DOCSLIB.ORG

Unbeatable Prices Currys

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SLIMLINE WITHYOUFT TROUSER POLAROI SUIT £6-95 Now you too can step Post J in t o the picture. 50p /> From the intimacy cf vour home to the crowded beach this uniaue remote shut­ ter control a.IIows you DIRECT TO YOU to take, with vour Plus W! ol/:f:, tl!,hg-^f Polaroid, those hiahly FROM So MONEY BACK OffLR personalised pictures SPTCRALIST vou never dared slimaiirgly MAKER dream possible. / I auractive vet so thoroughh /MMEI>IAT£ 95p Simple to fit and ^ operate. praca:al for t>esPATCH all seasons and iriial for t^./, Cet Yours 'Vow only Irom JOHN BULL , IN PLAIN COLOURSt- IN HI-LAND* PLAIDS (Dent. DMS). 83 WindiniM Ave.. holidi-is! PLUSES'include NATURAL-CAMEL aACRYLIC- GOLD Sit. Alhnns. Herts ' Wear it with '^ CHOICE OF HAIN .ierssy or GUOUFLS IN PEARL GREY-BLACK HONEY-RED-SILVER .^VINCENT PRODUCTS blouse according COURTAWOS TT"'^ Dept. dmi to thf, weaiher. ,ONLY We chose this CFFIWTETLE on PIAIDS 61-63 BAFKETLANE. CHESLERFIEM, DEIBYSLTIFE. « KMT, ACHYLIC S.45P(P.PilcOMPLETE superior quahiv Wear RUMATON double-knit + U.K QUALTTV TFSTEO 1 12 FRONTS REAR) XfH/\N •T-HT-BACHS AW^VBLT Rear Seat Caver | (2 FRONT & REAR) FOR BROAD FEET polyester + LATTST SLEEKER jersey not FILTTO FHONT 'NORZON'TAB CASUAL Worn by only for its + TOTAL SLIP-OVER Style Weao. Ah esiab- beautiful lished favourite for N-SAG GFTIP COVER (INCIUOIM PIPl PLUS 96P{P»P) millions of appearance the b'usy house'wife + W TAPES TO WORK THOUSAMDS OFSAriSFICD CUSTOMERS/ and excellint LODST Soft Norzon up­ weight, but Slips on like a glove - no tie tapes to work loose • pers. Vulcani.sed delighted men also for the yf AMERICAN rock singer Ton Keeps new upholstery like new 'Cool in summer, rubber soles remarkable and heels and women wd;- it resis-L-s warm in winler-Machine-wash, Drip-dry. E<tra Broad creasin^^. The ''S/ Petty wasn't in the least put ou If you think cop­ Fitting. listtftingly 3-S GEORGE STREET WEST. EUTON,BEOS LUI 2BJ per bracelets are styled top wonderful wait To CAR SEAT CENTRE features when he and his group, the Heart- 3-&GtORGE STREET WEST. LUTON. BEOS lUI 2BJ urttil you have tr-ed £3*75 ^^S^^^^^^^ ^ " "p'^' s^:i-covered ULFTLLF RUMATON. t h e COTTON CASUAL Style WSII4 buUons and two deep hip pockets. breakers, were asked to join today's PLAIN PLAID j Magnetic Bracelet. RLJEIT lie ;AIE5-78 LINC PBPL C«FI Lightweight tie ta.'^tinine The slightlv-flared trousers have Try it for 2 weeks cotton casual i>rii)TIIII4;, stretch wai.^tband to ensure a Pai'/s OLSEA! CO.E- — full satisfaction .tE3 65 »0(IEL_ pleas'TU-e and comfort perfect fit. W^v^baljle and drip-dry. Knebwoith Festival after Jeff Beck „ RTA' SEA; Co.e' MTUML a GOLD O I or refund. El 35 to leisure wear Cl)oose: Navv Blue, Brown, Bottle D ••'•EEA'CCVI RUMATOy is aji CAMEL O HONEV [• | V u 1 c a nisec Green. Bur;'UI!dy, 2iid colour • COMPLETE S(! AT EI2-95 (T^CPFCP) On elepcint bracelet pulled out. DSLEERRFTGWHET —- BLACK a RED O I soles. E X t r J chfK'-e please. Hip.s.36 to 48 ins. NAVE AOD^lS'b "=•0. GBET a SIIVERQJ I Broad Fitting Willi built-in inaci- "•We really owe the kids here a show" he Colour French Money refunded if unsuitable DM"24;6 Send Number • N'avy. Pull Cr)/*an/»C (Op'-'23HiXhSt.Taplowl said, " although a -Id Signature I sizes: 2 to 9. B-75 V.=s? -'-'^"^tP^NrMaidenhead, Berkshire Purchase price Catiers MOST welcoir.e 9.30 TO ^PM. MON LO SAT. ^ IGAL BASHAN may festival is not reall.y refunded il IfWSW^V^A SPECIAL OKFER OT o!i .It oiir NtiW SHOP - 128 HIGH STREET, be a new name to not satisfied. VKAanSl^ 9 for £7 4 26i). SHLPRIRTON, MIDDX. 9 TO 5PM, MON TO Ssi. my favourite gig. A BURY BOOT & SHOE CO. LTD. DE|it.M.27-29 Blenheim GlIns.Loniton, SW2 you but in Israel, he's (Dept. DM18). Bury BLS 1BC. lot of people can't SENSATIQNALWAREHOUSE CLEARANCE! their top pop singer. Igol, 28, has been over see properly and we'll 6,000 Brand New COMPLETE 4 PLAYER I. with the fabulous here to promote his tirst be playing in day­ album for Ariolo — "You light which will seem BADMINTON SETS Got The Power," released ABSOLUTELY PERFECT JUSI LOOK kind of weird. —BUT CARTONS SLIGHTLY SOtLEDf a VOU CTN earlier this month. e.OOO BRAND NEW SETS pei-l^cr With 23 top singles " But Im quite .sure In every detail! Warehouse jsoiied and nine top albums in that everything will be CHTTONFI FORCES lmm.fd'at-e c!e.>r- I snce at ALMOST COST PRICE! Israel, Igol hopes he'll great. It's breaking our hearts — BUT Unbeatable we're lelt w.th no other choice. So, make a break-through in '• Hopefully we'll be If you're not bfKhered ahout a • • "TS ' Si'S' Britain. back in the autumn to marked box, invest in this BAR- do a full tour — but CAIN OF A LIFETIME now! No back. cumpleiclv hiddei. Everythnig's s'lppUed f^^r the whole •' STAY - CUPS • la-mily to play anywhere. 4 well strung, Steel shafted shape aud .sup.- rackets, full width 20ft. approx. NET with white tcp puri you in com­ binding. Two shuttlecocks two Sft sectional metal net fort. SPT;H1 skin «iPPort poles, Buy lines, ground stakes, instructions/rules. THE LOT adhesive. No prices FOR JE3-9S 4- 75n P. A P. Quo!e item ^'o. 17. Access • narclavfard—seiid liook>.. No btmcis curd number. 14 day nwney back undertaking if not delighted. Undetectable in wear. Adapts to anv cK^avane Si:at» bust and cup size. 32. :i4, ili. 3I» Three great Morphy Richards SO NEW TO PERU R. J. WILTSHIRE (DM) se-SS Green street. London E7. Ouarter or half CUP. Culs.- Fle.sh. Callers welcome Mon. to Sat. 9 a.m. to I p.m. whit*, black. Send £2-43 f 20a p. A ». Sensational new Beach- ^ LOVELY JENNI wear Set. Matching Siav-Kupd ^ Hanley leaves foi and brief in .soft Terrycluth. Cols.: blue. Kold or red. State Ina sizf bargains backed by the land of king-siz< £5-75 Plus ZSp H. & D. For C 0 D spiders on Monday— orders: Tel. 01-794 8288. ELDA and she's terrified. GAYLINE ORIGINALSMEMO. DentS . N/DM25, 188^ . Fmchlev Road, London NW3 6DR. Off to Peru witt The BIG new range of Currys Price Promise the •' Magpie " crew ROLLER,VENETIAN& Jenny has done liei Morphy Richards homework with : VERTICAL BUNDS and little help f»on READY-MADE CURTAINS Senior Dry iron (4111) Britain's best-knowr why Cunys Usual Peruvian, comediar Unrivalled range of made-to- Price £9-50. Michael Bentine. measure blinds and ready-to- BEFORE AFTER " When I rangf hin PAY Mm For quick anri easy repairs to last wee k," said pla.stic dentures make sure you SPECIAL hang curtains. FffEEexpress have • PAST.' This pocket si?ed Jenny, •• he gave m( delivery.A/Ofl/SK 7-days MORE? Kit undertakes several repyirs lots of advice about and can be your insurance OFFER approvaL Finest value any- against embarnissment and his homeland bul wfhere. Send for FWEEcolour inconvenience. Ideal for hohdavi 195 scared me witli tales and travelling. about spiders the size book*price lists. Laboratory tested and afinroved SEND £1-30 post tree to : of your hand." GAYLINE LTD., Dept.M.LIwynypIa, FORMADENT LTD (Dent DM3). " Magpie's" annua! Blakesley Lodge. Green Street, summer e x p e ditior Qamorgan.Telephone:044371 3232 Sunbury on Thames. Middx. will be screened wher JENNY HANLEY the programme re­ Scared of spiders. turns this autumn. LOOK SLIM AND TRIM Morphy •INTHIS FIGURE PUTTERING DRESS ^ , iOO%TmcEL Richards Deluxe steam/ Blazing the old spray iron (4197) I NON~IRON] ^ THE Frank Jen­ LOW PRICE VALUE in Currys Usual nings Syndicate Elegant - ONLY fuller figure dres.se.s^ SSrS.*! S DIRECT FROM Price £14-95. thought it was like MAKER. The expert commode: £7-99 cut and attractive SPECIAL taking coals to New­ country stool " iS^:, style is designed to fin A K E YOU LOOK castle when tiiey were tilscreetly designed as a dressing stooF. SLIM. Adjustable hem. OFFER Cjniurs: Elatli. Beige, Wine, Body moulded from strong, hygienic invited to play their Brown, RUSI. Green, Turnuoise. Flexivent.2 95 plastic with coloured Rose moti). Luxury Primrcse, Ye"ow (give 2nd choicei. 575 Walsall Road, jj brand of country foam padded seat, upholstered in wash* HlPa M". 38". 40", 42" £1-75. 44", £12 »ble vinyl (colour choice ol While, 4C". IE4-95. 48", 50" £5-25, 52", Great Barr. J music in Nashville, trail 54" £5-50. 5C", 5«" £5-95, tO", Birmingham ^ primrose, Green, or Blue ), conceals 62". 64" £6-95. Cap sleeves 30p polythene chamber with handle. Strong extra. Add 30p lor p&p. 842 1ND.^ Tennessee. we were and what we Vrms aid rising. But the six British Twinevale Ltd., Dept MR/C PAUL LOUIS ENTERPRISES (DM2) were doing. And it really 9a Sidnt-y Siii;are. London E.1 tlosebery Ave., Melton Mowbray, Leics lads, based in Read­ hit me. But the fans Morphy were great." LOW PRICE SENSATION ing, needn't have wor­ DEARWORRIED The Syndicate were the HnED WATER- Richards ried. first Biitish group to They set the audi­ play in the international OF ACTON PROOF MAnRESSteJ Toaster (4409) sliow, which was hosted • If you're worried that a COVERS ' ence alight at the by top American stars CURRYS American Music City's C h a r I e V Pride and particular advertisement Tammy Wynette.
Recommended publications
  • Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases

    Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases

    CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates.
  • Singles 1970 to 1983

    Singles 1970 to 1983

    AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
  • Name Artist Album Track Number Track Count Year Wasted Words

    Name Artist Album Track Number Track Count Year Wasted Words

    Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B.
  • The Daily Egyptian, February 12, 1980

    The Daily Egyptian, February 12, 1980

    Southern Illinois University Carbondale OpenSIUC February 1980 Daily Egyptian 1980 2-12-1980 The aiD ly Egyptian, February 12, 1980 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_February1980 Volume 64, Issue 94 Recommended Citation , . "The aiD ly Egyptian, February 12, 1980." (Feb 1980). This Article is brought to you for free and open access by the Daily Egyptian 1980 at OpenSIUC. It has been accepted for inclusion in February 1980 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Radioactive water found inside plant MIDDLETOWN, Pa. <APl-Radioactive water Metiopolihm Edison Co., operator of the plant that Regulatory Commission in Harrisburg, said a pump leaked for nearly two hours inside the damaged Three was shut down foilowing an accident last March, later trat adds water to the reactor's primary cooling Mile Island nuclear power plant Monday, but issued a statement saying: "In plaCf' monitoring system was turned on at 12:55 p.m. authorities said it appeared no l'adioactive material devices indicated that radiation readings on the site "When they did, they got an alarm, a 10"< pressure was released outside the facility. have not been higher than normal background alarm," Sanborn said. "The leak has been isolat~ and '!topped," said Jolm readings." The low .oressure indicated a los." of w.tter from the Collins. head of operations at the NuCfear Regulatory The auxiliary building, which adjoins the building system at :J rate of 9 gallorr a •.&iflUte, •, said. Commission's office here. l'Jat houses the severely damaged reactor, was im­ In Washington, Frank lngrarr•• another NRC State officials said water had leaked at a maximum mediately evacuated.
  • Boomtown Rats Boomtown Rats Royce 5'9

    Boomtown Rats Boomtown Rats Royce 5'9

    ROYCE 5’9” MORRISSEY BOOMTOWN RATS THE ALLEGORY I AM NOT A DOG CITIZENS OF BOOMTOWN EONE BMG BMG “The goal was to make something that feels like a Morrissey kicks off the new decade with the release The Boomtown Rats - Bob Geldof on vocals, Pete hip-hop album, but that has a lot of layers you may of his thirteenth solo studio album, I Am Not A Dog Briquette on bass, Simon Crowe on drums and Garry not necessarily get on the first time,” says Royce Da On A Chain. “I have now produced four studio albums Roberts on guitar - mark 2020 (The Year Of The Rat) 5’9” about his masterpiece, The Allegory. “It’s really for Morrissey,” says the great Joe Chiccarelli (Beck, with the release of Citizens Of Boomtown, their first abstract in the way that it’s constructed… It’s the anti- The Strokes, The Killers). “This is his boldest and most new studio album since 1984. Featuring 10 glorious new everything.” Royce has long been a respected emcee, adventurous album yet… And once again proving that Boomtown Rats songs produced by Briquette, Citizens but now he can count himself as a great producer. as a songwriter and singer, he is in his own category.” of Boomtown is ushered in by the beautifully sleazy Royce sculpted every track – toying with spoken word, One supposes. Anyway: It’s notable that the album’s rocker “Trash Glam Baby.” Formed in 1975 in Dublin boom-bap, and avant garde funk. As for the lyrics: first single, “Bobby, Don’t You Think They Know?” The Boomtown Rats became part of the burgeoning “They say you are what you eat, but I never ate goat” is features Motown legend Thelma Houston – best known punk scene.
  • Banana Republic? by Dr Steven Mccabe, Associate Professor, Institute of Design and Economic Acceleration

    Banana Republic? by Dr Steven Mccabe, Associate Professor, Institute of Design and Economic Acceleration

    Banana Republic? By Dr Steven McCabe, Associate Professor, Institute of Design and Economic Acceleration (IDEA) and Senior Fellow, Centre for Brexit Studies, Birmingham City University “Banana Republic” is the 1980 single from new wave act, The Boomtown Rats and taken from their album Mondo Bongo. “Banana Republic” was written by lead singer, campaigner, entrepreneur and generally rambunctious Dubliner, Bob Geldof, in collaboration with bass player Pete Briquette, real name Patrick Cusack, who’s from Ballyjamesduff in County Cavan; not far from where my parents were born. equity). Many on new developments had to endure years of living on partially competed estates. Wha It is increasingly hard to know where to start as to analysing how utterly appalling his stewardship has been. Having secured an 80-seat majority based explicitly on delivering the will of the people in promising to “get Brexit done” through his “oven-ready deal”, the very next day, he attended what The Guardian It’s worth noting that during the pandemic, Varadkar re-registered as doctor during Covid-19 pandemic so he could assist the Irish health service during the crisis. Varadkar’s example of being among .
  • The KARAOKE Channel Song List

    The KARAOKE Channel Song List

    11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat.
  • Representation of 1980S Cold War Culture and Politics in Popular Music in the West Alex Robbins

    Representation of 1980S Cold War Culture and Politics in Popular Music in the West Alex Robbins

    University of Portland Pilot Scholars History Undergraduate Publications and History Presentations 12-2017 Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West Alex Robbins Follow this and additional works at: https://pilotscholars.up.edu/hst_studpubs Part of the European History Commons, Music Commons, Political History Commons, and the United States History Commons Citation: Pilot Scholars Version (Modified MLA Style) Robbins, Alex, "Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West" (2017). History Undergraduate Publications and Presentations. 7. https://pilotscholars.up.edu/hst_studpubs/7 This Thesis is brought to you for free and open access by the History at Pilot Scholars. It has been accepted for inclusion in History Undergraduate Publications and Presentations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West By Alex Robbins Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in History University of Portland December 2017 Robbins 1 The Cold War represented more than a power struggle between East and West and the fear of mutually assured destruction. Not only did people fear the loss of life and limb but the very nature of their existence came into question. While deemed the “cold” war due to the lack of a direct military conflict, battle is not all that constitutes a war. A war of ideas took place. Despite the attempt to eliminate outside influence, both East and West felt the impact of each other’s cultural movements.
  • DAN KELLY's Ipod 80S PLAYLIST It's the End of The

    DAN KELLY's Ipod 80S PLAYLIST It's the End of The

    DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
  • Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock

    Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock

    IRELAND INTO THE MYSTIC: THE POETIC SPIRIT AND CULTURAL CONTENT OF IRISH ROCK MUSIC, 1970-2020 ELENA CANIDO MUIÑO Doctoral Thesis / 2020 Director: David Clark Mitchell PROGRAMA DE DOCTORADO EN ESTUDIOS INGLESES AVANZADOS: LENGUA, LITERATURA Y CULTURA Ireland into the Mystic: The Poetic Spirit and Cultural Content of Irish Rock Music, 1970-2020 by Elena Canido Muiño, 2020. INDEX Abstract .......................................................................................................................... viii Resumen .......................................................................................................................... ix Resumo ............................................................................................................................. x 1. Introduction ............................................................................................................. 1 1.1.1. Methodology ................................................................................................................. 3 1.1.2. Thesis Structure ............................................................................................................. 5 2. Historical and Theoretical Introduction to Irish Rock ........................................ 9 2.1.1. Introduction ................................................................................................................... 9 2.1.2. The Origins of Rock ...................................................................................................... 9 2.1.3.
  • The Top of the Poppers Sing and Play Punk

    The Top of the Poppers Sing and Play Punk

    Title The Top of the Poppers sing and play punk Type Article URL https://ualresearchonline.arts.ac.uk/id/eprint/14980/ Dat e 2 0 1 9 Citation Bestley, Russ (2019) The Top of the Poppers sing and play punk. Punk & Post Punk, 8 (3). pp. 399-421. ISSN 2044 1 9 8 3 Cr e a to rs Bestley, Russ Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author The Top of the Poppers sing and play punk Russ Bestley, London College of Communication By the mid-1970s, the music industry had a long history of accommodating and recuperating teenage rebellion, and punk’s defiant message of radical change also offered new opportunities for commercial enterprise. A rush to sign new bands who could be (broadly) associated with punk, and the concomitant shift toward ‘new wave’ styles, led to a degree of UK chart success for a number of groups. The inclusion of punk and new wave songs on a series of low-budget compilations featuring cover versions of contemporary hits strikes a particularly discordant tone with punk’s self-styled image of a break with traditional music industry conventions. The albums released on the longstanding budget compilation series Top of the Pops between mid-1977 and early 1982 tell an interesting story about the cultural recuperation of punk, new wave and post-punk, and ask questions, perhaps, about the legitimacy of punk’s often mythologised ‘outsider status’.
  • Paul Weller Wild Wood

    Paul Weller Wild Wood

    The Venus Trail •Flying Nun-Merge Paul Weller Wild Wood PAUL WELLER Wild Wood •Go! Discs/London-PLG FAY DRIVE LIKE JEHU Yank Crime •Cargo-Interscope FRENTE! Marvin The Album •Mammoth-Atlantic VOL. 38 NO.7 • ISSUE #378 VNIJ! P. COMBUSTIBLE EDISON MT RI Clnlr SURE THING! MESSIAH INSIDE II The Grays On Page 3 I Ah -So-Me-Chat In Reggae Route ai DON'T WANT IT. IDON'T NEED IT. BUT ICAN'T STOP MYSELF." ON TOUR VITH OEPECHE MOUE MP.'i 12 SACRAMENTO, CA MAJ 14 MOUNTAIN VIEV, CA MAI' 15 CONCORD, CA MA,' 17 LAS, VEGAS, NV MAI' 18 PHOENIX, AZ Aff.q 20 LAGUNA HILLS, CA MAI 21 SAN BERNARDINO, CA MA,' 24 SALT LAKE CITY, UT NOTHING MA,' 26 ENGLEVOOD, CO MA,' 28 DONNER SPRINGS, KS MA.,' 29 ST. LOUIS, MO MP, 31 Sa ANTONIO, TX JUNE 1HOUSTON. TX JUNE 3 DALLAS, TX JUNE 5BILOXI, MS JUNE 8CHARLOTTE, NC JUNE 9ATLANTA, GA THE DEBUT TRACK ON COLUMBIA .FROM THE ALBUM "UNGOD ." JUNE 11 TILE ,' PARX, IL PROOUCED 81.10101 FRYER. REN MANAGEMENT- SIEVE RENNIE& LARRY TOLL. COLI MI-31% t.4t.,• • e I The Grays (left to right): Jon Brion, Jason Falkner, Dan McCarroll and Buddy Judge age 3... GRAYS On The Move The two started jamming together, along with the band's third songwriter two guys who swore they'd never be in aband again, Jason Falkner and Buddy Judge and drummer Dan McCarron. The result is Ro Sham Bo Jo Brion sure looked like they were having agreat time being in the Grays (Epic), arecord full of glorious, melodic tracks that owe as much to gritty at BGB's earlier this month.