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Fionn Whitehead Fionn

Fionn Whitehead Fionn

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ARE NOT NECESSARILY NEWTO appearing in the UK miniseries miniseries UK the in appearing after break: amonumental Then, Isuppose.” viciously, quite own; iton my pursued I just So or a compulsion. urge an But it’s just describe. to hard of It’s do it. kind to I wanted that knew of kind …I college Ileft “Once he slogged. But onward no response.” ting get “and on my laptop,” he says, taken photo grainy areally with [to time send] CV my free crappy, homemade I had whenever work on at logging just was “I online. calls casting searching money.” enough have but didn’t reapply to told was “I says. in,” he get to desperate of kind really schools, different of loads to applied “I no avail. school—to drama attending of intention the 17 at with school high left Whitehead musician, ajazz of son kid theater- .” The in Thames River on the driver aboat “and he says, achildminder,” and a barista was “I otherwise. suggested resumé his actor—but astruggling as much time spent hadn’t flick war behemoth kind of a private guy and it would be nice to keep it that way.” itthat keep to nice be itwould and guy aprivate of kind been always “I’ve he says. shyness,” awkward slightly myof own on [it] my absence areflection that just is think “I media. social from abstains Whitehead 20-year-olds, most But unlike sane.” in go you’ll otherwise in, people let to have of kind you so where no of middle the “We were Keoghan: Barry and Styles Harry included which brothers, of band his between onset developed incredible.” really …It was soldiers. as dressed extras 1,300 and overhead fires spit real with beach “To on the moment,” be he says. the in and on camera possible as real as look to rigged and real itwas lot of a so postproduction, little very was “There set. Nolan’s sweeping Tommy. of role top-billed for the out thousands beat who Whitehead, says time,” of space small astrangely in events his arranged WHEN HE WAS CAST AS THE LEAD IN CHRISTOPHER IN LEAD THE AS WAS CAST HE WHEN But Whitehead wasted little time paying his dues in odd jobs, jobs, odd in dues his paying time little wasted But Whitehead Like the effects, there was nothing fake about the bond that that bond the about fake nothing was there effects, the Like in himself immersed Whitehead shoot, For five-month the Fionn Whitehead Fionn

Dunkirk Dunkirk YOUTHFUL ENTHUSIASM Dunkirk audition , 20-year-old Fionn Whitehead Whitehead Fionn , 20-year-old . Him, “It was a series of very lucky lucky very of aseries “It was BY SAMUEL ANDERSON SAMUEL BY he scored an agent who agent an he scored

NOLAN’S - - - -

PHOTOGRAPH BY ROKAS DARULIS PHOTOGRAPH BY BROOKLIN ROSENSTOCK neo-Nazi by the time he made he made time the by neo-Nazi a and killer serial ateenage played had who Gosling, Ryan teer Mouseke Former take one-eighty; complete a make some actor, tale tale coming-of-age gore-tinged gonzo, the chose Lynch role, film ture series Channel’s Disney from duo musical the of one half as known best is 22, Lynch, a tween; yet. study case extreme most the be may Lynch Ross exterior, one’s molting Disney to comes had never heard of Dahmer before reading the script. “The self- “The script. the reading before Dahmer of heard never had who Lynch, says good,’” really was that this; ‘You’re get to going like, he was and photographer, tour R5’s my band with audition aself-taped made “I but Lynch. not killer, aserial humanizing began. spree 17-victim his before just cence adoles rocky killer’s the tracks film the classmates, school high WHEN IT COMES TO TRANSITIONING FROM CHILD TO CHILD FROM TO TRANSITIONING COMES IT WHEN If you’re familiar with Lynch’s previous work, you are probably probably are you work, Lynch’s previous with you’reIf familiar Most young actors might have resisted the prospect of prospect the resisted have might actors young Most real-life Dahmer’s one Jeffrey by of novel on agraphic Based My Friend Dahmer My Friend —in which he plays the titular role. role. titular the he plays which —in Austin &Ally Austin The Notebook The . But for his first fea first . But his for . That said, when it when said, . That Ross Lynch Ross

ADULT - - -

ding Dahmer from the day.” the from Dahmer ding my of shed my version was that drain, the down going dye hair the Iwatched When ametaphor. as Iuse which everyday, hair my in dye hair this had “I out,” he says. steam and decompress of sort to usual longer than for alittle shower the in sitting just and home night at going myself I found played. I’ve that characters other the of most then shed to harder “Dahmer’s filming. started he once from detach to harder was Dahmer of character the Tussauds Orlando), Madame at likeness character’s the in figure it.” at awhack took and space head the in put myself Ijust exploration. an of sort just was tape like that.“ like I killer. aserial Iplay where film indie or an film comedy teen it’s a whether cool, of kind that’s think “I Lynch. says do next,” to I’m going what predict really can’t you where guys those of one being like “I guessing. audiences keep to he wants he says, Update, tus Next up, Lynch will return to lighter fare as the lead in in lead the as fare lighter to return will up, Lynch Next a wax (who inspired Austin as profile high his despite And a teen comedy from the team behind behind team the from comedy a teen 17 Again 17 . But, . But, Sta - - -

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DUJOUR stardom on stardom 1999’s in Big Daddy timing medic co preternatural with cuteness serving Ashley, and Mary-Kate to with run Channel Disney decade-long nearly his to referring he adds, to,” not what and take to parts what learn to have you years, eight itfor doing after It’s that just great. was environment that in work to Igot opportunity “The Hollywood. is that mirror funhouse the up in growing of byproducts negative the about asked when back volleys in,” he quickly boxed Iwas think even to It’s in. silly boxed never way. the was “I along somewhere lose stars child most Comics adaptation Jughead on on Jughead friend best brooding and narrator omniscient the as role But his tem. While social media adds a layer of exposure unknown to unknown exposure of alayer adds media social While tem. sys the outsmarting by him around people hot garden-variety COLE SPROUSE, STAR OF CW’S SUPERCHARGED ARCHIE SUPERCHARGED CW’S OF STAR SPROUSE, COLE To a certain generation, Cole and Dylan were the male analogs analogs male the were Dylan and Cole generation, To acertain Like the character of Jughead, Sprouse stands out from the the out from stands Sprouse Jughead, of character the Like his identical twin Dylan. Dylan. twin identical his The Suite Life of Zack and Cody Cody and Life Zack of Suite The Riverdale has already eclipsed Sprouse’s juvenilia. juvenilia. Sprouse’s eclipsed already has , nurses a sly self-awareness that that self-awareness a sly , nurses which led to full-blown Disney Disney full-blown to led which and and Suite Life on Deck Life on Suite Cole Sprouse - - .

work is quality. It doesn’t matter if it’s small or big screen.” it’s small if It matter doesn’t quality. is work the then quality is work the if think “I in: boxed be to he refuses Millennial, good any But like limitless. is potential Sprouse’s years, ’ooVgue Vog L’Uomo of cover the for Smith Sam shooting recently a photographer, He’s also for Jughead. inspiration er] his of he says Serling,” Rod grew up with a poster of of aposter up with grew his words—he was attracted to dark, cerebral storytelling. cerebral dark, to attracted was words—he his in school, loud” acting “very “Vaudevillian,” Disney—that Even at on media. social belief bit that of alittle sell to have we that realize us of all think I empathy, and and on humanity based is acharacter in belief the a show,” of “Because hype he says. the and success the into media social integrate to it’s fundamental that recognize studios think “I advantage. his itto uses him) and photograph sneakily to attempts fans’ captures @camera_duels account stagram - In it(his subverts Sprouse actors, young of generations previous With the CV of a Hollywood veteran and substance beyond his his beyond substance and veteran aHollywood of CV the With And like Jughead, there’s more to Sprouse than meets the eye. eye. the meets than Sprouse to more there’s Jughead, like And .

But it’s still kind of a wild west.” west.” awild of kind But it’s still The Twilight Zone ’s writ [narrator and

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PHOTOGRAPH BY EVAAN KHERAJ PHOTOGRAPH BY JENNIFER BALCOMBE Afrocentric Afrocentric . ithit when game, VR Crush–like aCandy by my .” friends.” my for stuff doing like now Ifeel “But right he says. watch,” uanians Lith only that films 15 making like feel Imight “Someday hits: ows series sci-fi of ond episode sec gut-punching the in notoriety crossover achieved eventually Kaluuya and followed, show on the Acting London. up in growing drama drama teen British gritty joining was big break His theater. a community at improv 16 studied to 13 from and nine, at play first his He wrote slipping.” is veil the think just “I actor. the says it’s there,” [racism] because fore the but to it’s come fore, the to “[It’s] gone. are that not America post-racial a of illusions any that coin: same the of sides two are satire social and racism blatant Kaluuya, says it.” But, feel you person, black exists racism [this happened year], yeah, that’s it’s like, “Everything Kaluuya. to no surprise as came which, August, in Charlottesville in rally nationalist white the at violence real-life landscape.” litical po the it’s say changed “But I can’t Kaluuya. says crazy,” aren’t they like feel and this,’ ‘Yeah, go, can people where touchstone It’s a experience. an articulated done is film’s the what feel “I have. can one movie impact the about fantasies entertain doesn’t office. box the dominated Moonlight weekend that race: of treatment Hollywood’s in point aturning signal to seemed Trump’s for presidency—and asalve as served raving cial commer and critical the solved!”), (“Racism thinking magical white Obama-era was satire film’s the of target main the While agenda. aterrifying betrays reception overeager whose family, girlfriend’s Caucasian his meeting man black on ayoung centers film The liberalism. white well-meaning of perils on the tary Out parable comedy-horror the when releases, for film season IT WAS A BALMY LATE FEBRUARY, A TYPICALLY SLEEPY ATYPICALLY FEBRUARY, LATE WASIT ABALMY Next up, Kaluuya can be seen in Marvel’s highly anticipated, anticipated, highly Marvel’s in seen be can up, Kaluuya Next Kaluuya has always been interested in uncovering the truth. truth. the uncovering in interested been always has Kaluuya the was horror Hollywood any than chilling more Indeed, Kaluuya, Daniel Londoner 28-year-old star, film’s But the continuing his streak of high-impact, yet highly accessible, set the internet ablaze with its highly meme-able commen meme-able highly its with ablaze internet the set Skins Skins THE FORE BECAUSE IT’S [RACISM] TO THE FORE, THE VEIL IS SLIPPING. followed by Steve McQueen’s Wid Steve by followed Panther Black as a staff writer at 18, drawing on his own experience experience own on his 18, drawing at writer astaff as OUT HAS BROUGHT [IT’S] NOT THAT GET THERE. I JUST THINK Daniel Kaluuya BUT IT’SBUT COME TO

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