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THERAPISTSEXPLORERDESIGNERSANALYSTS 74 Community Studies INVESTIGATORS COMPOSERS 76 Computing DREAMER MAKER ADVISORS THINKER DESIGNERS - MAKER THINKER DREAMER COUNCELLORS NOVELISTS LABRALABRADOR - entry Guide 2021 – Postgraduate FUTURISTSHISTORIAN 68 Anthropology 70 Art FILMMAKERS MAKER 72 Arts Administration & Cultural Policy THERAPISTSEXPLORERDESIGNERSANALYSTS 74 Community Studies INVESTIGATORS COMPOSERS 76 Computing 78 Creative & Cultural Entrepreneurship FUTURISTS G56 GOLD HISTORI THINKER EXPLORER MAKER 80 Curating NOVELISTS DREAMER 82 Design MAKER BELIEVER 84 Education LINGUISTS ECOLOGISTSMAKER 86 English & Creative Writing 88 History POETS THINKERTEACHERS CHALLENGER MAKER PRODUCERS 90 Journalism MATHEMATICIANSPLAYWRIGHTS 92 Law MAKER HISTORIANS WRITERS EXPLORER 94 Management THINKER THINKER DREAMER 96 Media, Communications & Cultural Studies EXPERIMENTERS MAKER 98 Music MAKER CREATIVES 100 Politics & International Relations PRODUCERSDREAMER CRIMINOLOGISTS 102 Psychology THINKER 104 Social Work TECHNOLOGISTS 106 Sociology PSYCOLOGISTSEXPLORERTHINKER 108 Theatre & Performance BELIEVER DREAMER DREAMER EXPLORER RESEARCHERSTHINKER PLAYWRIGHTS 110 Therapeutic Studies COMPOSERS 112 Visual Cultures MAKER EXPLORERWRITERS DREAMER ONE MAKER MUSICOLOGISTSJOURNALISTS EXPLORERECOLOGISTSMAKEREXPLOREREXPLORERBELIEVER EXPLORER HISTORIANS DREAMER GOLDSMITHS DREAMER CURATORS NOVELISTSENTREPRENEURSDEVELOPERS ADVISORS ADVISORSCAMPAIGNERS THINKERDREAMER DREAMER EXPLOREREXPLORERDREAMER EXPLORER Term dates LONDON THE The 2021 entry term dates, including reading EYE TAT E TOWER weeks, can be found at gold.ac.uk/term-dates SOUTH LONDON BRIDGE BANK MODERN SHARD BRIDGE HALLS HALLS HALLS New Cross Gate New Cross Find out more about HALLS studying at Goldsmiths Check gold.ac.uk/course-finder for further information about our degrees. You can also get in touch with our Enquiries team, or chat to us online: +44 (0)20 7078 5300 [email protected] GOLDSMITHS gold.ac.uk/contact GoldsmithsLondon CAMPUS GoldsmithsUoL Goldsmiths, University of London New Cross GoldsmithsUoL London SE14 6NW GoldsmithsUoL HALLS United Kingdom GoldsmithsUoL gold.ac.uk GoldsmithsUoL Why Goldsmiths? GoldsmithsLondon GoldsmithsUoL 02 Endless innovation, one inspiring legacy GoldsmithsUoL Introducing Goldsmiths 12 A world of choice, one life-changing decision GoldsmithsUoL Immerse yourself in a subject you love GoldsmithsUoL 18 Thousands of individuals, one supportive community GoldsmithsUoL A network of engaged students and staff 30 Limitless sights, one sensational city Study in dynamic London 40 All of London, one campus Our single-site campus 46 Untold opportunities, one unforgettable experience Careers, facilities, support, accommodation 58 Countless paths, one destination All the ways to find out more Our postgraduate degrees 66 Types of postgraduate course 68 Degree programmes 114 Specialist programmes for international students Next steps 124 How to apply 125 Entry requirements 127 Fees 128 Scholarships and funding 130 Visas and immigration 132 Index of programmes Our priority remains the safety, health and wellbeing of the entire Goldsmiths community. In light of Covid-19, Goldsmiths endeavours to take all reasonable steps to provide educational services including teaching, examination, assessment and other related services, set out in this guide and other programme literature. It may be necessary to make changes to these services from time to time in response to the global pandemic. We will normally update our webpages with any changes or write to enquirers and applicants directly where possible. There may be occasions when changes need to be made with short notice, for example if public health guidance or governmental advice requires us to make any changes to our educational services. We encourage you to check our coronavirus applicant webpage for the latest information: gold.ac.uk/staff-students/info/coronavirus/applicants 01 INNOVATION INNOVATION INNOVATION Endless innovation, INNOVATION one inspiring legacy INNOVATION Our academic history stretches INNOVATION back to 1891, but we are INNOVATION always looking forward. Full of students and staff who are inventive, imaginative and original, Goldsmiths provides an environment where new ideas flourish. INNOVATIONINNOVATION INNOVATION INNOVATION INNOVATIONINNOVATION INNOVATIONINNOVATIONINNOVATION INNOVATION INNOVATIONINNOVATION INNOVATIONINNOVATION INNOVATION INNOVATIONINSPIRINGLEGACY INNOVATION INNOVATION INNOVATION INNOVATION INNOVATION INNOVATION 03 INNOVATION History. It’s all about the past, right? But it’s important for the future. A future you can direct, improve, design. A blank canvas for all your challenging theories and ground-breaking ideas. We’ve got a reputation where all of that’s concerned. Leaders, believers, creators and debaters – they’ve all studied here, and they’ve been inspired to change things, challenge things, and pave the way in all sorts of areas. “ At Goldsmiths Goldsmiths graduates have won Oscars, Turner Prizes and Ivor Novello Awards to name a few. you definitely But they also include people you might not have heard about who are passionate about improving feel like you’re society and making a difference – whether that’s the social workers connecting with families in part of something local boroughs, the sociologists critiquing the criminal justice system, or the designers new, original suggesting new visions for the future. From the big names to the unsung heroes, and from and innovative.” traditional industries through to markets that don’t even exist yet, your time at Goldsmiths will David encourage you to engage with the world around PhD in English you and inspire you to think big. LET YOUR IMAGINATION RUN Endless innovation, one inspiring legacy inspiring one innovation, Endless 04 RIOT 05 Some key moments in our history The Ben Pimlott Building opens, providing fine art studio Mary Quant comes to space and cutting-edge Goldsmiths to study an art psychology labs. Graduate Bernardine diploma course. She later The Goldsmiths Prize for Evaristo (left, with Margaret fiction launches, recognising Atwood) is jointly awarded becomes an influential figure A partnership with Curzon innovation in the genre. • the Booker Prize, for her in the British design revolution brings an on-campus of the 1960s. novel ‘Girl, Woman, Other’. Goldsmiths’ Technical & Recreative BMus Popular Music graduates Katy B cinema to Goldsmiths. Institute is founded, dedicated to and James Blake are nominated for • Goldsmiths announces improving the skills and knowledge the Mercury Prize, with James Blake world-first Queer of the working and artisan classes. going on to win in 2013. History Masters. Goldsmiths joins the University of London. Blur perform their first gig at the Goldsmiths Students’ Union. 2016 1904 1891 1950 1989 2005 2011 2013 Linton Kwesi Johnson, 2019 who studied BA Sociology in the 1970s, becomes the first Black poet to appear in the Penguin Modern 2018 Classics series. • Voted one of the UK’s top creative and political universities by students. The1940 Goldsmiths library is Which? University damaged by incendiary bombs during World War II. It has since • Goldsmiths Centre 1900 been rebuilt, and has recently The £20million for Contemporary Art had a ground-floor makeover to 2010Professor Stuart Hall (CCA), an exciting Goldsmiths introduces new public gallery teacher training programmes. provide additional social study Building opens its 2014 for London, opens. areas, an events space, and doors, housing several a maker’s zone. academic departments and industry-standard media facilities. Graduate Steve McQueen Endless innovation, one inspiring legacy inspiring one innovation, Endless wins an Oscar for his film 12 Years a Slave. 2002 06 07 08 Goldsmiths: a close-knit community, a rich academic heritage, a creative powerhouse, a thought-provoking place. “ My time at Goldsmiths set me on my career path. I learned the basics of documentary production and felt free to explore and experiment with styles and techniques. It was the first time in my education that creative risks were truly valued and encouraged.” Brit MA Visual Anthropology “ The teaching staff always supported students in their efforts to push boundaries and think about things in original ways, celebrating unforeseen intersections between the students’ work, the academy, and the world outside.” Jacob MA Research Architecture “ The programme gave me guidance, flexibility, and freedom to initiate projects, work collaboratively, and take risks.” Kamal MA Photography & Urban Cultures “ I was seeking an environment that could play a pivotal role in pushing me out of my comfort zone. Goldsmiths provided me with an enhanced vision to look at things from an altogether different perspective.” Aisha MFA Fine Art Find out more gold.ac.uk 09 “ At times it is difficult to place into words how significant Goldsmiths has been for my professional and personal development. I met a variety of people on the course and built some lasting friendships. Goldsmiths offered me opportunities to learn, develop, question and experience new things.” Anna MA Dance Movement Psychotherapy “ The course taught me to try and ‘decentre’ myself from a trained way of thinking, critiquing our own identities and philosophies in order to understand how we got where we are.” Paul MA Postcolonial Culture & Global Policy Endless innovation, one inspiring legacy inspiring one innovation, Endless 10 11 CHOICE A world of choice, one life-changing decision CHOICE Goldsmiths is where the world CHOICE CHOICE opens up before you, and invites you to transform it. CHOICE Immerse
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  • The Arts of Resistance in the Poetry of Linton Kwesi Johnson1
    Revista África e Africanidades - Ano 3 - n. 11, novembro, 2010 - ISSN 1983-2354 www.africaeafricanidades.com The arts of resistance in the poetry of Linton Kwesi Johnson1 Jair Luiz França Junior2 Resumo: Este artigo analisa insubordinação e resistência manifestas na poesia pós-colonial contemporânea como forma de subverter os discursos dominantes no ocidente. Mais especificamente, a análise centra-se em estratégias textuais de resistência no trabalho do poeta britânico-jamaicano Linton Kwesi Johnson (também conhecido como LKJ). A qualidade sincretista na obra desse poeta relaciona-se com diáspora, hibridismo e crioulização como formas de re[escre]ver discursos hegemônicos com bases (neo)coloniais. Críticas pós- coloniais, em geral, irão enquadrar esta análise de estratégias de dominação e resistência, mas algumas discussões a partir do domínio de história, sociologia e estudos culturais também poderão entrar no debate. Neste sentido, há uma grande variedade de teorias e argumentos que lidam com as contradições e incongruências na questão das relações de poder interligada à dominação e resistência. Para uma visão geral do debate, este estudo compõe uma tarefa tríplice. Primeiramente, proponho-me a fazer um breve resumo autobiográfico do poeta e as preocupações sócio-políticas em sua obra. Em seguida, apresento algumas leituras críticas de seus poemas a fim de embasar teorias que lidam com estratégias de dominação e resistência no âmbito da literatura. Por fim, investigo como estratégias de resistência diaspórica e hibridismo cultural empregados na poesia de Linton Kwesi Johnson podem contribuir para o distanciamento das limitações de dicotomias e também subverter o poder hegemônico. Além disso, este debate está preocupado com a crescente importância de estudos acadêmicos voltado às literaturas pós-coloniais.
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