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The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
The Oxford Dictionary of Modern Quotations.TXT
The Oxford Dictionary of Modern Quotations PREFACE Preface =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- This is a completely new dictionary, containing about 5,000 quotations. What is a "quotation"? It is a saying or piece of writing that strikes people as so true or memorable that they quote it (or allude to it) in speech or writing. Often they will quote it directly, introducing it with a phrase like "As ---- says" but equally often they will assume that the reader or listener already knows the quotation, and they will simply allude to it without mentioning its source (as in the headline "A ros‚ is a ros‚ is a ros‚," referring obliquely to a line by Gertrude Stein). This dictionary has been compiled from extensive evidence of the quotations that are actually used in this way. The dictionary includes the commonest quotations which were found in a collection of more than 200,000 citations assembled by combing books, magazines, and newspapers. For example, our collections contained more than thirty examples each for Edward Heath's "unacceptable face of capitalism" and Marshal McLuhan's "The medium is the message," so both these quotations had to be included. As a result, this book is not--like many quotations dictionaries--a subjective anthology of the editor's favourite quotations, but an objective selection of the quotations which are most widely known and used. Popularity and familiarity are the main criteria for inclusion, although no reader is likely to be familiar with all the quotations in this dictionary. The book can be used for reference or for browsing: to trace the source of a particular quotation or to find an appropriate saying for a special need. -
U. S. Marines Killed by Their Own Guns
NET PRESS RCN ‘AVERAOB DAHiT CIROVliATIOX tor the monlh df Febraary, 1028 'h- 5,108 Conn. State Library Menbcr of tke A.«dlt Barean ot Ctrculatibaa PRICE THREE CENTS . Clasaified Advertising on Page 10. MANCHESTER, CONN , SATURDAY, MARCH 3, 1928. (TWELVE PAGES) VOL. XLU., NO. 131. ROBINSON CRUSOE MADE A TFRENCH AMERICAN sc h o o l 'T MISTAKE. - ! GETS A NEW YORK CHARTER Torch MOTHER OF 7 U. S. MARINES KILLED .\RMY AND NAVY New York, March 3.— For the London, Feb. 3.— Robinson first time in the century and a Crusoe and his man Friday half of its existence the New Was Spy During should have renqained on their ENDORSE PLAN York State Board of Regents Island. A recent survey of Juan’ Fernandez Island, on which BY THEIR OWN GUNS has granted a charter to a school of secondary education outside Alexander Selkifk, the original -(& the state. The charter was is New York, March 3.— “Dr. Louisftof witnesses who believe he was a Robinson Crusoe, spent four S T R m i l U N OF AIR SCHOOL sued to the Chateau Neuvlc ” !;suitor of Miss Brown’s. years, proves it to be a veritable Clement, inventor and scientist, School, Dordogne, France, ac Armgaard Karl Graves was ’the paradise. TIME UP, CHINESE Nicaraguan Rebels Stole cording to an announcement wanted for questioning in connec signatute affixed to a contact with The report says it is one of made yesterday by the school s tion with the “ torch murder” of Charle.s A. Levine, trans-Atlantic the most fruitful spots in South Seven Year Old Daughter Board of Trustees, of whicn America, with every imaginable Arms in Raid on Onr Snp- Training Units Already Es-| Margaret Brown, Park avenue gov flier, dealing with a proposed $4,- M AD IS SENT HOME Bishop Charles H. -
Ciclo: Lon Chaney, El Hombre De Las Mil Caras the Penalty
CICLO: LON CHANEY, EL HOMBRE DE LAS MIL CARAS THE PENALTY THE PENALTY Producción: Samuel Goldwyn. MGM. Nacionalidad: USA, 1920. Director: Wallace Worsley. Guión: Charles Kenyon y Philip Lonergan, basado en la novela Gouverneur Morris. Fotografía: Donovan Short B/N. Intérpretes: Lon Chaney, Ethel Grey Terry, Milton Ross, Charles Clary, Claire Adams, Kenneth Harlan. Duración: 70 minutes. Muda con rótulos en Inglés, subtitulada en Castellano. Blizzard, un prodigioso cerebro criminal cuyas piernas fueron, innecesariamente, amputadas a la altura de las rodillas durante su niñez por un doctor sin experiencia, dedica su vida a vengarse de una sociedad que siempre le ha dejado a un lado por este motivo. En The Penalty se muestra, además de un Chaney en estado de gracia, un duro retrato (al menos para su tiempo) de los bajos fondos de San Francisco. En los primeros diez minutos vemos prostitutas ofreciendo sus servicios e incluso el brutal asesinato de una mujer. Este es el mundo de un Blizzard que cojea de un lado a otro sobre sus muletas, mostrando a través de la deformidad de su cuerpo la aún más terrible deformidad de su mente, dispuesto a todo con tal de llevar el caos a la ciudad que siempre se burló de él. Pero lo que nuestro criminal no sabe es que la Policía no sólo está ya sobre su pista, sino que incluso ha conseguido infiltrar a una bella agente en su organización a la que ni siquiera el encallecido corazón del personaje de Chaney podrá ofrecer resistencia. THE SHOCK THE SHOCK Producción: Carl Leammle. Universal/Jewel. -
Hollywood Spectator (1931)
Welford Beaton EDITOR Robert E. Sherwood ASSOCIATE HOLLYWOOD Introducing a new Associate Editor in the person of ROBERT E. SHERWOOD Fil m Firms Are Going Broke Is Irving Thalberg Really A Genius? We Call on an Aristocratic Cow —By the Editor Breaking Into A Picture Studio Only God Can Make A Blonde They Can't Fool Howard Hughes —By S herwood Na mes and Some Hollywood Vanities Walter Wanger and Ben Schulberg —By Daugherty Babel and Sound Effects —By Trumbo Reviewed in This Number KICK IN SVENGALI LADIES’ MAN DUDE RANCH MAD PARADE SWEEPSTAKES STEPPING OCT FINGER POINTS PARTY HUSBAND SUBWAY EXPRESS THE MILLIONAIRE MEN CALL IT LOVE DADDY LONG LEGS TRANSPORT OF FIRE UP POPS THE DEVIL WOMEN OF ALL NATIONS CHARLES FURTHMANN For seven years with Paramount as Scenario Editor Supervisor Technical Adviser W riter of Original Stories Adaptations And general story-idea man ORIGINALS PRODUCED Underworld Dragnet City Gone Wild Thunderbolt Chances ( released as Street of Chance) Ladies First ( For the Defense) Yellow Sheets (Scandal Sheets) Bull McNab (Derelict) ACCEPTED FOR PRODUCTION The Billionaire Gold Star Mother I Refuse to Answer The Big Grey FI ouse AVAILABLE Management Edward Small — Film Companies Are Going Broke By The Editor HE financial condition of the film industry constantly United Artists is passing out of the picture. What T grows more desperate. Apparently nothing can divert Joe Schenck started, Sam Goldwyn will finish. a panic. The only thing that ultimately will restore M-G-M is the only organization that has maintained a level stability prosperity is a return to the making of motion pictures, but as of in its productions. -
Presents out of This World! November 21
Presents OUT OF THIS WORLD! NOVEMBER 21 TURNER CLASSIC MOVIES AND BONHAMS: THE DEFINITIVE PARTNERSHIP FOR CLASSIC MOVIE MEMORABILIA TCM PRESENTS... OUT OF THIS WORLD! Tuesday November 21, 2017 at 1pm New York BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Dr. Catherine Williamson Front cover: lot 1070 New York, New York 10022 +1 (212) 644 9009 fax Vice President, Director Inside front cover: lot 1010 bonhams.com Entertainment Memorabilia Session page 1: lot 1010 To bid via the internet please visit +1 (323) 436 5442 Session page 2: lot 1070 PREVIEW www.bonhams.com/24465 [email protected] Session page 3: lot 1187 Los Angeles Session page 4: lot 1109 Friday, November 3, Please note that telephone bids Claire Tole-Moir Session page 5: lot 1130 10am to 5pm must be submitted no later than Specialist Session page 6: lot 1166 Saturday, November 4, 4pm on the day prior to the London Session page 7: lot 1190 12pm to 5pm auction. New bidders must also +44 020 7393 3984 Session page 8: lot 1216 Sunday, November 5, provide proof of identity and [email protected] Session page 9: lot 1228 12pm to 5pm address when submitting bids. Session page 10: lot 1314 Dana Hawkes Session page 11: lot 1381 New York Please contact Client Services Consultant Inside back cover: lot 1074 Friday, November 17, with any bidding inquiries. +1 (978) 283 1518 Back cover: lot 1166 10am to 5pm [email protected] Saturday, November 18, Please see pages 172 to 176 12pm to 5pm for bidder information including Caren Roberts-Frenzel Sunday, November 19, Conditions of Sale, after-sale Cataloguer/Administrator 12pm to 5pm collection and shipment. -
UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 from the DIRECTOR
UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 FROM THE DIRECTOR The year 2015 marks the 50th anniversary of UCLA Film & Television Archive In the comedy department, we are proud to be able to present the latest and so we are doubly proud to put on our biennial Festival of Preservation results in our ongoing effort to preserve the legacy of Laurel & Hardy, includ- (FOP) to kick off a series of anniversary-related events that will run through- ing the shorts, The Midnight Patrol (1933), and The Music Box (1932). We are out the year. As director of UCLA Film & Television Archive, I’m happy to also screening a new preservation of the comedy hit of last year’s Cinefest in introduce the 17th iteration of our FOP, which again reflects the broad and Syracuse, Bachelor’s Affairs (1932), a pre-Code gem, starring Adolphe Menjou deep efforts of the Archive to preserve and restore our national moving image as a die-hard bachelor who is felled by a ditzy blonde bombshell. heritage. And while the rest of the world has seemingly made the transition to As is standard operating practice, given our close working relationship with a 100 percent digital environment, the Archive is still committed to preserving the Film Noir Foundation, we have again preserved a number of rare and films on film, while we still can, even if our theater will increasingly be project- interesting film noirs, including Too Late for Tears (1949), starring Lizabeth Scott ing digital material. -
Programme (PDF)
L’Inconnu musica Film muet de Tod Browning (The Unknown, 1927) Scénario, Waldemar Young 2018 d'après une histoire de Tod Browning basée sur le roman K de Mary Roberts Rinehart Image, Merritt B. Gerstad Montage, Harry Reynolds, Errol Taggart N° 31 Direction artistique, Cedric Gibbons, Richard Day Mardi 2 octobre 2018 à 20h30 Costumes, Lucia Coulter Cité de la musique et de la danse Cascades, Paul Desmuke Production MGM L’Inconnu Musique de François Narboni (2017) aide à l'écriture d'une œuvre originale du ministère de la Culture ciné-concert Ensemble François Narboni Vibraphone, direction, François Narboni Clavier électronique, Laurent Inserra Violons, Pierre Trimbur, Andrea Gandecki Alto, Carole Dillenschneider Violoncelle, Perceval Serre Avec le soutien du CNC et de la Sacem © DR En partenariat avec l’Arsenal/Cité musicale-Metz Fin du ciné-concert : environ 21h40 François Narboni avait déjà déposé de la musique le long des bobines de Présentation du film Buster Keaton (Le Mécano de la General). Il revient au cinéma muet avec L’Inconnu de Tod Browning, mais cette fois avec une formation Alonzo, Lon Chaney instrumentale plus légère et versatile. Les six musiciens de l’ensemble Nanon Zanzi, Joan Crawford qui porte son nom et qu’il dirige du vibraphone sont à même de faire alterner ou se confronter la délicatesse du quatuor à cordes, les Malabar, Norman Kerry textures synthétiques et la puissance de l’électronique, tandis que Antonio Zanzi, père de Nanon, Nick de Ruiz certaines scènes du film appellent des séquences de musique Cojo, l'assistant d'Alonzo, John George électroacoustique autonome. -
Widerspenstige Körper: Körper, Kino, Sprache Und Subversion in Tod Brownings FREAKS Und Filmen Mit Lon Chaney 2009
Repositorium für die Medienwissenschaft Sarah Dellmann Widerspenstige Körper: Körper, Kino, Sprache und Subversion in Tod Brownings FREAKS und Filmen mit Lon Chaney 2009 https://doi.org/10.25969/mediarep/15850 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Dellmann, Sarah: Widerspenstige Körper: Körper, Kino, Sprache und Subversion in Tod Brownings FREAKS und Filmen mit Lon Chaney. Marburg: Schüren 2009 (Marburger Schriften zur Medienforschung 12). DOI: https://doi.org/10.25969/mediarep/15850. Erstmalig hier erschienen / Initial publication here: url:https://www.schueren-verlag.de/programm/titel/283-widerspenstige-koerper-msm-12.html Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ ÖRPER K ISBN 978-389472-686-7 IDERSPENSTIGE SARAH DELLMANN W WIDERSPENSTIGE KÖRPER Die Arbeit beschäftigt sich mit den Filmen des in 20er und 30er Jahren KÖRPER, KINO, SPRACHE des vergangenen Jahrhunderts sehr erfolgreichen Hollywoodregisseurs Tod UND SUBVERSION IN Browning (The Unholy Three, 1925; The Blackbird, 1926; The Unknown, TOD BROWNINGS FREAKS 1927; West Of Zanzibar, 1928; Where East Is East, 1929 und Freaks,