on a tired model todo somethingsincere.attitude model thisslickbutironicriffon atired liberates overplayed genre. “Palm movies as“Zombieland” Springs” istotime-loop genre: was Itsirreverent totheundead andCristin— inwhichAndySamberg Miliotirelive wedding forever adesert —sucharefreshingremixof this imitator can’t help soundinglike a broken record, which is what makes Max Barbakow’s comedy infinite-regress can’t in“Groundhog escape Day,” for example. Somany copycats have come alongsince new thenthat each There arefarworse places stuck for tobe eternity thanPalm Springs. Like Punxsutawney, thetown BillMurray Variety wroteupnearly since “The Fullsince “The Monty.” thatof have thesort cluttered Britishcinema than yet anothermanipulative film feel-good ratheris agenuinely rousingentertainment rative whichstars adaptation, Toni Collette, a documentary. EurosLyn’s nar well-cast won Sundance’s audience prize in2015as a Welsh village’s alliance racehorse-funding “Dark Horse,” thereal-life underdogtaleof Distributor: N/A at tomorrow’sterrifying look politicians. islature, offers analternately encouraging and ence, inwhichTexas teensform theirown leg- mock-governmentLegion-sponsored confer a rowdy session of theannualAmerican McBaine andJesse Moss’ deepdive into dance —for adocumentary, noless —Amanda One of thebiggest salesof thisyear’s Sun- Distributor: Apple,A24 DREAM HORSE STATE BOYS — Peter Debruge — DennisHarvey — P.D. - -
BOYS STATE: THORSTEN THIELOW/SUNDANCE INSTITUTE; DREAM HORSE: KERRY BROWN/SUNDANCE INSTITUTE; PALM SPRINGS: CHRIS WILLARD/SUNDANCE INSTITUTE CONGRATULATIONS TO ALL THE NOMINEES! YOU’RE PROOF THAT DREAMS REALLY CAN COME TRUE.
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Untitled-9Miller Kaplan_Variety-Oscars 1 Big Weekend.indd 1 1/29/20201/29/20 3:01:05 4:05 PM PM TOP BILLING
HERSELF Distributor: Amazon
“Mamma Mia!” director Phyllida Lloyd helms a timely, empowering story about a battered wife who builds her own house, and the decent folks who come to her aid in that endeavor. The best analogy might be Ken Loach’s “I, Daniel Blake,” with a #MeToo angle to help the film’s touch-a-nerve relevance translate to American shores. — P.D.
: SEAN GLEASON/SUNDANCE INSTITUTE : SEAN GLEASON/SUNDANCE MINARI Waiting until his early 40s to make sense of memories Distributor: A24 from when he was 6 — the year his Korean grandmother came to live with his family in rural Arkansas — director Lee Isaac Chung draws from a place of maturity to transform the specificity of his immigrant upbringing into something warm, tender and universal. — P.D. THE NIGHT HOUSE Distributor: Searchlight Pictures
Rebecca Hall stars as newly widowed Beth, who feels unpleasantly un-alone at home in this creepy supernatural thriller. Though the atmospheric tale gets progressively lost in a narrative THE DISSIDENT maze that’s complicated without Distributor: N/A being particularly rewarding, director David Bruckner suffuses the action When it comes to edge-of-your-seat with enough dread and goosings to intrigue, Bryan Fogel’s documentary make this an above-average genre thriller about the murder of Saudi exercise. — D.H. Arabian Washington Post columnist Jamal Khashoggi is a film that has everything. It’s got mystery, conspiracy, a freedom- fighting martyr-hero and a political murder carried out like a mob hit, with all that implies about the regime of Saudi THE FATHER INSTITUTE; ANNA KOORIS/SUNDANCE ZOLA: FEATURES; MERIE WEISMILLER WALLACE/FOCUS WOMAN: YOUNG PROMISING NCE INSTITUTE; Crown Prince Mohammed bin Salman — and those who would support him, like ZOLA — Owen Gleiberman President Trump. Distributor: A24
Janicza Bravo turns a whirlwind week- end of sun, fun and sex work into a statement on self-respect and recog- nizing one’s own worth. As Twitter is to great literature, “Zola” is to past cin- ematic masterpieces: It’s superficial THE FATHER and relatively thin on substance, but
Distributor: Sony Pictures Classics a whole lot shorter and funnier than, KHASHOGGI/SUNDA JAMAL DISSIDENT: INSTITUTE; CHRISTIAN/SUNDANCE say, “Anna Karenina.” — P.D. Anthony Hopkins, in a performance that’s flat-out stunning, plays 80-year- old Anthony, charming and cantankerous, PROMISING Tapping into the #MeToo moment, Emerald Fennell was the talk of the town YOUNG WOMAN who is sliding into dementia. As Anthony with a female revenge fantasy that takes considerable joy in upending viewer Distributor: Focus tussles with his adult daughter (Olivia expectations. Her arresting debut stars Carey Mulligan as a woman who dresses Features Colman), the French playwright and up, goes out to a club and pretends to pass out. When some man pretends to be director Florian Zeller finds ingenious “helping” her, she suddenly becomes the stone-sober deliverer of a message ways to place us in the mind of someone that will make him think hard before ever attempting such predatory high who’s losing his. It’s as if we were jinks again. The unclassifiable, somewhat uneven but always compelling watching King Lear in the Twilight quasi-thriller will stir a lot of debate beyond Park City as well. — D.H.
Zone. — O.G. (2); THE NIGHT HOUSE: ELISHA INSTITUTE SUNDANCE MINARI, HERSELF:
28 VARIETY GRETA
We send our heartfelt congratulations on your beautiful achievement with “Little Women” and the richly deserved nominations it has garnered!
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IN THE RUNNING “Joker” going into the night with the most Marc Malkin nominations (11), the love and support is too powerful not to land Phoenix his first Oscar.
SUPPORTING ACTRESS Where in the world is Jennifer Lopez (“Hustlers”)? Just about everyone in Hol- Battle for Best Picture lywood predicted J.Lo would earn her first Oscar nod for playing a stripper with a twisted business plan to swindle Wall Street THE RACE FOR OSCARS’ TOP PRIZE COMES DOWN TO ‘PARASITE’ AND ‘1917’ suits out of their money. If anyone had a chance of beating Laura Dern (“Marriage THE 92ND ACADEMY AWARDS are just days away. Story”), it was Jenny from the block. With Lopez out of the running and a season full For films like “Joker” and “Marriage Story,” the journey to the Oscars of trophies, Dern will scoop up her long began five months ago with their premieres in Venice. “1917” had the overdue Oscar gold. least amount of time on the campaign trail: The Sam Mendes war movie SUPPORTING ACTOR didn’t start screening until late November. It seems like no one in the category — not In the end, however, it all comes down to one date: Feb. 9, when the movie even Al Pacino (“The Irishman”) — had a industry celebrates its biggest night at the Dolby Theatre in Hollywood. shot at keeping the Oscar out of Brad Pitt’s With that in mind, here are my final predictions for this year’s Oscars. hands. The “Once Upon a Time in Holly- wood” actor sealed his golden fate at the SAG Awards with a surprisingly funny LEAD ACTRESS LEAD ACTOR acceptance speech that not only zinged What is there to say except “Judy” star At the beginning of awards season, Adam Quentin Tarantino’s foot fetish but also Renée Zellweger is the front-runner for Driver (“Marriage Story’) appeared to be poked fun at himself. “Let’s be honest: It her heart-wrenching portrayal of Judy the favorite to sweep. Many argued “Joker” was a difficult part,” Pitt cracked about his Garland during the last months of her was too dark for Academy voters. But then role in “Once Upon a Time.” “A guy who gets life? There had been talk that Charlize came the film’s billion-dollar box office and high, takes his shirt off and doesn’t get on Theron’s transformation into Megyn Kelly a Golden Globe and a SAG Award for Joa- with his wife. It was a big stretch. Big.” And for “Bombshell” could be a serious chal- quin Phoenix’s turn as the clown-faced it will be a big night for Pitt at the Oscars. lenge to Zellweger, but it didn’t take long comic book supervillain. Antonio Banderas DIRECTOR for that chatter to die down. After taking (“Pain and Glory”) was a bit of a surprise METAL WORKERS home prizes from major awards shows, when he landed an Oscar nomination (not Sam Mendes receives Wasn’t it just yesterday that we thought the including the Golden Globes, the SAG because his performance was anything less the Golden Globe race would come down to Martin Scors- Awards and the British Film Independent than stellar but because the category has for directing; Bong ese (“The Irishman”) and Quentin Taran- Joon Ho accepts the Awards, Zellweger will take home her sec- been so crowded), and he could turn out to prize for foreign tino (“Once Upon a Time in Hollywood”)? ond Oscar. be the major upset of the evening. But with language film. Turns out, the directing category is a bat- tle between Bong Joon Ho (“Parasite”) and Sam Mendes (“1917”). This is one of the hardest calls to make. But in the end, I think Bong wins, because even if “Parasite” is named best international film — which it likely will be — voters know the award tech- nically goes to South Korea and not Bong. Giving him the director trophy assures that he wins his own piece of metal.
BEST PICTURE Again, it’s between “Parasite” and “1917.” Both deserve the ultimate prize, but expect a repeat of last year, when “Roma” won international (then known as for- eign language) and the film’s helmer, Alfonso Cuarón, took director. Throughout awards season, I never heard a peep of crit- icism about “Parasite.” However, a foreign language film has never won both interna- tional and best picture. Besides, war mov- ies have a strong history of earning the evening’s top honor. The roster includes “Platoon,” “The English Patient,” “The Hurt Locker,” “From Here to Eternity” and “Pat- ton” to name just a few. “1917” will more than likely be added to the list on Feb. 9.
For more Oscar predictions, head to
variety.com. (2) DRINKWATER/NBC PAUL
30 VARIETY WITH EXCEPTIONAL TALENT AND WORLD CLASS FACILITIES COMES GREAT RECOGNITION. FOX POST PRODUCTION SERVICES CONGRATULATES OUR 2020 AWARDS NOMINEES AND WINNERS.
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BACK TO SCHOOL Harvard University’s Hasty Pudding Theatricals honors Elizabeth Banks as the 2020 Woman of the Year on Jan. 31 in Cambridge, Mass. ELISE AMENDOLA/AP/SHUTTERSTOCK
VARIETY 33 EXPOSURE
Adam Scott Costume Designers and Catherine O’Hara Guild Awards The Beverly Hilton, Beverly Hills, Jan. 28 Charlize While accepting the excellence in contemporary television award on behalf of Theron “Schitt’s Creek” costumer Debra Hanson, show star Catherine O’Hara recalled the Getty Fire. “I had 3 minutes to evacuate,” the actor said. “I grabbed my passport, photos of my two sons and my character’s clothes.” Of her win in the period film cate- gory, “Jojo Rabbit” designer Mayes C. Rubeo — who is also the first Latina nominated for an Oscar in costume design — said, “We are putting Mexico in a different bracket.”
Michael Julia Kaplan and Butters J.J. Abrams
Costume Designers Guild’s Salvador Perez
Mindy Mayes C. Rubeo Adam McKMcKay,ay, Kaling Lorene ScafaScafaria,ria, Mitchell TraTraversvers and ConsConstancetance Wu CCOLI: STEPHEN LOVEKIN/SHUTTERSTOCK CCOLI: STEPHEN FARIA/TRAVERS/WU: MEDIAPUNCH/SHUTTERSTOCK (2); (2); MEDIAPUNCH/SHUTTERSTOCK FARIA/TRAVERS/WU: AW/BRO AY/SCA VELY/L LI MCK OCK; BUTTERS, MCKAY/SCAFARIA/TRAVERS/WU: MEDIAPUNCH/SHUTTERSTOCK (2); (2); MEDIAPUNCH/SHUTTERSTOCK MCKAY/SCAFARIA/TRAVERS/WU: BUTTERS, OCK; RSTOCK; MORANO/LIVELY/LAW/BROCCOLI: STEPHEN LOVEKIN/SHUTTERSTOCK STEPHEN MORANO/LIVELY/LAW/BROCCOLI: RSTOCK;
Reed Morano, Blake Lively, Jude Law and Rob McElhenney Barbara Broccoli
‘Mythic Quest: Raven’s ‘The Rhythm Section’ ERIC CHARBONNEAU/SHUTTE MCELHENNEY: BARON/SHUTTERSTOCK; KALING: MATT Banquet’ Premiere Special Screening Arclight Cinerama Dome, Hollywood, Jan. 29 Brooklyn Academy of Music, Brooklyn, Jan. 27
Co-creator and star Rob McElhenney explained how the Apple TV Plus series aims Blake Lively stars in the Reed Morano-directed film as an assassin trying to avenge to “get it right” when it comes to portraying the video game industry. “The world of her family’s untimely death. And though the espionage thriller is produced by gaming right now from a cultural perspective is massive,” McElhenney told Variety. Barbara Broccoli, whose family is responsible for the James Bond franchise, the “It really is transcending through so many different cultures globally, and it’s speaking movie — and its protagonist — is not a Bond wannabe. “There’s femininity, humanity to so many millions of different people. Half the [writers’] room was not interested to Stephanie,” Lively told Variety. “You see her emotions in a way that you don’t often in games at all, and that was only because I wanted to make sure this was a show for in movies like this where a man is at the center. I’ve never seen a man in a car chase PEREZ, RUBEO: CHRIS PIZZELLO/INVISION/AP/SHUTTERSTOCK (2); CHRIS PIZZELLO/INVISION/AP/SHUTTERSTOCK PEREZ, RUBEO: everybody. The other half of the room: hardcore gamers.” screaming the entire time because he’s terrified. And what’s honest about that?” LAUREN/SHUTTERST CHELSEA KAPLAN/ABRAMS: BROADIMAGE/SHUTTERSTOCK’ THERON: CHRIS PIZZELLO/INVISION/AP/SHUTTERSTOCK; SCOTT/O’HARA:
34 VARIETY EXPOSURE Super Bowl LIV Jan. 30-Feb. 2, Miami
Before the Kansas City Chiefs defeated the San Francisco 49ers for the championship, a lot was going on in the days and nights leading up to the big game. And then of course, Jennifer Lopez and Shakira hosted the hottest party on the field with their 14-minute-plus halftime show highlighting some of their greatest hits. J.Lo, along with her 11-year-old daughter, Emme Muñiz, Priyanka Chopra Jonas at Stella sampled “Born in the U.S.A.” while wearing a Artois presents Puerto Rican flag. She also staged what many Shakira Port de Stella interpreted as a protest against the Trump administration’s family separation policies by featuring young girls dancing in cages. Jennifer Lopez with daughter Emme Muñiz
Snoop Dogg at the Bud Light Super Demi Lovato Bowl Music Fest
Lizzo performs at the SiriusXM & Pandora ROUP/SHUTTERSTOCK; GIBSON/LUDACRIS, LEE: ANDREW H. WALKER/SHUTTERSTOCK (2) LEE: ANDREW H. WALKER/SHUTTERSTOCK GIBSON/LUDACRIS, ROUP/SHUTTERSTOCK; Opening Drive Super Concert Series ICHELE EVE SANDBERG/SHUTTERSTOCK; LOPEZ/MUNIZ: MICHELE EVE SANDBERG/SHUTTERSTOCK; MICHELE EVE SANDBERG/SHUTTERSTOCK; LOPEZ/MUNIZ: ICHELE EVE SANDBERG/SHUTTERSTOCK;
Russell Wilson and Ciara at NFL Honors MERRITT/RADARPICS/SHUTTERSTOCK (2); LIZZO: SCOTT ROTH/INVISION/AP/SHUTTERSTOCK; WILSON/CIARA: ANTHONY BEHAR/FOX SPORTS/PICTUREG ANTHONY BEHAR/FOX WILSON/CIARA: ROTH/INVISION/AP/SHUTTERSTOCK; SCOTT (2); LIZZO: MERRITT/RADARPICS/SHUTTERSTOCK
Rob Gronkowski at the Tyrese Gibson and Swae Lee at his Giuseppe Pure Romance pop-up Lady Gaga at AT&T TV Ludacris at the Road Zanotti shoe collection at Gronk Beach Party Super Saturday Night to F9 fan event launch at Saks Fifth Avenue SHAKIRA: CHARLIE RIEDEL/AP/SHUTTERSTOCK; CHOPRA: STEPHEN LOVEKIN/SHUTTERSTOCK; LOVATO: DAVID J PHILLIP/AP/SHUTTERSTOCK; DOGG: M J PHILLIP/AP/SHUTTERSTOCK; DAVID LOVATO: LOVEKIN/SHUTTERSTOCK; STEPHEN CHOPRA: CHARLIE RIEDEL/AP/SHUTTERSTOCK; SHAKIRA: GRONKOWSKI, GAGA: JASON
VARIETY 35 EXPOSURE
WGA Awards Diane Keaton and Nancy Meyers in Los Angeles New York and Los Angeles, Feb. 1
WGA West president David A. Goodman addressed the possible writers strike if negotiations with the Alliance of Motion Picture and Television Producers fail to produce a new deal. “So everyone seems to think a strike is happening,” he said. “In part, it’s an effort by our employers to put us on, to force us to calm everyone down and say we won’t, and thus give up our greatest leverage. Well, I’m not going to say that. It’s dangerous and naive to think that a strike is never necessary.” Tina Fey, Rachel Dratch, Paula Pell and Amy Poehler in New York
Gwyneth Paltrow David A. Goodman Nicole Young in Los Angeles in Los Angeles in New York CKSON, BLANK, NEWHAM/LEBRECHT, COOPER/PUTNAM: GEORGE FREY/EPA-EFE/SHUTTERSTOCK (6) FREY/EPA-EFE/SHUTTERSTOCK COOPER/PUTNAM: GEORGE BLANK, NEWHAM/LEBRECHT, CKSON,
Chloë Sevigny Damon Lindelof Han Jin Won in and Natasha and Craig Mazin Los Angeles Lyonne in New York in Los Angeles
Sundance Film Festival Awards
Basin Recreation Fieldhouse, Park City, Utah, Feb. 1
The 2020 edition concluded with the announcement of end-of-fest honors, with “Minari” — Lee Isaac Chung’s autobiographical family drama about his Korean American upbringing in rural Arkansas — picking up the U.S. Grand Jury Prize in the dramatic category as well as the Audience Award.
Another big winner was Radha Blank, director of “The 40-Year-Old Version,” who riffed onstage after SOTO,CHUNG,JA MJ PHOTOS/VARIETY/SHUTTERSTOCK; YOUNG: HAN: CHRIS PIZZELLO/INVISION/AP/SHUTTERSTOCK; UCKNER/VARIETY/SHUTTERSTOCK; receiving the dramatic directing award. “Anybody who feels there’s an expiration on a passion, fuck that shit,” Blank said. “If it’s in you to be a rapper, a parent, a director in your 40s, do that shit.”
Angel Manuel Lee Isaac Chung Soto
Radha Blank
Nicole Newnham and Jim LeBrecht
Sundance Institute’s John Cooper and Keri Putnam
Sundance Institute’s Tabitha Jackson FEY/DRATCH/PELL/POEHLER, SEVIGNY/LYONNE: MJ PHOTOS/SHUTTERSTOCK (2); KEATON/MEYERS, PALTROW, GOODMAN, LINDELOF/MAZIN: MICHAEL B GOODMAN, LINDELOF/MAZIN: PALTROW, (2); KEATON/MEYERS, MJ PHOTOS/SHUTTERSTOCK SEVIGNY/LYONNE: FEY/DRATCH/PELL/POEHLER,
36 VARIETY EXPOSURE
Kodak Film Awards Christopher Nolan and Quentin Tarantino ASC Clubhouse, Hollywood, Jan. 29
Greta Gerwig picked up an Auteur Award at the fourth annual ceremony and detailed her battle to shoot “Little Women” on film, after facing resistance to the idea on her directorial debut, “Lady Bird.” “I was told, ‘It’s too expensive. It’s too hard. It’s a big problem. No one knows how to load it,’” Gerwig recalled. With “Little Women,” “it was a fight every step of the way.” She continued: “As an actor, I remember that feeling of importance [of being shot on film]. The performance felt like it was being written down on some record that mattered.”
Dan Mindel
Ray Parker Jr. S/HERMAN/BAKER/LOURD: MICHAEL BUCKNER/SHUTTERSTOCK; MICHAEL BUCKNER/SHUTTERSTOCK; S/HERMAN/BAKER/LOURD:
Rodrigo Prieto
Greta Gerwig, Noah Baumbach and Tyler, the Creator Alan Ruck and Mireille Enos
Artios Awards Tony Shalhoub, Rachel Geena Davis in Brosnahan and Luke Kirby Los Angeles in New York New York, Los Angeles and London, Jan. 30
The Casting Society of America celebrated excellence in casting across film, television and theater with three ceremonies around the globe. In Los Angeles, Geena Davis accepted the Lynn Stalmaster Award for Career FF-USA/SHUTTERSTOCK; SHALHOUB/BROSNAHAN/KIRBY, BOUTEAU: TESS MAYER (2); DAVIS, AQUILA/NORTON: RYAN MILLER/SHUTTERSTOCK (2); ROS MILLER/SHUTTERSTOCK RYAN AQUILA/NORTON: (2); DAVIS, MAYER TESS BOUTEAU: SHALHOUB/BROSNAHAN/KIRBY, FF-USA/SHUTTERSTOCK; Achievement, a moment that came full circle for the star, since Stalmaster hired Davis for her film debut in 1982’s “Tootsie.” “After I studied acting, I went to New York. [I] decided I could become a model instead,” Davis told Variety. “That’s how I got cast. [Stalmaster] called modeling agencies to see if they had any models that could act. They said, ‘Yeah, we’ve got one.’ So they sent me over there.”
Michelle Deborah Aquila Buteau in and Edward Norton New York in Los Angeles
Lyric Ross, Faithe Herman, Kate Buckley, Jason Eris Baker and Billie Isaacs, Pippa Markham and Lourd in Los Angeles Gillian Hawser in London NOLAN/TARANTINO, MINDEL, PARKER JR/STRINE, PRITO, GERWIG/BAUMBACH/TYLER: MICHAEL BUCKNER/VARIETY/SHUTTERSTOCK (5); A RUCK/ENOS: MICHAEL BUCKNER/VARIETY/SHUTTERSTOCK GERWIG/BAUMBACH/TYLER: PRITO, JR/STRINE, MINDEL, PARKER NOLAN/TARANTINO, BUCKLEY/ISAACS/MARKHAM/HAWSER: ANTHONY HARVEY/SHUTTERSTOCK BUCKLEY/ISAACS/MARKHAM/HAWSER:
VARIETY 37 EXPOSURE
BAFTA Awards Sandy Powell and Bong Joon Ho Royal Albert Hall, London, Feb. 2
“1917” dominated the annual awards gala, taking home best film, outstanding British film and best director for Sam Mendes. “There has been wonderful timing with all these awards that had really alerted people to the movie, and they see it in cinemas,” Mendes said in the winners’ room. Laura Dern scored another supporting actress prize for her work in Noah Baumbach’s “Marriage Story.” She said, “Noah’s screenplay was truly perfection, every line and stage direction perfectly laid out for the cast, and his direction is magnificent.” Brad Pitt wasn’t on hand to receive his supporting actor Naomie Harris, Laura Dern and trophy, but he got some of the biggest laughs when Richard E. Grant Margot Robbie read his acceptance speech, which referenced Brexit. “Hey Britain, heard you just became single,” Pitt wrote in his remarks. “Welcome FTA/SHUTTERSTOCK; ROBBIE/JOHANSSON: JAMES VEYSEY/BAFTA/SHUTTERSTOCK; VEYSEY/BAFTA/SHUTTERSTOCK; JAMES ROBBIE/JOHANSSON: FTA/SHUTTERSTOCK; to the club.” Bong Joon Ho’s “Parasite” was another major winner: The thriller won for film not in the English language and original screenplay. George MacKay, Taika Waititi and Dean-Charles Chapman
Andy Serkis, Micheal Ward and Joaquin Phoenix K (5); POWELL/BONG: CARLO PALONI/BAFTA/SHUTTERSTOCK; WILLIAM/CATHERINE: JEFF GILBERT/SHUTTERSTOCK; ZELLWEGER: ANTHONY HARVEY/BA ZELLWEGER: JEFF GILBERT/SHUTTERSTOCK; WILLIAM/CATHERINE: PALONI/BAFTA/SHUTTERSTOCK; CARLO K (5); POWELL/BONG:
Prince William and Kate Middleton Roger Deakins and Sam Mendes
Joshua Jackson and Jodie Turner-Smith
Renée Hamza Al-Kateab, Waad Zellweger Al-Kateab and daughter Sama with Edward Watts
Margot Robbie and Scarlett Johansson Zoë Kravitz MACKAY/WAITITI/CHAPMAN, HARRIS/DERN/GRANT, SERKIS/WARD/PHOENIX, DEAKINS/MENDES, AL-KATEAB/WATTS: DAVID FISHER/BAFTA/SHUTTERSTOC DAVID AL-KATEAB/WATTS: DEAKINS/MENDES, SERKIS/WARD/PHOENIX, HARRIS/DERN/GRANT, MACKAY/WAITITI/CHAPMAN, KRAVTIZ: VIANNEY LE CAER/INVISION/AP/SHUTTERSTOCK; JACKSON/TURNER-SMITH: RICHARD YOUNG/SHUTTERSTOCK JACKSON/TURNER-SMITH: VIANNEY LE CAER/INVISION/AP/SHUTTERSTOCK; KRAVTIZ:
38 VARIETY DEVOUR
CRUNCHY STARTERS Socalo’s breakfast menu includes a selection of sweet and savory options.
Eat Read Listen ‘The Sun and ‘Manic’ Socalo: All-Day Halsey’s third studio album Her Stars’ showcases the flittering vocals A fascinating bio of Salka Viertel, and lyrical intensity fans have Modern Mexican who wrote several Greta Garbo come to expect. Tracks include movies and was the highest- radio smash “Without Me” BORDER GRILL VETERANS Susan Feniger and Mary paid writer on the MGM lot; she and the vocally challenging Sue Milliken have returned to Santa Monica with a hosted salons with Thomas “Graveyard,” plus single “You Mann and Charlie Chaplin and Should Be Sad.” Halsey’s Socalo modern Mexican spot, . Breakfast brings market helpedp artists escapep the Nazis. brand of pop makes raw vegetable chilaquiles and the Buenos Dias bowl, while Download emotion accessible, but it’s her the lunch and dinner menus feature vampiro steak songwriting that impresses. and shrimp tacos, a raw bar with an abundant Baja ‘Chasing seafood platter, lamb birria and plant-based offerings Cosby’ like jackfruit tinga tacos. A selection of Mexican beers Reporter Nicki Weisensee Egan are on tap, along with festive cocktails like Tulum was following the Bill Cosby case from the start, but for years Nights, with vodka and elderflower liqueur, and her stories had scant impact. Break in Oaxaca, with mezcal, lemon and maple syrup. In this L.A. Times podcast, she 1920 Santa Monica Blvd., Santa Monica tells of what happened when the dam broke and collects explicit interviews with many of EDITED BY PAT SAPERSTEIN | [email protected] the comedian’s victims.
Must Attend 2.5 Los Angeles 2.6 Hollywood 2.6 Beverly Hills Sofia Vergara hosts the opening night Diego Luna, Teresa Ruiz and Gerardo Uma Thurman presents Prince 2.5 New York premiere gala benefiting St. Jude Taracena walk the red carpet at the Albert II of Monaco with the Lifetime hospital at the 25th annual L.A. Art second-season premiere of “Narcos: Achievement Award at the Hollywood Iman, Marc Glimcher and Show at the L.A. Convention Center. Mexico” at the Netflix Home Theater. Global Ocean Gala at a private estate. Matthew Lopez accept the Award of Courage at the annualnual laartshow.com netflix.com fpa2.org Fashion Week amfAR Gala New York at Cipriani Wall Street. Charlie Puth and Sofi Tukkerr 2.5 New York 2.6 Hollywood 2.7 Los Angeles perform at the gala, which Executive producer Curtis “50 Cent” Morgan Fairchild accepts the Timeless Jane Fonda and Greenpeace USA’s raises funds for AIDS research.ch. Jackson and creator Hank Steinberg Beauty honor and Larry King the Annie Leonard host their first Fire Attendees include Heidi Klumm debut their series “For Life” at Lincoln Gentleman’s Award at the Hollywood Drill Fridays rally in L.A. at City Hall to and Padma Lakshmi. Center’s Alice Tully Hall. Beauty Awards at the Taglyan Complex. advocate action on the climate crisis.
SOCALO: ANNE FISHBEIN; IMAN: ERIK PENDZICH/SHUTTERSTOCK SOCALO: amfar.org abc.com hollywoodbeautyawards.com greenpeace.org
VARIETY 39 ANTONIO BANDERAS BEST ACTOR PAIN AND GLORY VARIETY CONGRATULATES OUR SCREENING SERIES PARTICIPANTS ON THEIR ACADEMY AWARD NOMINATIONS
JOSH COOLEY ROBERT DE NIRO & JANE ROSENTHAL ANIMATED FEATURE BEST PICTURE TOY STORY 4 THE IRISHMAN
RIAN JOHNSON BONG JOON HO LADJ LY ANTHONY MCCARTEN ORIGINAL SCREENPLAY BEST PICTURE, DIRECTOR & ORIGINAL INTERNATIONAL FEATURE ADAPTED SCREENPLAY KNIVES OUT SCREENPLAY, PARASITE LES MISERABLES THE TWO POPES
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$4.2m
TOLUCA LAKE
7,400 SQ. FT. 4 BEDROOMS 5 BATHS
Listed with Craig Strong at Compass, the late- 1980s residence sits at the head of a double- Joe Mantegna Aims gated horseshoe drive on close to half an acre with four bedrooms and 5.5 bathrooms in 7,400 square feet. Interior spaces are designed to comple- to Be Closing in L.A. ment the Old World traditional architecture, with dark-stained hardwood floors, detailed A faux-timbered and brick-accented English country Tudor in L.A.’s celeb- moldings and diamond-pane leaded-glass packed Toluca Lake community, long owned by “Criminal Minds” star Joe Man- windows in the ample formal living and din- tegna, has come to market at close to $4.2 million. The “Godfather: Part III” star, ing rooms. The thoroughly modern kitchen was designed for gourmet cooking and infor- a veteran of stage and screen who took home a 1984 Tony Award for his role as mal entertaining with a huge island snack a cutthroat real estate salesman in David Mamet’s Pulitzer Prize-winning play bar and top-quality designer appliances. A “Glengarry Glen Ross,” hopes to realize a hefty profit on the relaxed yet luxurious neighboring family room has an informal din- estate he’s owned since 1991 when it was scooped up for just under $1.6 million. ing area, an arched fireplace and multiple French doors to the backyard, while a cavern- ous home theater and game room features a vaulted, exposed-wood ceiling, a pub-style bar MARK DAVID and a movie screen that scrolls down in front THE REAL ESTALKER of a massive antique brick fireplace. MANTEGNA’S HOUSE: ADRIAN VAN ANZ/COMPASS; MANTEGNA: MEDIAPUNCH/SHUTTERSTOCK MANTEGNA: ANZ/COMPASS; HOUSE: ADRIAN VAN MANTEGNA’S
42 VARIETY Douglas Elliman is proud to honor our showbiz real estate elite
TAL & OREN ALEXANDER
JOSH & MATT ALTMAN
ELOY CARMENATE & MICK DUCHON
ERNIE CARSWELL
RAPHAEL DE NIRO
FREDRIK EKLUND & JOHN GOMES
TRACY TUTOR CONGRATS
© 2020 DOUGLAS ELLIMAN REAL ESTATE. EQUAL HOUSING OPPORTUNITY. 150 EL CAMINO DRIVE, BEVERLY HILLS, CA 90212. 310.595.3888
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The spacious master suite is replete with a fireplace-warmed sitting area, a large terrace and a combination bathroom-dressing area with built-in dressing table, steam shower and free-standing soaking tub. Outside, the lushly planted grounds incorporate a log- gia with outdoor fireplace that overlooks a grassy, informally landscaped backyard with a swimming pool, a spa and a dining deck.
Brie Larson Studio City Home Sells Off-Market
Acclaimed actor Brie Larson, who took home a Golden Globe and an Academy Award in 2016 for the bone-chilling indie drama “Room,” has changed up her prop- erty portfolio over the past year, most $1.7m recently selling an unassuming residence in a prime neighborhood in L.A.’s Studio LOS FELIZ City in an off-market deal for $1.4 million — 1,700 SQ. FT. nicely above its just-shy-of-$1.3 million asking price. 3 BEDROOMS Tax records indicate the 1930s tradi- 2 BATHS tional bungalow, obscured in a tangle of foli- age and mature trees, last changed hands in 2009, when it traded for $885,000. The arranged around a huge work island and hedging, the comprehensively upgraded single-story home measures in at a tetch decked out with iconic Tiffany blue paint- 1950s bungalow measures in at a tad under less than 2,000 square feet with three bed- ed-wood cabinets and different shades of 1,700 square feet with three bedrooms and rooms and two bathrooms. Marketing mate- pixelated blue floor tiles. Outside, there’s a two bathrooms. rials show there are two fireplaces, one in classic kidney-shaped swimming pool sur- A gated and flagstone-paved carport has the living room and the other in the master rounded by red-brick terracing; beyond the been practically if somewhat awkwardly bedroom, and an upgraded country kitchen pool sits a detached two-car garage. attached to the front of the modestly sized The property was jointly listed with Bill residence that features scads of original Barkley at Pinnacle Estate Properties and architectural details, a huge television-sur- Shen Schulz at Sotheby’s Intl. Realty; the mounted stacked-stone fireplace, and buyer was repped by Therese Hyde vaulted and beamed ceilings, punctuated by at Compass. skylights, which fill the combination living and dining room with natural light. One of the guest bedrooms opens to the Darren Criss Lists backyard through original, metal-trimmed French doors, as does the master bedroom, Los Feliz Bungalow which also includes an en suite bathroom Having upgraded late last year to a fami- with a glass-enclosed steam shower. ly-sized home in a celeb-packed pocket of The back of the single-story house the Hollywood Hills, recently married “Glee” embraces a spacious deck that overlooks $1.4m star Darren Criss has his starter home in a slender strip of lawn and a classic, kid- the Los Feliz area of Los Angeles up for sale ney-shaped swimming pool and spa set at not quite $1.7 million. Purchased a bit against a towering wall of bamboo that pro- STUDIO CITY 3 BEDROOMS more than seven years ago for $1.2 million, vides maximum privacy from the neigh- 2,000 SQ. FT. 2 BATHS and hidden behind ornate gates and mature boring homes. The listing is jointly held by
DIGS Finally Sold: Diddy’s to demolition. Finally, they Former Manse-to-Be listed the entire structure, intact, for an at-first-too- Back in 1988, Sean “Diddy” An Upscale Yard Sale? optimistic $39 million before Combs purchased a 12-story recently finding a buyer at Fashion icon Marc Jacobs is building on the Upper East $24 million. Marketing photos partnering with Sotheby’s Homee Side and set up house in one give some insight into the to sell decor from his personal of the suites with hopes of collection, including Japanese turning the structure into luxe improvements — stately vases and cream-colored armchairshairs a colossal 24,000-square- management company, for bronze doors open into a that evidently don’t fit the Frank foot mega-manse. By 2014, $14.3 million. But the building lobby with lavish marble Lloyd Wright-designed house hee the hip-hop mogul had lost wouldn’t sell, and its floors and a snazzy, modern purchased last year for more thanan interest in the project and sold new owners considered aesthetic that looks undeniably
$9 million. MAE HAMILTON it to Aion Partners, a property everything from subdividing pricey. MAE HAMILTON PACE/SHUTTERSTOCK GREGORY JACOBS: HOUSE: JO DAVID; CRISS’
44 VARIETY DIRT
Konstantine Valissarakos of Nourmand & to accommodate multiple seating areas and Associates and Rick Yohon of Sotheby’s is anchored by an exposed masonry fire- Intl. Realty. place. A room-wide bank of windows disap- pears completely into the walls to foster a seamless transition to the backyard. Just off Sam Worthington Seeks the foyer, the somewhat petite formal din- ing room is wrapped in painted paneling Buyer for Villa on Strip and spills out to the front gardens through “Avatar” star Sam Worthington has hung full-height glass doors, while the high-end a blockbuster $9.25 million price tag on a eat-in kitchen is stylishly outfitted with spi- deluxe contemporary villa just above L.A.’s der-veined white marble countertops on jet- Sunset Strip. The Australian hunk, who has black cabinets. $6.25m scads of projects in various stages of pro- A lofted second-floor lounge leads to sev- duction, including a handful of “Avatar” eral en suite family bedrooms as well as the CARMEL HIGHLANDS 3 BEDROOMS sequels, purchased the family-sized resi- luxurious master suite, where there are two 3,600 SQ. FT. 2 BATHS dence not even two years ago for close to walk-in closets, chunky wood beams across $7.9 million from powerhouse producer the ceiling and a marble-sheathed fireplace Simon Kinberg. between French doors that open to a slen- Will Forte Snags Deal All but hidden behind a towering hedge der balcony. The basement level contains on Carmel Retreat and equipped with a state-of-the-art home a screening room and wine cellar, and the automation system, the just-over-7,700- guesthouse is done up as a fitness room that Actor-comedian Will Forte has splashed out square-foot home is a newfangled take on a overlooks the private, courtyard-style back- $6.25 million for a dynamically sited contem- classic East Coast traditional and offers five yard and swimming pool. Other alfresco lux- porary in the rugged but ritzy and seriously en suite bedrooms and a total of eight bath- uries include an olive-tree-shaded lawn, an expensive Carmel Highlands area, about 10 rooms between the main house and guest- outdoor kitchen and a dining loggia. miles south of Monterey, Calif. As noted by house. A grand, double-height foyer leads The property is listed with Jonathan Ruiz Realtor.com, which first sussed out the clan- to a commodious living room large enough at The Agency. destine late-2019 transaction, the sale price is a significant amount lower than the final asking price of just under $7 million. The res- idence nestles discreetly atop a rocky prom- ontory of more than an acre directly above two sandy coves in a gated enclave. Built in 1980, the radically angled granite-and-red- wood contemporary, with enormous windows that provide cinematic views of the rugged coastline, has three bedrooms and 2.5 bath- rooms in a tad more than 3,600 square feet. Open-plan interior spaces feature lus- trous stone-tile floors, massive stone columns and redwood-clad walls and ceilings. The main-floor master suite offers commanding views over the ocean and includes a spacious, remodeled bathroom with marble vanities, a skylight-topped shower and a free-standing soaking tub tucked into a curved wall of stone. The house opens to large terraces and $9.25m decks that hover over the planted bluff. A pri- vate path and stairway wind down to one of the all-but-private sandy beaches below. The SUNSET STRIP property was listed with Tina Carpenter of 7,700 SQ. FT. Sotheby’s Intl. Realty, Carmel Rancho; Forte 5 BEDROOMS was repped by Mary Hawley of Keller Williams 8 BATHS Bay Area Estates.
Frond Wishes From Desert Hot Springs The Zen-inducing 67-room Two wellness retreat include both Bunch Palms in Desert Hot new and refreshed suites Springs has long been a go-to as well as Twine, an on-site escape for spiritual seekers jewel-box dining destination and boldface names alike (Al serving up curated tea and Capone, Anne Hathaway), wine offerings (the Valentine’s with its hot spring grotto, Day menu includes cacio e spa menu and class schedule pepe with lobster and vegan including tarot readings, lasagna) — best enjoyed in healing sound baths and the property’s signature drumming sessions. Latest fluffy white bathrobes. additions to the bohemian LESLEY McKENZIE
VARIETY 45
OSCARS
Liza Minnelli: Exclusive Interview by Marc Malkin P. 48 Governors Ball by Calum Marsh P. 54 Elton John by James Patrick Herman P. 55 Apres-Oscar Travel by Kathy McDonald P. 56 Oscar Party Calendar by Marc Malkin P. 60 Beauty Buzz by Jasmin Rosemberg P. 63 Red Carpet Style by Jasmin Rosemberg P. 64 Blingy Kicks by Marc Malkin P. 66 Precious Accessories by Jasmin Rosemberg P. 67 Year in Review by Peter Debruge, Tim Gray, Jenelle Riley P. 68 Valet to the Awards by Calum Marsh P. 69
VARIETY 47 48 VARIETY
OSCARS 2020 EXCLUSIVE INTERVIEW
INDELIBLE MOMENTS LIZA MINNELLI REFLECTS ON CONFIDING IN DAD VINCENTE MINNELLI ABOUT HER SUBSTANCE ABUSE AND TICKLING HER FAMOUS MOM WHEN SHE WAS DOWN
By Marc Malkin Photographs by Robert Trachtenberg
Pirate,’ which her father is directing.” The headline: “In Ma’s Footsteps.” When she was 19, Minnelli became the youngest person to win the leading actress in a musical Tony for her turn in the 1965 Kander and Ebb musical “Flora the Red Menace.” Four years later, she received her first Oscar nomination for her perfor- Liza Minnelli is getting mance in the romantic comedy “The Ster- ile Cuckoo.” ready to be photographed Then came “Cabaret” in 1972. The Bob Fosse-directed big-screen adaptation of Variety the Broadway musical of the same name for the cover of . She’s earned eight Oscars, including one for Min- nelli’s work as American expat Sally Bowles in 1930s Berlin during the rise of Nazism. wearing an off-the-shoulder Joel Grey, Minnelli’s “Cabaret” co-star, who took home an Oscar for his role as black beaded shirtdress the Master of Ceremonies, first met her through Hal Prince when she made her nightclub debut at the Cocoanut Grove in and perched on a director’s Los Angeles. “She was this fresh, burst- ing, bright-eyed talent,” Grey remembers. “You could see that connection to her chair. As she adjusts herself, mother and father. You just knew that she was somebody that was going to happen. trying to find the right She was so tender and frail and fragile and strong at the same time.” Grey and Minnelli ran in the same New position to extend her bare York theater circles. “We used to sort of pile into Joe Allen’s, and she was always like the legs, she screeches, “I’m little sister I never had,” he says. “She was just very vulnerable and looked up to me.” Shooting “Cabaret” wasn’t easy. They getting fucked by a chair!” filmed in and around Berlin and Munich. Fosse was a perfectionist, always wanting another take. “We would go to set every As if on cue, the room goes silent. But before anyone can blink, Minnelli’s morning, and she’d sleep on my shoul- distinctive throaty cackle bounces off the walls. It’s the permission everyone der, and we’d listen to [Cat Stevens’] ‘Morn- in the room needs to howl at what they can’t believe they just heard. ing Has Broken,’” Grey says. “It was long At 73, Minnelli is still the consummate entertainer, taking an days shooting, and it was very intense. The awkward moment and turning it into a bawdy joke about getting intimate material was intense.” with a piece of furniture. Minnelli would go on to work opposite Minnelli isn’t a Hollywood icon — she’s a show business legend. Over the Robert De Niro in Martin Scorsese’s 1977 course of her career, she’s won four Tonys, two Grammys, an Emmy and an “New York, New York,” followed by the 1981 Oscar. But even before she danced her first step, sang a single note or memo- hit comedy “Arthur” with Dudley Moore. rized a line of script, she was famous. She became a fashion icon with her “I was born and they took a picture,” Minnelli says. pixie cut (the unintended result of hav- That’s what happens when your mom is Judy Garland and your dad is ing to chop her locks when playing around Vincente Minnelli. with some friends ended with a wad of A few days before the shoot, Liza is settling in for a rare interview. gum in her hair), red lips and ensembles She’s sitting on the couch in the living room of her modest Los Angeles- that made her a living, breathing runway area apartment. The room is cozy, with a grand piano squeezed into the show. She was a regular at Studio 54 and corner. Her Oscar for “Cabaret” sits on a low table alongside a copy of a 1972 became a muse to Halston after meeting Time magazine with Minnelli on the cover. On a table next to the couch are him at a party. “I looked at Halston a cer- her Tonys, while a collection of additional awards crowd a sideboard near tain way and smiled,” Minnelli recalls. the entryway. “And then he said, ‘I want you to come see Hanging on one wall are reproductions of iconic Warhol paintings of Min- me.’ I said, ‘Why?’ He said, ‘Because I want nelli and her parents. The unending fascination with Garland continued last to make some things for you.’ What he did year with the release of “Judy.” Renée Zellweger is the favorite to win the for me, he didn’t do for anybody else.” Oscar for her transformation into Garland during the last months of her life. Actor Tanya Everett was playing Chava Minnelli has no interest in seeing the film. All she will say right now is “I hope in “Fiddler on the Roof” when Minnelli vis- [Zellweger] had a good time making it.” ited the cast backstage in 1964. “She looked Minnelli is wearing her signature black turtleneck and leggings, a look at me and said, ‘Can we be roommates?’” that originated out of comfort rather than fashion. “It’s what I’d wear to OSCARS Everett says. “We became roommates that dance class because it was easy,” she explains. 2020 night.” Everett recalls one night when there
She is a dancer at heart. She insists that’s all she ever wanted to be, but she EXCLUSIVE was a knock on the door: Tony Bennett had was raised on movie sets and in concert halls. Singing and acting were inevita- INTERVIEW stopped by unannounced. He sat down at ble. In fact, a one-sentence report in Variety on May 7, 1947, reads, “Liza Minnelli, the piano that Minnelli’s dad had given her. 14-month-old daughter of Judy Garland, makes her acting bow in Metro’s ‘The “He said, ‘Can I play?’” Everett says.
50 VARIETY STYLING: HAYLEY ATKIN/THE WALL GROUP; ASSISTANT: JENNA REMY; MAKEUP: JO STRETTEL/SERUCELL SERUM/TRACEYMATTINGLY.COM; HAIR: ROBERT VETICA/LEONOR GREYL/TRACEYMATTINGLY.COM: MANICURE: DENISE BOURNE/THE WALL GROUP; PREVIOUS SPREAD; CAPE: VALENTINO; BRACELET: TIFFANY; RING: DANA REBECCA; THIS PAGE; COAT: CHRISTIAN SIRIANO; EARRINGS: TIFFANY DIAMOND CIRCULAR RING: DANA REBECCA DESIGNS; EARRINGS: TIFFANY; RING: DANA REBECCA DIAMOND CIRCULAR RING: DANA REBECCA DESIGNS; BRACELET: TIFFANY; RING: DANA REBECCA; LOCATION: THE LONDON WEST HOLLYWOOD AT BEVERLY HILLS; OSCAR STATUETTE: ©A.M.P.A.S. indulges in during her two-hour sit-downindulges induringhertwo-hour with and isnow four years sober. Herworst vice thesedays: whichshe smoking, and divorced four times. She’s gone torehab —most recently in2015— atarget ofshe became thetabloids. Over theyears, Minnellihasmarried was asifonlyLizawas intheaudience.” he sangtoLizathewholetime,” Everett says. “Hewas uponthestage, butit try,” whichMinnellialsoexecutive produced. able You,” withMichaelFeinstein onhisupcoming album“Gershwin Coun- to make itwork.” from whenIwaswood little outhow andplayed soIfigured on theMGMlot, falls andfallingonmy fanny,” shesays. “Iknewallthestuntmen inHolly- herown stunts that ontheshow. sheperformed boasts “Ididalltheprat- in 2013.Shefrom 2003to2005andthenagain in theNetflix seriesreboot strength andcourage.”incredible the strongest Iknow. people It’s have glorioustowatch. Shedoes really this Ithinkshe’s always reborn. herwingsandbeing phoenix, spreading oneof oneof Minnelli’shas been closest friends for almost 50years. “She’s like a vivor,” says whoplayed MarisaBerenson, Natalia Landauerin“Cabaret” and hersoloshow “Liza’sperform inNew York Back” “She’s andLondon. asur- after suffering acaseof viralencephalitis, butsherecovered andwent onto went toseehiminconcert at thePantag trated onnotdoingwhat my momdid.” “That’skicks upaleg. allCharles,” Minnellisays. “Iwas absolutely concen- Charles,” Minnellisays. herfingers and spreads Shestretches herarmout, Armenian singer CharlesAznavour. “Almost allof my movements arefrom sang,” shesays. As Minnelli’s life herpersonal unraveled. Like hermother, careersoared, Following areexcerpts fromourexclusive interview. As for thefuture, singingherdad’s heard she’ll be favorite “Embrace- song, Minnelli’s last gigwas steady arecurringrole in “Arrested Development” she’d predicted In 2000,doctors therest of spend herlife inawheelchair Not longbefore Aznavour in2018at died age 94,MinnelliandEverett Bennett oneof Minnelli’s became mentors, early asdidthelate French “MyeyesAnd thenheasked Minnellitosingwithhim. were butI crossing, es Theatre in Hollyw Variety . ood. “It’s like “I REMEMBER ‘NOW DON’T
Liza Minnelli YOU TO ME.’” ME.’” TO YOU MAY COMPARE THE WAY THEY BECAUSE OF GET UPSET MAMA SAYING, I don’t know. were Myparents my parents. celebrities, thatthey were famous? When didyou know thatyour parents were you have tothinkthere’s awall. ence isn’t there. Well, there, they’re but concentratereally andpretendtheaudi- Andtodoyourbest. bestyou have to you because want yeah, todoyourOh, onstage? Did you always getnervous before going Minnelli.” I was sonervous. of Roxiepart played willbe by Hart Liza Gwen Verdon The isunable toperform. “Tonight Theywhich heliked said, alot. “Absolutely.”said, itintwo days, Ilearned “Can meandsaid, he called you I fillin?” don got sickin“Chicago” onBroadway, and Right before we did“Cabaret,” Gwen Ver- That wasn’t thefirsttimeyou worked withhim. thought were them. unusualandheused that Ididthat Ithoughtwere awful orhe other. allmy Hetook mistakes orthings noticed that onelegwent higherthanthe liketimes itlooks knee. alittle knock He whenI’mthat because some- standing, IhaveSensational. scoliosis, andhenoticed What was itlike working withFosse? thinkersgreat anddirectors. Isn’t BobFosse itbrilliant? was oneof the I watched “Cabaret” againthisweekend. VARIETY holds hermother’s in 1940for“The A STARWASBORN Juvenile Oscar, Wizard ofOz.” Liza Minnelli which shewon 51
I didn’t know that I had to dodge questions about Mama until people started “Do I look all right?” He said, “You look asking me questions. I asked my father what to do, and he said, “Be as good perfect because you’re not overdressed as you can and as good as you are.” He said something like, “So what? They and you’re not underdressed.” ask me the same questions.” Mama got angry. She was one who got angry at OSCARS 2020 people for asking me questions about her. Did you think you were going to win? EXCLUSIVE INTERVIEW The other nominees were Cicely Tyson When did you first perform onstage? [“Sounder”], Diana Ross [“Lady Sings the I was 3. My mom took me onstage. But when I was older, like 11, she’d sing Blues”], Maggie Smith [“Travels With My “Swanee” [from “A Star Is Born”] and she made me dance to it and I’d say, “I Aunt”] and Liv Ullmann [“The Emigrants”]. don’t have a choreographer,” which made her laugh. She got such a kick out of I didn’t think I was going to win. I hadn’t it. It was like, “Look what I made.” And I was so happy whenever she was happy. planned [an acceptance speech]. If you plan something and then it doesn’t happen, then What kind of happy was she? you’re disappointed. I asked my dad, “What She was funny, very funny, clear, incredibly intelligent, but more than you should I say if I win?” And he said, “You’ll could even imagine, and in the moment. know what to say.” I said, “OK,” and off we went. When [Gene Hackman, who was pre- But what happened when she was in a bad mood? senting with Raquel Welch] said my name, I’d tickle her when she was really angry or upset about something. I’d take her my father screamed and he gave me tinni- by the hips and put her on the bed or on the couch. This is when I’m like 5. tus. I had tinnitus because of the way my father screamed at the Oscars, honestly. What was the hardest part about being in show business? The hardest part was getting to be known as myself as opposed to somebody’s You’ve been open about your struggles. daughter. I remember Mama saying, “Now don’t get upset because of the way In the ’80s, you talked publicly about they may compare you to me because you’re an entertainer too.” I said, “Oh, I going to Betty Ford. Did you know you won’t.” And then she reads something where they compared me to her. She said, had a problem? “How dare they? You’re your own woman. Dammit! Can’t they see?” And she’d I knew, and I told my father. He said, “Well, throw it down in the trash. She was wonderful and so overprotective. She tried let’s see what can we do about it.” I said, saving us from any of the stuff that other people said, except the great stuff. “Well, all these people talk about the Betty Ford Center,” and he said, “Then you’ll go When did you think, “I want to do what my mom’s doing. I want to be onstage”? there.” Just like that. So he took me there. I always wanted to be a dancer. I remember going to dancing school because I asked my dad. I went all my life. And then, I was always hoping that I’d get Was there ever a time when you thought to be in the yearly show. Twice I didn’t make it. But the third time, I got it. you weren’t going to survive? I used to dance for my father. He loved it when I danced. He’d be sitting on Oh, sure. Everybody has that time. the bed, and Mama loved to say, “Come dance.” What’s your fondest memory of you and You made your stage acting debut in high school when you were the lead in your mom? “The Diary of Anne Frank.” Everything. We had such fun because she I got wonderful reviews. I didn’t know they were going to review that. was so funny. She was funny, and she loved her kids so much. She was protective and Did you sit your mom or your dad down and say, “I want to go into the business”? very strict. She wanted you to do the right No. It was just always there. When they came to see “Anne Frank,” my mother thing, like any mother. It’s that simple. came backstage after the show with tears streaming down her face. I said, “Was I good?” And she said, “Wonderful.” And my father just said, “Yes.” Did she talk about her days when she was a child star? You were 16 then and actually living on your own in New York City. Occasionally. She would teach me all I was at the Barbizon Hotel for women. I went to dance school every day, two the routines she’d learned as a child. We classes a day. I went to see shows. My dad was nice enough to tell the producers would do them together. to let me in. I watched a lot of them from the back, so I could see every detail. I believe in this, but not sure you do: Do you Weren’t your parents nervous about you moving to New York on your own? ever feel your mom’s presence today? A little bit, but they trusted me because I was sophisticated and I had a pur- Definitely. When I call on her, she’s there, pose, and that was Broadway. and I call on her a lot. She’ll say, “Ignore it” a lot. She’ll say, “It’s one opinion. Who You were 19 when you became the youngest person to win a Tony for your cares? Just keep going.” Broadway debut, “Flora the Red Menace.” How did your life change after that? The best part about winning an award is the night you win it. And then you After she passed, were you able to listen have to go back to work. I believe that. to her music right away or was it hard? It took a minute. How did movies come along? I read the book “The Sterile Cuckoo,” and I said to my father, “Daddy, if they ever Did you know about her struggles? make anything out of this, I want to play the girl Pookie Adams.” Then the direc- No. She wouldn’t tell us that. She was tor Alan Pakula announced he was making it. My dad knew him really well. He our mother. would come over to the house all the time. What I remember is Daddy saying to “SHE WAS SO him, “Liza wants to play Pookie Adams.” I said I’ll audition. And I did. TENDER AND FRAIL Do you want to act again? AND FRAGILE AND Oh, sure. Take me back to Oscar night. You’re in a yellow Halston dress. STRONG AT It was like a T-shirt collar to the ground, straight down, and a sweater made THE SAME TIME.” What do you want to do? of crepe, same as the dress. My father’s favorite color was yellow. I wore that Whatever comes up. I’ve always been and jewelry that Halston had picked for me for that night. I said to my dad, Joel Grey on Minnelli like that.
52 VARIETY MINNELLI/GARLAND: SNAP/SHUTTERSTOCK; V. MINNELLI/L. MINNELLI: ANONYMOUS/AP/SHUTTERSTOCK; CABARET: ABC/ALLIED ARTISTS/KOBAL/SHUTTERSTOCK; HALSTON/MINNELLI: ADAM SCULL/SHUTTERSTOCK ‘Judy,’ but Renée atribute totheir Zellweger film mom the calls Family Affair By MarcMalkin in NewYorkCity and withHalston “Cabaret” (leftphoto) with JoelGreyin “Money, Money” Minnelli performing SHE’S GOTTHELOOK stars Oscarfront-runner Renée Zellweger. their motherJudyGarland’s finalmonthsand Luft, planstosee“Judy,” afilmthat’s basedon the movie is acelebration ofGarland,even Zellweger andGooldhave maintainedthat we have for herasaperson.” sense…the celebration andthelovethey’ll relationship. Ihopeiftheydo get toseeit, filmmaking butbecauseit’s avery personal says. “NotthatIdon’t love my motherorlove want to seeamovie aboutmy mother,” he understands theirhesitancy. “I’m notsure I’d NEITHER LIZAMINNELLI Ever sincethe filmpremiered atTelluride, The film’s director, Rupert Goold, Liza Minnelli and Lorna Luft Minnelliand won’t Lorna Liza bewatching
nor hersister, Lorna says. “We justwanted todoourbestfor her.” her legacythattouched them,” Zellweger and theirappreciation for …herwork [and] that setwas motivated by theirlove for her comeback inanill-fated concertseries. while shewas inLondon tryingtomake a heavily onRosalyn Wilder, Garland’s assistant children, Lorna andJoey. ex-husband SidLuft for custodyoftheir addiction toalcoholandpillswhilebattling her life. Thefilmfocuses onherlong-term if itdoeslookatthetragicfinalchapterof Minnelli didn’t plantocommenton“Judy” “They shouldknow thateverybody on Research for muchofthe movie relied the contraryare 100%fiction.” Judy Garlandinany way. Any reports to nor sanctiontheupcoming filmabout stories getstarted,butIdonotapp Facebook page.“Idon’t know how these Minnelli wrote inresponse onher met norspoken toRenée Zellweger,” how toportray Garland.“I have never that Minnelliwas coachingZellweger on production, agossipwebsite reported “End oftheRainbow.” adaptation oftheTony-nominated play would play hermominthefilm,an when itwas announcedthatZellweger But then,afew monthsinto Bob Fosse’s“Cabaret” award forherturnin winning thebestactress at the1973Oscarsafter father VincenteMinnelli Judy Garlandin1948and Minnelli withmother PARENTAL GUIDANCE VARIETY
rove rove 53 signature gilded chocolate Oscars gilded signature Governors Ballmenufeatures his The GoldStandard The book monthsinadvance.book week andfillingitsreservation nightof the practically every Angeles, attracting celebs the hottest restaurant inLos Puck’s restaurant Spago was is harmony andrelaxation. Oscars, andthisyear’s theme There isalways athemetothe time tacklingtheevent. 26thtionally famouschef’s this year markstheinterna- — of acentury than aquarter Governors Ballnow for more theofficial caterer ofPuck, the of Wolfgangresponsibility in attendance. for those funbegins the real finally come that toanend, over andthelive has broadcast last statuette handed hasbeen in Hollyw the biggest nightof theyear 54 THE ACADEMY AWARDS ByCalumMarsh Back in the early 1990s,Back intheearly guests arethe The starving ood, VREY VARIETY but it’s after the are He whipped upmany ofHe whipped hissta golden age.a kindof culinary Governors into Ballwas ushered Fortunately, some of thepro went totheGovernors Ball.” “At that time, really nobody Hollywood, Spago, upinthehillsWest always at didtheirafterparty salmon; and, of course,salmon; and, chicken Spago; sliderburgers; smoked the oneshe’s for renowned at ple dishes—pizzas, including them inamoreofficial capacity. to eat ifhewould like tofeed they lovedthe manwhosefood selves, toask andthey decided were customers of Puck’s them ducers of theAcademy Awards interesting.’” that something‘OK, might be AndIsaid, event, ourball?’ whygang, don’t you cater our Under Puck’s command, the saidtome,“They ‘Wolf- “In thosetimes, celebrities ” Puck remembers. - - - “EVEN Wolfgang Puck TOO.” POT PIES, CHICKEN EATING THEY’RE ETARIANS, THE VEG-
Wolfgang Puck’s Wolfgang Puckpresides pot pies,pot too!” ians, eating thechicken they’re by everyone. “Even thevegetar that eaten Puckclaimsthey’re pies.pot sobeloved, They’re famously saidsheadoresPuck’s pies.pot BarbraStreisandhas other, they cantalk.” together sothey canseeeach come we cansitthemclose in, of asuddenyou have Spielberg jandro] Iñárrituthere, andall tomingle.with thefreedom dinner isflexible andcasual more like acocktail party. The should become less formal, thatit was decided thedinner the presidentof theAcademy, But after Dawn Hudsonbecame the tables were allreserved.” “had theirdinnerat atable, and of thecelebritieswhich each was “a bigsit-down dinner,” at over thefoodat As the service got more As theservice “If you have [directorAle- days,In theearly theservice Governors Ball. MASTERCHEF - have potato withcav abaked variety “Ifyou want of to food. really somethingfor everybody.”really even have vegan dishes. There’s can take 10different things. We crispy quailwithwaffles. You of themifyou like. We have iar, you canhave two orthree small dishes.” smallplates.serve or35 Thirty of“Instead amaincourse, we themenu,”changed hesays. “We sodidthefood. casual, going tomake theOscar, too!’” said,’OK, for theOscars, we are Clauses outof chocolate. SoI Christmas, you canmake Santa ter Bunny inchocolate. For Easter, you canmake theEas- mold andmake anything. For you have theability tocreate a always dothat. With chocolate ’80s,” Pucksays. “Now we we hadat Spago inthe back and coated ingold. chocolate statuettes, dipped ture Oscarsdish:hisreplica beloved of allisPuck’s signa- 24-karat inreal gold. dusted that havecaviar parfaits been liketo look Oscarstatuettes, shaped lollipops fruit passion chocolate bonbons,caramel Pimm’soddities: andkumquat withdazzling riously packed Governors Ballmenuisnoto- But that’s notPuck’s style. The onthekitchen. things easier servative andsimple, tomake con-think themenuwould lean course of theparty, you might throughoutthe fed ers being mean somuchtopeople.”mean favorlittle party can come to love It’s it. interesting how this Oscar,” hesays. “People really waswanted togive an everyone like awinner. Ireally “What Puck wants tofeel everyone As for thegold comes “That fromaparty Best-known andmost With upward of 6,000din- The resultwas anincredible covering, -
CHELSEA LAUREN/SHUTTERSTOCK FURNISH/JOHN: DAVID BUCHAN/SHUTTERSTOCK; FENDER: RMV/SHUTTERSTOCK ON OSCAR NIGHT PARTY RIGHT the Vote campaignfame who running Academy Awards soiree. John’s fundraiseristhelongest- AIDS epidemic. the world toputastopthe educate governments around other clinicalservices;and provide treatment andvarious AIDS virus;prevent infections; stigma surrounding HIVand the million tohelpcombatthe far raisedmore than$400 John AIDS Foundation hasthus in theU.K. in the UnitedStatesin1992 and AIDS Foundation. Founded in benefiting hiseponymous annual Oscar-night bash anniversary ofEltonJohn’s THIS YEARMARKS FUNDRAISER ROCKETS TO RENEWEDPOPULARITY ELTON JOHN B ae arc emn By JamesPatrickHerman It was Patrick LippertofRock Next totheGovernors Ball, 1993, the 28th the Elton ’S AIDS FOUNDATION 2020 OSCARS BENEFIT BASH Elizabeth Taylor, whofounded for “Philadelphia”) andPrince. and Tom Hanks (bothwinners included BruceSpringsteen stars atJohn’s Oscarparty time year two rolled around, it onlygrew from there. Bythe work andraised$300,000. And arena ofAIDS philanthropic cement John’s statusinthe not alavish affair, butit would Restaurant inBeverly Hills,was the now-shuttered MapleDrive Lippert diedfrom thedisease. research; three monthslater, much-needed fundsfor AIDS not onlyraiseawareness but The party, urged Lippert,would inaugural Oscarbash his highprofile andthrow his persuaded Johntoseizeupon That firstfundraiser, heldat in 1993 . especially inthewake ofeditor ubiquitously hyped shindig, coveted draw thanVanity Fair’s starry gatheringisaneven more perform onFeb. 9. but likely notfor long.Hewill relatively unknown intheU.S., songwriter SamFender, whois latest discovery isBritishsinger- were theactsofhour. John’s the “Rocketman” soundtrack, who sangJohn’s classicson Van FleetandTaron Egerton, Sisters. Mostrecently, Greta as NellyFurtado andScissor showcase such musicstars big things.Hewas thefirstto record for introducing thenext the hosthasap Rather thanbookalegacyact, keen eye for spottingtalent. breakout artiststhanks tohis serving asalaunchpadfor is acenterpieceperformance John AIDS Foundation event notable highlightofevery Elton neighborhood dogpark.One tented oasisinthemiddleof hot spot,aluxurious white- a temporaryWest Hollywood star spares noexpense creating charity galas.Theveteran rock bona fideexpert onproducing carpet inawheelchair. up, memorablyrocking thered declined, shecontinuedtoshow John’s fete; even asherhealth 1991, was asteadyfixture at her own AIDS Foundation in Some have argued thatJohn’s John isnow considered a roven track bash onFeb.9. John’s annualOscar Furnish andElton perform liveatDavid Fender (below)will British musicianSam FENDER BENDER she told years ago, praisesEJAF. Research before resigning afew American Foundation for AIDS as globalcampaignchairfor Stone, whoreplaced Taylor in recent years. Even Sharon foundation hasalsospiked arriving fashionably late? more fabulous thanitsown host a nominee. attends theAcademy Awards as off hostingdutieswhilsthe Brown andBobby Berk)tokick Van Ness,Tan France, Karamo (Antoni Porowski, Jonathan the five guysfrom “Queer Eye” in fact, thathehadtorecruit party’s luster. Johnissobusy, Square Garden inApril. career willtake placeatMadison tour. Thefinalshow ofJohn’s soon toembarkonasold-out from performing live, Johnis after announcinghisretirement New York Times bestseller; and, “Me” becameaninstantNo. 1 Bernie Taupin; hisautobiography Again,” whichheco-wrote with track, “(I’m Gonna)Love Me category for his“Rocketman” nominated intheoriginalsong a career zenith.He’s been experiencing somethingof Graydon Carter’s departure. Elton iswhere it’s at now.” “He’s doingsuchgoodwork,” The profile ofJohn’s And whatmakes aparty All oftheseaddtohisOscar John, meanwhile, is VARIETY Variety . “Ireally think 55 Variety 56 after awardsreboot season. and ultimately, afeast for thesenses. Here’s rest and wheretorelax, arevisualtreats TWA theseproperties modern Hotelat JFK, tury or theenveloping,sons Resort TheBiltmore SantaBarbara midcen- of theTyWarner luxury the contemporary Villa at theFour Sea- style onSpain’sdone inanupscaleboho festive islandof Ibizaor complement hospitality. therarefied Whetherit’s aquietretreat design sensibilityinwhicharchitecturalcharacterand chicdesign adistinct designinspires. embody Good Thesehotelsand resorts Eye on Design Post-Oscar Travel aesthetic-centric hotels aesthetic-centric By KathyA.McDonald al frescodining. Belmonte features Lisbon’s Palacio SEE FOOD VREY VARIETY ’s guide to : 2020 OSCARS TRAVEL santabarbara be booked. hour. Arrivalby helicoptercan Beach ensure agoldensunset bar. 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Japanese, African and Egyptian Rooms have exceptionally
58 VARIETY CONGRATULATIONS TO THE 56TH ANNUAL CINEMA AUDIO SOCIETY AWARDS HONOREES AND WINNERS
CAREER ACHIEVEMENT HONOREE TOM FLEISCHMAN CAS FILMMAKER HONOREE JAMES MANGOLD
OUTSTANDING SOUND MIXING TELEVISION NON-FICTION VARIETY AWARDS OR MUSIC SERIES OR SPECIALS DAVID BOWIE FINDING FAME MOTION PICTURE – LIVE ACTION FORD v FERRARI Sean O’Neil and Greg Ge ens Steven A. Morrow CAS, Paul Massey CAS, David Giammarco CAS, Tyson Lozensky, David Betancourt, and Richard Duarte OUTSTANDING PRODUCT AWARDS PRODUCTION MOTION PICTURE – ANIMATED SOUND DEVICES TOY STORY SCORPIO Doc Kane CAS, Vince Caro CAS, Michael Semanick CAS, Nathan Nance, David Boucher, and Sco Curtis POST PRODUCTION MOTION PICTURE – DOCUMENTARY iZOTOPE INC MAKING WAVES DIALOGUE MATCH THE ART OF CINEMATIC SOUND David J. Turner, Tom Myers, Dan Blanck, and Frank Rinella CAS STUDENT RECOGNITION AWARD TELEVISION MOVIE OR LIMITED SERIES CHERNOBYL