BADER and OVERTON CANADIAN CELLO COMPETITION Semi-Finalists Announced
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The Hours Begin to Sing Songs by American Composers Performed by Soprano Lisa Delan New Cd Released by Pentatone Classics
FOR IMMEDIATE RELEASE THE HOURS BEGIN TO SING SONGS BY AMERICAN COMPOSERS PERFORMED BY SOPRANO LISA DELAN NEW CD RELEASED BY PENTATONE CLASSICS A new CD, The Hours Begin to Sing, with songs by American composers performed by soprano Lisa Delan, has just been released on the PentaTone Classics label (PTC 5186 459). The recording features the art songs of William Bolcom, John Corigliano, David Garner, Gordon Getty, Jake Heggie and Luna Pearl Woolf and is the partner CD to the 2009 album And If The Song Be Worth A Smile. Ms. Delan and pianist Kristin Pankonin, joined by guest artists Matt Haimovitz, David Krakauer and Maxim Rubtsov, present four premiere recordings, three of which were written specifically for this disc. 2 Ms. Delan states, “To be part of the creative process of new songs from their inception to fruition is an exhilarating – and altogether humbling – experience. Myriad externalities influence the direction of the journey from the moment the text speaks to a composer until the moment the performers speak the text, but the great wonder is in what happens in-between, in the mind and hand of the composer.” Contents of the CD PentaTone Classics (PTC 5186 459) THE HOURS BEGIN TO SING Lisa Delan, soprano Kristin Pankonin, piano Matt Haimovitz, cello David Krakauer, clarinet Maxim Rubtsov, flute Jake Heggie (1961) – From The Book of Nightmares For Soprano, Cello, and Piano Poems by Galway Kinnell I. The Nightmare II. In a Restaurant III. My Father’s Eyes IV. Back You Go David Garner (1954) – Vilna Poems For Soprano, Clarinet, Cello and Piano Poems by Avrom Sutzkever Unter dayne vayse shtern Shpiltsayg In kartser Ekzekutzie Vi azoy? In torbe funem vint John Corigliano (1938) – Three Irish Folksong Settings For Soprano and Flute I. -
Orquesta Filarmónica De Buenos Aires
ABONO 8 16 1 Orquesta Filarmónica 0 2 de Buenos Aires Enrique Arturo Diemecke | DIRECTOR CONCIERTOS Sascha Maisky | VIOLÍN Mischa Maisky | VIOLONCHELO Lily Maisky | PIANO 4 OFBA JEFE DE GOBIERNO Horacio Rodríguez Larreta VICEJEFE DE GOBIERNO Diego Santilli JEFE DE GABINETE Felipe Miguel MINISTRO DE CULTURA Enrique Avogadro DIRECTORA GENERAL María Victoria Alcaraz HOJAS GENERALES_2018.indd 1 3/23/18 17:04 Orquesta Filarmónica de Buenos Aires Enrique Arturo Diemecke | DIRECTOR MUSICAL 7 I II OFBA LUDWIG VAN BEETHOVEN LUDWIG VAN BEETHOVEN (1770 - 1827) (1770 - 1827) OBERTURA CORIOLANO, OP. 62 SINFONIA NRO. 7 EN LA MAYOR, OP.92 CONCIERTO TRIPLE, OP.56 I. Poco sostenuto - Vivace EN DO MAYOR II. Allegretto I. Allegro III. Presto – Assai meno presto II. Largo IV. Allegro con brio III. Rondo alla Polacca VIOLONCHELO Mischa Maisky VIOLÍN Sascha Maisky PIANO Lily Maisky NOVIEMBRE JUEVES 15 20 H Enrique Arturo Diemecke DIRECTOR MUSICAL 8 9 En 2017 fue nombrado Director General Artístico y de Producción OFBA del Teatro Colón. Además, cumple su décimo segundo año como OFBA director artístico de la Orquesta Filarmónica de Buenos Aires y su trigésimo año como director artístico de la Orquesta Sinfónica de Flint, Michigan (Estados Unidos). Intérprete notable de las obras de Mahler, ha sido galardonado con una medalla de la Sociedad Mahler por sus versiones de las sinfonías completas del compo- sitor en México y Argentina. Fue Director Artístico de la Ópera de Bellas Artes de México en las décadas de los ‘80 y ‘90, donde di- rigió más de treinta producciones líricas. En 2007 dirigió Werther en el Colón y Le jongleur de Notre Dame de Massenet con Roberto Alagna para la Ópera Nacional de Montpellier. -
Christine Lamprea, Cellist
HRISTINE AMPREA ELLIST CV 1 C L , C 629 Georges Lane | Ardmore, PA 19003 | 210.394.6628 | [email protected] | www.christinelamprea.com EDUCATION M.M. New England Conservatory of Music | Boston, Massachusetts 2013 Master of Music | Cello Performance · Cello studies with Natasha Brofsky · Chamber music studies with Lucy Chapman, Paul Katz, Vivian Weilerstein B.M. The Juilliard School | New York, New York 2011 Bachelor of Music | Cello Performance · Cello studies with Bonnie Hampton · Chamber music studies with Toby Appel, Earl Carlyss, Timothy Eddy FURTHER EDUCATION Independent Study | Montreal, Quebec, Canada 2015-2017 · Cello studies with Matt Haimovitz, funded by a Sphinx MPower Grant Kronberg Academy Masterclasses | Kronberg, Germany 2012 · Cello studies with Frans Helmerson Piatigorsky International Cello Festival | Los Angeles, California 2012 · Cello studies with Gary Hoffman Perlman Music Program Chamber Workshop | Shelter Island, New York 2010, 2011 · Chamber music studies with Paul Katz, Itzhak Perlman, Roger Tapping Yellow Barn Chamber Music Festival | Putney, Vermont 2010, 2011 · Chamber music studies with Seth Knopp, Anthony Marwood, Violaine Melancon Banff Masterclasses | Banff, Alberta, Canada 2010 · Cello studies with Colin Carr, Andres Diaz, Raphael Wallfisch Amsterdam Cello Biennale | Amsterdam, Netherlands 2010 · Cello studies with Miklos Perenyi, Thomas Demenga Kneisel Hall Chamber Music Festival | Blue Hill, Maine 2008, 2009 · Chamber music -
Janine Jansen, Martin Fröst, Torleif Thedéen, and Lucas Debargue Béla Bartók
Janine Jansen, Martin Fröst, Torleif Thedéen, and Lucas Debargue Tuesday, December 5, 2017 at 8:00pm Pre-concert Talk at 7:00pm This is the 871st concert in Koerner Hall Janine Jansen, violin Martin Fröst, clarinet Torleif Thedéen, cello Lucas Debargue, piano PROGRAM Béla Bartók:Contrasts, for clarinet, violin, and piano, BB 116 Verbunkos (Recruiting Dance). Moderato ben ritmato Pihenö (Relaxation). Lento Sebes (Fast Dance). Allegro vivace Karol Szymanowski: Mity (Myths), op. 30 Zrodło Aretuzy (The Fountain of Arethusa) Narcyz (Narcissus) Driady i Pan (Dryads and Pan) INTERMISSION Olivier Messiaen: Quartet for the End of Time 1. Liturgie de cristal (Crystal Liturgy) – quartet 2. Vocalise, pour l'Ange qui annonce la fin du Temps (Vocalise, for the Angel who Announces the End of Time) – quartet 3. Abîme des oiseaux (Abyss of the Birds) – clarinet 4. Intermède (Interlude) – violin, clarinet, cello 5. Louange à l’Éternité de Jésus (Praise to the Eternity of Jesus) – cello, piano 6. Danse de la fureur, pour les sept trompettes (Dance of the Fury, for the Seven Trumpets) – quartet 7. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (Tangle of Rainbows, for the Angel who Announces the End of Time) – quartet 8. Louange à l'Immortalité de Jésus (Praise to the Immortality of Jesus) – violin, piano Béla Bartók Born in Nagyszentmiklós, Hungary (now Sînnicolau Mare, Romania), March 25, 1881; died in New York, New York, September 26, 1945. Contrasts, for clarinet, violin, and piano, BB 116 (1938) This is a little acorn that grew into a three-movement classic of the repertoire. -
Highlighted = Needs to Be Written/Included
Seeing and Hearing Music COMBINING GENRES IN FILM VERSIONS OF BACH’S SIX SUITES FOR SOLO CELLO SENIOR THESIS FOR MUSIC SIMON LINN-GERSTEIN APRIL 20, 2009 TABLE OF CONTENTS TABLE OF CONTENTS 2 LIST OF MUSIC EXAMPLES 3 LIST OF VIDEO CLIPS 4 INTRODUCING BACH SUITE FILMS 5 PART I: DIAGRAMMING MUSIC: MONTAGE AND SHOWING MUSICAL FORMS/GENRES 7 Introduction to Montage and Links to Sound Recording 7 Comparing Audio and Visual Methods 12 Montage Case Studies 14 PART II: GENERIC CROSSOVER: INFLUENCES FROM OTHER FILM TRADITIONS ON BACH SUITE MONTAGE 25 Documentary Film and Didactic Montage 25 Music Video: Illustrating Both Structure and Gesture 28 Case Studies: Comparing the Influence of Music Video on Two Bach Films 35 PART III: THE HISTORICAL BACH: REPRESENTING SOCIAL AND HISTORICAL CONTEXT/GENRES 41 Showing and Telling History 41 The Myth of Bach’s Spirituality: A History, and its Influence on Bach Suite Films 46 Cautious Avoidance of Historical Context 54 From Dances to DVDs: Melding New and Old Contexts and Genres 55 CONCLUSION 59 WORKS CITED/BIBLIOGRAPHY 61 2 MUSIC EXAMPLES 68 Example 1: Bach Well-Tempered Clavier, Fugue No. 20 in A minor, exposition Glenn Gould’s editing 68 Example 2: Bach Well-Tempered Clavier, Fugue No. 20 in A minor, conclusion Glenn Gould’s editing 69 Example 3: Bach Suites for Solo Cello, Suite No. 1 in G major, Allemande Pablo Casals and Wen-Sinn Yang’s editing 70 Example 4: Bach Suites for Solo Cello, Suite No. 3 in C major, Prelude Mstislav Rostropovich’s editing 71 Example 5: Bach Suites for Solo Cello, Suite No. -
Haimovitz Plays Bach Matt Haimovitz, Cello
Miller Theatre at Columbia University 2015-16 | 27th Season Special Events Haimovitz Plays Bach Matt Haimovitz, cello Thursday, October 22, 8:00 p.m. Saturday, October 24, 8:00 p.m. From the Executive Director This October has been such a full and rewarding month so far. We celebrated John Luther Adams, recipient of the William Schuman Award, with three New York premiere concerts that captivated audiences with soundscapes inspired by the Arctic. We also opened our Early Music series with a screening of La Passion de Jeanne d’Arc accompanied by a medieval score devised and sung by the Orlando Consort. This week, Matt Haimovitz performs on the Miller stage and around Columbia’s campus, bringing Bach and new works to audiences in a myriad of spaces, and it has been lovely to see students and professors stumble upon a cello suite on their walks to class. Matt and I share a passion for bringing classical music to new audiences, and watching Matt deliver these suites to the Columbia community has been inspiring. Haimovitz Plays Bach culminates here at Miller with the presentation of the complete Bach Cello Suites and six accompanying new overtures. Each overture is a unique reflection of the composer’s experience with and interpretation of Bach. Next Tuesday, Ensemble Signal returns to continue our Pop-Up Concert series. This time, they’ll present pieces that inspire them as artists with an amazing repertoire that features solos for violin and cimbalom. In a few weeks, we kick off November and our Jazz series with the return of the incomparable Anat Cohen. -
Mischa Maisky, Cello
MISCHA MAISKY, CELLO Mischa Maisky has the distinction of being the only cellist in the world to have studied with both Mstislav Rostropovich and Gregor Piatigorsky. Rostropovich has lauded Mischa Maisky as "... one of the most outstanding talents of the younger generation of cellists. His playing combines poetry and exquisite delicacy with great temperament and brilliant technique." Born in Latvia, educated in Russia, after his repatriation to Israel, Mischa Maisky has been enthusiastically received in London, Paris, Berlin, Vienna, New York and Tokyo, along with the rest of the major music centers. He considers himself as a citizen of the world: „I’m playing an Italian cello, with French and German bows, Austrian and German strings, my 6 children were born in 4 different countries, my second wife is half Sri Lankan – half Italian, I’m driving a Japanese car, wear a Swiss watch, an Indian necklace and I feel at home everywhere where people appreciate and enjoy classical music.“ As an exclusive Deutsche Grammophon artist during the last 30 years he made well over 35 recordings with such orchestras as Vienna, Israel and Berlin Philharmonic, London Symphony, Orchestre de Paris, Orpheus und Chamber Orchestra of Europe and others. His recordings have enjoyed world-wide critical acclaim and have been awarded five times the prestigious Record Academy Prize in Tokyo, three times Echo Deutscher Schallplattenpreis, Grand Prix du Disque in Paris and Diapason d’Or of the Year as well as the coveted Grammy nominations. One of the highlights in his career was the year 2000 - it was mainly devoted to a world-wide Bach tour which included over 100 concerts! In order to express his deep admiration for this great composer, Mischa Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com Maisky has recorded Bach's Solo Suites three times. -
20 March 2021
20 March 2021 12:01 AM Benjamin Ipavec (1839-1908) Lahko Noc Ana Pusar-Jeric (soprano), Natasa Valant (piano) SIRTVS 12:05 AM Claude Debussy (1862-1918), Luc Brewaeys (arranger) La cathedrale engloutie - (No 10 from Preludes - Book 1) Royal Flemish Philharmonic, Daniele Callegari (conductor) BERTBF 12:12 AM Darius Milhaud (1892-1974) 3 Psaumes de David for chorus, Op 339 Elmer Iseler Singers, Elmer Iseler (conductor) CACBC 12:21 AM Pieter Hellendaal (1721-1799) Cello Sonata, Op 5 no 7 (1780) Jaap ter Linden (cello), Ton Koopman (harpsichord), Ageet Zweistra (cello) NLNOS 12:32 AM Joseph Haydn (1732-1809) String Quartet in D major (Op.64, No.5) (Hob.III.63) "Lark" Bartok String Quartet HUMR 12:50 AM Frederick Delius (1862-1934) In a Summer Garden for orchestra BBC Symphony Orchestra, Andrew Davis (conductor) GBBBC 01:07 AM Ignacy Jan Paderewski (1860-1941) Polish Fantasy, Op 19 Lukasz Krupinski (piano), Santander Orchestra, Lawrence Foster (conductor) PLPR 01:29 AM Gustav Mahler (1860-1911) Ich ging mit lust durch einen grunen Wald Arleen Auger (soprano), Irwin Gage (piano) NLNOS 01:34 AM Johan Peter Emilius Hartmann (1805-1900) 6 Characteerstykker med indledende Smaavers af H.C Andersen, Op 50 Nina Gade (piano) DKDR 01:46 AM Giovanni Battista Pergolesi (1710-1736) Violin Concerto in B flat major Andrea Keller (violin), Concerto Koln DEWDR 02:01 AM Sergey Rachmaninov (1873-1943) Trio élégiaque no 1 in G minor Sascha Maisky (violin), Mischa Maisky (cello), Lily Maisky (piano) BERTBF 02:15 AM Dmitry Shostakovich (1906-1975) Piano Trio no -
MUSICWEB INTERNATIONAL Recordings of the Year 2019
MUSICWEB INTERNATIONAL Recordings Of The Year 2019 This is the seventeenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2018-November 2019). The 128 selections have come from 27 members of the team and 65 different labels, the choices reflecting as usual, the great diversity of music and sources; I say that every year, but still the spread of choices surprises and pleases me. Of the selections, one has received three nominations: An English Coronation on Signum Classics and ten have received two nominations: Gounod’s Faust on Bru Zane Matthias Goerne’s Schumann Lieder on Harmonia Mundi Prokofiev’s Romeo & Juliet choreographed by John Cranko on C Major Marx’s Herbstymphonie on CPO Weinberg symphonies on DG Shostakovich piano works on Hyperion Late Beethoven sonatas on Hyperion Korngold orchestral works on Chandos Coates orchestral works on Chandos Music connected to Leonardo da Vinci on Alpha Hyperion was this year’s leading label with nine nominations, just ahead of C Major with eight. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2300 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year one recording in particular put itself forward as the obvious candidate. An English Coronation 1902-1953 Simon Russell Beale, Rowan Pierce, Matthew Martin, Gabrieli Consort; Gabrieli Roar; Gabrieli Players; Chetham’s Symphonic Brass Ensemble/Paul McCreesh rec. -
Mischa Maiskyvioloncel
DIADA PAU CASALS BARCELONA PABLO CASALS DAY BARCELONA 2017 Dimecres 14 de juny Palau de la Música Catalana Barcelona La dimensió musical internacional Mischa Maisky violoncel Lily Maisky piano Amb la intervenció de Marta Casals Istomin El Palau de la Música Catalana té un vincle his- BENVINGUDA tòric i simbòlic molt important amb el mestre Pau Casals. Va ser on ell va crear l’any 1920 l’Or- Paraules de Marta Casals questra Pau Casals, de la qual és hereva l’actual Cofundadora i vicepresidenta de la Fundació Pau Casals Orquestra Ciutat de Barcelona i Nacional de Ca- talunya (OBC). Era la sala on es celebraven els concerts matinals de l’Associació Obrera de Con- PROGRAMA certs que ell va impulsar. El Palau va ser durant molt temps com la seva casa de la Música a Bar- J. S. Bach: Suite núm. 2, en re menor, BWV 1008 celona i sempre va mantenir un record especial per aquesta institució. R. Schumann: Fantasiestücke, op. 73 Per això és un goig que en aquesta tercera edi- ció de la “Diada Pau Casals Ciutat de Barcelona”, M. de Falla: “Suite populaire espagnole” (de Siete canciones populares españolas), es torni a celebrar un concert que segueix aquest El Paño Moruno, Asturiana, Jota, Nana, Canción, Polo vincle històric i l’acte que la Fundació Pau Casals va organitzar l’any 2011 amb motiu del 40è aniversari de la presentació de l’himne per I. Albéniz: “Tango” de la Suite España, op. 165-2 a les Nacions Unides a Nova York que el mestre va compondre. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live. -
Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30Pm, Hall
Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30pm, Hall Beethoven Cello Sonata in G minor, Op 5 No 2 Shostakovich Piano Trio No 2 in E minor, Op 67 interval 20 minutes Schumann Violin Sonata No 1 in A minor, Op 105 Mendelssohn Piano Trio No 1 in D minor, Op 49 Janine Jansen violin Mischa Maisky cello Martha Argerich piano Adriano Heitman Adriano Part of Barbican Presents 2017–18 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel. 020 3603 7930) Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we are delighted to welcome three friend Ivan Sollertinsky, an extraordinarily musicians so celebrated that they need no gifted man in many different fields. introduction. Martha Argerich and Mischa Maisky have been performing together We begin with Beethoven, and his Second for more than four decades, while Janine Cello Sonata, a work that is groundbreaking Jansen is a star of the younger generation. for treating string instrument and piano equally and which ranges from sheer Together they present two vastly different wit to high drama.