Celebrating 60 Years

Total Page:16

File Type:pdf, Size:1020Kb

Celebrating 60 Years SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve Adams, Deborah Allen, William B. Davis, Randy Birch, Jennifer Blaney, Heather Blom, Griffith Brewer, Dave Broadfoot, Mike Burns, Marlene Cahill, Vernon Chapman, Don Chevrier, Tim Christison, Joy Corion, Chris Cornish, Dennis Corrie, Wendy Crewson, Sharon Davidson, Ferne Downey, Don Dudar, Randy Duniz, Paul Falzone, Luba Goy, Jack Gray, Richard Hardacre, Matt Holland, John Holmes, Dakota House, Mel Hurtig, William Hutt, Karen Ivany, Molly Johnson, John Juliani, Juliette, Sharon Killey, Victor Knight, Patricia Lanca, Jane Luk, Bill Luxton, Rob Macklin, Maureen MacDonald, Dan Mackenzie, Bruce MacLeod, John Mallett, Lynda Mason Green, Walter Massey, Jennifer McLaren, Mavor Moore, Garry Neil, Wayne Nicklas, Peter Partridge, Gordon Pinsent, Gary Plaxton, Alice Poyser, Kelly Ricard, Rita Ridgway, Sheila Roberts, Sandi Ross, Mag Ruffman, Howard Ryshpan, Sam Sarkar, Austin Schatz, Taylor Shannon Baruchel, William Shatner, Paul Siren, Steve Smith, Sonja Smits, Thom Tapley, Carol Taverner, Lorraine Thomson, R.H. Thomson, Gary Vermeir, Mercedes Watson, Carol Whiteman, Megan Davis Williams DESIGN: Joss Maclennan Design TIMELINE OBJECT PHOTOS: Carol Racicot Printed in Canada by union labour at Thistle Printing All contents are copyright ©2003 ACTRA. All rights are reserved and contents, in whole or in part, may not be reprinted without permission. The points of view expressed do not necessarily represent those of ACTRA. Please return any undelivered mail to: ACTRA, 300-625 Church Street Toronto, ON M4Y 2G1 PHONE 1-800-387-3516 or (416) 489-1311 FAX (416) 489-8076 www.actra.ca [email protected] Publications Mail Agreement #40069134 ISSN 1705-9496 C 1943-2003 • actra • celebrating 60 years 3 Contents PRESIDENT’S MESSAGE Thor Bishopric ............................................................................ 5 NATIONAL EXECUTIVE DIRECTOR’S MESSAGE Stephen Waddell .................................................. 7 the 8 ACTRA THE ACTRA STORY ...................................................................................................... story ACTRA NEWFOUNDLAND/LABRADOR John Holmes .................................................................. 26 ACTRA MARITIMES Deborah Allen .................................................................................. 27 ACTRA MONTREAL Matt Holland, Gary Plaxton, Victor Knight, Walter Massey, Griffith Brewer, Kelly Ricard and Howard Ryshpan .......................................... 28 To all the members of ACTRA who, along with ACTRA OTTAWA Bill Luxton .......................................................................................... 29 dedicated staff, worked to build this strong voice for 30 ACTRA TORONTO Ferne Downey .................................................................................... Canada’s artists; to those past pioneers whose six ACTRA MANITOBA Alice Poyser ...................................................................................... 31 decades of self-sacrifice ACTRA SASKATCHEWAN Sheila Roberts ............................................................................ 32 and steadfast adherence to principles of solidarity, 33 ACTRA EDMONTON Sharon Killey .................................................................................... fairness and artistic freedom are proudly ACTRA CALGARY Dennis Corrie ...................................................................................... 34 presented and gratefully UBCP/ACTRA Bruce MacLeod, Sam Sarkar, Steve Adams, Peter Partridge and John Juliani .............. 35 acknowledged herein; and to today’s ‘pioneers- 38 NUTS AND BOLTS AND BIG IDEAS Garry Neil ........................................................................ in-training’, whose present dedication and RECOGNIZING DIVERSITY Sandi Ross ................................................................................ 41 accomplishments will DIGITAL MEDIA Thom Tapley ........................................................................................ 42 be viewed with similar pride and gratitude on ACTRA PRS Mercedes Watson ...................................................................................... 43 our 100th Anniversary, this special issue of ACTRA 60TH ANNIVERSARY HONOUREES .............................................................................. 44 InterACTRA is dedicated. THE ACTRA AWARDS Lorraine Thomson ............................................................................ 47 BRAGGING RIGHTS: FACE TO FACE WITH TALENT Ferne Downey .................................................... 48 ARTISTS AS LOBBYISTS Megan Davis Williams .................................................................... 49 STRONG CULTURE REQUIRED Mel Hurtig ............................................................................ 50 JANE MALLETT AND THE ACTORS’ FUND John Mallett ................................................................ 51 MEMORIES OF THE SIXTIES AND SEVENTIES Vern Chapman ...................................................... 51 MEMORIES OF ACTRA MONTREAL Victor Knight .................................................................... 52 OUR INTERNATIONAL ROLE WITH FIA Paul Siren .................................................................... 53 THE PERFORMING ARTS LODGES OF CANADA Dan MacDonald .................................................... 54 60TH ANNIVERSARY GREETINGS FROM THE INDUSTRY ................................................................ 55 A SALUTE TO ACTRA STAFF Karen Ivany and Bruce H. MacLeod ................................................ 61 HONOUR ROLL OF ACTRA PRESIDENTS ................................................................................ 63 My warmest greetings to everyone celebrating the 60th anniversary of the Alliance of Canadian Cinema, Television and Radio Artists. Having been a long-standing member of ACTRA, I am proud to congratulate this organization for its championing of Canadian culture and home-grown productions. Through the media, you are expanding people’s understanding of the world and developing possibilities for our differing views of human affairs. Artists have a special obligation to reflect modern society. They provide a texture and description of the lives that we cannot live but know are lived around us. In this, ACTRA has served Canada well, and this is what we have come to expect of cinema, radio and television arts. You must continue to pursue that which gives expression to the Canadian spirit, as well as that which gives to our dreams creativity, insight and relevance – for each and every one of us as Canadians. Adrienne Clarkson 1943-2003 • actra • celebrating 60 years 5 PRESIDENT’S MESSAGE Celebrating our ACTRA family hroughout 2003, in meetings and celebrations Tacross the country, I’ve spoken with dozens of Thor the members about our dear organization. The occasion of Bishopric ACTRA’s 60th Anniversary has brought a flood of in his early ACTRA reminiscences, and an outpouring of pride. Through days as story the wonderful stories our members have told, and our an ACTRA extensive library of material in the form of newslet- member. ters, press clippings, collective agreements and record- ed interviews with members, The ACTRA Story has emerged as an exciting narrative. For 60 years, ACTRA has a dramatic history – one worth telling Canadian artists have been the heroes of this story; it’s and remembering. How we got started is impressive – a tale of passion and perseverance. the fact that we’re still at it is a triumph. We came There were compelling reasons for performers to together during World War II. We’ve weathered a come together in a national organization way back in string of acronyms, a long, drawn-out break-up with 1943. As you’ll learn in these pages, we first united in our writers and broadcast journalists, a break-up and a the early ‘40s in local organizations that were destined make-up with our British Columbia members, various to come together as one. Performers were brave
Recommended publications
  • Labor Union Response to Diversity in Canada and the United States
    Labor Union Response to Diversity Labor Union Response to Diversity in Canada and the United States GERALD HUNT and DAVID RAYSIDE* Canadian and American research finds that organized labor’s engagement with race, ethnicity, gender, and sexual orientation until recently has been largely exclusionist. The Canadian labor movement emerges as having been somewhat more responsive to equity issues, particularly gender and sexual orientation, and at an earlier stage than its U.S. counterpart. The American movement, however, did create limited room for African-American issues and unionization from early this century and now shows signs of broader engagement with diversity issues in general. The literature is strong in case studies pointing to exceptional situations involving minority militancy and union acceptance and in highlight- ing the role of activists inside and external to the labor movement. It suffers from a lack of large-scale analysis and comparison. Has organized labor been an ally or a foe for women and minority groups seeking equal opportunities and equitable treatment in the labor force and workplace? There is now a substantial body of literature focused on this question, and recent changes in union response to issues of diversity call out for a summary and assessment of this literature. This article considers scholarship on race, ethnicity, gender, and sexual orien- tation in Canada and the United States.1 *The authors’ affiliations are, respectively, the School of Business and Economics, Nipissing Univer- sity, and the Department of Political Science, University of Toronto. This review benefited from the research assistance of Karen Murray, Ph.D. student at the University of British Columbia, the statistical guidance of Laine Ruus at the University of Toronto Reference Library, and the helpful commentary of Daniel Mitchell and three anonymous reviewers.
    [Show full text]
  • October 2020
    Bargaining Update October 2020 In this Issue: Bargaining Update is a monthly report that provides information about the unionized workforce, primarily in Alberta. 2 Alberta Settlements 5 Current & Upcoming Collective Bargaining The settlement data reported in this issue of Bargaining Update is based on the collective agreement settlement information received by 12 Essential Services Bargaining Relationships Mediation Services in October 2020. 18 Grievance Arbitration Awards In October 2020, Mediation Services received settlement information 19 Wage Settlements in Alberta – Public / regarding 33 bargaining relationships encompassing 4,581 employees. Private Sector Wage Changes There were 27 private sector and 6 public sector settlements, covering 20 Wage Settlements in Alberta – Industry 3,943 and 638 employees respectively. Wage Changes 21 Average Weekly Earnings [AWE], Aug 2020 22 Consumer Price Index [CPI], Sep 2020 Highlights 23 CPI and AWE Comparison, Sep 2020 24 Union Data – Employees, Collective Settlements of Note Employees Agreements Alberta Crane Owners and Operating Engineers Local 955 843 25 Abbreviations / Acronyms Listing Bridges Community Living and CUPE Local 838 112 Sherritt International and Unifor Local 530A 386 26 Resource List OJ Industrial Maintenance and Operating Engineers Local 955 196 Wildcat Strike Alberta Health Services health care workers engaged in a wildcat strike on Monday, October 26. In a ruling released the same evening, the Alberta Labour Relations Board declared the strike illegal. Workers returned to work the next day. CESSCO Fabrication & Engineering The strike/lockout between CESSCO and Boilermakers Local 146, representing 53 employees, which began on June 28, 2020 continues. Agreements Ratified To date, 153 agreements were ratified since January 2020.
    [Show full text]
  • Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
    Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides,
    [Show full text]
  • ZOOM- Press Kit.Docx
    PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes..
    [Show full text]
  • Film and TV Unions/Guilds ADG – Art Directors Guild ACTRA
    Film and TV Unions/Guilds ADG – Art Directors Guild ACTRA - Alliance of Canadian Cinema TV & Radio Artists - Canada AFL-CIO - American Federation of Labor AFM – American Federation of Musicians AFTRA - American Federation of Radio & TV Artists AGVA - American Guild of Variety Artists BECTU - Broadcasting Entertainment Cinematograph & Theatre Union - UK British Actors Equity CDG – Costume Designers Guild DGA - Directors Guild of America DGC - Directors Guild of Canada DGGB - Directors Guild of Great Britain - UK IATSE - International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada IATSE - CANADA IATSE - East Coast Council IAWG - International Affiliation of Writers Guilds IATSE Local 1 - Theatrical Stage Employees IATSE Local 16 - Technicians IATSE Local 33 - Stagehands in Hollywood and Los Angeles for television and theater stage IATSE Local 40 – International Brotherhood of Electrical Workers IATSE Local 44 - Affiliated Property Craftsperson’s IATSE Local 52 – Studio Mechanics IATSE Local 78 – Plumbers and Pipe Fitters IATSE Local 80 – Grips/ Crafts Service IATSE Local 85 – Teamsters IATSE Local 161 – Script Supervisors, Production Office Coordinators IATSE Local 210 – Motion Picture and Stage Technicians IATSE Local 212 – Motion Picture and Stage Technicians IATSE Local 212 - Calgary, Canada IATSE Local 302 - Projectionists and Video Technicians, Alberta, Canada IATSE Local 362 - Teamsters IATSE Local 363 - Nevada IATSE Local 385 - Teamsters
    [Show full text]
  • 2003 Annual Report
    Labour Community Services of Toronto 2003 Annual Report Labour Community Services is a project of the Toronto and York Region Labour Council in partnership with the United Way of Greater Toronto Message from the President of the Board of Labour Community Services It was the best of times, it was the worst of times… The opening line from Charles Dickens’ A Tale of Two Cities could easily describe the reality of Toronto today. With dramatic changes of politics at Queen’s Park and City Hall, there is a new sense of optimism in the air. Finally, we can start to rebuild our city, its schools, and its social infrastructure that has been crumbling over the last number of years. Yet at the same time poverty, the lack of affordable housing, and the rise of precarious employment strip that optimism away for too many in our community. Family incomes have plummeted and inequality has increased. People of colour, newcomers to Canada and residents of Toronto’s inner suburbs are particularly hard hit. These challenges were front and centre in two recent reports. The United Way’s Poverty by Postal Code: The Geography of Neighbourhood Poverty, 1981-2001 charts the dramatic rise and intensification in the number of high-poverty neighbourhoods. The report points to the acute crisis affecting one in five Toronto families. The Community Social Planning Council’s Falling Fortunes: A Report on the Status of Young Families in Toronto makes the clear connection between diminished job opportunities and the growth of poverty. Both call out for action and increased resources.
    [Show full text]
  • William B. Davis-Where There's Smoke
    3/695 WHERE THERE’S SMOKE . Musings of a Cigarette Smoking Man A Memoir by WILLIAM B. DAVIS ECW Press Copyright © William B. Davis, 2011 Published by ECW Press 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada M4E 1E2 416-694-3348 / [email protected] All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmit- ted in any form by any process — electronic, mechanical, photocopying, recording, or otherwise — without the prior written permission of the copyright owners and ECW Press. The scanning, uploading, and distribu- tion of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or en- courage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Library and Archives Canada Cataloguing in Publication Davis, William B., 1938– Where there’s smoke : musings of a cigarette smoking man : a memoir / William B. Davis. ISBN 978-1-77041-052-7 Also issued as: 978-1-77090-047-9 (pdf); 978-1-77090-046-2 (epub) 1. Davis, William B., 1938-. 2. Actors—United States—Biography. 3. Actors—Canada—Biography. i. Title. PN2287.D323A3 2011 791.4302’8092 C2011-902825-5 Editor: Jennifer Hale 6/695 Cover, text design, and photo section: Tania Craan Cover photo: © Fox Broadcasting/Photofest Photo insert: page 6: photo by Kevin Clark; page 7 (bottom): © Fox Broadcasting/Photofest; page 8: © Fox Broadcasting (Photographer: Carin Baer)/Photofest. All other images courtesy William B.
    [Show full text]
  • Canada Picks up the Torch 1956-1962
    16 17 CHAPTER TWO CANADA PICKS UP THE TORCH 1956-1962 “Progress means nothing unless people come along with it of their own free will. Efficiency is merely another name for tyranny unless it is consciously achieved by the voluntary actions of groups of human beings. It is up to people like you to make certain that mankind retains responsibility for and control of his environment and does not let the world slide into a state of confusion merely for lack of thought or foresight.” – HRH The Duke of Edinburgh, 1962 The success at Oxford in 1956 did not appear, initially at least, to portend a second Conference. Indeed, the Oxford Conference trustees – the Council – met on November 23, 1956, to begin dismantling the body that had carried the day so well four months earlier. The minutes of that meeting, under the chairmanship of Sir Harold Hartley, record that the first order of business was the terms of reference “to supervise the final winding up of the Conference affairs by the end of 1956 if possible.” Trustees also resolved to “determine and to dispose of any surplus funds at the termination of the Conference.” The Finance Committee reported a balance of £12,458. 9s. 1d. at Barclays Bank. When presented with an estimate of nearly £4,000 to print 5,000 copies of the Conference Report (including “400 presentation copies to be signed by His Royal Highness”), it was agreed “in view of the surplus funds at the disposal of the trustees” to authorize a “first printing” of 6,000 copies, including 3,500 complimentary copies.
    [Show full text]
  • Trade News The
    CINE Helping you put it MAG alltogetheriswliat we're all about. TRADE NEWS THE • Current production pro­ 2 animated features, 1 suspend­ and Fprt Apache, the Bronx file: Canamedia's The Cana­ ed film and one low-budget ef­ goes over $1 million. After 5 dian Caper, and R.S.L.'s Para­ fort shooting on week-ends. weeks, playing in one theatre GROUP dise in front of the cameras, Outlook still bleak See Pro­ in five cities, Tess makes a FILM HOUSE QUINN LABS QUINN SOUND with LC.C.'s Quest for Fire duction Guide p. 52. handsome $663,130. Cage aux 22 Front St West 380 Adela.de St West 409 King St West Toronto. Canada ready to resume. Otherwise, 4 • Distribution notes: 9 to 5 FoUes begins year two in Toronto, Canada Toronto, Canada M5J 1C4 MSV1R7 M5V 1K1 feature length documentaries. reaches $3,500,000 in Canada Quebec. For Grosses, see p. SO. (4161 364-4321 (416) 869-1781 (416) 869-1781 lATSE 644 cameramen (Toronto) Les bons debarras sweeps vote to take control in indy Cdn union Genies as Academy picks best TORONTO - The Canadian which effectively stripped the neutral territory to consider its TOROIVTO-A rather sedate rection, Costume Design and members of lATSE local 644 Toronto membership of, any next action. gathering of Canadian film in­ EditingT The first two awards (New York) have applied for a freedom within the N.Y. local. According to Richard Leiter­ dustry luminaries met at the went to Anne Pritchard, for her charter from the Canadian The points were described to man, the committee realized Royal Alexandra Theatre on art direction on Atlantic City Labour Congress to form an CineMag as follows: that the crunch had come.
    [Show full text]
  • 8798 – 2016 Stratford Festival Gala Packages.Indd
    CORPORATE / INDIVIDUAL CDN PHOTO BY DON DIXON BY PHOTO 2016 Stratford Festival Gala HONOURING GORDON PINSENT MONDAY, SEPTEMBER 26, 2016 FOUR SEASONS HOTEL, TORONTO Antoni Cimolino, Artistic Director GALA CO-CHAIRS: BARRY AVRICH, ROBERT BADUN, WENDY PITBLADO Anita Gaff ney, Executive Director CORPORATE / INDIVIDUAL CDN presents a gala evening in honour of GORDON PINSENT MONDAY, SEPTEMBER 26, 2016 GORDON PINSENT Born in Grand Falls, Newfoundland, Gordon Pinsent began his stage career in Winnipeg under the direction of John Hirsch. His fi rst appearances at the Stratford Festival were in 1962 when he performed in Macbeth (with Christopher Plummer and Kate Reid), The Taming of the Shrew and Cyrano de Bergerac (also with Christopher Plummer). He returned to the Festival in 1975 as the lead in Brecht’s Trumpets and Drums with Tom Kneebone and Jackie Burroughs. His television career began in the early 1960s and includes the series A Gift to Last (which he created), The Red Green Show, Quentin Durgens, M.P., Due South, Wind at My Back and Power Play. Gordon’s fi lm credits include Sarah Polley’s acclaimed Away from Her (Genie and ACTRA awards for Best Actor), The Rowdyman, Who Has Seen the Wind, John and the Missus, The Grand Seduction (Canadian Screen Award) and The Shipping News. In addition to writing the screenplays for both The Rowdyman and John and the Missus, Gordon has published a two-volume memoir, By the Way and Next. In 2007, he received a star on Canada’s Walk of Fame. Other awards include the Earle Grey Award for lifetime achievement in television and a Governor General’s Performing Arts Award.
    [Show full text]
  • Children's Folk Music in Canada: Histories, Performers and Canons
    Children’s Folk Music in Canada: Histories, Performers and Canons ANNA HOEFNAGELS Abstract: In this paper the author explores the origins, growth and popularity of prominent children’s performers and their repertoires in English Canada from the 1960s-1980s, arguing that this period saw the formation of a canon of children’s folk music in Canada.Various factors that have supported the creation of a children’s folk music canon are highlighted, including the role of folk song collectors, folk singers, educational institutions, media outlets and the role of parents in the perpetuation of a particular canon of folk songs for children. ike many adults, I was rather uninterested in children’s music until I be- Lcame a parent. However, since the birth of my children, my family has been listening to and watching various performers who specialize in music for children. I am not unique in my piqued interest in this repertoire after the birth of my children; indeed many parents seek to provide a musical environ- ment for their children at home, both through songs and lullabies they may sing to their children, and by listening to commercial recordings made for young children. Early music educators recognize the importance of music in the development of young children, and the particular role that parents can have on their child’s musical development; as researchers Wendy L. Sims and Dneya B. Udtaisuk assert: Early childhood music educators stress the importance of pro- viding rich musical environments for young children. The intro- duction to MENC’s National Standards states, “The years before children enter kindergarten are critical for their musical develop- ment,” and infants and toddlers “should experience music daily while receiving caring, physical contact” (Music Educators Na- Hoefnagels: Children’s Folk Music in Canada 15 tional Conference, 1994).
    [Show full text]
  • Labour Day Program 2019
    PROGRAM ORGANIZE #LABOURDAY2019 EDUCATE RESIST HAPPY LABOUR DAY! On Monday, September 2, over 20,000 union members will take to the streets in the annual Labour Day Parade. The 2019 theme “Organize, Educate, Resist!” was chosen to bolster worker solidarity in the face of the Ford government’s austerity agenda and to ready unions for the fights ahead. The first fifteen months of this Ford government have confirmed what we predicted: that the Conservatives would wreak havoc across the entire province, stripping workers’ rights, cutting programs and undermining the integrity of our education system and health services. Their record shows us why Canadians cannot risk having the Conservatives take power at the federal level. Our unions are committed to fighting against these regressive measures in every way possible. We are committed to building inclusive workplaces and communities, and challenging the politics of hate. Unions in greater Toronto have been working together for justice since 1871, and we are proud of what our members do every day to benefit all Canadians. This year’s parade will include workers who are organizing in sectors driven by the digital economy, including Foodora delivery workers and Uber drivers. The parade’s lead union is International Union of Operating Engineers Local 793, celebrating its 100th anniversary. The Toronto Labour Day parade has been held by the Labour Council annually since 1872. Labour Day has been officially recognized on the first Monday in September since 1894. The Toronto & York Region Labour Council is a central labourr bodybody that combines the strength of local unions representing 200,000 women and menen whowho work in every sector of the economy.
    [Show full text]