Scatter Shots, San Antonio

Total Page:16

File Type:pdf, Size:1020Kb

Scatter Shots, San Antonio By Sam Kindrick length about his life with nally won out. I became Joe Anna helping him clean the Joe Teutsch remembers three Jack Russell terriers on King Carrasco.” plate, Joe King mused about the date and location well. the beautiful beaches of Patoski is a noted free- music labels, his love for It was August 16, 1976, Puerto Vallarta, Mexico lance Austin writer who has dogs, the melding of West exactly one year to the day where he now lives most of penned articles for Texas Texas country with Mexican before Elvis Presleyʼs Au - the time. Monthly and sundry other and South American political gust 16, 1977 death. A true character who says publications in the Lone Star songs, and what he calls an The location was the old he works for pesos and State. And the Patoski touch enduring love for Mexican ZAZ Studios, squarely in the shrimp tacos in the beach may be evident in some of slang. middle of San Antonioʼs West bars along the 70-mile long Joe Kingʼs press hype which “Call it what you like,” Joe Side. Puerto Vallarta bay area, Joe includes this interesting pas - King says. “Itʼs Tequila Reg - Occasion for the ZAZ King is no peon in a vast en - sage: gae and itʼs Nuevo Wavo gathering was the recording tertainment world which has Several years ago, ʻ“His and plain old Mexican rock- of Joe Teutschʼs very first carried the acclaimed king of Majesty” took a few left turns and-roll. And thereʼs country single, Tell Me on the A-side, Tex-Mex all over Europe, at Nogales and wound up in it, too, although Iʼm not ex - with Mescal Road on the flip. Central and South America, playing with his band at a bar actly known for country This was before Dumas, and Canada. called Pancho y Leftyʼs in music. I was born in Dumas Texas native Joe Teutsch He is a movie actor, movie San Miguel de Allende, Mex - in North Texas, and I grew up was to morph into Joe King producer, member of the ico. There the Tex-Mex fell there and in California where Carrasco, a Tex-Mex icon Texas Music Hall of Fame, into a slow cool cumbia/reg - I spent some early years be - and Texas Music Hall of and a former MTV host who gae groove. This style fore coming back to Austin to Fame member who brought has recorded with Michael seemed to be the musical play music. You canʼt ride the his own brand of N uevo Jackson and the Texas Tor - answer to what Joe had roads of Texas as long as I Wavo rock-and-roll to Austin nadoes. Joe King has ap - been searching for from the have without having some stages during the cosmic peared on Saturday Night Mayan pyramids to the country in your soul. And I cowboy era of the 1970s Live, been interviewed ex - shores of Lake Titicaca. This guess some of mine comes and 1980s. tensively by Rolling Stone mystical combination of out in the sound track of my Influenced heavily by Magazine, and he has Latino and Caribbean, with a new movie which is being re - such Tex-Mex pioneers as recorded some 14 CDs, all little bit of Sam The Sham leased this fall.” Augie Meyers and the late available at Joeking.com. thrown in for a spicy flavor, Titled Rancho No Tengo Doug Sahm, accordion whiz As for his fanciful stage has evolved into a style Joe (a ranch I do not have), the Steve Jordan, and Sonny name, Joe King Carrasco has termed “Tequila Reg - film is about love in a trailer Ozuna, the talented singer, Teutsch admits that the fatal gae.” park between a long-haired songwriter, and hot-handed and headline-grabbing As usual, Joe was wound and middle-aged cat in a guitarist who was to later as - prison break attempt in the tight for his local show last cowboy hat and a damsel sume the mantle of Joe King 1970s by drug kingpin Fred month, jumping through the half his age. Carrasco remembers that Carrasco might have figured crowd and across the dance Although Joe King Car - night at ZAZ Studios well. into his eventual “crowning.” floor with guitar in hand, and rasco has acted in countless “I went over there with Joe King said, “I started while the driving rhythm def - independent films over the Speedy Sparks,” Joe King hanging out in Mexico when I initely had a south seas qual - years, many of them shot in recalls. “Man, we had a horn was 17, and I was playing ity to it, I detected a sound in the Austin area, this repre - section for that session. around with a bunch of con - Carrascoʼs nimble guitar sents his first directed fea - Rocky Morales was there. junto bands when Carrasco picking which had a distinc - ture, and the soundtrack for Louie Bustos. Frank Ro - tried to bust out of prison. tive Willie Nelson resem - Rancho No Tengo is being darte. Speedy Sparks and The name Carrasco was blance. released with the movie this Charlie McBirnie. I know we everywhere, and some musi - Then it hit me. Carrasco fall. must have consumed at cians started jokingly calling picks a guitar with gut strings “There is country music in least 15 cases of Schlitz be - me Carrasco. I was sorta as Nelson has been known the soundtrack,” Carrasco fore the recording was done. looking for a special name, a to do on many occasions. Itʼs smiles. “This is a sort of It was just one of those mag - royalty thing like Sir Doug a different and distinctive western in a trailer park. And ical times that come only a and Lord August (Augie Mey - sound. I think I will have a part in an few times during a lifetime. ersʼ first stage handle), and I The next Carrasco show upcoming movie titled No My ties to San Antonio have was thinking about Count at Casbeers will be in De - Mexicans or Dogs Allowed, always been strong.” Carrasco when my friend cember, the exact date to be but I donʼt have all the details Here last month for a Joe Nick Patoski started in - announced. on this one yet.” rousing performance at Cas - sisting I call myself King Car - With a platter of Casbeers In 1978, and after that ini - beers, Joe King Carrasco rasco. I wanted Count, Joe enchiladas under his nose, tial recording experience with Teutsch was interviewed at Nick wanted King, and he fi - and his Jack Russell female San Antonioʼs West Side Horns and others, Joe re - Armadillo World Headquar - Mexico in the first place. I kets in ventilated sacks leased an LP titled Tex-Mex ters, although Joe concedes was hanging out in Mexico hanging around his neck and Rock & Roll with his first that he might have suffered when I was 17 years of age, across his back makes per - band El Molino. This record some minor head trauma learning the language and fectly good sense to me. made it to England where it which is only now making it - playing with musicians who What is there not to love was re-released by Big Beat self manifest. were a lot like some of the about Joe King Carrasco? Records. “Iʼm 53 years of age now,” old players you once found As Peteyʼs kidneys began By 1980, Joe Teutsch was Joe King laughs. “But I on the San Antonio River - to fail during his final days on Joe King Carrasco, and with stopped diving off stages walk. And not just mariachis, this earth, I simply spread a his new band, The Crowns, when my business contractor but musicians who played rain slicker across the bed he released that groupʼs first told me to stop it.” standards as well. They were and kept my sleeping partner single titled Party Weekend Joe King has a hearing in it more for the music than in his customary spot until and things really began to problem. A doctor asked if he for the money, and I guess his last day and the final pop. had shot skeet or fired shot - Iʼm still that way today. goodbye. The band became one of guns for other reasons over “In Puerto Vallarta I have “A lot of people just canʼt the first American groups the years. everything I need. I have an understand,” Joe King said. signed by Englandʼs leg - “It wasnʼt guns that hurt apartment with a manager “I have a son by a former endary Stiff Records, and my hearing,” Joe said. “It who allows me to keep the marriage, and there have there followed Rolling Stone was drums and cymbals.” dogs in my sleeping quar - been numerous girlfriends acclaim, Saturday Night Live, When living in the United ters, and I can get my car through the years. But I a tour with a British-born Ja - States, Joe King and his fixed, my computer over - guess none of them were re - maican band called The three Jack Russell terriers-- hauled, and all the shrimp ally keen on sharing the bed Equators (where Joe picked Anna, Peanut, and tacos I can eat within five with me, Peewee, Anna and up a lot of his reggae influ - Peewee--can be found in an minutes from my apart - Peanut all at the same time. ence) and an eventual con - adobe cabin on eight acres ment.” So for now, itʼs just me and tract with MCA where he had of Hill Country turf just out - Joe King says nothing that the Jack Russells.
Recommended publications
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • 2021 |22 Performing Arts Season
    2021 | 22 Performing Arts Season “THE BEAT GOES ON” An annual publication of the Schauer Arts & Activities Center, Inc. 147 North Rural Street | Hartford, WI 53027 2021|22 Schauer Performing arts season MAINSTAGE FAMILY CABARET SPECIAL EVENT Friday–Saturday, August 13–14 alice in wonderland Missoula Children’s Theatre Friday, August 27 the world famous glenn miller orchestra Most Popular Swing Band in America Friday, September 10 sip and fall in the schauer Fall Fundraiser—The Acoustix Saturday, September 11 sip and fall in the schauer Fall Fundraiser—The Mr. Lucky Syndicate Saturday, September 18 michael perry and the long beds Eclectic Mix of Country Rock Saturday, September 25 dallas string quartet DSQ Electric Friday, October 1 royal wood Canadian Singer and Songwriter Sunday, October 3 JOHNNY PEERS & THE MUTTVILLE COMIX Slapstick Comedy Dog Show The Beat Goes On! The staff and Board of the Friday, October 8 top of the world A Carpenters Tribute Schauer Arts Center are thrilled to be throwing open Saturday, October 16 give ‘em hell harry! Tribute To Former U.S. President Harry Truman the doors and welcoming our patrons into the theater, classrooms, event spaces and our new courtyard. Saturday, October 23 SONGS AND STORIES OF NEIL DIAMOND Starring Jack Wright Friday, November 12 the claudettes Soulful Rock & Roll Rooted in Blues, Jazz and R&B To say the last year has been unique and challenging would be an understatement but we never doubted Thursday, December 2 lorrie morgan Emotive Country Vocalist we would reach this point. The community support to Saturday, December 4 milwaukee handbell ensemble Ringing in the Season get us here, and gratitude as patrons return, has been humbling.
    [Show full text]
  • Sir Douglas Quintet
    Sir Douglas Quintet The Sir Douglas Quintet: Emerging from San Antonio‟s “West Side Sound,” The Sir Douglas Quintet blended rhythm and blues, country, rock, pop, and conjunto to create a unique musical concoction that gained international popularity in the 1960s and 1970s. From 1964 to 1972, the band recorded five albums in California and Texas, and, although its founder, Doug Sahm, released two additional albums under the same group name in the 1980s and 1990s, the Quintet never enjoyed the same domestic success as it had during the late 1960s. A big part of the Sir Douglas Quintet‟s distinctive sound derived from the unique musical environment in which its members were raised in San Antonio. During the 1950s and 1960s, the “moderate racial climate” and ethnically diverse culture of San Antonio—caused in part by the several desegregated military bases and the large Mexican-American population there—allowed for an eclectic cross- pollination of musical styles that reached across racial and class lines. As a result, Sahm and his musical friends helped create what came to be known as the “West Side Sound,” a dynamic blending of blues, rock, pop, country, conjunto, polka, R&B, and other regional and ethnic musical styles into a truly unique musical amalgamation. San Antonio-based artists, such as Augie Meyers, Doug Sahm, Flaco Jiménez, and Sunny Ozuna, would help to propel this sound onto the international stage. Born November 6, 1941, Douglas Wayne Sahm grew up on the predominately-black east side of San Antonio. As a child, he became proficient on a number of musical instruments and even turned down a spot on the Grand Ole Opry (while still in junior high school) in order to finish his education.
    [Show full text]
  • 2008 Smithsonian Folklife Festival
    Smithsonian Folklife Festival records: 2008 Smithsonian Folklife Festival CFCH Staff 2017 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical note.................................................................................................................. 2 Scope and Contents note................................................................................................ 2 Arrangement note............................................................................................................ 2 Introduction....................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Program Books, Festival Publications, and Ephemera, 2008................... 6 Series 2: Bhutan: Land of the Thunder Dragon....................................................... 7 Series 3: NASA: Fifty Years and Beyond.............................................................
    [Show full text]
  • San Antonio's West Side Sound
    Olsen: San Antonio's West Side Sound San Antonio’s SideSound West Antonio’s San West Side Sound The West Side Sound is a remarkable they all played an important role in shaping this genre, Allen O. Olsen amalgamation of different ethnic beginning as early as the 1950s. Charlie Alvarado, Armando musical influences found in and around Almendarez (better known as Mando Cavallero), Frank San Antonio in South-Central Texas. It Rodarte, Sonny Ace, Clifford Scott, and Vernon “Spot” Barnett includes blues, conjunto, country, all contributed to the creation of the West Side Sound in one rhythm and blues, polka, swamp pop, way or another. Alvarado’s band, Charlie and the Jives, had such rock and roll, and other seemingly regional hits in 1959 as “For the Rest of My Life” and “My disparate styles. All of these have Angel of Love.” Cavallero had an influential conjunto group somehow been woven together into a called San Antonio Allegre that played live every Sunday sound that has captured the attention of morning on Radio KIWW.5 fans worldwide. In a sense, the very Almendarez formed several groups, including the popular eclectic nature of the West Side Sound rock and roll band Mando and the Chili Peppers. Rodarte led reflects the larger musical environment a group called the Del Kings, which formed in San Antonio of Texas, in which a number of ethnic during the late 1950s, and brought the West Side Sound to Las communities over the centuries have Vegas as the house band for the Sahara Club, where they exchanged musical traditions in a remained for nearly ten years.6 Sonny Ace had a number of prolific “cross-pollination” of cultures.
    [Show full text]
  • Led Zeppelin Greatest Hits Zip Download Cold As Ice 3:42 03
    Led zeppelin greatest hits zip download Cold As Ice 3:42 03. Night Life 03:23 13. Blue Morning, Blue Day 05. The Wanton Song 06. Long, Long Way From Home 2:52 02. Band members: 1981—1986 Jack Russell — lead vocals Mark Kendall — lead guitar Lorne Black — bass guitar Gary Holland — drums 1986—1987 Jack Russell — lead vocals Mark Kendall — lead guitar Lorne Black — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 1987—1992 Jack Russell — lead vocals Mark Kendall — lead guitar Tony Montana — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards J Todd Henson — guitar in-studio guitarist, 1991-92 1992—1995 Jack Russell — lead vocals Mark Kendall — lead guitar Teddy Cook — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 1995—2000 Jack Russell — lead vocals Mark Kendall — lead guitar Sean Led zeppelin greatest hits zip download — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2000—2001 Jack Russell — lead vocals Ty Longley — lead guitar Krys Baratto — bass guitar Francis Ruiz — drums Matthew Johnson — guitar, keyboards 2002—2003 Jack Russell — lead vocals Mark Kendall — lead guitar Dave Filice — bass guitar Eric Powers — drums Ty Longley — guitar, keyboards 2003—2005 Jack Russell — lead vocals Mark Kendall — lead guitar Scott Pounds — bass guitar Joseph May — drums Tyler Nelson — guitar, keyboards 2006—2007 Jack Russell — lead vocals Mark Kendall — lead guitar Sean McNabb — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2008 Jack Russell — lead vocals Mark Kendall — lead guitar Scott Snyder — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2012 - Elation На данной хитрой пираточке трек-лист мальца другой, чем на облоге.
    [Show full text]
  • United States District Court for the District of Rhode Island
    Case 1:03-cv-00148-L Document 5 Filed 05/01/2003 Page 1 of 97 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF RHODE ISLAND TAMMY PASSA, ALIAS, . WALTER CASTLEIJR., ALIAS and CHERYL HARRIS-ROSSI, NEXT-OF-: KIN of Decedent, JOSEPH E. ROSS1 . JEFFREY DERDERIAN, . MICHAEL DERDERIAN, DERCO LLC, d/b/a The Station, . MANIC MUSIC MANAGEMENT, INC., JACK RUSSELL, MARK KENDALL, DAVID FILICE, ERIC POWERS, DANIEL BICHELE , . PAUL WOOLNOUGH, KNIGHT RECORDS,INC., ANHEUSER-BUSCH COMPANIES INC., McLAUGHLIN AND MORANIINC., LUNA TECH, INC., LUNA TECH PYROTECHNIK GmbH, . AMERICAN FOAM CORPORATION, GENERAL FOAM CORPORATION, FOAMEX INTERNATIONAL INC., WHJY, INC., CLEAR CHANNEL COMMUNICATIONS, INC., TOWN OF WEST WARWICK, DENNIS LAROCQUE, INDIVIDUALLY and as FIRE INSPECTOR FOR THE TOWN OF: WEST WARWICK, STATE OF RHODE ISLAND, IRVING J. OWENS, Individually and in his capacity as FIRE MARSHAL FOR THE STATE OF RHODE ISLAND, TRITON REALTY LIMITED PARTNERSHIP, TRITON REALTY, INC., . and JOHN DOES 1 through 100 Case 1:03-cv-00148-L Document 5 Filed 05/01/2003 Page 2 of 97 TABLE OF CONTENTS PAGE TAB Table of Contents........................... i Jurisdictional Allegations - Plaintiffs..... 2 1 Jurisdiction Allegations - Defendants....... 6 2 Facts..................................... 17 3 Count One (Joint Enterprise Defendant) Jeffrey Derderian................. 28 4 Count Two (Joint Enterprise Defendant) Michael Derderian................. 31 5 Count Three (Joint Enterprise Defendant) DERCO LLC d/b/a The Station....... 34 6 Count Four (Joint Enterprise Defendant) MANIC MUSIC MANAGEMENT, INC. ..... 38 7 Count Five (Joint Enterprise Defendants) Jack Russell, Mark Kendall, David Filice, Eric Powers (Collectively as the band known as Great White) ................................. 41 8 Count Six (Joint Enterprise Defendant) Daniel Bichele...................
    [Show full text]
  • AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020
    AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020 Monday October 12, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The Day The Rock Star Died The Big Interview Michael Jackson - Michael Jackson was a singer, songwriter, dancer and known simply as “The The Band’s Robbie Robertson - Jethro Tull’s Ian Anderson sits down with Dan Rather to talk about King of Pop.” His contributions to music, dance, and highly publicized personal life made him a his five decades as a progressive rock idol. global figure in popular culture for over four decades. 9:00 AM ET / 6:00 AM PT 5:30 PM ET / 2:30 PM PT Deep Purple’s: The Ritchie Blackmore Story A Year in Music From his pop roots with The Outlaws and his many session recordings in the sixties, through 1964 - Actor, writer, and musician, Tommy Chong dives into 1964: the year The Beatles took defining hard rock with Deep Purple and Rainbow in the seventies and eighties and on to the over, Motown Records became a driving force, and The Rolling Stones made their debut. Plus, a renaissance rock of Blackmore’s Night, Ritchie has proved that he is a master of the guitar across look at how political and social changes influenced pop music. a multitude of styles. This is the definitive story of a true guitar legend. 6:00 PM ET / 3:00 PM PT 10:20 AM ET / 7:20 AM PT The Big Interview Robert Plant And The Strange Sensation Edward Norton - Academy Award winner Edward Norton’s life is much more than Hollywood.
    [Show full text]
  • [email protected] 1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master Interview Was Provided by the Nati
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ORRIN KEEPNEWS NEA Jazz Master (2011) Interviewee: Orrin Keepnews (March 2, 1923 – March 1, 2015) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: December 10, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 20 pp. Orrin Keepnews: I wonder if you didn’t—or you could do it when you come back, make sure you didn’t get to show off Lennie. Anthony Brown: The dog? Keepnews: The dog. I remember right now the one strain she couldn’t remember to put in there. He’s part Jack Russell. Brown: Okay. That’s it. Okay so we’ll go from the room tone. Keepnews: Okay so. Brown: Oh we haven’t got it yet. Keepnews: We don’t have it? Brown: Just talk to it. Go ahead. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Keepnews: (Laughs) Brown: Today is December 10th, 2010. This is the Smithsonian/ NEA Jazz Masters Award interview with Orrin Keepnews at his house in El Cerrito, California. And it is a foggy day outside, but a lot of warmth in this house. Good afternoon Orin Keepnews. Keepnews: Good afternoon. Brown: We’re no strangers and so this is, for quite a joy, and a privilege. We’ve done several projects together, well let me just say we’ve done a few projects together, of which I’m very proud. Again, its an honor to be able to conduct this interview with you, to be able to share this time with you so that you could help the listening audience, and the historians, understand—further understand your contribution to this music since our last interview, which was in 1997.
    [Show full text]
  • October 15, 2013 5% DISCOUNT on New Release Items Through Oct 22
    OCTOBER NEW RELEASE GUIDE STREET DATE: October 15, 2013 5% DISCOUNT on New Release Items through Oct 22 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Oct 2013 (503) 231-0876 / www.bdcdistribution.com 2 Oct 2013 Welcome!!BDC Welcome!! New Releases Augie Meyers - often imitated; never duplicated. A legend whose 50+ year career has resulted in Sean Chambers has not been in a hurry - he knows that patience is a virtue, good things come to those who wait, you can’t hurry love and a half-dozen other aphorisms. He spent five years with Grammys, chart hits and 17 solo albums. Here is the latest; a Texas-centric Country album with Hubert Sumlin before going solo and has only now released his fifth album in a decade and a nods toward Harlan Howard and Lefty Frizell. He is one of a kind. half; a patient man who records music he wishes to instead of dropping some kind of a new Recess Monkey is from Seattle but known nationally with great press, exposure on SiriusXM Kids album every other year just to tour behind. The Rock House Sessions is more than worth the wait. Place Live due to member Jack Forman’s daily program and their tenth(!) release. And check out In the last couple of years, Burnside has reached an affinity with Minneapolis bands; be it The these new ones by Quiet Life (on tour with The Head and The Heart), Modern Kin, Vikesh Kapoor, Shouting Matches, Polica, Solid Gold, The Ocean Blue or Davina and the Vagabonds, we’ve been Field Study, Patrick Park and Son of Stan.
    [Show full text]
  • Sir Doug & the Texas Tornados
    Sir Doug & The Texas Tornados Texas Rock For Country Rollers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Texas Rock For Country Rollers Country: UK Released: 1997 Style: Country Rock, Classic Rock, Psychedelic Rock, Country MP3 version RAR size: 1987 mb FLAC version RAR size: 1105 mb WMA version RAR size: 1173 mb Rating: 4.8 Votes: 227 Other Formats: FLAC DXD AHX VQF MP2 FLAC APE Tracklist Hide Credits I Love The Way You Love (The Way I Love You) 1 5:17 Written-By – Atwood Allen Cowboy Peyton Place 2 3:35 Written-By – Doug Sahm Give Back The Key To My Heart 3 2:51 Written-By – Doug Sahm Wolverton Mountain 4 2:30 Written-By – Claude King , Merle Kilgore Texas Ranger Man 5 3:24 Written-By – Doug Sahm Float Away 6 2:38 Written-By – Doug Sahm I'm Missing You 7 3:02 Written-By – Doug Sahm Gene Thomas Medley: Sometimes/Cryin' Inside 8 2:41 Written-By – Gene Thomasson Country Groove 9 2:21 Written-By – Doug Sahm You Can't Hide A Redneck (Under That Hippy Hair) 10 3:55 Written-By – Doug Sahm Companies, etc. Recorded At – Sugar Hill Studios Phonographic Copyright (p) – MCA Records Copyright (c) – Demon Records Ltd. Licensed From – MCA Records Published By – Crazy Cajun Music Published By – Menace Music Ltd. Published By – Shapiro Bernstein & Co. Ltd. Published By – Grand Prize Credits A&R [Director] – Uncle Mickey Moody Acoustic Guitar – Uncle Mickey Moody Arranged By – Doug Sahm Art Direction – Tom Wilkes Bass – Jack Barber Coordinator [Talent Co-ordinator] – Jim Groenewegen Crew [Executive Crew] – Augie Meyers, J.T.Groenewegen, Lucky Tomblin Crew [Road Crew] – Billy Bob, Speedy Sparks Drums – George Rains Engineer – Uncle Mickey Moody Fiddle – Doug Sahm Guitar – Doug Sahm Harp – Harry Hess Liner Notes – Ed Ward Liner Notes [Last Four Paragraphs] – Val Jennings Management [Agent] – Jim Groenewegen Organ [Hammond] – Augie Meyers Organ [Vox] – Augie Meyers Photography By – Tom Wilkes Photography By [Juke Box Picture] – Burton Wilson Piano – Augie Meyers, Doug Sahm Producer – Huey P.
    [Show full text]
  • Home with the Armadillo
    Mellard: Home with the Armadillo Home with the Armadillo: Public Memory and Performance in the 1970s Austin Music Scene Jason Dean Mellard 8 Produced by The Berkeley Electronic Press, 2010 1 Greezy Wheels performing at the Armadillo World Headquarters. Photo courtesy of the South Austin Popular Culture Center. Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 3 “I wanna go home with the Armadillo Good country music from Amarillo and Abilene The friendliest people and the prettiest women You’ve ever seen.” These lyrics from Gary P. Nunn’s “London Homesick Blues” adorn the wall above the exit from the Austin Bergstrom International Airport baggage claim. For years, they also played as the theme to the award-winning PBS series Austin City Limits. In short, they have served in more than one instance as an advertisement for the city’s sense of self, the face that Austin, Texas, presents to visitors and national audiences. The quoted words refer, if obliquely, to a moment in 9 the 1970s when the city first began fashioning itself as a key American site of musical production, one invested with a combination of talent and tradition and tolerance that would make of it the self-proclaimed “Live Music Capital of the World.”1 In many ways, the venue of the Armadillo World Headquarters served as ground zero for these developments, and it is often remembered as a primary site for the decade’s supposed melding of Anglo-Texan traditions and countercultural lifestyles.2 This strand of public memory reveres the Armadillo as a place in which
    [Show full text]