Paper*Thehighschoolfortheperformingandvisualartsnewspaper* Farewell, Dr

Total Page:16

File Type:pdf, Size:1020Kb

Paper*Thehighschoolfortheperformingandvisualartsnewspaper* Farewell, Dr US FREE AUSTRALIA $ 10.50 DENMARK DKK 75.00 CANADA $ 9.50 FRANCE € 8.50 U.K. £ 10.50 HOLLAND € 8.50 ITALY€ 9.00 JAPAN ¥ 1740 NEW ZEALAND NZ$ 11.50 SPAIN € 8.50 SWEDEN SEK 75.00 SWITZERLAND CHF 16.00 UAE AED 45.00 INDIA ₹ 323.00 VOLUME 12 ISSUE 6 paper*TheHighSchoolforthePerformingandVisualArtsNewspaper* Farewell, Dr. Allen Every morning of my junior year, Dr. Allen greeted doing more work with students across the state with the me at the front door, cup of coffee in hand. With a radiant UIL One Act Play competition… I walk away knowing smile and a friendly hello, he held the HSPVA front door that the past 12 1/2 years have been magical, fun, and open for every single student. The day after a big poetry full of memories that I will not forget!” performance, Dr. Allen congratulated me with a small To be completely honest, a part of me is glad round of applause. And at 7:30 in the morning during the that Dr. Allen and I will be graduating from HSPVA the hardest year of high school, this act of kindness stuck same year because I cannot imagine this school without with me — it made every day that much brighter. him. I cannot imagine a year without a principal like Dr. Dr. Allen is truly the best principal that any art Allen that advocates for all his students, remembers school student could ask for. His enthusiasm for the their names, and genuinely makes them excited to be art that floats through the halls of 790 Austin Street is at school. And for that reason, paper* bestows upon infectious. Anyone on campus last year will remember Dr. Allen that greatest honor we can think of: honorary his cameo in Mary Poppins and his onstage appearance member of the graduating class of 2021. And I, for one, in a fluffy, pink tutu before the dance spotlight. Without cannot wait to walk across that stage alongside him. exaggeration, I wouldn’t be at this school without Dr. Allen. While principal, he created the Creative Writing by Shelby Edison department. And none of us would be downtown without him either, as he helped with the development of our new downtown location. When I reached out to Dr. Allen about his time at PVA, he told me, “Serving as principal of PVA is an honor I could have never imagined. Being surrounded by young artists who are talented and passionate about their craft is unbelievably inspiring. Among my favorite things about my time at the school are attending performances in the different art areas, being a part of establishing the Creative Writing program, designing and being a part of the construction of the new downtown facility, and greeting students at the front doors each morning as my schedule allowed. I will always be most proud of the 790 Austin building!” There’s a whole lot to love about Dr. Allen, but my favorite thing about having him as my principal is that he truly cares about his students. After my senior show, as I walked through the hallway, completely exhausted, putting away props, he stopped me to congratulate me on a job well done. It’s an Artist Academy rite of passage for Dr. Allen to shed a few tears as he addresses the newest class of HSPVA artists. When I volunteered at Artist Academy, the schedule even factored in Dr. Allen crying in his speech. How special is it that our principal, someone who could just sit back and relax in his fourth floor office with a stunning view of Downtown Houston, is also our biggest cheerleader? HSPVA may be undefeated in football since 1971, but if we had a team, I know that Dr. Allen would be in the bleachers for every single game. When I asked Dr. Allen what his plans after HSPVA are, he said, “I have no other [plans] than enjoying coffee with my dogs (Charlie and Frankie) in the mornings, reading for pleasure, watching lots of Astros baseball, traveling with my partner, and 10 Things I Am Grateful for at PVA* by Matthew Kalmans As I conclude my high school journey here at crop. Kinder HSPVA, I have been reflecting on these past four 5. The Theatre Department parents. Shoutout to years quite often. Though there have been many ups Ms. Ramirez, Ms. Champion, Ms. Strug, and so many and downs during my time here, tears shed and smiles others for organizing such fantastic events in the midst spread, ultimately, I am so grateful to have come to of COVID. I am so grateful that I have gotten to become HSPVA. Here are ten reasons (and certainly, there are closer with my level, even in the middle of a pandemic. many more) why I am grateful for my time at HSPVA. 6. Our consultants. We are so lucky to have 1. The stray from normalcy. There have been many working artists come teach classes for us. I have moments where I am invested in my art, sometimes learned so much from our consultants’ experience in the to the point of extremity. Then, I remember that I professional world and their perspectives on a career in wouldn’t be able to have such freedom at any other the arts. high school in Houston. At HSPVA, we are given so 7. Being downtown. Our location has opened up much independence that differs from any other school, a so many opportunities for us. Whether it be walking to quirkiness I am grateful for. the Hobby Center to go see Once On This Island with 2. The administration. Our administration is the ON STAGE SEATING, or walking over to Discovery BEST. The amount of work that our APs and counselors Green for a dance rehearsal and ending the day with put into our academic, artistic, and personal success is Starbucks, being downtown has opened so many doors astounding. The administration truly cares about each for exploration. individual student, and I will miss them dearly. 8. Mary Poppins. This show was SO MUCH FUN! 3. The facilities. It is an enormous privilege to Being a part of an all-school musical was certainly have access to such high-quality performance spaces an experience I will never forget. Seeing all art areas and equipment. Our Denney Theatre is on-par with come together and form one beautiful masterpiece is professional performance theatres. We have so much absolutely incredible. No, even more than incredible… equipment at our disposal to help us grow in our art and SUPERCALIFRAGILISTICEXPIALIDOCIOUS! prepare us for the future. That is truly amazing. 9. The Theatre faculty. I am so lucky that I have 4. Junior year. I know, who actually liked junior gotten to know these teachers so well. They are the year? Well, I did. I found that I had the most academic kindest people, and they are so much fun to be around. I and personal growth in this year (until March, of course), will miss them so much. and I credit the teachers for a tremendous part of that 10. Shelby Edison. A multi-talented, kind-hearted, growth. Though some of them are not still at HSPVA, I hard-working icon. I am so glad we met in the parking will never forget the impact that Ms. Seward had on my garage across the street after parking next to each other writing and rhetoric or Mrs. Garza’s influence on my love day after day. I would not have wanted to run for cutest for mathematics. The teachers here are the cream of the couple with anyone else. The Class of 2022’s Arrested Development by Vera Caldwell As the class of ’22 become rising seniors this distanced walk in a park, graveyard, cursed abandoned summer, let’s take a minute to reflect on what our cohort lot, etc. (anywhere outdoors). Eat outside at restaurants. has been through. Next year, we will be the last class Go to shops that require masks and social distancing. in the school to have attended the old campus. We only Have picnics! When was the last time you had a picnic? got to enjoy the new building for a little more than a year And if you can’t see others in person, talk on the phone before being shut out of it due to COVID-19, which struck like it’s the 20th century. Use that watch party feature in the spring of our sophomore year. Now, we’ve spent on various our junior year divided between home and school. Some streaming of us attend an almost-normal-but-not-quite campus with services. a few people conspicuously missing. Others of us stay Make plans at home watching our in-person classmates do school over the on Teams while our dogs bark and our parents loudly summer. As walk around in the background. All of us, however, have a class, we experienced some level of arrested development; we’ve need to live only had about a year and a half of normal high school, the few bits and we’re about to be seniors. I, for one, have noticed of life we myself feeling as nervous as a freshman the few times feasibly can I’ve had to go into school for the SAT or whatnot before right now crawling back into my virtual cave. We’re cast adrift in because the middle of this upheaval, with many of our memories time has fading further and further into the past as we spend more passed way time in this dreamlike era.
Recommended publications
  • Constructing, Programming, and Branding Celebrity on Reality Television
    UNIVERSITY OF CALIFORNIA Los Angeles Producing Reality Stardom: Constructing, Programming, and Branding Celebrity on Reality Television A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy in Film and Television by Lindsay Nicole Giggey 2017 © Copyright by Lindsay Nicole Giggey 2017 ABSTRACT OF THE DISSERTATION Producing Reality Stardom: Constructing, Programming, and Branding Celebrity on Reality Television by Lindsay Nicole Giggey Doctor of Philosophy in Film and Television University of California, Los Angeles, 2017 Professor John T. Caldwell, Chair The popular preoccupation with celebrity in American culture in the past decade has been bolstered by a corresponding increase in the amount of reality programming across cable and broadcast networks that centers either on established celebrities or on celebrities in the making. This dissertation examines the questions: How is celebrity constructed, scheduled, and branded by networks, production companies, and individual participants, and how do the constructions and mechanisms of celebrity in reality programming change over time and because of time? I focus on the vocational and cultural work entailed in celebrity, the temporality of its production, and the notion of branding celebrity in reality television. Dissertation chapters will each focus on the kinds of work that characterize reality television production cultures at the network, production company, and individual level, with specific attention paid to programming focused ii on celebrity making and/or remaking. Celebrity is a cultural construct that tends to hide the complex labor processes that make it possible. This dissertation unpacks how celebrity status is the product of a great deal of seldom recognized work and calls attention to the hidden infrastructures that support the production, maintenance, and promotion of celebrity on reality television.
    [Show full text]
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Sketch Idea Generator
    Sketch Idea Generator This is a guide you can use to generate sketch ideas. Keep in mind that out of 10 ideas in comedy, maybe 1 is going to turn out great. But, using these methods you can pump out ideas very quickly and get to that 1 really great idea faster. Enjoy! Adjective/ Profession/ Location ­ Mis/Matching This one is all about pumping out ideas quickly. Make 3 lists. First a list of adjectives. Second a list of professions. Third a list of locations. Then you just connect them in a way that makes sense or in a way that makes no sense at all. Here’s an example: Adjectives Professions Locations Loud ­ A Barista Office Quiet ­ B Librarian ­ A Art Museum ­A Brave Actor ­ B Truck Stop ­ C Scared ­ C Trash Collector Library Childish Singer Restaurant Smart Mechanic ­ C Home Responsible Pope Grocery Store ­ B If this were on sheet paper by hand I would just draw arrows (i suggest doing it that way). But, for the sake of keeping this digitally coherent, here are some connections I could make: A) Loud ­­­> Librarian ­­­­> Art Museum B) Quiet ­­­> Actor ­­­> Grocery Store C) Scared ­­­> Mechanic ­­­> Truck Stop And so on… Then you look at your connections and you try to think of some situation that those make sense. Or you go the complete opposite and connect ones that are total rubbish to put together. For example, what if a librarian, who is forced to stay quiet in her natural environment (the ​ library) made up for it by being loud everywhere else? Next, you would brainstorm that scenario.
    [Show full text]
  • An International Study of Over 1000 Digital Influencers Table of Contents
    Long Live GIRL power! AN INTERNATIONAL STUDY OF OVER 1000 DIGITAL INFLUENCERS TABLE OF CONTENTS Celebrating International Women’s Day - a Brief History 3 Why Are Women so Important as Consumers and Influencers? 5 Influencer Survey Results 7 Noteworthy Campaigns 15 Noteworthy Social Media Trends 21 LONG LIVE GIRL POWER! 03 CELEBRATING INTERNATIONAL WOMEN’S DAY – a Brief History International Women’s Day, with its history deeply rooted in the movement for women’s rights, is celebrated annually on March 8th. The day originated in the United States, where the Socialist Party of America organised the first “National Woman’s Day” in 1909. The event then inspired European activists to establish an annual “Women’s Day” in 1910. International Women’s Day as we know it started in 1977 when the United Nations General Assembly invited member states to proclaim March 8th as the UN Day for women's rights and world peace. Since then, International Women’s Day has been widely adopted as a celebration of women in a very Photo: mission.org broad sense, transcending politics. Brands actively join the efforts to honour and inspire women and recognize their accomplishments. In recent years, women’s empower- ment has become an increasingly prominent theme year- round and @_janemay it continues to leave a notable mark on the advertising world. In this report, we want to give voice to women and hear them out. We asked 896 female influencers about their views on their careers, everyday lives, the image of women Long in advertising, and more. Alongside the analysis of our influencers’ LiveGIRL opinions, this study’s objective is to present notable case studies of campaigns celebrating women power! and examples of female influencers absolutely worth knowing.
    [Show full text]
  • UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
    USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc.
    [Show full text]
  • What Technology Wants / Kevin Kelly
    WHAT TECHNOLOGY WANTS ALSO BY KEVIN KELLY Out of Control: The New Biology of Machines, Social Systems, and the Economic World New Rules for the New Economy: 10 Radical Strategies for a Connected World Asia Grace WHAT TECHNOLOGY WANTS KEVIN KELLY VIKING VIKING Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St. Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England First published in 2010 by Viking Penguin, a member of Penguin Group (USA) Inc. 13579 10 8642 Copyright © Kevin Kelly, 2010 All rights reserved LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA Kelly, Kevin, 1952- What technology wants / Kevin Kelly. p. cm. Includes bibliographical references and index. ISBN 978-0-670-02215-1 1. Technology'—Social aspects. 2. Technology and civilization. I. Title. T14.5.K45 2010 303.48'3—dc22 2010013915 Printed in the United States of America Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Pink Unicorn Program
    M T H A E Y E OUT OF THE BOX 9 P I - S 2 C 5 THEATRICS O , P 2 A 0 L 1 A presents 9 C T O R A L I C E R I P L E Y in S ' G U I L D MUSIC & LYRICS BY STEPHEN SONDHEIM BOOK BY JAMES LAPINE BOOK E L I S E F O R I E R E D I E DIRECTION A M Y E . J O N E S @ootbtheatrics Opening Night: May 15, 2019 The Episcopal Actors' Guild 1 East 29th Street Elizabeth Flemming Ethan Paulini Producing Artistic Director Associate Artistic Director present Alice Ripley* in Out of the Box Theatrics' production of By Elise Forier Edie Technical Design Dialect Coach Costume Design Frank Hartley Rena Cook Hunter Dowell Board Operator Wardrobe Supervisor Joshua Christensen Carrie Greenberg Graphic Design General Management Asst. General Management Gabriella Garcia Maggie Snyder Cara Feuer Press Representative Production Stage Management Ron Lasko Theresa S. Carroll* Directed by AMY E. JONES+ * Actors' Equity OOTB is proud to hire members of + Stage Directors and Association Choreographers Society AUTHOR'S NOTE ELISE FORIER EDIE People often ask me “how much of this play is true?” The answer is, “All of it.” Also, “None of it.” All the events in this play happened to somebody. High school students across the country have been forbidden to start Gay and Straight Alliance clubs. The school picture event mentioned in this play really did happen to a child in Florida. Families across the country are being shunned, harassed and threatened by neighbors, and they suffer for allowing their transgender children to freely express their identities.
    [Show full text]
  • 2017 DGA Episodic Director Diversity Report (By STUDIO)
    2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • Top Recommended Shows on Netflix
    Top Recommended Shows On Netflix Taber still stereotype irretrievably while next-door Rafe tenderised that sabbats. Acaudate Alfonzo always wade his hertrademarks hypolimnions. if Jeramie is scrawny or states unpriestly. Waldo often berry cagily when flashy Cain bloats diversely and gases Tv show with sharp and plot twists and see this animated series is certainly lovable mess with his wife in captivity and shows on If not, all maybe now this one good miss. Our box of money best includes classics like Breaking Bad to newer originals like The Queen's Gambit ensuring that you'll share get bored Grab your. All of major streaming services are represented from Netflix to CBS. Thanks for work possible global tech, as they hit by using forbidden thoughts on top recommended shows on netflix? Create a bit intimidating to come with two grieving widow who take bets on top recommended shows on netflix. Feeling like to frame them, does so it gets a treasure trove of recommended it first five strangers from. Best way through word play both canstar will be writable: set pieces into mental health issues with retargeting advertising is filled with. What future as sheila lacks a community. Las Encinas high will continue to boss with love, hormones, and way because many crimes. So be clothing or laptop all. Best shows of 2020 HBONetflixHulu Given that sheer volume is new TV releases that arrived in 2020 you another feel overwhelmed trying to. Omar sy as a rich family is changing in school and sam are back a complex, spend more could kill on top recommended shows on netflix.
    [Show full text]
  • 9/11 Report”), July 2, 2004, Pp
    Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5.
    [Show full text]