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Marvel Universe by Hasbro
Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities. -
The Women of Battlestar Galactica and Their Roles : Then and Now
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 The women of Battlestar Galactica and their roles : then and now. Jesseca Schlei Cox 1988- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Cox, Jesseca Schlei 1988-, "The women of Battlestar Galactica and their roles : then and now." (2013). Electronic Theses and Dissertations. Paper 284. https://doi.org/10.18297/etd/284 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE WOMEN OF BATTLESTAR GALACTICA AND THEIR ROLES: THEN AND NOW By Jesseca Schleil Cox B.A., Bellarmine University, 2010 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degre:e of Master of Arts Department of Sociology University of Louisville Louisville, Kentucky May 2013 Copyright 2013 by Jesseca Schlei Cox All Rights Reserved The Women of Battlestar Galactica and Their Roles: Then and Now By Jesseca Schlei Cox B.A., Bellarmine University, 2010 Thesis Approved on April 11, 2013 by the following Thesis Committee: Gul Aldikacti Marshall, Thesis Director Cynthia Negrey Dawn Heinecken ii DEDICATION This thesis is dedicated to my mother and grandfather Tracy Wright Fritch and Bill Wright who instilled in me a love of science fiction and a love of questioning the world around me. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
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Fully $9.95 Authorized THE NEW By The In The US Kirby Estate SPOTLIGHTING KIRBY’S LEAST- KNOWN WORK! In The Days Of The Mob ISSUE #32, JULY 2001 Collector Dingbats of Danger Street Soul Love True Divorce Cases The Black Hole The Prisoner Marvel Westerns The Horde and more! A Long-Lost Kirby Interview Mark Evanier on the Fourth World Kirby Checklist UPDATE Unpublished Art including published pages Before They Were Inked, And Much More!! Contents OPENING SHOT . .2 THE NEW (to those who say “We don’t need no stinkin’ unknown Kirby work”, the editor politely says “Phooey”) UNDER THE COVERS . .4 (the story behind the somewhat Glen Campbell-looking fellow on our covers) JACK F.A.Q. s . .6 (Mark Evanier answers a reader’s ISSUE #32, JULY 2001 Collector Frequently Asked Questions about the Fourth World) ANIMATED GESTURES . .11 (Eric Nolen-Weathington begins his ongoing crusade to make sense of some of the animation art Kirby drew) IN HIS OWN WORDS . .12 (Kirby speaks in this long-lost interview from France—oui!) CREDIT CHECK . .22 (Kirby sets a new record, as we present the long-awaited update to the Kirby Checklist, courtesy of Richard Kolkman) GALLERY . .32 (some of Kirby’s least-known and/or never-seen art gets its day in the sun) KIRBY AS A GENRE . .44 (Adam McGovern takes another swat at those pesky Kirby homages that are swarming around his mailbox) INTERNATIONALITIES . .46 (this issue’s look at Jack’s international influence finds Jean-Marie Arnon owes the King a huge debt) TRIVIA . -
39635191.Pdf
table of contents RKYV # 28 {September 2009} RKYV ONLINE LOGO - David Marshall { current } RKYV ONLINE LOGO – r. j. paré {modified} RKYV COMICS LOGO – Roy G. James {original} Virtual Cover # 28 Writer’s Column - Art by Allen Freeman - By Larissa Gula - Layout by David Marshall Poetry Interior Art - By Dexter Betantos, Anna Gehmacher, - By Jonathan Biermann, De Tourist, Roger Frances Vargas, r. j. paré Formidable, Engin Korkmaz, Lisa Marie Mueller, Dave Michaels, r. j. paré, Allen Music Freeman. - “Redhouse” - by r. j. pare Editorial Column - “At the Outset: A Few Thoughts from the Short Fiction Editor” - “Bad Beat – Part 2” - By r. j. paré - By r. j. paré In the News Pop Culture - By Tom Rossini - “An interview with Jimmy Palmiotti” - By Brad Bellmore Featured Artist Review - “Comic Book Review” – Allen Freeman - By Brad Bellmore - By r .j. paré - “Raised on Saturday Morning Cartoons” - By Pauline Paré 12 Inches – by Roger Formidable at the outset a few thoughts from the editor By r. j. paré “I suppose I should collect my books And go back to school.” --- Rod Stewart The summer ends and with it the time for idle days at the beach. For our children, moaning and groaning it is time to head on back fer some more of that fancy book learning. For ourselves it can be an opportunity to devote extra time to our never ending back-log of projects. Whether it is a leaky roof that needs fixing before winter or some creative time to express yourself… we all have stuff that piles up. Here at RKYV ONLINE we’ve, lately, devoted more energy to showcasing bigger names and talents as a means of sharing with you – our readers, contributors and developing artists – what is possible when you truly invest in your own creativity. -
Volume 1 a Collection of Essays Presented at the First Frances White Ewbank Colloquium on C.S
Inklings Forever Volume 1 A Collection of Essays Presented at the First Frances White Ewbank Colloquium on C.S. Lewis & Article 1 Friends 1997 Full Issue 1997 (Volume 1) Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation (1997) "Full Issue 1997 (Volume 1)," Inklings Forever: Vol. 1 , Article 1. Available at: https://pillars.taylor.edu/inklings_forever/vol1/iss1/1 This Full Issue is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER A Collection of Essays Presented at tlte First FRANCES WHITE EWBANK COLLOQUIUM on C.S. LEWIS AND FRIENDS II ~ November 13-15, 1997 Taylor University Upland, Indiana ~'...... - · · .~ ·,.-: :( ·!' '- ~- '·' "'!h .. ....... .u; ~l ' ::-t • J. ..~ ,.. _r '· ,. 1' !. ' INKLINGS FOREVER A Collection of Essays Presented at the Fh"St FRANCES WHITE EWBANK COLLOQliTUM on C.S. LEWIS AND FRIENDS Novem.ber 13-15, 1997 Published by Taylor University's Lewis and J1nends Committee July1998 This collection is dedicated to Francis White Ewbank Lewis scholar, professor, and friend to students for over fifty years ACKNOWLEDGMENTS David Neuhauser, Professor Emeritus at Taylor and Chair of the Lewis and Friends Committee, had the vision, initiative, and fortitude to take the colloquium from dream to reality. Other committee members who helped in all phases of the colloquium include Faye Chechowich, David Dickey, Bonnie Houser, Dwight Jessup, Pam Jordan, Art White, and Daryl Yost. -
Oasis Digital Studios and Apex Comics Group Partner with Comic-Book Industry Legends for New Multimedia Experiences and Nfts
Oasis Digital Studios and Apex Comics Group partner with Comic-Book Industry Legends for New Multimedia Experiences and NFTs Famed former Marvel Editor-in-ChiefTom DeFalco andartists Ron Frenz and Sal Buscema launch comic books, avatars, and AR enhanced NFT collectibles. Toronto / Vancouver, Canada / Erie PA / New York, NY – April 12, 2021 –Liquid Avatar Technologies Inc. (CSE: LQID / OTC:TRWRF / FRA:4T51) (“Liquid Avatar Technologies” or the “Company”,), a global blockchain, digital-identity and fintech solutions company, together with ImagineAR Inc. (CSE:IP / OTCQB:IPNFF), an Augmented Reality platform company, are excited to announce that Oasis Digital Studios (“Oasis”) has partnered with Apex Comics Group to publish Mr. Right, a new multimedia project by legendary Marvel Entertainment and pop culture veterans Tom DeFalco, Ron Frenz, and Sal Buscema. The program will consist of printed and digital comic books, digital avatars produced for the Liquid Avatar Mobile App and Marketplace, and AR enhanced NFT collectibles with Oasis. A sneak preview of the program will be made virtually on April 13th at the special presentation “NFTs Myths, Market, Media & Mania," hosted by Liquid Avatar, ImagineAR and Oasis Digital Studios: https://hello.liquidavatar.com/oasis-webinar-registration. The integrated campaign, expected to launch in early summer, will feature a series of limited- edition print and digital comic books, along with collector-enhanced NFTs, Liquid Avatar digital icons available in the Liquid Avatar Marketplace, and a fully immersive Augmented Reality multimedia program. A pre-sale waiting list is available for prospective purchasers and NFT collectors at the Oasis website: www.oasisdigitalstudios.com Mr. Right is led by Tom DeFalco, who was Marvel’s 10th Editor-in-Chief. -
TSR6908.MHR3.Avenger
AVENGERS CAMPAIGN FRANCHISES Avengers Branch Teams hero/heroine and the sponsoring nation, Table A: UN Proposed Avengers Bases For years, the Avengers operated avengers membership for national heroes and New Members relatively autonomously, as did the has become the latest political power chip Australia: Sydney; Talisman I Fantastic Four and other superhuman involved in United Nations negotiations. China: Moscow; Collective Man teams. As the complexities of crime Some member nations, such as the Egypt: Cairo; Scarlet Scarab fighting expanded and the activities of the representatives of the former Soviet France: Paris; Peregrine Avengers expanded to meet them, the Republics and their Peoples' Protectorate, Germany: Berlin; Blitzkrieg, Hauptmann team's needs changed. Their ties with have lobbied for whole teams of powered Deutschland local law enforcement forces and the beings to be admitted as affiliated Great Britain: Paris; Spitfire, Micromax, United States government developed into Avengers' branch teams. Shamrock having direct access to U.S. governmental The most prominent proposal nearing a Israel: Tel Aviv; Sabra and military information networks. The vote is the General Assembly's desired Japan: Undecided; Sunfire Avengers' special compensations (such as establishment of an Avengers' branch Korea: Undecided; Auric, Silver domestic use of super-sonic aircraft like team for the purpose of policing areas Saudi Arabia: Undecided; Arabian Knight their Quintets) were contingent on working outside of the American continent. This Soviet Republics: Moscow; Peoples' with the U.S. National Security Council. proposal has been welcomed by all Protectorate (Perun, Phantasma, Red After a number of years of tumultuous member nations except the United States, Guardian, Vostok) and Crimson Dynamo relations with the U.S. -
Graphic Novels Plan
Automatically Yours™ from Baker & Taylor Automatically Yours™ Graphic Novels Plan utomatically YoursTM from Baker & Taylor is a Specialized Collection Program that delivers the latest publications from popular authors right to Ayour door, automatically. Automatically Yours offers a variety of plans to meet your library’s needs including: Popular Adult Fiction Authors, B&T Kids, Spokenword Audio, Popular Book Clubs and Graphic Novels. Our Graphic Novels Plan delivers the latest publications to your library, automatically. Choose the novels that are right for your library and we’ll do the rest. No more placing separate orders, no worrying about title availability - they’ll arrive on time at your library. A new feature of the Automatically Yours program is updated lists of forthcoming titles available on our website, www.btol.com. Click on the Public Tab, then choose Automatic Shipments and Automatically Yours to view the current lists. Sign-up today! Simply fill out the enclosed listing by indicating the number of copies you require, complete the Account Information Form and return them both to Baker & Taylor. It’s that simple! Questions? Call us at 800.775.1200 x2315 or visit www.btol.com Automatically Yours™ from Baker & Taylor Sign up by Vendor/Character, Author or Illustrator. Fill in the quantity you need for each selection, fill out the Account Information Form and we’ll do the rest. It’s that simple! * Vendor/Character Listing: AIT-Planet Lar: ____ Hellboy - Adult Fantagraphics: ____ ALL Titles - Teen ____ Lone Wolf and Cub - Adult ____ ALL Hardcover Titles - Adult ____ O My Goddess - All Ages ____ ALL Paperback Titles - Adult Alternative Comics: ____ Predator - Teen ____ ALL Titles - Adult G.T. -
Visiting the Rime: a Case Study of Adaptation As Process and Product with the Rime of the Ancient Mariner Sally Ferguson University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2016 [Re]Visiting the Rime: A Case Study of Adaptation as Process and Product with The Rime of the Ancient Mariner Sally Ferguson University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Other Ecology and Evolutionary Biology Commons Recommended Citation Ferguson, Sally, "[Re]Visiting the Rime: A Case Study of Adaptation as Process and Product with The Rime of the Ancient Mariner" (2016). Theses and Dissertations. 1593. http://scholarworks.uark.edu/etd/1593 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. [Re]Visiting the Rime: A Case Study of Adaptation as Process and Product with The Rime of the Ancient Mariner A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English by Sally Ferguson Ouachita Baptist University Bachelor of Arts in English, 2014 May 2016 University of Arkansas This thesis is approved for recommendation to the Graduate Council. X Dr. Lissette Szwydky Thesis Director X X Dr. Sean Dempsey Dr. William Quinn Committee Member Committee Member Abstract This thesis combines adaptation theory with ecology to examine Samuel Taylor Coleridge's Rime of the Ancient Mariner (1798) and its adaptations; it argues further combinations of adaptation with evolutionary theory and ecological ideas could allow for a better interpretation of many texts. -
Zombies, Global Biopolitics, and the Reproduction of Structural Violence
humanities Article Vulnerable Life: Zombies, Global Biopolitics, and the Reproduction of Structural Violence Steven Pokornowski Division of Communications and Languages, Rio Hondo College, 3600 Workman Mill Rd., Whittier, CA 90601, USA; [email protected]; Tel.: +1-568-908-3429 Academic Editor: Myra Mendible Received: 1 June 2016; Accepted: 17 August 2016; Published: 25 August 2016 Abstract: This essay offers an intervention in biopolitical theory—using the term “vulnerable life” to recalibrate discussions of how life is valued and violence is justified in the contemporary bioinsecurity regime. It reads the discursive structures that dehumanize and pathologize figures in U.S. zombie narratives against the discursive structures present in contemporary legal narratives and media reports on the killing of black Americans. Through this unsettling paralleling of structures, the essay suggests how the current ubiquity of zombies and the profusion of racial tension in the U.S. are related. In the process, the essay emphasizes the highly racialized nature of the zombie itself—which has never been the empty signifier it is often read as—and drives home just how dangerous the proliferation of postracial and posthuman discourses can be if they serve to elide historical limitations about the highly political determinations of just who is quite human. Keywords: biopolitics; race; zombies; postracial; posthuman; #BlackLivesMatter; violence 1. Introduction: The Mattering of Lives, Life that Matters, and the Justification of Violence The zombie’s recent cultural ubiquity parallels, and is in some measure symptomatic of, an increasingly visible racial tension in the U.S. That is not to say that such deaths as those of Trayvon Martin, Michael Brown, and Sandra Bland, to name just a few of those recently in need of memorialization, are a new phenomenon; nor is it to say that the structural disenfranchisement and systemic inequity that created the tense policing situations and rampant economic and political inequality in Ferguson, or Baltimore, or Chicago are new, either [1,2]1. -
Red Hulk - Marvel Universe Wiki: the Definitive Online Source for Marvel Super Hero Bios
Red Hulk - Marvel Universe Wiki: The definitive online source for Marvel super hero bios. 5/20/13 11:00 PM Red Hulk As a young man, Thaddeus Ross enlisted in the military and received his nickname from his troops because he "struck like a thunderbolt" when leading them into action. Now he has become the very thing he hated most in life. He is the Red Hulk. Military Man General Thaddeus E. Ross was born into a family with a proud tradition of military ser- vice. Both his father and his grandfather served heroically in past American wars. As a boy Thaddeus immersed himself in military history, and he learned how to fly by barn- storming at country fairs. When he came of age Ross enlisted in the military, graduating first in his class at West Point. He married Karen Lee, the daughter of his commanding officer at the time. Ross rapidly rose in rank to captain and then major while serving in his first war. Ross made a great reputation as a leader in combat, but after the war, he was stationed at the nu- clear research facility at Los Alamos, New Mexico. There he met nuclear physicist Brian Banner, the father of Robert Bruce Banner. Ross had risen to the rank of colonel by the time he was sent to his next war, during which he became a general in the U.S. Air Force (Ross never rose beyond three-star gen- eral). As he gloried in combat, he was dissatisfied with the "desk jobs" he was given be- fore and after the war.