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The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
Pure Acoustic
A TAYLOR GUITARS QUARTERLY PUBLICATION • VOLUME 47 • WINTER 2006 pure acoustic THE GS SERIES TAKES SHAPE I’m a 30-year-old mother and wife who Jorma Kaukonen, Bert Jansch, Leo Kottke, 1959 Harmony Sovereign to a collector, loves to play guitar. I currently own two Reverend Gary Davis, and others, and my I will buy that Taylor 110, or even a 200 Letters Fenders. But after seeing you recognize listeners tell me I am better than before series model, which are priced right. my kind of player, my next guitar will be the “incident”. That’s a long story about John-Hans Melcher a Taylor (keeping my fingers crossed for a great guitar saving my hand, my music, (former percussionist for Christmas). Thanks for thinking of me. and my job. Thanks for building your Elvis Presley and Ann-Margret) Via e-mail Bonnie Manning product like I build mine — with pride Via e-mail and quality materials. By the way, I saw Artie Traum conduct After many years of searching and try- Aloha, Mahalo Nui a workshop here in Wakefield and it was ing all manner of quality instruments in Loa, A Hui Hou a very good time. Artie is a fine musician order to improve on the sound and feel Aloha from Maui! I met David Hosler, and a real down-to-earth guy — my kind of, would you believe, a 1966 Harmony Rob Magargal, and David Kaye at Bounty of people. Sovereign, I’ve done it! It’s called a Taylor Music on Maui last August, and I hope Bob “Slice” Crawford 710ce-L9. -
The Cord Weekly (December 5, 1974)
Volume 15, Number 12 · eCord ly Thursday, December 5, 1974 ttem pt fa lis short of mark by Henry Hess that not many students Director of Personnel, adroitly complish a number of things. It es actually care very much fielded questions directed at food tablished that the U ofWbookstore their money goes. services, as well as any others that may or may not pay rent to that r.••nnnse to criticisms and showed signs of going unanswered. university, depending upon whom centering around the Student interests were rep you talk to. , food services and resented by a panel consisting of It established that the administ Director of Student Warren Howard, Fred Youngs, ration recognizes the deficiences Colin McKay organized a Mike Strong and Jim Binns. existing with regard to certain of forum. The forum took McKay moderated the discussion. the residences and agrees that it the ballroom ofthe SUB on The student panel appeared to be would be nice if something were 27, but due to the poor well prepared for the forum as their done about it. turnout it can be charac questions were often researched It established that the university as only moderately success- and documented. The administra has a policy such that the various tive representatives, however, services are not expected to sub that questions might be di were more than a match for them, sidize one another. (For instance, to those having the closest particularly Bilyea who showed up the bookstore is not expected to and the most direct control with a sheaf of documents and gave subsidize WLU Press. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Once a Day”--Connie Smith (1964) Added to the National Registry: 2020 Essay by Barry Mazor (Guest Post)*
“Once a Day”--Connie Smith (1964) Added to the National Registry: 2020 Essay by Barry Mazor (guest post)* Bill Anderson, Connie Smith and Bob Ferguson in the studio Just months before Connie Smith would step up to the microphone at RCA Records’ Music Row Studio B for her very first recording session, she was a virtually unknown Ohio housewife who’d performed at nearby fairs and on local television. Then, fatefully, at an August 1963 talent contest near Columbus, the contest judge proved to be recording star and country songwriting master Bill Anderson. He would note in his memoir, “None of us could believe such a big voice was coming out of such a petite lady.” He’d told her that if she ever came to Nashville to pursue a country career, he’d be there for her. It took her months to decide to give that a try. RCA’s Nashville label head, Chet Atkins, was impressed by her demo tapes, and when Anderson assured him that he’d have new songs for her that could help get her established, she was signed to the label and in the studio within three weeks. Constance June Meador Smith was 23 as her recording career began that day--July 16, 1964--a young wife and mother. The third song she recorded at that first session, Bill Anderson’s “Once a Day,” in which the singer tells us how the loss of a love to another can be devastating, and as a matter of fact, there’s no denying it has been, would become a country music phenomenon. -
Indian Music Integrates Every Dimension of the Human Psyche ORCHESTRA to REMEMBER
SEPTEMBER/OCTOBER 2012 ISSUE MMUSICMAG.COM SEPTEMBER/OCTOBER 2012 ISSUE MMUSICMAG.COM MUSICIAN Is there a theme guiding the album? he was doing. But the Beatles were doing TOOLS OF THE TRADE Not at all. The music just came. But each it, and the Beach Boys, too—we were all piece has an anecdote behind it. The looking for answers to these profound opening piece, “Trancefusion,” is from my existential questions: Who am I? What does John McLaughlin played some of his favorite old hippie days, my trance days. Even it all mean? What is this thing called God? guitars on Now Here This including one he today, when I meditate, I go into another The big questions of life. That was tied with received as a gift from PRS owner Paul state of consciousness that some would my musical search. It took me a long time. Reed Smith. “It’s a standard model with call a trance. Trance is not a bad word, and Some people get it younger and quicker, McCarty pickups and a whammy bar, and is fusion is a label that’s been put on me for but not me. The whole of the ’60s was really a wonderful instrument,” he says. the last 40 years. But I like the real word research and work. “There are two pieces on the new transfusion, too. It’s a healthy word. When album where I play MIDI through a Godin you put fresh blood into someone, you make Miles Davis named a song after you. Freeway, which has the new wireless MIDI them feel better. -
Music, Film & Sport Memorabilia
MUSIC, FILM & SPORT MEMORABILIA Friday 10th September 4pm On View Thursday 9th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 22.5% plus VAT Free live bidding available through our website Image this page: 710 Glenn Pearl – Music & Film Memorabilia specialist Chartered Surveyors Tel: Land & Estate Agents 01284 748 625 Email: Auctioneers & Valuers [email protected] 150 YEARS est. 1869 www.lsk.co.uk C 508 An early 20th century Continental violin, the two piece maple back with purfling marked In Silvis Viva Silui Canora Jam Mot Tua Cano, 36cm (excluding button), together with an unmarked bow (broken), in carry case. £50-100 509 A Boosey & Co plated clear bore trumpet, no.97479, with spare mouth pieces in fitted travel case. £20-30 510 A First Act ME501 electric guitar, in red sunburst finish, serial no. 8EA070412382, in soft carry case. £50-60 511 A Victorian burr walnut double violin case, the hinged domed lid with recessed brass handle opening to reveal a green velvet and silk lined interior with mahogany partitions, the brass lock plate marked Mordan & Co. 22 Castle St. Finsbury, London, w.79, d.31, h.13.5cm. £100-200 512 A 20th century violin, having a two piece maple back and ebony finger board, bearing a label for The Maidstone, Murdoch Murdoch & Co. London, 34cm (excluding button), together with Lot 505 a violin bow marked P & H London, in a fitted case, one other violin, having a two piece maple 505 back and ebony finger board, 33.5cm (excluding button), with bow in a fitted case. -
TESIS-La-Politica-En-La-Ficcion-Melodramatica.Pdf (3.331Mb)
UNIVERSIDAD DE CHILE INSTITUTO DE LA COMUNICACIÓN E IMAGEN MAGÍSTER EN COMUNICACIÓN POLÍTICA LA POLÍTICA EN LA FICCIÓN MELODRAMÁTICA DURANTE LA TRANSICIÓN CHILENA A LA DEMOCRACIA El caso de las telenovelas Volver a Empezar y Sucupira Tesis para optar al grado de Magíster en Comunicación Política ESTEBAN RENATO ALVARADO VERA Profesor guía: Eduardo Santa Cruz Achurra Santiago 2019 TABLA DE CONTENIDOS Tabla de contenidos II Índice de ilustraciones y cuadros III Resumen IV Introducción 1 Marco Teórico 9 - Hacia lo popular 18 - En la ruta del melodrama y la telenovela 24 - La telenovela en Chile 38 Volver a Empezar: la telenovela del retorno a la democracia 50 - Los primeros capítulos: el retorno 64 - Las nuevas ideas: volviendo a empezar 69 - Otros temas: para volver a pensar 74 Sucupira: el paraíso de la corrupción 79 - Los días previos y el estreno de Sucupira 82 - Los orígenes de Sucupira: “O Bem-Amado” 86 - El político: de Odorico Paraguaçu a Federico Valdivieso 92 - El universo sucupirense: entre el sueño y la realidad 101 - Destape a la chilena: el desnudo como gancho publicitario 103 - Crítica política en Sucupira: a la chilena, disfrazada y colorida 106 A modo de conclusión: Lo político en la ficción dramática chilena 108 Bibliografía 116 Anexos 122 - Anexo 1. Entrevista a Jorge Marchant Lazcano 123 - Anexo 2. Entrevista a Víctor Carrasco Miranda 128 Evaluaciones 133 II ÍNDICE DE ILUSTRACIONES Y CUADROS Figura 1 Equipamiento en el hogar. Número de televisores por hogar 13 Figura 2 Inserto publicitario Volver a Empezar en blanco y negro. Schlomnit Baytelman 55 Figura 3 Inserto publicitario con rostros en blanco y negro de Volver a Empezar sin texto 56 Figura 4 Afiche “Chile Detenidos Desaparecidos”. -
$>Tate of \!Tennessee
$>tate of \!tennessee SENATE JOINT RESOLUTION NO. 561 By Senators Johnson, Kyle, Beavers, Bell, Bowling, Burks, Campfield, Crowe, Dickerson, Finney, Ford, Gardenhire, Green, Gresham, Haile, Harper, Henry, Hensley, Kelsey, Ketron, Massey, McNally, Niceley, Norris, Overbey, Southerland, Stevens, Summerville, Tate, Tracy, Watson, Yager, Mr. Speaker Ramsey and Representatives Matthew Hill, Ryan Williams A RESOLUTION to recognize Connie Smith on the fiftieth anniversary of her illustrious country music career and her forty-ninth anniversary as a member of the Grand Ole Opry. WHEREAS, it is fitting that this General Assembly should recognize those gifted artists who have experienced great success in the world of country music; and WHEREAS, Constance June Meador, better known to her legions of fans as Connie Smith, was born August 14, 1941 , to parents Hobart and Wilma Meador in Elkhart, Indiana; she grew up in Ohio where she fell in love with country music listening to the Louvin brothers, George Jones, and Loretta Lynn on Grand Ole Opry broadcasts from Nashville, Tennessee; and WHEREAS, her love of singing was discovered in 1963 by singer-songwriter Bill Anderson. Connie was a housewife and mother with a four-month-old son in Warner, Ohio, when she and her husband went to see a country music show at Frontier Ranch near Columbus, Ohio. She was talked into entering a talent contest, which she won, enabling her to meet Bill, who invited her to sing on the Ernest Tubb Midnight Jamboree in March 1964. A few months later Bill invited her back to Nashville to record some demo records; and WHEREAS, in June 1964 Connie was signed to a contract with RCA Victor Records by Chet Atkins, who called her "the greatest girl singer he'd ever heard." She soon cut her very first recording entitled, "Once a Day," which would be a phenomenon in country music history. -
Re-Issues Reviews
Re-issues Reviews Home To the reviews index News A healthy nihilism goes all bellicose for the poet who turns his pen into a sword. Interviews In the most Orwellian of years Joseph Smalkowski, or Copernicus, decided it was time Reviews for his verses to not only produce a verbal music but also put some external sound to the words - and got himself a kindred-minded band. "Let the musicians declare war!!" goes Index "I Know What I Think", and they do so, indeed, with a full-blown aural onslaught onto DVD which the leader lays his punky stentorian chant. Deranged delight! - unlike the mournful Magazines recital of "Let Me Rest" clocking at 11.11. Books But the opener "I Won't Hurt You" delivers on its sweet, slithery, soulful promise that Specials either skanks or slides to form the most romantic song Copernicus could offer. Still, COPERNICUS - being himself he couldn't help but break such an innocence in the sonic terror of Photo Nothing Exists "Nagasaki", hung on an urgent, oscillating and scintillating rock 'n' roll guitar riff. It's here that the poet denies the existence of everything, him included, so "Atomic Nevermore" Links Nevermore 1984 spreads its spoken word over the emotional desert which somehow makes the listener MoonJune 2010 explore the album's dry landscape again. DME/Personal ***1/2 Guestbook Mail me The original angularity seeps away for guitar to feed on - and feedback - on a honeysuckle vine. Having tapped into the fusion fad of the day with "Bundles", the machinists might have thought they arrived at the right station, yet the restless passenger in Allan Holdsworth knew better. -
Rod Stewart 1969 - 1974 Mp3, Flac, Wma
Rod Stewart 1969 - 1974 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 1969 - 1974 Country: Germany Released: 1991 Style: Blues Rock, Classic Rock MP3 version RAR size: 1608 mb FLAC version RAR size: 1124 mb WMA version RAR size: 1234 mb Rating: 4.6 Votes: 400 Other Formats: ADX AUD AA XM RA WMA MOD Tracklist Hide Credits Maggie May 1 5:12 Written-By – M. Quittenton*, R. Stewart* (I Know) I'm Losing You 2 5:21 Written-By – C. Grant*, E. Holland*, N. Whitfield* You Wear It Well 3 4:18 Written-By – M. Quittenton*, R. Stewart* Reason To Believe 4 4:05 Written-By – T. Hardin* Every Picture Tells A Story 5 5:53 Written-By – R. Stewart*, R. Wood* Mandolin Wind 6 5:29 Written-By – R. Stewart* That's All Right 7 3:59 Written-By – A. Crudup* Gasoline Alley 8 4:00 Written-By – Stewart*, Wood* Man Of Constant Sorrow 9 2:30 Written-By – Stewart* Tomorrow Is A Long Time 10 3:41 Written-By – B. Dylan* An Old Raincoat Won't Ever Let You Down 11 3:03 Written-By – R. Stewart* Twistin' The Night Away 12 3:13 Written-By – S. Cooke* Amazing Grace 13 2:00 Arranged By – R. Stewart*Written-By – Trad.* Seems Like A Long Time 14 3:59 Written-By – T. Anderson* Lost Paraguayos 15 3:56 Written-By – R. Stewart*, R. Wood* Dirty Old Town 16 3:40 Written-By – McCall* Country Comforts 17 4:42 Written-By – E. John/B. Taupin* Mine For Me 18 4:02 Written-By – P.