Opening-Gala-Final.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alan Gilbert and the New York Philharmonic
FOR IMMEDIATE RELEASE UPDATED January 13, 2015 January 7, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC Alan Gilbert To Conduct SILK ROAD ENSEMBLE with YO-YO MA Alongside the New York Philharmonic in Concerts Celebrating the Silk Road Ensemble’s 15TH ANNIVERSARY Program To Include The Silk Road Suite and Works by DMITRI YANOV-YANOVSKY, R. STRAUSS, AND OSVALDO GOLIJOV February 19–21, 2015 FREE INSIGHTS AT THE ATRIUM EVENT “Traversing Time and Trade: Fifteen Years of the Silkroad” February 18, 2015 The Silk Road Ensemble with Yo-Yo Ma will perform alongside the New York Philharmonic, led by Alan Gilbert, for a celebration of the innovative world-music ensemble’s 15th anniversary, Thursday, February 19, 2015, at 7:30 p.m.; Friday, February 20 at 8:00 p.m.; and Saturday, February 21 at 8:00 p.m. Titled Sacred and Transcendent, the program will feature the Philharmonic and the Silk Road Ensemble performing both separately and together. The concert will feature Fanfare for Gaita, Suona, and Brass; The Silk Road Suite, a compilation of works commissioned and premiered by the Ensemble; Dmitri Yanov-Yanovsky’s Sacred Signs Suite; R. Strauss’s Death and Transfiguration; and Osvaldo Golijov’s Rose of the Winds. The program marks the Silk Road Ensemble’s Philharmonic debut. “The Silk Road Ensemble demonstrates different approaches of exploring world traditions in a way that — through collaboration, flexible thinking, and disciplined imagination — allows each to flourish and evolve within its own frame,” Yo-Yo Ma said. -
Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective Alejandro Marcelo Drago University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Latin American Languages and Societies Commons, Musicology Commons, and the Music Performance Commons Recommended Citation Drago, Alejandro Marcelo, "Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective" (2008). Dissertations. 1107. https://aquila.usm.edu/dissertations/1107 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: May 2008 COPYRIGHT BY ALEJANDRO MARCELO DRAGO 2008 The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 ABSTRACT INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. -
Milva Live at the "Bouffes Du Nord" Mp3, Flac, Wma
Milva Live At The "Bouffes Du Nord" mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin / Pop / Folk, World, & Country Album: Live At The "Bouffes Du Nord" Country: Germany Released: 1984 Style: Tango, Vocal MP3 version RAR size: 1722 mb FLAC version RAR size: 1618 mb WMA version RAR size: 1763 mb Rating: 4.5 Votes: 877 Other Formats: ASF MOD VOC MPC DTS XM MP2 Tracklist Hide Credits Morire En Buenos Aires 1 4:53 Written-By – Angela Tarenzi, Astor Piazzolla, Horacio Ferrer Los Pajaros Perdidos 2 4:06 Written-By – Astor Piazzolla, Michele Trejo De Carissimo 3 2:50 Written-By – Astor Piazzolla Années De Solitude 4 3:47 Written-By – Astor Piazzolla, Maxime Le Forestier Balada Para Un Loco 5 5:49 Written-By – Astor Piazzolla, Horacio Ferrer Vamos Nina 6 4:27 Written-By – Astor Piazzolla, Horacio Ferrer J'Oublie 7 4:28 Written-By – Astor Piazzolla, David McNeil Che Tango Che 8 3:49 Written-By – Astor Piazzolla, Jean-Claude Carrière Preludio Para El Año 3001 9 4:21 Written-By – Angela Tarenzi, Astor Piazzolla, Horacio Ferrer Finale "Entre Brecht Et Brel" 10 5:16 Written-By – Astor Piazzolla, Claude Lemesle Companies, etc. Recorded At – Théâtre des Bouffes du Nord, Paris Manufactured By – Metronome Musik GmbH Distributed By – Metronome Musik GmbH Phonographic Copyright (p) – Metronome Musik GmbH Mixed At – Rüssl Studio Credits Artwork [Cover Design] – Michael Behr Bandoneon – Astor Piazzolla Bass – Hector Console Ensemble – Quintette De Tango Contemporain (tracks: 3) Guitar – O. Lopez Ruiz* Mixed By – Thomas Kuckuck* Piano – Pablo Ziegler Violin – F. Suarez Paz* Notes (P) 1984 METRONOME MUSIC GmbH Recorded live at the Theatre "Bouffes du Nord", Paris, September 29th., 1984 by "Le Voyageur" mobile studio. -
Astor Piazzolla This Is the Story of Travel, Travail and Triumph in the Life
Astor Piazzolla This is the story of travel, travail and triumph in the life of an Argentine musician, Astor Pantaléon Piazzolla. His travels were two-fold: across the continents and through many kinds of music. That he was able eventually to combine these musical strands into something new and distinctively his own was his triumph, but it was long-delayed and there were many travails along the way. Argentina’s spectacular 19th century boom had attracted millions of migrants, including Piazzolla’s Italian grandparents. By the time of Piazzolla’s birth in 1921, it was long over, but the rich ethnic mix it created had left a musical legacy. In the brothels of Buenos Aires, the music and dance of Spain, Cuba and Italy had fused with that of the gauchos and Afro- Argentine ex-slaves to create a new dance form, the tango. Its early manifestations were blatantly sexual and reeked too much of the bordello to be tolerated in polite society. But after some refinement in the salons of Paris it emerged in 1912 to sweep the world. Argentina especially went wild for the tango and its quintessential instrument, the bandoneón, an odd form of concertina with a characteristic tone. A public holiday, July 11, was declared Bandoneón Day, and tango cafés, dance halls and cabaret houses sprang up everywhere to cater for every social stratum. Astor’s father, Vincente, was an enthusiastic tanguero and dreamed that his son would become a bandoneonist. His dream came true but hardly in the way he imagined. It was with great reluctance that Vincente took his family away from this lively scene to search for prosperity in New York and it almost proved disastrous for his son. -
Pr Gramguide
A quarterly publication SUMMER 2017 listing the programs and services pr gramof Cuyahoga County Public Library guideFREE ccplsummerreading.org Connect With Us: IN THIS ISSUE MEET THE AUTHORS ................... 2 – 5 BOOK DISCUSSIONS .................. 6 – 9 BUSINESS + CAREER PROGRAMS .. 10 – 11 WRITING PROGRAMS ................. 12 – 13 STORYTIMES ............................. 14 – 15 SUMMER CAMPS ........................ 16 – 18 FEATURED YOUTH PROGRAMS ..... 19 FEATURED ADULT PROGRAMS ...... 20 – 21 BRANCH PROGRAMS .................. 22 – 35 LEGEND O Registration Required s Sponsored by the Friends of the Library B Books Available for Purchase and Signing $ Ticketed Event/Donation SUMMER HOLIDAY CLOSING All Cuyahoga County Public Library branches will be closed: TUE, JUL 4 (INDEPENDENCE DAY) PROGRAM TIMES AND DATES ARE SUBJECT TO CHANGE. REGISTRATION IS REQUIRED FOR CERTAIN PROGRAMS. Please visit cuyahogalibrary.org or call the host branch to confirm. a Message from Our Executive Director Greetings, Summer is always an exciting time at Cuyahoga County Public Library because we offer young people so many unforgettable learning experiences and activities. Our Build a Better World incentive-based summer reading program is just the beginning; one part of a continuum of educational programming that keeps kids productively engaged, safe and entertained during the summer months. Summer at the library is all about discovery and the joy of learning. This summer – in addition to our usual abundance of quality youth programming and activities – we are offering more than 75 free summer camps designed to help students build STEM, literacy, communication and other valuable skills that translate to success in the classroom and beyond. We have camps on everything from constructing and programming robots, designing web-based video games, creating optical illusions and magic to fitness, teen entrepreneurship, conducting science experiments and exploring creativity through collaborative art. -
Jupiter String Quartet with Todd Palmer, Clarinet
PHOTO BY SARAH GARDNER PHOTO BY CHRISTIAN STEINER SONIC ILLINOIS: JUPITER STRING QUARTET WITH TODD PALMER, CLARINET Thursday, February 16, 2017, at 7:30pm Foellinger Great Hall PROGRAM SONIC ILLINOIS: JUPITER STRING QUARTET WITH TODD PALMER, CLARINET Nelson Lee, violin Megan Freivogel, violin Liz Freivogel, viola Daniel McDonough, cello with Todd Palmer, clarinet, bass clarinet, basset horn Wolfgang Amadeus Mozart Clarinet Quintet in A Major, K. 581 (1789) (1756-1791) Allegro Larghetto Menuetto Allegretto con variazioni Osvaldo Golijov Yiddishbbuk, inscriptions for string quartet (1992) (b. 1960) Ia. D.W.(1932-1944, Ib. F.B. (1930-1944), Ic., T.K. (1934-1943) I.B.S. (1904-1991) L.B. (1918-1990) 20-minute intermission Osvaldo Golijov The Dreams and Prayers of Isaac the Blind, for clarinet and string (b. 1960) quartet (1994) Prelude: Calmo, sospeso I. Agitato—Con Fuoco—Maestoso—Senza misura, oscilante II. Teneramente—Ruvido—Presto III. Calmo, Sospeso—Allegro pesante Postlude: Lento, liberamente This program is a Sonic Illinois event, a month-long celebration of the extraordinary diversity of today’s vital contemporary music scene. Sonic Illinois is a collaboration of Krannert Center for the Performing Arts and the School of Music. The Jupiter String Quartet appears by arrangement with: California Artists Management 449 Springs Road Vallejo, CA 94590-5359 www.calartists.com 2 THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community. FRANCES P. ROHLEN VISITING ARTISTS FUND/ COLLEGE OF FINE + APPLIED ARTS Funding for this presentation is provided in part by the Frances P. -
Jamey Haddad's Under One Sun and Cyro Baptista's Vira Loucos Under
Jamey Haddad’s Under One Sun and Cyro Baptista’s Vira Loucos Friday, October 26, 2018 at 8:00pm This is the 871st concert in Koerner Hall Jamey Haddad, drum & percussion Billy Drewes, tenor & soprano saxophone, bass clarinet & flute Salar Nader, tabla Ali Paris, qanun & vocals Leo Blanco, piano Michael Ward-Bergman, hyper accordion Roberto Occhipinti, bass Luisito Quintaro, congas, timbales & percussion Cyro Baptista, percussion & vocals Romero Lubambo, guitar Kevin Breit, guitar & banjo Michael Ward-Bergeman, hyper accordion Shanir Blumenkranz, bass Tim Keiper, drums Vanessa Falabella, vocals John Zorn, saxophone Under One Sun For my part, I have been a jazz musician all my life and I have been lucky enough to play and record with so many of my heroes! A time came where I jumped the fence 20 years ago to perform and tour with Paul Simon and I am still with him. That experience along with a lifetime of interest and devotion to our planet’s diversity led me to Under One Sun. Ever since my earliest days back in Cleveland and long before I actually understood the importance of it, the idea for a group like Under One Sun had been in my mind. So, as my musical journey led me from one continent to another, and I experienced a planet crying out for understanding of “the other,” over time this team of players cosmically came forward. It was my way of saying “we can celebrate because we want to find common ground and celebrate our differences.” It took a minute, but I eventually assembled opportunities so we could all meet and share our respective music. -
Quinteto Astor Piazzolla – Bio (Revised September 2020)
Quinteto Astor Piazzolla – Bio (revised September 2020) In 1960, bandoneonist and composer Astor Piazzolla looked for a new instrument to interpret his ideas and put together his first great quintet. It was an unusual group, especially for tango, as it featured bandoneon, violin, electric guitar, piano, and double bass. Part chamber group, part jazz band, but deeply rooted in the spirit and history of tango, the quintet offered Piazzolla a broad range of resources and possibilities that proved critical for his New Tango. A decade later, Piazzolla, always restless and attuned to the musical trends of the time, dissolved the quintet, experimented with other ensembles, and decided to settle for a time in Europe. But in 1978, back in Buenos Aires, he went back to the sound of the quintet, assembling a new group that would stay with him for the next decade. It was a superb group that performed his, by now, classics, and pushed him to create new masterpieces. Piazzolla's death, on July 4, 1992, marked a new stage for his work. From then on, others would have to continue his efforts and champion his music. With that purpose, Laura Escalada Piazzolla, his companion of nearly 20 years, created the Fundación Astor Piazzolla and, in 1998, founded the Quinteto Astor Piazzolla, a repertory group to perform and update the sound of his emblematic ensemble. Creating an ensemble to play Piazzolla is no easy task. Instrumental virtuosity is indispensable — but not enough. This music also demands street wisdom, boldness, and a certain quality that the maestro called "roña" (grime) — the perfection of the imperfect. -
Digital Booklet
AYRE: LIVE “It is as if she was born to sing it, or, even better, born for each other, she and Ayre.” — Composer, Osvaldo Golijov A lush fusion of Arabic, Hebrew, Sardinian, and Sephardic folk melodies and texts, Argentinian composer Osvaldo Golijov’s Ayre is a brilliant example of 21st-century cultural counterpoint. This recording is the culmination of performances in Toronto for audiences at the breath- taking Ismaili Centre. Against the Grain Theatre Founding Member Miriam Khalil has now sung this technically challenging and deeply moving song cycle in numerous cites across Canada, the United States and Argentina, making this her signature piece. Mañanita de San Juan (Morning of St. John’s Day) 4:39 Traditional Sephardic romance (Music and Lyrics: Traditional Sephardic romance) Una madre comió asado (A mother roasted her child) 4:42 Traditional Sephardic song after The Lamentations of Jeremiah Tancas serradas a muru (Walls are encircling the land) 3:07 Lyrics and Music by Melchiorre Murenu (Sardinia, c. 1820); Francesco Ignazio Mannu (Sardinia, c. 1795) Luna (Moon) 1:58 Music by Gustavo Santaolalla Nani (lullaby) 4:42 (Traditional Sephardic lullaby) Wa Habibi (My love) 6:02 Traditional Christian Arab Easter song Aiini taqtiru (My eyes weep) 3:11 Traditional Christian Arab Easter song Kun li-guitarati wataran ayyuha al-maa’ (Be a string, water, to my guitar) 1:21 Poem by Mahmoud Darwish (from Eleven Planets in the Last Andalusian Sky) Suéltate las cintas (Untie your ribbons) 1:42 Lyrics and Music: Gustavo Santaolalla Instruments: Voice, guitar Yah, annah emtza’cha (O God, where shall I find you?)3:48 Poem by Yehudah Halevy (c. -
Program Notes
March 7-8, 2020, page 1 programBY DR. RICHARD E. RODDA notes for Harpsi- his Rainbow Body won the First Prize of If Falling Is a Leaf £25,000 in the Masterprize Competition, chord and Strings (2019) a London-based, British-American part- World Premiere nership of EMI, the London Symphony Commissioned by the Allentown Sym- Orchestra, Gramophone magazine, phony Orchestra Classic FM and National Public Radio CHRISTOPHER THEOFANIDIS ■ BORN IN whose winner is chosen jointly by the 1967 public and a panel of experts; Rainbow Christopher Theofanidis, one of Amer- Body has subsequently become one of ica’s most prominent composers, was the most frequently performed pieces by born in Dallas on December 18, 1967, a living composer. and studied at the University of Hous- Theofanidis wrote of If Falling Is a ton (B.M.), Eastman School of Music Leaf, commissioned by the Allentown (M.M.) and Yale University (M.A. and Symphony Orchestra, “The title of this D.M.A.). He has served on the faculty of work is from a poem that was written for the Yale University School of Music since this occasion by a friend of mine, called September 2008; his previous teach- If falling is a leaf. Like the Vivaldi Four ing appointments include the Peabody Seasons, it is inspired from a poem, but Institute in Baltimore, Juilliard School, the poem itself is also responding to a University of Houston, American Festi- David Hockney painting called Autumn val of the Arts and Texas Piano Institute. Leaves. I decided that a single season In summer 2014, he joined the faculties seemed to be in order for this composi- the Aspen Music Festival, Atlantic Cen- tion, and I love the vibrancy of fall — the ter for the Arts and HighSCORE Festival colors, the wind, the air.” in Italy. -
RAMAPO COLLEGE of NEW JERSEY Office of Communications
RAMAPO COLLEGE OF NEW JERSEY Office of Communications and Public Affairs Press Release September 13, 2013 Contact: Anna Farneski E-mail: [email protected] Phone: 201.684.6844 Celebrated Tango Musician Octavio Brunetti Performs at Ramapo College (MAHWAH, NJ) – Ramapo College is proud to present a rare New Jersey concert by world-renowned Tango musician Octavio Brunetti and his Urban Tango Trio on Wednesday, September 18, 2013 at 7:30 p.m. in the Sharp Theater at Ramapo’s Russ and Angelica Berrie Center for Performing and Visual Arts. Formed in 2008, Urban Tango Trio is three virtuoso musicians: Octavio Brunetti, piano; Pedro Giraud, bass; and Machiko Ozawa, violin. Together they captivate audiences with the passion, beauty and excitement of Argentine music, taking them on a breathtaking musical journey that ranges from traditional favorites to contemporary 21st century interpretations. Latin Grammy-winner Octavio Brunetti is considered one of the most sought-after tango pianists of our times, and has performed with many of Argentina’s most important tango musicians and singers. With his main ensemble, the Octavio Brunetti Quintet, he has appeared at the Kaufmann Hall, Jamaica Center for the Arts and the NY City Center. Mr Brunetti has performed with world-renowned cellist, Yo-Yo Ma, jazz ambassador Paquito D’Rivera, Bandoneonist Daniel Binelli, and he has participated in numerous music festivals throughout the world, and performed in venues such as Symphony Space, The Blue Note, and Jazz at Lincoln Center. His recordings include Grammy award- winning CD “Te Amo Tango” with Raul Jaurena, and the original soundtrack music for the Francis Ford Coppola movies' “Tetro” and “Twixt” composed by Osvaldo Golijov. -
FOR RELEASE: January 22, 2014 Contact: Katherine E. Johnson ALAN GILBERT and the NEW YORK PHILHARMONIC 2014–15 SEASON New York
FOR RELEASE: January 22, 2014 Contact: Katherine E. Johnson ALAN GILBERT AND THE NEW YORK PHILHARMONIC 2014–15 SEASON SEASON OPENING: Alan Gilbert To Conduct U.S. Premiere–Philharmonic Co-Commission of UNSUK CHIN’s Clarinet Concerto, with KARI KRIIKKU, and MAHLER’s Symphony No. 1, September 23, 26–27, and 30 OPENING GALA CONCERT with JOSHUA BELL, JOSH GROBAN, and RENÉE FLEMING in La Dolce Vita: The Music of Italian Cinema, September 16, Part of THE ART OF THE SCORE: Film Week at the Philharmonic __________________ Alan Gilbert To Conduct World Premieres by JOHN ADAMS, PETER EÖTVÖS, and CHRISTOPHER ROUSE U.S. Premiere–Philharmonic Co-Commission of THIERRY ESCAICH’s Concerto for Violin and Oboe VERDI’S REQUIEM New York Premiere Staging of HONEGGER’S JOAN OF ARC AT THE STAKE with MARION COTILLARD and Actors from the Comédie-Française Directed by Côme de Bellescize Conclusion of THE NIELSEN PROJECT with Composer’s 150th Birthday __________________ Violinist LISA BATIASHVILI Named The Mary and James G. Wallach Artist-in-Residence Pianist INON BARNATAN Named the Philharmonic’s First Artist-in-Association CHRISTOPHER ROUSE’s Term Extended as The Marie-Josée Kravis Composer-in-Residence World Premiere of Thunderstuck; New York Premiere of Flute Concerto with Robert Langevin; Iscariot __________________ YO-YO MA in 15th-Anniversary Concert for Silk Road Ensemble and in Chinese New Year Concert and Gala with U.S. Premiere by ZHAO LIN CONTACT!, the New-Music Series: at SubCulture, Co-Presented with 92nd Street Y; The Metropolitan Museum of Art; and on EUROPE / SPRING 2015 Tour DOHNÁNYI / DVOŘÁK: A Philharmonic Festival Conducting Debuts by SUSANNA MÄLKKI, JUANJO MENA, STÉPHANE DENÈVE, and THOMAS ADÈS in U.S.