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A Science-Based Guide to Afro-Textured Hair Care from Nylah’S Naturals
FOR IMMEDIATE RELEASE A Science-Based Guide to Afro-Textured Hair Care from Nylah’s Naturals. This vegan hair care brand shares their top five tips on how to care for Black hair. Afro-textured hair requires special care, as the hair unique structure is prone to extra dryness and therefore are more fragile and susceptible to breakage. Kam Davis, Founder and CEO of Nylah’s Naturals, shares some expert advice on how to care for Black hair. Since ancient times, afro-textured hair has been an integral part of Black culture. From the Ancient Nile Valley civilizations to the establishment of Western African empires, hair has maintained a spiritual, social, cultural and aesthetic significance in the lives of African people. It was a part of a person’s social and cultural identity, signifying personal status. Unfortunately, in recent centuries, Black women and men were forced to follow the standards of beauty industries that did not accept natural afro-textured hair, forcing many to chemically straighten their hair or wear wigs. Encouragingly, over the past few years, the tendency started shifting in a different FOR IMMEDIATE RELEASE direction, with natural afro-textured hair being more and more widely accepted, celebrating its curly nature and uniqueness. “At Nylah’s Naturals, we realize that our mission goes way beyond creating natural, high-quality products catering to afro-textured hair. For so many years Black women were fighting the very nature of their hair, so now we feel there is a need to educate and share the best practices on how to care for Black hair in such a way that it highlights its health and beauty,” - shares Kam Davis, Nylah’s Naturals CEO and Founder. -
Hollow Braid Eye Splice
The Back Splice A properly sized hollow braid splicing fid will make this splice easier. Hollow braid splices must have the opposing core tucked in at least eight inches when finished. Use discretionary thinking when determining whether or not to apply a whipping to the back splice on hollow braid ropes. 5/16” ¼” 3/16” 3/8” Whipping Twine Hollow Braid Appropriate Sized Knife Splicing Fids STEP ONE: The first step with FIG. 1 most hollow braid splices involve inserting the end of the rope into the hollow end of an appropriately sized splicing fid (Figures 1 & 2). Fids are sized according to the diameter of the rope. A 3/8” diameter rope will be used in this demonstration, therefore a 3/8” fid is the appropriate size. FIG. 2 The fid can prove useful when estimating the length the opposing core is tucked. A minimum tuck of eight inches is required. FIG. 2A STEP TWO: After inserting the end of the rope into a splicing fid (figure 2A) – Loosen the braid in the rope FIG. 3 approximately 10” to 12” from the end to be spliced (figure 3). Approximately 10” to 12” From the end of the rope. Push the pointed end of the fid into one of the openings of the braid, allowing the fid to travel down the hollow center of the braided rope (figures 4 & 5). FIG. 4 FIG. 5 FIG.6 STEP THREE: Allow the fid to travel down the hollow center of the braided rope 8” or more. Compressing the rope on the fid will allow a distance safely in excess of 8” (figure 6). -
AFRO-AMERICAN ART the METROPOLITAN MUSEUM of ART Selections of Nineteenth-Century Afro-American Art
<^ ? AFRO-AMERICAN ART THE METROPOLITAN MUSEUM OF ART Selections of Nineteenth-Century Afro-American Art Selections of Nineteenth-Century Afro-American Art June 19-August 1,1976 Catalogue by Regenia A. Perry The Metropolitan Museum of Art, New York ON THE COVER: Ashur Moses Nathan and Son by Jules Lion. Pastel on canvas, ca. 1845. Lent by Francois Mignon, Natchitoches, Louisiana. Pho tograph by Don R. Sepulvado, Natchitoches, Louisiana. Copyright © 1976 by The Metropolitan Museum of Art 1 he Metropolitan Museum is pleased to present the ex hibition Selections of Nineteenth-Century Afro-American Art as part of our observance of the nation's Bicentennial celebration. We are grateful for the generosity of the lenders, whose cooperation made the exhibition possible, and we congratulate Dr. Regenia A. Perry, who or ganized the show. It is fitting at this time not only to ex amine this important aspect of our national heritage but to view it in the broader context of the history of Ameri can art as represented in the collection of The Metropoli tan Museum of Art. THOMAS HOVING Director ACKNOWLEDGMENTS I would like to express my gratitude to the School of the Arts at Virginia Commonwealth University for granting me a leave of ab sence to work on this project during the academic year 1975—1976, to the Andrew W. Mellon Foundation for funding the fellowship at The Metropolitan Museum of Art which I received during this year, to The Metropolitan Museum of Art for working with me in present ing this exhibition, and to the numerous institutions and private col lectors who have generously lent their works. -
Splicing Guide
SPLICING GUIDE EN SPLICING GUIDE SPLICING GUIDE Contents Splicing Guide General Splicing 3 General Splicing Tips Tools Required Fid Lengths 3 1. Before starting, it is a good idea to read through the – Masking Tape – Sharp Knife directions so you understand the general concepts and – Felt Tip Marker – Measuring Tape Single Braid 4 principles of the splice. – Splicing Fide 2. A “Fid” length equals 21 times the diameter of the rope Single Braid Splice (Bury) 4 (Ref Fid Chart). Single Braid Splice (Lock Stitch) 5 3. A “Pic” is the V-shaped strand pairs you see as you look Single Braid Splice (Tuck) 6 down the rope. Double Braid 8 Whipping Rope Handling Double Braid Splice 8 Core-To-Core Splice 11 Seize by whipping or stitching the splice to prevent the cross- Broom Sta-Set X/PCR Splice 13 over from pulling out under the unbalanced load. To cross- Handle stitch, mark off six to eight rope diameters from throat in one rope diameter increments (stitch length). Using same material Tapering the Cover on High-Tech Ropes 15 as cover braid if available, or waxed whipping thread, start at bottom leaving at least eight inches of tail exposed for knotting and work toward the eye where you then cross-stitch work- To avoid kinking, coil rope Pull rope from ing back toward starting point. Cut off thread leaving an eight in figure eight for storage or reel directly, Tapered 8 Plait to Chain Splice 16 inch length and double knot as close to rope as possible. Trim take on deck. -
Complete Rope Splicing Guide (PDF)
NEW ENGLAND ROPES SPLICING GUIDE NEW ENGLAND ROPES SPLICING GUIDE TABLE OF CONTENTS General - Splicing Fid Lengths 3 Single Braid Eye Splice (Bury) 4 Single Braid Eye Splice (Lock Stitch) 5 Single Braid Eye Splice (Tuck) 6 Double Braid Eye Splice 8 Core-to-Core Eye Splice 11 Sta-Set X/PCR Eye Splice 13 Tachyon Splice 15 Braided Safety Blue & Hivee Eye Splice 19 Tapering the Cover on High-Tech Ropes 21 Mega Plait to Chain Eye Splice 22 Three Strand Rope to Chain Splice 24 Eye Splice (Standard and Tapered) 26 FULL FID LENGTH SHORT FID SECTION LONG FID SECTION 1/4” 5/16” 3/8” 7/16” 1/2” 9/16” 5/8” 2 NEW ENGLAND ROPES SPLICING GUIDE GENERAL-SPLICING TIPS TOOLS REQUIRED 1. Before starting, it is a good idea to read through the directions so you . Masking Tape . Sharp Knife understand the general concepts and principles of the splice. Felt Tip Marker . Measuring Tape 2. A “Fid” length equals 21 times the diameter of the rope (Ref Fid Chart). Splicing Fids 3. A “Pic” is the V-shaped strand pairs you see as you look down the rope. WHIPPING ROPE HANDLING Seize by whipping or stitching the splice to prevent the crossover from Broom pulling out under the unbalanced load. To cross-stitch, mark off six to Handle eight rope diameters from throat in one rope diameter increments (stitch length). Using same material as cover braid if available, or waxed whip- ping thread, start at bottom leaving at least eight inches of tail exposed for knotting and work toward the eye where you then cross-stitch working Pull rope from back toward starting point. -
Black Music of All Colors
SÉRIE ANTROPOLOGIA 145 BLACK MUSIC OF ALL COLORS. THE CONSTRUCTION OF BLACK ETHNICITY IN RITUAL AND POPULAR GENRES OF AFRO-BRAZILIAN MUSIC José Jorge de Carvalho Brasília 1993 Black Music of all colors. The construction of Black ethnicity in ritual and popular genres of Afro-Brazilian Music. José Jorge de Carvalho University of Brasília The aim of this essay is to present an overview of the charter of Afro-Brazilian identities, emphasizing their correlations with the main Afro-derived musical styles practised today in the country. Given the general scope of the work, I have chosen to sum up this complex mass of data in a few historical models. I am interested, above all, in establishing a contrast between the traditional models of identity of the Brazilian Black population and their musics with recent attempts, carried out by the various Black Movements, and expressed by popular, commercial musicians who formulate protests against that historical condition of poverty and unjustice, forging a new image of Afro- Brazilians, more explicit, both in political and in ideological terms. To focus such a vast ethnographic issue, I shall analyse the way these competing models of identity are shaped by the different song genres and singing styles used by Afro-Brazilians running through four centuries of social and cultural experience. In this connection, this study is also an attempt to explore theoretically the more abstract problems of understanding the efficacy of songs; in other words, how in mythopoetics, meaning and content are revealed in aesthetic symbolic structures which are able to mingle so powerfully verbal with non-verbal modes of communication. -
Laser Cut Tubing White Paper
J A N U A R Y 2 0 2 0 Enhanced catheter performance made possible with laser cut tubing P R E P A R E D A N D P R E S E N T E D B Y KEVIN HARTKE, CHIEF TECHNICAL OFFICER, RESONETICS Introduction E V O L U T I O N O F L A S E R C U T T U B I N G Laser cut tubing (LCT) uses a focused laser to melt or ablate through one wall of a metal or polymer tube and remove the degraded material via a high-pressure coaxial gas nozzle. The process has been used in medical device manufacturing for over 30 years with major advancements following the push for miniaturization for minimally invasive procedures. For catheter delivery systems, this process has been too slow and costly to incorporate. However, Resonetics has combined advances in laser and motion control to develop a cost- effective tool for high-volume manufacturing of catheter components. This high-speed laser cutting process is branded as PRIME Laser Cut and this paper details: PRIME Laser Cut benefits How to specify laser cut tube Cost savings considerations 0 2 Prime performance benefits L E S S I N V A S I V E P R O C E D U R E S C O N T I N U E T O A D V A N C E , R E Q U I R I N G B E T T E R T O O L S T O E N A B L E A C C E S S . -
Knots Splices and Rope Work
The Project Gutenberg eBook, Knots, Splices and Rope Work, by A. Hyatt Verrill This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Knots, Splices and Rope Work Author: A. Hyatt Verrill Release Date: September 21, 2004 [eBook #13510] Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK KNOTS, SPLICES AND ROPE WORK*** E-text prepared by Paul Hollander, Ronald Holder, and the Project Gutenberg Online Distributed Proofreading Team Transcriber’s Corrected spellings Notes: ‘casualities’ to ‘casualties’ ‘Midshipmen’s hitch’ to ‘Midshipman’ s hitch’ Illustration for Timber Hitch is Fig. 38, not Fig. 32 There is no Fig. 134. KNOTS, SPLICES and ROPE WORK A PRACTICAL TREATISE Giving Complete and Simple Directions for Making All the Most Useful and Ornamental Knots in Common Use, with Chapters on Splicing, Pointing, Seizing, Serving, etc. Adapted for the Use of Travellers, Campers, Yachtsmen, Boy Scouts, and All Others Having to Use or Handle Ropes for Any Purpose. By A. HYATT VERRILL Editor Popular Science Dept., “American Boy Magazine.” SECOND REVISED EDITION Illustrated with 156 Original Cuts Showing How Each Knot, Tie or Splice is Formed and Its Appearance When Complete. CONTENTS INTRODUCTION CHAPTER I CORDAGE Kinds of Rope. Construction of Rope. Strength of Ropes. Weight of Ropes. Material Used in Making Ropes. CHAPTER II SIMPLE KNOTS AND BENDS Parts of Rope. -
Find This Course for a Lower Price We Will Match That Price Plus Give You an Additional $3.00 Off
8 HR. CONTINUING EDUCATION FOR NORTH CAROLINA NATURAL HAIR CARE Complete All 8 Hrs. ONLINE For $10.00 ww.ceuapproved.com Regular Price ($25.00) If Completed By Mail. (See Page 15) Find this course for a lower price we will match that price plus give you an additional $3.00 off CEU APPROVED CONTINUING EDUCATION P.O. BOX 35606 FAYETTEVILLE NC 28303 1-888-534-2747 WWW.CEUAPPROVED.COM Do you or another Natural Hair Care Specialist need 8 hrs. of continuing Education to satisfy North Carolina Continuing Education requirement?? Please follow the instructions listed below to complete this 8 hr. program: 1. Read the course material. Answer the test Questions. 2. Go to WWW.CEUAPPROVED.COM 3. Select the test name to begin. 4. Pass the Test, Register and Make Payment. 5. Instantly print your certificate or pay an additional $2.00 for a copy of your certificate to be mailed to you. 6. A copy of your certificate will be maintained on file for five years. Your certificate is proof of completion of the continuing education course(s) required for renewal of your license during an audit. Always Keep A Copy of Your Certificate for your records. Other ways to submit this course: Internet-Online WWW.CEUAPPROVED.COM Fax 1-877-290-5183 (An additional $4.00 processing fee will be added if test is completed by fax.) Complete All 8 Hrs. ONLINE For $10.00 8 HR. NATURAL STYLES AND BRAID CARE Course Number 20172NH 1 8 HR NATURAL STYLES AND BRAID CARE o The Comb Technique Course Outline: o The Palm Roll 1. -
What Is a Braid Group? Daniel Glasscock, June 2012
What is a Braid Group? Daniel Glasscock, June 2012 These notes complement a talk given for the What is ... ? seminar at the Ohio State University. Intro The topic of braid groups fits nicely into this seminar. On the one hand, braids lend themselves immedi- ately to nice and interesting pictures about which we can ask (and sometimes answer without too much difficulty) interesting questions. On the other hand, braids connect to some deep and technical math; indeed, just defining the geometric braid groups rigorously requires a good deal of topology. I hope to convey in this talk a feeling of how braid groups work and why they are important. It is not my intention to give lots of rigorous definitions and proofs, but instead to draw lots of pictures, raise some interesting questions, and give some references in case you want to learn more. Braids A braid∗ on n strings is an object consisting of 2n points (n above and n below) and n strings such that i. the beginning/ending points of the strings are (all of) the upper/lower points, ii. the strings do not intersect, iii. no string intersects any horizontal line more than once. The following are braids on 3 strings: We think of braids as lying in 3 dimensions; condition iii. is then that no string in the projection of the braid onto the page (as we have drawn them) intersects any horizontal line more than once. Two braids on the same number of strings are equivalent (≡) if the strings of one can be continuously deformed { in the space strictly between the upper and lower points and without crossing { into the strings of the other. -
{Download PDF} Good Hair : the Essential Guide to Afro, Textured
GOOD HAIR : THE ESSENTIAL GUIDE TO AFRO, TEXTURED AND CURLY HAIR PDF, EPUB, EBOOK Charlotte Mensah | 288 pages | 29 Oct 2020 | Penguin Books Ltd | 9780241423523 | English | London, United Kingdom Good Hair : The Essential Guide to Afro, Textured and Curly Hair PDF Book Buy from…. Please sign in to write a review. Picture Information. Report item - opens in a new window or tab. We are temporarily unable to accept orders for delivery to destinations on Royal Mail's suspension list see below. Featuring case studies of clients who came to her looking for a 'hair fix', and informed by her own story from apprentice to business-owner, this book will dispel common hair myths and give you the knowledge and tools to attain good hair health. Reserve online, pay on collection. If you have any issues or concerns, please contact our customer service team within 60 days of purchase and they will be more than happy to help. With millions of satisfied customers who enjoy low prices on a huge range of books, we offer a reliable and trusted service and consistently receive excellent feedback. Return policy. Any international shipping is paid in part to Pitney Bowes Inc. Special financing available Select PayPal Credit at checkout to have the option to pay over time. Gorgeous Wedding Hairstyles. Item description Please note, the image is for illustrative purposes only, actual book cover, binding and edition may vary. We offer a huge range of over 8 million books; bestsellers, children's books, cheap paperbacks, baby books, special edition hardbacks, and textbooks. Happy and other ridiculous aspirations. -
Used Rope Eye Splice Double Braid Class I
USED ROPE EYE SPLICE DOUBLE BRAID CLASS I Class I ropes are made from any or all of the following fibers: olefin, polyester, or nylon. This is an eye splice which can be performed on used rope. This is an all-purpose splice techniqe designed for people who generally splice used rope as frequently as new rope. It retains up to 90% of the average new rope strength and in used rope up to the same proportion of residual used rope strength. You may wish to read the supplemental information, “Special Tips for Splicing Used Rope” (page 8), before beginning. Splicing used rope can be made easier by first understanding the rope condition. Natural shrinkage has occurred caused by water and heat. In addition, the cover yarns have often been abraded. Soak the section of rope to be spliced in water for several minutes – this lubricates and loosens fibers. 1 layer of tape Core must be extracted from cover at this point Mark X MARKING THE MEASUREMENTS Mark R From loop desired size Tape end to be spliced with one thin layer of tape. Then, 1 fid length measure one tubular fid length (2 wire fid lengths) from end STEP 1 of rope and mark. This is point R (Reference). From R form -or- a loop the size of the eye desired and mark. This is Point X where you extract core from inside the cover. If using a 2 wire fids – up to 13" circ. thimble, form the loop around the thimble. Tie a tight slip knot approximately five fid lengths from X.