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2012 Edition
2012 Edition Cleveland State Community College ENGLISH DEPARTMENT Editor: Julie Fulbright Assistant Editor: Heather Cline Liner Front cover photography by: Amanda Guffey Graphic Design and Production: CSCC Marketing Department Printer: Dockins Graphics, Cleveland, Tenn. Copyright: 2012 Cleveland State Community College www.clevelandstatecc.edu All Rights Reserved Funding for this publication provided under Title I of the Carl D. Perkins Career and Technical Education Act of 2006. CSCC HUM/12095/04092012 - Cleveland State Community College is an AA/ EEO employer and does not discriminate on the basis of race, color, national origin, sex, disability or age in its program and activities. The following department has been designated to handle inquiries regarding the non-discrimination policies: Human Resources P.O. Box 3570 Cleveland, TN 37320-3570 [email protected] Table of Contents Written By Title Photo/Drawing By: Page Frankie Conar After the Storm Julie Fulbright 5 Brittney Glover Weep for Me James Loyless 6 Leaves of the Sea Amanda Guffey 7 Stormy Fisher Mother 8 Savannah Tioaquen I Am the Wind Brandon Perry 9 Tracey Thompson Rose Amanda Guffey 10 Mirror Mirror Megan Payne 11 Tonya Arsenault Siblings Marchelle Wear 12-13 We Can’t Go Back in Time Kimberley Stewart 14-15 Angel Jadoobirsingh Spying Angel Jadoobirsingh 16 My Pay Angel Crawford 17 Cody Thrift Through Solemn Eyes Misti Stoika 18 I Had a Dream I Died Alonzo Bell 19-20 The Hero Tonya Arsenault 21-22 Nicholas Johnson Such Is Life Angel Jadoobirsingh 23 Turn the Lights Out 24 The Window by the Tree Marchelle Wear 25 Chet Guthrie Christmas on the Battlefield Amanda Guffey 26-29 Sweet Kalan Tonya Arsenault 30-34 The 23rd Psalm Marchelle Wear 35-37 Letters through the Fence Marchelle Wear 38-42 Grandfather’s Axe Marchelle Wear 43-44 Her Beauty Daniel Stokes 45 In the Eyes of a Dreamer Megan Payne 46 Rise o’ Rise Dear Wall Street 47 The Old Man Michael Espinoza 48 A Night of Passion Shanna Calfee 49-50 Table of Contents - Cont’d. -
The Battle to Interpret Arlington House, 1921–1937,” by Michael B
Welcome to a free reading from Washington History: Magazine of the Historical Society of Washington, D.C. As we chose this week’s reading, news stories continued to swirl about commemorative statues, plaques, street names, and institutional names that amplify white supremacy in America and in DC. We note, as the Historical Society fulfills its mission of offering thoughtful, researched context for today’s issues, that a key influence on the history of commemoration has come to the surface: the quiet, ladylike (in the anachronistic sense) role of promoters of the southern “Lost Cause” school of Civil War interpretation. Historian Michael Chornesky details how federal officials fended off southern supremacists (posing as preservationists) on how to interpret Arlington House, home of George Washington’s adopted family and eventually of Confederate commander Robert E. Lee. “Confederate Island upon the Union’s ‘Most Hallowed Ground’: The Battle to Interpret Arlington House, 1921–1937,” by Michael B. Chornesky. “Confederate Island” first appeared in Washington History 27-1 (spring 2015), © Historical Society of Washington, D.C. Access via JSTOR* to the entire run of Washington History and its predecessor, Records of the Columbia Historical Society, is a benefit of membership in the Historical Society of Washington, D.C. at the Membership Plus level. Copies of this and many other back issues of Washington History magazine are available for browsing and purchase online through the DC History Center Store: https://dchistory.z2systems.com/np/clients/dchistory/giftstore.jsp ABOUT THE HISTORICAL SOCIETY OF WASHINGTON, D.C. The Historical Society of Washington, D.C., is a non-profit, 501(c)(3), community-supported educational and research organization that collects, interprets, and shares the history of our nation's capital in order to promote a sense of identity, place and pride in our city and preserve its heritage for future generations. -
HISTORY 263: U.S. Women's History
HISTORY 263: U.S. Women’s History This is a preliminary syllabus ------------------------------------------------------------------------------------------------- Summer 2012 HISTORY 263: U.S. Women’s History Instructor: Dr. Mara Dodge Tel. 413-572-5620 Use PLATO e-mail only Office: Bates 104 Course Description: This course explores all of American women’s history from the colonial period to the present and is open to students from any major. However, there is a daunting amount of material to cover in just 6 weeks so be prepared for a heavy reading load and a fast pace (and remember it is a 200 level course!) The course provides an excellent overview/ review of all of U.S. history with a special emphasis on women’s experiences and contributions. The course emphasizes the diversity of women’s experiences. We explore the unique experiences of specific European ethnic/ immigrant groups (ex. Irish, Italian, etc.) as well as the experiences of African-American, Native American, Asian-American, Latina, Jewish, Muslim, and lesbian women. The course makes extensive use of primary source materials. 1 Major themes include: changing ideas about women’s “proper place” in society; the history of the women’s rights movement; women’s role in social reform; changing ideas about sexuality, family, and reproduction; images of beauty and the “feminine ideal”; women and work; and movements for civil and legal rights. Note: Westfield State University assumes that a student will need to spend 16-20 hours a week to complete a 3 credit, on-line course in 6 weeks. These hours include all weekly course work and may include such activities as: textbook readings and assignments, watching videos, viewing Powerpoints, listening to podcasts, taking quizzes and exams, conducting research, writing essays/papers, posting to class discussion boards, and completing any other assigned weekly activities. -
THE PRICE of BONDAGE: SLAVERY, SLAVE VALUATION, and ECONOMICS in the ALBEMARLE by Jacob T. Parks April 2018 Director of Thesis
THE PRICE OF BONDAGE: SLAVERY, SLAVE VALUATION, AND ECONOMICS IN THE ALBEMARLE By Jacob T. Parks April 2018 Director of Thesis: Donald H. Parkerson Major Department: History This thesis examines the economics of antebellum slavery in the Albemarle region of North Carolina. Located in the northeastern corner of the Carolina colony, the Albemarle was a harsh location for settlement and thus, inhabitants settled relatively late by Virginians moving south in search of better opportunities. This thesis finds that examination of a region’s slave economics not only conformed to, but also departed from, the larger slave experience in antebellum America. The introduction of this thesis focuses on the literature surrounding slave economics and valuation in antebellum America. After this, the main body of the thesis follows. Chapter one focuses on the various avenues slaves became property of white men and women in the Albemarle. This reveals that the county courts were intrinsically involved in allowing slave sales to occur, in addition to loop-holes slave owners utilized to retain chattel slavery cheaply. Additionally, this chapter pays special attention to slave valuation and statistical analysis. The following chapters revolve around the topics of: the miscellaneous costs associated with slavery in the Albemarle, such as healthcare, food, and clothing; insuring the lives of slaves and hiring them out for work away from their master; and examination of runaway slave rewards in statistical terms, while also creating a narrative of the enslaved and their actions. THE PRICE OF BONDAGE: SLAVERY, SLAVE VALUATION, AND ECONOMICS IN THE ALBEMARLE A Thesis Presented To the Faculty of the Department of History East Carolina University In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History by Jacob Parks April 2018 © Jacob Parks, 2018 THE PRICE OF BONDAGE: SLAVERY, SLAVE VALUATION, AND ECONOMICS IN THE ALBEMARLE by Jacob T. -
Texts Checklist, the Making of African American Identity
National Humanities Center Resource Toolbox The Making of African American Identity: Vol. I, 1500-1865 A collection of primary resources—historical documents, literary texts, and works of art—thematically organized with notes and discussion questions I. FREEDOM pages ____ 1 Senegal & Guinea 12 –Narrative of Ayuba Suleiman Diallo (Job ben Solomon) of Bondu, 1734, excerpts –Narrative of Abdul Rahman Ibrahima (“the Prince”), of Futa Jalon, 1828 ____ 2 Mali 4 –Narrative of Boyrereau Brinch (Jeffrey Brace) of Bow-woo, Niger River valley, 1810, excerpts ____ 3 Ghana 6 –Narrative of Broteer Furro (Venture Smith) of Dukandarra, 1798, excerpts ____ 4 Benin 11 –Narrative of Mahommah Gardo Baquaqua of Zoogoo, 1854, excerpts ____ 5 Nigeria 18 –Narrative of Olaudah Equiano of Essaka, Eboe, 1789, excerpts –Travel narrative of Robert Campbell to his “motherland,” 1859-1860, excerpts ____ 6 Capture 13 –Capture in west Africa: selections from the 18th-20th-century narratives of former slaves –Slave mutinies, early 1700s, account by slaveship captain William Snelgrave FREEDOM: Total Pages 64 II. ENSLAVEMENT pages ____ 1 An Enslaved Person’s Life 36 –Photographs of enslaved African Americans, 1847-1863 –Jacob Stroyer, narrative, 1885, excerpts –Narratives (WPA) of Jenny Proctor, W. L. Bost, and Mary Reynolds, 1936-1938 ____ 2 Sale 15 –New Orleans slave market, description in Solomon Northup narrative, 1853 –Slave auctions, descriptions in 19th-century narratives of former slaves, 1840s –On being sold: selections from the 20th-century WPA narratives of former slaves, 1936-1938 ____ 3 Plantation 29 –Green Hill plantation, Virginia: photographs, 1960s –McGee plantation, Mississippi: description, ca. 1844, in narrative of Louis Hughes, 1897 –Williams plantation, Louisiana: description, ca. -
Download Free Mp3 Lord. I'm Ready Now Plumb Download Free Mp3 Lord
download free mp3 lord. i'm ready now plumb Download free mp3 lord. i'm ready now plumb. NAME The Best Pop Rock Ballads 2000s.torrent CATEGORY Music INFOHASH d4c4a16fca22e4c43e7caa3d1f13d11a1fe31d48 SIZE 899 MB in 99 files ADDED Uploaded on 28-04-2021 by our crawler pet called "Spidey". SWARM 1 seeders & 0 peers RATING No votes yet. Please login to vote for this torrent. Description. Название: The Best Pop Rock Ballads 2000s. Исполнитель: VA. Жанр: Pop, Rock, Ballads. Продолжительность: 06:28:38. Формат/Кодек: MP3. Битрейт аудио: 320 Kbps. 001. Daniel Schuhmacher - Why. 002. Zella Day - The Outlaw Josey Wales. 003. Brandon Heath - Sunrise. 004. Alex Lloyd - Bring It On. 005. Eros Ramazzotti - Vivi E Vai. 006. Plumb - When You Walk. 007. Black - Not The Man. 008. Blue System - You Are Lyin' 009. Danny Gokey - It's Only. 010. Camouflage - Shine. 011. Lara Fabian - Tango. 012. Ann Sophie - Jump The Gun. 013. Howie Day - Worry. 014. Tove Lo - Got Love. 015. Tenth Avenue North - You Are More. 016. E-Rotic - Wild Love. 017. Sagi Rei - The Riddle. 018. Kovacs - Shirley. 019. XOV - Blood Honey. 020. Haddaway - Shout. 021. Mat Kearney - Los Angeles. 022. Lena - Lifeline. 023. Guy Sebastian - The Pause. 024. David Cook - A Daily Anthem. 025. Lifehouse - Flight. 026. Amr Diab - Agheeb. 027. ZZ Top - Over You. 028. Corson - The Other Side. 029. Bad Boys Blue - Baby Blue '99. 030. Ed Sheeran - Fall. 031. Maggie Reilly - Don't Wanna Lose. 032. Imany - Shape Of A Broken Heart. 033. Will Young - Thank You. 034. Kendji Girac - Avec Toi. 035. Nate Ruess - Moment. -
800.438.1601
Cherokee Welcome Center VisitCherokeeNC.com 800.438.1601 Oconaluftee Indian Village, “ Unto These Hills” Outdoor Drama VisitCherokeeNC.com 866.554.4557 Fisheries & Wildlife Management FishCherokee.com 828.554.6110 Museum of the Cherokee Indian CherokeeMuseum.org 828.497.3481 Sequoyah National Golf Club SequoyahNational.com 828.497.3000 Qualla Arts and Crafts Mutual, Inc. QuallaArtsAndCrafts.com 828.497.3103 VisitCherokeeNC.com | 800.438.1601 This is what Chapter II: Strangers I was told In 1540, Spanish explorer and conquistador Hernando de perception of the region. Peace made Soto came through here looking for gold, demanding food, alliances irrelevant and mounting when I was young. fighting, enslaving—despite what you may have heard, he pressure from land speculators made wasn’t a great guy. Worse were the diseases that came with the Cherokees an inconvenience. Cherokees begin a story the way their people have him. Lacking the immunity to combat these afflictions, In 1830 Andrew Jackson signed the for generations. It’s only fitting to start the story of indigenous peoples were nearly eradicated, victim to Indian Removal Act offering the Eastern Band of Cherokee Indians the same way. plagues such as smallpox, measles, and influenza. territory out west in exchange for Chapter I: A Long Time Ago Nevertheless, the Cherokees continued their homeland. Five years later came the to work through diplomacy with the Treaty of New Echota, which ceded to the The Cherokees were hunters and gatherers, foraging newcomers for the next 200 years. federal government most of the Cherokee lands the Great Smoky Mountains and the lowlands east of the Mississippi, resulting in what is now By the late eighteenth century, seventy-five percent of the Southern Appalachians for food while referred to as the “Trail of Tears.” of Cherokee land had been lost through treaties with hunting, fishing, and trapping game. -
Image Credits, the Making of African
THE MAKING OF AFRICAN AMERICAN IDENTITY: VOL. I, 1500-1865 PRIMARY SOURCE COLLECTION The Making of African American Identity: Vol. I, 1500-1865 IMAGE CREDITS Items listed in chronological order within each repository. ALABAMA DEPT. of ARCHIVES AND HISTORY. Montgomery, Alabama. WEBSITE Reproduced by permission. —Physical and Political Map of the Southern Division of the United States, map, Boston: William C. Woodbridge, 1843; adapted to Woodbridges Geography, 1845; map database B-315, filename: se1845q.sid. Digital image courtesy of Alabama Maps, University of Alabama. ALLPORT LIBRARY AND MUSEUM OF FINE ARTS. State Library of Tasmania. Hobart, Tasmania (Australia). WEBSITE Reproduced by permission of the Tasmanian Archive & Heritage Office. —Mary Morton Allport, Comet of March 1843, Seen from Aldridge Lodge, V. D. Land [Tasmania], lithograph, ca. 1843. AUTAS001136168184. AMERICAN TEXTILE HISTORY MUSEUM. Lowell, Massachusetts. WEBSITE Reproduced by permission. —Wooden snap reel, 19th-century, unknown maker, color photograph. 1970.14.6. ARCHIVES OF ONTARIO. Toronto, Ontario, Canada. WEBSITE In the public domain; reproduced courtesy of Archives of Ontario. —Letter from S. Wickham in Oswego, NY, to D. B. Stevenson in Canada, 12 October 1850. —Park House, Colchester, South, Ontario, Canada, refuge for fugitive slaves, photograph ca. 1950. Alvin D. McCurdy fonds, F2076-16-6. —Voice of the Fugitive, front page image, masthead, 12 March 1854. F 2076-16-935. —Unidentified black family, tintype, n.d., possibly 1850s; Alvin D. McCurdy fonds, F 2076-16-4-8. ASBURY THEOLOGICAL SEMINARY. Wilmore, Kentucky. Permission requests submitted. –“Slaves being sold at public auction,” illustration in Thomas Lewis Johnson, Twenty-Eight Years a Slave, or The Story of My Life in Three Continents, 1909, p. -
Slave Narratives Redefine Womanhood in Nineteenth-Century America Candice E
University of Richmond UR Scholarship Repository Honors Theses Student Research Spring 2002 Escaping the auction block and rejecting the pedestal of virtue : slave narratives redefine womanhood in nineteenth-century America Candice E. Renka Follow this and additional works at: http://scholarship.richmond.edu/honors-theses Recommended Citation Renka, Candice E., "Escaping the auction block and rejecting the pedestal of virtue : slave narratives redefine omw anhood in nineteenth-century America" (2002). Honors Theses. Paper 326. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND LIBRARIES I \\I \\II \\\II\\\ I\\\\\\ II 111\I \\II ~I\~\\3 3082 I\\~\\\\\\\\\\\ 00748 1921I\~ Escaping the Auction Block and Rejecting the Pedestal of Virtue: Slave Narratives Redefine Womanhood in Nineteenth-Century America Candice E. Renka Honors Thesis Department of English University of Richmond Dr Thomas Allen, Thesis Director Spring 2002 The signatures below certify that with this essay Candice Renka has satisfied the thesis requirement for Honors in English. (Dr Thomas Allen, thesis director) (Dr Robert Nelson, English honors coordinator) Black women's slave narratives bring to the forefront the paradoxes of antebellum America's political and moral ideologies. These autobiographies criticize the dichotomous gender roles that were widely accepted in the nineteenth century United States. Women's slave narratives perceive the exclusion of women of color and women of the working class from the prevailing model of womanhood as indicative of an inadequate conceptual framework for understanding female personhood. -
Allied Social Science Associations Atlanta, GA January 3–5, 2010
Allied Social Science Associations Atlanta, GA January 3–5, 2010 Contract negotiations, management and meeting arrangements for ASSA meetings are conducted by the American Economic Association. i ASSA_Program.indb 1 11/17/09 7:45 AM Thanks to the 2010 American Economic Association Program Committee Members Robert Hall, Chair Pol Antras Ravi Bansal Christian Broda Charles Calomiris David Card Raj Chetty Jonathan Eaton Jonathan Gruber Eric Hanushek Samuel Kortum Marc Melitz Dale Mortensen Aviv Nevo Valerie Ramey Dani Rodrik David Scharfstein Suzanne Scotchmer Fiona Scott-Morton Christopher Udry Kenneth West Cover Art is by Tracey Ashenfelter, daughter of Orley Ashenfelter, Princeton University, former editor of the American Economic Review and President-elect of the AEA for 2010. ii ASSA_Program.indb 2 11/17/09 7:45 AM Contents General Information . .iv Hotels and Meeting Rooms ......................... ix Listing of Advertisers and Exhibitors ................xxiv Allied Social Science Associations ................. xxvi Summary of Sessions by Organization .............. xxix Daily Program of Events ............................ 1 Program of Sessions Saturday, January 2 ......................... 25 Sunday, January 3 .......................... 26 Monday, January 4 . 122 Tuesday, January 5 . 227 Subject Area Index . 293 Index of Participants . 296 iii ASSA_Program.indb 3 11/17/09 7:45 AM General Information PROGRAM SCHEDULES A listing of sessions where papers will be presented and another covering activities such as business meetings and receptions are provided in this program. Admittance is limited to those wearing badges. Each listing is arranged chronologically by date and time of the activity; the hotel and room location for each session and function are indicated. CONVENTION FACILITIES Eighteen hotels are being used for all housing. -
August 6, 2003, Note: This Description Is Not the One
Tudor Place Manuscript Collection Martha Washington Papers MS-3 Introduction The Martha Washington Papers consist of correspondence related to General George Washington's death in 1799, a subject file containing letters received by her husband, and letters, legal documents, and bills and receipts related to the settlement of his estate. There is also a subject file containing material relating to the settlement of her estate, which may have come to Tudor Place when Thomas Peter served as an executor of her will. These papers were a part of the estate Armistead Peter placed under the auspices of the Carostead Foundation, Incorporated, in 1966; the name of the foundation was changed to Tudor Place Foundation, Incorporated, in 1987. Use and rights of the papers are controlled by the Foundation. The collection was processed and the register prepared by James Kaser, a project archivist hired through a National Historical Records and Publications grant in 1992. This document was reformatted by Emily Rusch and revised by Tudor Place archivist Wendy Kail in 2020. Tudor Place Historic House & Garden | 1644 31st Street NW | Washington, DC 20007 | Telephone 202-965-0400 | www.tudorplace.org 1 Tudor Place Manuscript Collection Martha Washington Papers MS-3 Biographical Sketch Martha Dandridge (1731-1802) married Daniel Parke Custis (1711-1757), son of John Custis IV, a prominent resident of Williamsburg, Virginia, in 1749. The couple had four children, two of whom survived: John Parke Custis (1754-1781) and Martha Parke Custis (1755/6-1773). Daniel Parke Custis died in 1757; Martha (Dandridge) Custis married General George Washington in 1759and joined him at Mount Vernon, Virginia, with her two children. -
Creating a Sense of Communityamong the Capital City Cherokees
CREATING A SENSE OF COMMUNITYAMONG THE CAPITAL CITY CHEROKEES by Pamela Parks Tinker A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ____________________________________ Director ____________________________________ ____________________________________ ____________________________________ Program Director ____________________________________ Dean, College of Humanities and Social Sciences Date:________________________________ Spring 2016 George Mason University Fairfax, VA Creating a Sense Of Community Among Capital City Cherokees A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Interdisciplinary Studies at George Mason University By Pamela Parks Tinker Bachelor of Science Medical College of Virginia/Virginia Commonwealth University 1975 Director: Meredith H. Lair, Professor Department of History Spring Semester 2016 George Mason University Fairfax, Virginia Copyright 2016 Pamela Parks Tinker All Rights Reserved ii Acknowledgements Thanks to the Capital City Cherokee Community for allowing me to study the formation of the community and for making time for personal interviews. I am grateful for the guidance offered by my Thesis Committee of three professors. Thesis Committee Chair, Professor Maria Dakake, also served as my advisor over a period of years in planning a course of study that truly has been interdisciplinary. It has been a joyful situation to be admitted to a variety of history, religion and spirituality, folklore, ethnographic writing, and research courses under the umbrella of one Master of Arts in Interdisciplinary Studies program. Much of the inspiration for this thesis occurred at George Mason University in Professor Debra Lattanzi Shutika’s Folklore class on “Sense of Place” in which the world of Ethnography opened up for me.