STATE FAIR” SQUANDERS MILLIONS for LOVE RIVOU FILM HELL” LATEST OFFERS MANY I TULLY SHOW GOODPOINTS

Total Page:16

File Type:pdf, Size:1020Kb

STATE FAIR” SQUANDERS MILLIONS for LOVE RIVOU FILM HELL” LATEST OFFERS MANY I TULLY SHOW GOODPOINTS 11 1 11 —1 1 .... .. .... rriii — — ■■■■— » _l. ■■ With 0 Brownsville 0 and 0 Valley 0 Theaters “LAUGHTER IN LEADS IX CAST OF “STATE FAIR” SQUANDERS MILLIONS FOR LOVE RIVOU FILM HELL” LATEST OFFERS MANY i TULLY SHOW GOODPOINTS Queen Also Features Barrymore In Role Of Gaynor-Farrell Innocent, Naive This Week Prof. Topaze The right kind of woman is the ••Topaze". RKO-Radio Picture no v greatest gift of life, but the wrong playing the Rivoll theatre. San kind makes — “Laughter in Hell” Benito, recommends itself on many points out Universal's power! ul counts. In the first place. It '.tars drama of that name which vs play- John Barymore. In the second, it ing an engagement at the Queen is a very smooth and brilliant ver- theatre Sunday aud Monday sion of the that was an out- Laid in a mining town m the play south a tthe close ot the 19th cen- standing success in Paris and New the film traces tury, the youth of York. Then again it t comedy. a young Irishman who marries a Brittle, fresh, sparklig and utterly lailhless girl and finds his lue nonsensical blasted when lie d:. rovers her in comedy—a thing Barry- the arms of lus enemy since child more does so splendidly and so hood. His passion. e crime sends seldom, him to the hell of a prison chain seldom. gang whose fortn a is the brother ol the man he h s killed. The bru- The story tells how Prof. Aug- uste talities of these p ;ia- or amzaimns. Topaze, innocent, naive and of soul, is trans- as recently expat, d m th- newspa- simple suddenly trom his classroom to the pers, are graphically portraved as piented *.. i-v .— excitement of the the foreman attempts to make life flSf.v mmc.w;—i iiiuwuoowre:e-wce<-• ww. exaggprated more than miserable for the killer type of drawing room that has spun Carole Lombard and Lyle Talbot in No More Orchids", attraction at ol his brother. Interest is heighten- glass wall pajier and m which the Theatre. and Wednesday. ed when the prisoner makes a break Capitol Tuesday lounges the enchanting Myrna Loy. for liie. and his efforts to evade ♦ The climax finds our professor Eight of the screen's most brilhatn stars in Fox Film's all-star produc tion, State Fair '. Showing Sunday and Monday at tlie Capitol Che reaches ol tue law provide the outwitting the scoundrels who tried Fhcatre. Brownsville. Arcadia T;u atre. Harlm.on and the Palace Theatre. McAllen. In the circle are Janet Gaynor and Lew Ayres who tense film with unlimited su h n,v*. CO-STAR R ED AT OrHEX to captitalize on his simplicity and carry the central romantic theme. To their right are Will Rogers and Louise Dresser, representing the comedy. At the extreme left are Pal O li honesty, which they mistook for Sally Ellers and Norman Fose r in a romance all their own The Insets show Frank Craven and Victor Jory. as the young I. idiocy. And. of course, he captures r the f lovely Myrna. M( : Besides Barrymore and Miss Loy. performance a- the UitlUss wife IN TO MAZE* CAST WHAT A MOUTHFUL who has never been so naive, the who finds her flirtations Sle^d to cast includes Reginald Mason. Luis traRedy. Gloria St a: Berton Chur- Alberni. Albert Conti. Jobyna How- chill and Tom Brown are v-eu ai land, Frank Richer, Louden Adams the ren U .r.h and Jackie rearl. Arthur Vinton. L Kelly. C.ar- ence Mum*. Tommy C nlon and -You Said a Mouthful” other screen i n ■ More hilarious and exceptionally ri and . bi.shed original gags cast comedy stunts are said to be in- The film marks the latest literary volved in Joe E. Brown’s latest. tiion of th* First. National picture, "You Said a than Tully. and like all iully's .vorka is Mouthful.” any production which has unusually powerful and penetrating. been shown on the “TCw of the storm Country*' screen in many years. The entire Giving a vivid picture ol life in story, which will be unfolded at the the fishermen's colonies along the Rlvoli theatre Tuesday and Wed- New England coast. “Toss of the nesday, at bargain prices of 5. 10 Storm Countn introduces Janet and 15 cents. Gaynor and Charles Farrell in a Brown is said to be at his funiest brand-new locale i hen :t opens at and has as his co-worker, mascot the Queen the :e Tue.-dav and swim mentor, that roguish Imp Revolving al t th* ormy 10- of the "Our Gang” comedies. Fa- mance of a < .i-capt m s daughter llna Ginger Rogers, the red-har- and a millie ain son when the Pat O’Brien mid Menia Kennedy ed and peppery musical comedy tMn r coi > in "Laughter In Hell", showing and screen star, who played in a new vehicle is n i to be the most Sunday and Monday at the similar capacity 0|>p::slte Broun in exciting on. ever portraved bv the Janet Gaynor and Charles Farrell Queen Theatre. "The Tenderfoot.” is again the lead- famous sweetht m of the screen. make their tenth appearance as ing lady, with Pre.'ton Faster. i. I n Barn mot anoearu.i? m Topaze" Sunday and Picturesque m a rocky cove co-stars in Tess of the Storm Sheila Terry, Guinn Williams and M Monday at the Rivoii Theatre .S.u. Benito. of the Metro-Gold wvn pictures Ml the Country", attiaction at the Queen Harry Gribbon heading a stronj big three-n .. ted m Theatre will be on and Sat- ooner at sea. i Tuesday and Wednesday. played Friday supporting cast. and her w< rk of s noted upportini * ' urday, Family nights, at 10c. cast headed oy D ici.oi “Movie Crazy'* Digger, with diamonds In return lor her These pictures include such Claude Giliinrw.it, r June C Jc State Fair' Is stars as Greta Garbo. Harold are said to .«dd gi■ at. o the en- Typically favors. Noah Beery is the saloon- John Barry- Lloyd in “Movie Crazy1* comes to the Rnoli tertainment quality ol tins Fox keeper and Cary Grant is osten- more. Joan Crawford. Clark Gable screen Thurs- Films tu ;i and at night pradu of Jean Harlow and Norma Shearer. day Friday family Other Films sibly the head a nraroy mission, 35 American; Joe £. as prices, cents will admit en- Brown, ne m your appears his latest First National hit You who turns out to be as susceptible tire is Said a Mouthful him in are family. It the be-spectaeltd Supporting this film Ginger Rogers, to her charms as any of the natives Preston Combes comedians first screen offering in S Foster. Sheila Terr, and many other notables, showing of the district. A startling, dramatic Growers Show and two years Constance Cummings Society Bowery Tuesday and Wednesday a; the Rivoli Theatre. San Benito. climax follows then- mutual dis- the feminine lead. =—QUEEN • To Be Guests plays covery of this fact. Brownsville "State Fan." on a 'Special to The Herald* i Fox Film’s ail-star film that ha Will Rogers in STILL •sco Today LIGHTING RIM HARLINGEN. March 4 -Grow- Jenny and srreen offering is truly All-Amer- the cast He is just that kind of a 25c ‘Grand Hotel* And ers trom Combes will * community The long step from the drawing TomoiTow ican m its theme and its handling, fellow Far from being a rise- be 15c guests of the Kiwanis club room to the Barbary Coast of old as well as in its cast. It is an odd cracker. Rogers keeps everyone ‘Strange Interlude* •Jim Tullv s Tuesday. San Francisco gives to the screen 10c laughing because he instinctively C. C. Fearless Novel fact that, with the exception of Wentz of El Jardm will be an new Ruth Chatterion. gets a on To Be at entirely " humorous slant everything Dittmann The Birth of a Nation nearly all speaker. In her latest First National plctuie from the news ol the day io the The Dittmann theatre has The tiie outstanding productions in film Hirlmgen club plains to Frisco Jenny” which comes to the humdrum routine of work. It isn't bought Metro-C. oldwv n-Maver have been their continue its contracts with the Rivoli theatre, San Benito. Satur- history foreign in so much what he for says, although pictures first showing in iarmers from time to time Simi- ‘LAUGHTER treatment and locale In “State is day only. that plenty, but the way he says Brownsville. March 19 Sunday. lar meetings have been held in as an de- Fair." however, everything from it. Coming interesting They will play the b:g super pro- the ► art to finish is typically American. past. parture from her long series of Mb Gay nor and Ayres are the duction Grand H 'tel", Taken from Phil followed as the rich, IN Stongs prize-win- lot rs of a romance a portrayals charming HELL’ between little b> Sfratue Interlude" and Red ning novel of the same name, the I feel great but not quite fit for and cultured woman of high so- farm girl and a dashing newspaper Dust". These with the pictures will be a pride ring at the moment. the title role in “Frisco picture deals with experiences d Ellers and Fos- ciety. report KCiaa played at popular on Sun- Al«o of a true-to-life midwest family prices Gen John j Pershing upon le- Jenny” awards the star a chance Pat O'Rrirn | irin ill of an -ther day.
Recommended publications
  • An Actor's Life and Backstage Strife During WWII
    Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful.
    [Show full text]
  • The Creative Application of Extended Techniques for Double Bass in Improvisation and Composition
    The creative application of extended techniques for double bass in improvisation and composition Presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy (Music) Volume Number 1 of 2 Ashley John Long 2020 Contents List of musical examples iii List of tables and figures vi Abstract vii Acknowledgements viii Introduction 1 Chapter 1: Historical Precedents: Classical Virtuosi and the Viennese Bass 13 Chapter 2: Jazz Bass and the Development of Pizzicato i) Jazz 24 ii) Free improvisation 32 Chapter 3: Barry Guy i) Introduction 40 ii) Instrumental technique 45 iii) Musical choices 49 iv) Compositional technique 52 Chapter 4: Barry Guy: Bass Music i) Statements II – Introduction 58 ii) Statements II – Interpretation 60 iii) Statements II – A brief analysis 62 iv) Anna 81 v) Eos 96 Chapter 5: Bernard Rands: Memo I 105 i) Memo I/Statements II – Shared traits 110 ii) Shared techniques 112 iii) Shared notation of techniques 115 iv) Structure 116 v) Motivic similarities 118 vi) Wider concerns 122 i Chapter 6: Contextual Approaches to Performance and Composition within My Own Practice 130 Chapter 7: A Portfolio of Compositions: A Commentary 146 i) Ariel 147 ii) Courant 155 iii) Polynya 163 iv) Lento (i) 169 v) Lento (ii) 175 vi) Ontsindn 177 Conclusion 182 Bibliography 191 ii List of Examples Ex. 0.1 Polynya, Letter A, opening phrase 7 Ex. 1.1 Dragonetti, Twelve Waltzes No.1 (bb. 31–39) 19 Ex. 1.2 Bottesini, Concerto No.2 (bb. 1–8, 1st subject) 20 Ex.1.3 VerDi, Otello (Act 4 opening, double bass) 20 Ex.
    [Show full text]
  • Behind the Scenes: What It Takes to Mount A
    Number 4, 2017 Behind the Scenes: What It Takes to Mount a MUSICAL THIS 1 ISSUE Walter Ware III, “Hey kids, let’s put on a show!” When NATIONAL COUNCIL Resident Casting Director Mickey Rooney rallied his gang to show ON THE ARTS Finding the Right People biz in the 1939 filmBabes in Arms, he and Jane Chu, BY JOSEPHINE REED AND DON BALL his friends embarked upon a theatrical Chairman lark. A couple of kids, a few costumes— Bruce Carter what else do you need? Aaron Dworkin Turns out, a lot. In 2014, according Lee Greenwood to Bureau of Economic Analysis data, Deepa Gupta 4 Paul W. Hodes performing arts presenters contributed Tristan Raines, Maria Rosario Jackson $8.7 billion in value to the U.S. economy, Emil Kang Costume Designer but it isn’t all due to the people onstage. Charlotte Kessler Clothing the Characters For actors, musicians, and dancers to María López De León BY REBECCA SUTTON succeed, there are multitudes behind the Rick Lowe curtain that make it happen. In fact, in David “Mas” Masumoto all the arts this is true: from the people Barbara Ernst Prey mounting the artwork at a museum to the Ranee Ramaswamy publishers and editors behind a literary Diane Rodriguez 8 Tom Rothman work, the workers behind the scenes Olga Viso Denis Jones, contribute to an artwork’s success. Choreographer In this issue of NEA Arts, we go Dancing the Narrative EX-OFFICIO backstage at the Signature Theatre’s BY MORGAN MENTZER production of The Gershwins®’ & Ken Sen. Tammy Baldwin (D-WI) Ludwig’s Crazy for You®, which will run Rep.
    [Show full text]
  • A GLOSSARY of THEATRE TERMS © Peter D
    A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam.
    [Show full text]
  • Clarence Brown Theatre Production History
    Clarence Brown Theatre Production History 1974-75 1979-80 1984-85 Everyman Oh, What a Lovely War Loof’s Tower The Second Shepherd’s Play Twelfth Night Electra Headhunters A Christmas Carol The Frog Prince Playboy of the Western World Three Men on a Horse Peter Pan Ruling Class Night Must Fall Richard III Aristotle’s Bellows Mother Courage and Her Children The Caretaker Henry IV, part 1 The Physicists She Stoops to Conquer Last of the Red Hot Lovers Arsenic and Old Lace Beauty and the Beast The Music Man Mysterious Arabian Nights The House of Blue Leaves Androcles and the Lion The Elephant Man 1975-76 Brigadoon No, No, Nanette 1985-86 New Majestic Follies 1980-81 The King and I Rosencrantz & Guildenstern Are Dead The Heiress Extremities Woyzeck Candide Byron in Hell Macbeth Christmas All Over the Place A Christmas Carol Rip Van Winkle The Merchant of Venice Getting Out Tobacco Road The Oldest Living Graduate Macready The Tavern The Male Animal The Lion in Winter Command Performance Dracula: A Musical Nightmare The Vinegar Tree All the King’s Men An Italian Straw Hat True West All the Way Home Bus Stop Rosemarie 1981-82 Evita Ah, Wilderness 1976-77 Carousel 1986-87 Smoke on the Mountain Mr. Roosevelt’s Train The Matchmaker Jesus Christ Superstar The Confounding Christmas The Taming of the Shrew Indians Medea Beyond Therapy The Tax Collector For Colored Girls Who Have A Christmas Carol Cat on a Hot Tin Roof Considered Suicide When the Present Laughter Tom Sawyer Rainbow is Enuf Joe Egg Ghosts Two Gentlemen of Verona The Harmful Effects of Tobacco..
    [Show full text]
  • Production Handbookfinaldraft
    PRODUCTION HANDBOOK SCHOOL OF THEATRE AND DANCE KENT STATE UNIVERSITY 2010-2011 TABLE OF CONTENTS INTRODUCTION 1 Mission of The School of Theatre and Dance 1 PROFESSIONAL BEHAVIOR 1 A Code of Ethics for Theatre Professionals 1 PRODUCTION FACULTY AND STAFF 3 Contact Information 3 ORGANIZATION OF THE SCHOOL OF THEATRE AND DANCE 5 The Faculty and Staff Production Organization 5 Faculty and Staff Production Positions 5 Producing Director/School Director (Administrative Staff) 5 Managing Director (Professional Staff) 5 Production Manager (Professional Staff) 5 Director 5 Artistic Director (Dance Concert) 6 Choreographer (Dance Concert) 6 Choreographer (Theatre Production) 6 Vocal Coach 6 Fight or Movement Coach 6 Resident (Faculty) Designers 7 Resident (Faculty) Set Designer 7 Resident (Faculty) Costume Designer 7 Scene Shop Supervisor 8 Costume Shop Supervisor 8 Lighting and Sound Supervisor 8 Marketing Coordinator (College of the Arts Administrative Staff) 9 School Administrative Assistant (Classified Staff) 9 SCHOOL OF THEATRE AND DANCE PRODUCTION POLICIES AND PROCEDURES 10 Participation Policies 10 Auditions 11 Casting Policies 11 Conflicts 11 Computer Lab Policies 12 Key Policies 12 Theatre and Rehearsal Space Policies 12 Rehearsal Policies 13 Theatre and Dance Space Policies 13 Matinee and Touring Production Policies 15 Purchasing Policies and Procedures 15 School Charge Accounts 15 Production Spread Sheet 15 Petty Cash 16 Expense Reimbursements 16 School of Theatre and Dance Box Office Policies 16 i School of Theatre and Dance Complimentary
    [Show full text]
  • Research on Images of Cross-Dresser from the Perspective of Androgyny
    Chinese Studies, 2019, 8, 92-102 http://www.scirp.org/journal/chnstd ISSN Online: 2168-541X ISSN Print: 2168-5428 Research on Images of Cross-Dresser from the Perspective of Androgyny Shuya Hao, Weili Zi* School of Language and Culture, Beijing Institute of Fashion Technology, Beijing, China How to cite this paper: Hao, S. Y., & Zi, Abstract W. L. (2019). Research on Images of Cross- Dresser from the Perspective of Androgy- From the gender perspective of Androgyny and Camp theory, the images of ny. Chinese Studies, 8, 92-102. cross-dressers in film and television or literary works in this paper are ana- https://doi.org/10.4236/chnstd.2019.83008 lyzed and discussed in terms of the two aspects of cross-dressing culture, in- cluding the great revelry and dangerous boundary of Androgyny. The result Received: June 8, 2019 Accepted: August 20, 2019 of the analysis indicates that the study of the Androgyny—a unique aesthetic Published: August 23, 2019 temperament in cross-dressers, breaks the consistency between male and fe- male in physiological and social gender to a certain extent, blurs the social Copyright © 2019 by author(s) and differences between the two sexes with strict boundary, and increases the Scientific Research Publishing Inc. This work is licensed under the Creative public acceptance and tolerance of the phenomenon of “cross-dressing”. The Commons Attribution International discussion of paper can be used for reference in breaking the traditional License (CC BY 4.0). gender model of dualistic opposition and pursuing gender harmony, which http://creativecommons.org/licenses/by/4.0/ provides a new direction for other scholars for the further research.
    [Show full text]
  • Conference Book of Abstracts
    9 >12 sept. 2014 Musée du Louvre, Paris Synchrotron radiation and neutrons in art and archaeology Conference Conférence Rayonnement synchrotron et neutrons pour l’art et l’archéologie International scientifc committee Comité scientifique international Annemie Adriaens Invited speakers Loïc Bertrand Orateurs invités Joris Dik Matthias Alfeld Koen Janssens Emilie Chalmin Apurva Metha Catherine Dejoie Jennifer Mass Trinitat Pradell Martin Radtke Ritimukta Sarangi Ina Reiche Marco Stampanoni Jean Susini Josefina Pérez-Arantegui Public session Robert van Langh Wednesday September 10, afternoon Louvre auditorium Session publique 10 septembre après-midi Auditorium du Louvre Uwe Bergmann Robert van Langh Philippe Sciau www.sr2a-2014.org 9 >12 sept. 2014 Musée du Louvre, Paris Synchrotron radiation and neutrons in art and archaeology Conference Conférence Rayonnement synchrotron et neutrons pour l’art et l’archéologie EDITO / ÉDITO Synchrotron radiation and neutrons in art and archaeology Conference Conférence Rayonnement synchrotron et neutrons pour l’art et l’archéologie Le musée du Louvre est l’œuvre d’hommes passionnés, collectionneurs, artistes, conservateurs, chercheurs, ... qui en ont forgé l’âme. C’est un musée vivant. Ouvert à partir d’une collection royale patiemment rassemblée depuis François Ier au début du XVIe siècle, le musée est l’héritier du siècle des Lumières et le fils de la Révolution ; il a d’emblée cette mission de musée universel, s’adressant à un public universel. Les collections du musée couvrent un large panorama chronologique, géographique et matériel : les objets les plus anciens appartiennent au département des Antiquités orientales, les plus récents sont des dessins contemporains conservés aux Arts Graphiques ; les collections s’étendent de l'Amérique aux frontières de l'Inde et de la Chine.
    [Show full text]
  • Xu Ying CV (20191231)2MA 通用
    XU YING Education Qualification MA - Stage and Production Management of GSA (UK) SH-43-D House 43 (September 2019 - September 2020) Stag Hill Court University of Surrey Guildford Surrey GU2 7JG Work Experience Singapore Chinese Arts Centre PTE LTD Tel: +44 (0)7529169065 Events Manager (October 2016 – August 2019) E-mail: [email protected] Singapore I-Lien Drama Society Committee Member (Feb 2016 - August 2019) Skills Theatre Productions Softwares Stage Manger -QLab Drama - I am Your Father (Aug 2018) Music Drama - Rainbow in My Heart (Jun 2018) -AutoCAD Drama - The Vagina Monologues (Feb 2018) -SketchUp Singapore Chinese Opera Show (Nov 2016) -Final Cut Pro Drama - Nightingale (Jul 2016) -GarageBand Peking Opera - Borrow Treasures (Jan 2016) -Microsoft Office Package Assistant Stage Manager Language GSA Musical Theater Cabaret (Mar 2020) -Mandarin (Fluent) Drama - The Heritage (Sep 2017) -English(Good) Chinese Opera - Total Ambush (Jun 2017) Design Assistant Others Drama - Sleeping Beauty (Dec 2019) -Basic Carpentry Drama - The Heritage (Sep 2017) -Basic Painting -Scale Model Making Lighting Operator -Basic sewing Music Drama - Because of You (Jan 2019) -Emergency First Aid Qualification Drama - Blue Bird (Oct 2018) -Fire Warden Qualification Drama - Memorial (Nov 2017) -Basic ETC Lighting dest Drama - Nightingale (July 2016) Sound Operator References Drama - Night at the Museum (Apr 2018) Drama - Alice’s Adventures in Jo Franklin Head of GSA Wonderland (Apr 2018) Technical Theatre Arts Drama - The Legend of Monkey King (Oct 2017) Drama - Journey to the West (Jul 2017) Tel: +44 (0)1483 684963 Drama - You Bad Guys (Aug 2017) Email: [email protected] Elliott Squire Set and Costume Designer Technical translator / Dresser Freelance Musical - Cats-2018 China Tour -Nanjing Station ( May 2018) Tel: +44 7784 355821 Email: [email protected].
    [Show full text]
  • Dresser / Intern
    DRESSER / INTERN ABOUT US The Saugatuck Center for the Arts (SCA) is a non-profit arts and cultural organization serving West Michigan’s lakeshore community. We offer year-round live performances, classes, and workshops for adults and children, outreach programs, festivals, exhibitions, a Farmer’s Market, and professional theatre in the summer through Mason Street Warehouse (MSW), an Equity theatre company. JOB DESCRIPTION This position and/or internship will provide selected candidates with the opportunity to learn and work alongside professional Equity and non-Equity theatre personnel, applying and enhancing their knowledge bases. Dressers and Dresser Interns are expected to perform each and every duty and obligation with due diligence and to the best of their knowledge, skill, judgment, and ability. The Dresser is expected to devote such amounts of time, energy and skill as may be necessary to perform the duties required hereunder. Hours are dependent on performance times and include evenings and weekends. Training (an internship) is available to those with an interest, but little or no Dresser experience. A simple skills test or questionnaire may be administered to identify candidates’ strengths and areas for learning. Opportunities, duties and responsibilities include, but are not limited to: • Assisting performers with costume changes as directed by the Wardrobe Supervisor, Stage Manager, Costume Designer and other authorized technical personnel • Timely attendance at all technical rehearsals and dress rehearsals, performances,
    [Show full text]
  • MAE Westjo | Pered, Lovable Second Week at the Soldier’ Circle
    MARCH 11, 1933 THE INDIANAPOLIS TIMES PAGE 5 MAE WEST, JOHN GILBERT AND DICK POWELL HEAD CASTS ‘Private Jones,’ ‘Fast Workers,’ “She Done Him Wrong’ Noel Coward Has Woven Three Romances Into the Pat- and *42nd Street’ Bid for Favor in the Downtown tern of His Story in ‘Cavalcade,’ Now Being Movie Theaters for a Week. Presented Twice Daily at English's. the laughs, tears, comedy and tragedy of olive drab doughboy “Cavalcade” which Fox Film Corporation is offering on the screen ALLdays arc said to accompany Lee Tracy in Universal’s new film, “Pri- INat English's, Noel Coward has woven three romances into the pattern vate Jones.’’ which is apeparing currently upon the screen of the Apollo. of his tapestry record of the march of the generation. The film will remain through Thursday next. The first romance is one between husband and wife, a rather unique Tracy, who has gained unusual popularity, through his recent fast- departure in these days when marital infidelities supply the theme for talking characterizations which live on the screen, as no other actor is so many dramas. It is this romance of the Marryots enduring through thought to have made them live, plays the title role of the new photo- the trials and vicissitudes of the chaotic past thirty years that is said to play, which is the screen adaptation of a widely discussed play, especially add much power and strength to "Cavalcade.” revamped for film purposes. The second romance starts with | The star, it will be recalled, ap- a boy and girl affair between the peared in 'Blessed Event,” “Wash- at the Terminal for a week’s en- older Marryot son and Edith, the ington Merry-Go-Round” and “Half gagement.
    [Show full text]
  • Stage Managing Co-Curricular Theater at MIT
    Stage Managing Co-curricular Theater At MIT A Stage Management Manual By Teresa Hernandez Spring 2001 Revised 01/06 0 Contents Table of Figures 3 Table of Blank Forms 4 Introduction 5 Part I Overview 8 Pre-Production 10 Researching the Script 11 Production Environment 13 Planning and Organization 15 Information Distribution 19 Auditions 20 Rehearsals 28 The First Rehearsal 29 Managing Rehearsals 29 Rehearsal Reports 32 Preparing for Dress and Technical Rehearsals 34 Technical Rehearsals 37 Dress Rehearsals 38 Performance and Post Production 46 Pre-performance Preparation 47 Performances 50 Dance Productions 52 1 Part II The Psychology of Stage Managing 54 Part III Bibliography 59 Appendix A — Handy Phone #s (internal use only) 60 Appendix B — Safety Regulations 61 Appendix C — Blank Forms 63 Glossary 78 2 Table of Figures Figure 1 - Preliminary Scenic Design Needs 22 Figure 2 - French Scene Breakdown 23 Figure 3 - Actor/scene Breakdown 24 Figure 4 - Page-by-page Scene Breakdown 25 Figure 5 - Prompt Book Layout 1 26 Figure 6 - Prompt Book Layout 2 26 Figure 7 - Audition Sheet 27 Figure 8 - Stage Area Examples 39 Figure 9 - Blocking Key 40 Figure 10 - Blocking Example 1 41 Figure 11 - Blocking Example 2 42 Figure 12 - Prop Tracking 1 43 Figure 13 - Prop Tracking 2 44 Figure 14 - Prop Table 45 3 Table of Blank Forms Preliminary Design Requirements – Scenic 63 Preliminary Design Requirements – Lights 64 Preliminary Design Requirements – Sound 65 Preliminary Design Requirements – Costumes 66 Preliminary Design Requirements – Properties 67
    [Show full text]