Programs and Adam Fure, University of Michigan the Desirability for Its Inclusion Within the NAAB Criteria of Accreditation
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Ashley Schafer 275 W
Ashley Schafer 275 W. Woodruff Avenue, Columbus, OH 43210 / +1 617 905 4915 / [email protected] EDUCATION Columbia University Graduate School of Architecture, Planning and Preservation Master of Architecture, 1998 AWARDS William Kinne Traveling Fellowship, 1998 AIA Foundation Scholarship, 1997-1998 Teaching Assistant Fellowship, 1996-1998 University of Virginia, School of Architecture Bachelor of Science, Architecture, 1987, minor in English ACADEMIC APPOINTMENTS Associate Professor of Architecture with tenure, Ohio State University, 2005-present Head of Architecture, 2005-2009 Chair, Master of Architectural Studies Program, 2006-2011 Visiting Associate Professor of Architecture, Massachusetts Institute of Technology, 2010-2011 Associate Professor of Architecture, Harvard University Graduate School of Design, 2004-2005 Assistant Professor of Architecture, Harvard University Graduate School of Design, 2001-2004 Visiting Professor of Architecture, Harvard University, Graduate School of Design, 2000-2001 Assistant Professor of Architecture, Tulane University, 1998-2000 GRANTS, AWARDS AND FELLOWSHIPS US State Department, Bureau of Educational and Cultural Affairs, US Pavilion, Venice Biennale, 2014 Distinguished Visiting Scholar, Tulane University Department of Architecture, 2013 Graham Foundation for Advanced Studies in the Arts, Grant for Publication (with the Architectural League of New York), 2012 National Endowment for the Arts, Creativity Grant in Design, 2004-2005, Largest Award in Design I.D. Design Award for PRAXIS cover, -
Program of Exhibitions, and Architecture, in Collaboration with the Irwin S
ABOUT CLOSED WORLDS: STOREFRONT ENCOUNTERS THAT NEVER HAPPENED Storefront for Art and Architecture is committed to the advancement of innovative and critical positions at the intersection of architecture, art, Organized by Lydia Kallipoliti and Storefront for Art and design. Storefront’s program of exhibitions, and Architecture, in collaboration with The Irwin S. events, competitions, publications, and projects Chanin School of Architecture of The Cooper Union. provides an alternative platform for dialogue and collaboration across disciplinary, geographic and CLOSED WORLDS EXHIBITION ideological boundaries. Through physical and digital Curator and Principal Researcher: platforms, Storefront provides an open forum for Lydia Kallipoliti experiments that impact the understanding and Research: future of cities, urban territories, and public life. Alyssa Goraieb, Hamza Hasan, Tiffany Montanez, Since its founding in 1982, Storefront has presented Catherine Walker, Royd Zhang, Miguel Lantigua-Inoa, the work of over one thousand architects and artists. Emily Estes, Danielle Griffo and Chendru Starkloff Graphic Design and Exhibition Design: Storefront is a membership organization. If you would Pentagram / Natasha Jen like more information on our membership program with JangHyun Han and Melodie Yashar and benefits, please visit www.storefrontnews.org/ Feedback Drawings: membership. Tope Olujobi Lexicon Editor: For more information about upcoming events and Hamza Hasan projects, or to learn about ways to get involved with Special Thanks: Storefront, -
Decolonising Knowledge
DECOLONISING KNOWLEDGE Expand the Black Experience in Britain’s heritage “Drawing on his personal web site Chronicleworld.org and digital and print collection, the author challenges the nation’s information guardians to “detoxify” their knowledge portals” Thomas L Blair Commentaries on the Chronicleworld.org Users value the Thomas L Blair digital collection for its support of “below the radar” unreported communities. Here is what they have to say: Social scientists and researchers at professional associations, such as SOSIG and the UK Intute Science, Engineering and Technology, applaud the Chronicleworld.org web site’s “essays, articles and information about the black urban experience that invite interaction”. Black History Month archived Bernie Grant, Militant Parliamentarian (1944-2000) from the Chronicleworld.org Online journalists at the New York Times on the Web nominate THE CHRONICLE: www.chronicleworld.org as “A biting, well-written zine about black life in Britain” and a useful reference in the Arts, Music and Popular Culture, Technology and Knowledge Networks. Enquirers to UK Directory at ukdirectory.co.uk value the Chronicleworld.org under the headings Race Relations Organisations promoting racial equality, anti- racism and multiculturalism. Library”Govt & Society”Policies & Issues”Race Relations The 100 Great Black Britons www.100greatblackbritons.com cites “Chronicle World - Changing Black Britain as a major resource Magazine addressing the concerns of Black Britons includes a newsgroup and articles on topical events as well as careers, business and the arts. www.chronicleworld.org” Editors at the British TV Channel 4 - Black and Asian History Map call the www.chronicleworld.org “a comprehensive site full of information on the black British presence plus news, current affairs and a rich archive of material”. -
MARYAM ESKANDARI MIIM Designs LLC Palo Alto, California Cambridge, Massachusetts T 415.617.9984 T 617.682.9984
MARYAM ESKANDARI MIIM Designs LLC Palo Alto, California Cambridge, Massachusetts T 415.617.9984 T 617.682.9984 EDUCATION 2011 Massachusetts Institute of Technology, Cambridge, Ma Masters of Science in Architectural Studies History Theory and Criticism | Aga Khan Program in Islamic Architecture Thesis title: “Women Places and Spaces in Contemporary American Mosque” Committee: Nasser Rabbat and Nader Tehrani, MIT School of Architecture and Planning Afsaneh Najmabadi and Leila Ahmed, Harvard Graduate School of Arts and Sciences Fellowship: Aga Khan Award in Islamic Architecture 2009-2011 Fellowship: Aga Khan Traveling Award 2010-2011 2005 University of Arizona, Tucson, Az Bachelor of Architecture Fellowship: J. Douglas Mac Neil Architecture 2001-2005 Scholarship: ARCA Technology Award 2003 2015 Cambridge Judge Business School, Cambridge, England Social Entrepreneurship Program Fellowship: Ariane de Rothschild 2015 2011 Massachusetts Institute of Technology, Cambridge, Ma Teaching and Learning Laboratory PROFESSIONAL EXPERIENCE 2013-present MIIM Designs LLC (Private Practice – founded in 2013) 2005-2009 DLR Group – Phoenix + Seattle Office MIIM DESIGNS PROJECTS Selected Projects HUB 925 Pleasanton Pleasanton, California 2017 Design | Interior Renovation Rammed Desert Mosque Laveen, Arizona 2017 Preliminary design | fundraising Centro Comunitario Judeo-Sefardi Malaga Spain 2015 Preliminary design | fundraising Ongoing MIIM Designs LLC | Cambridge | Palo Alto | ph: 617.682.9984 | ph: 415.617.9984 | www.miimdesigns.com Children’s Museum of Manhattan -
Symposium: AFRITECTURE – Exchanging Knowledge November
Symposium: AFRITECTURE – Exchanging Knowledge Women's Opportunity Center in Rwanda © Sharon Davis Design November 14 & 15, 2013 Symposium: AFRITECTURE – Exchanging Knowledge Important Information about the symposium: What relevance does socially committed architecture have November 14, 2013 in Africa and what can the global North learn from the buildings 6 p.m. – 8 p.m. constructed in sub-Saharan Africa? These and other questions will Keynote-Lecture: be discussed in the symposium which will take place at the Ernst Lesley Lokko „The Culprit is Culture“ von Siemens-Auditorium in the Pinakothek der Moderne. Architects and clients alike will introduce the projects designed and initiated November 15, 2013 by them and share their long-lasting experiences. The Architek- 9 a.m. – 7 p.m. turmuseum der TU München together with the Goethe-Institute Symposium: sub-Sahara Africa and the Bavarian Chamber of Architects will hold „AFRITECTURE – Exchanging Knowledge“ a three-panel discussion, featuring international guest speakers to address central aspects of the exhibit, such as participation and urbanization. The main conference language will be English. Registration is required and binding: Tel. +49 – (0)89.289.22493 E-mail: [email protected] Location: Ernst von Siemens-Auditorium In der Pinakothek der Moderne Barer Straße 40 80333 München www.architekturmuseum.de Das Symosium wird gefördert durch die und durch den Föderverein des Architekturmuseums der TU München Keynote-Lecture Symposium: „AFRITECTURE – Exchanging Knowledge“ November 14, 2013 November 15, 2013 Lesley Lokko 1. Panel „The Culprit is Culture” Hands on Architecture 6.00 p.m. - 8.00 p.m. 9.00 a.m. - 12.00 p.m. -
AAR Magazine
AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2018 SPRING 2018 Welcome to the Spring 2018 issue UP FRONT IN CLOSING of AAR Magazine. 2 33 LETTER FROM THE PRESIDENT DONORS This issue highlights recent work and collabora- tions by our Rome Prize winners and Italian Fellows. 4 36 Because this year was the tenth anniversary of the FAR AFIELD WHEN IN ROME Scharoun Ensemble Berlin in Rome, we reflect on Checking in with past Fellows and Residents Three Fellows share their favorite places in Rome how the concert series began. The spring issue also anticipates a solo show of new work by Yto Barrada, 6 the Roy Lichtenstein Artist in Residence from last INTRODUCING fall, which—along with the Patricia H. Labalme The 2018–2019 Rome Prize winners Friends of the Library Lecture by Mary Roberts in and Italian Fellows March and a conference on Islamic art and architec- ture in May—are the culminating events of East and 10 West, the Academy’s thematic series of events for FROM THE ARCHIVES 2017–18. Ten years of Scharoun Ensemble Berlin Finally, we are excited to announce the 2018–19 Rome Prize winners and Italian Fellows! 11 IN RESIDENCE Vi diamo il benvenuto all’edizione Spotlighting recent Residents primaverile 2018 dell’AAR Magazine. 15 CONVERSATIONS/ CONVERSAZIONI Questo numero dà spazio alle opere e alle collabora- This season’s discussions in Rome and the US zioni recenti dei vincitori del Rome Prize e dei nostri Italian Fellows. Poiché quest’anno ricorre il decimo anniversario dello Scharoun Ensemble Berlin a Roma, ripercorriamo la storia della serie di concerti. -
The Age of Wildfire
The Contemporary Journal I began writing this essay weeks before I left South Africa in November 2019 for good; picked it up again a week after my The Age of arrival in New York City and finished it in the midst of the global COVID-19 Wildfire pandemic, which has forced the issue of “educational space” onto the agenda in Lesley Lokko ways no one could have predicted. It’s no use going back to yesterday, because I was a different person then. —Lewis Carroll[1] Yesteryear The start of the new academic year is always Architectures of Education is a fraught, no matter where you are in the world. collaboration between Nottingham Aside from the usual logistical issues Contemporary, Kingston University, and e- (enrolment numbers, fees, readiness of facilities or the adjuncts who got a better offer flux Architecture, and a cross-publication elsewhere), there are also deeper questions to with The Contemporary Journal. Drawing be asked about the nature and direction of on a three-day public program at pedagogy: how is this year’s curriculum Nottingham Contemporary on November different from last? In what way are today’s 7–9, 2019, the series features contributions students different from students of the previous by Ramon Amaro, Aoife Donnelly and decade? What skills and tools do they require in Kristin Trommler, Gudskul, Elain Harwood, order to face the world? Which world? Whose world(s)? As the number of people enrolled in Tom Holert, Lesley Lokko, Sol Perez- tertiary education continues to explode and Martinez, Irit Rogoff, Santhosh S., and economies slide in and out of recession, the more. -
Race, Space and Architecture: Towards an Open-Access Curriculum
Race, space and architecture: towards and open-access curriculum LSE Research Online URL for this paper: http://eprints.lse.ac.uk/100993/ Version: Published Version Book: Tayob, Huda and Hall, Suzanne (2019) Race, space and architecture: towards and open-access curriculum. London School of Economics and Political Science, Department of Sociology, London, UK. Reuse Items deposited in LSE Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the LSE Research Online record for the item. [email protected] https://eprints.lse.ac.uk/ Race, Space and Architecture Towards an Open-Access Curriculum Huda Tayob & Suzanne Hall June 2019 Contents Towards an Open-Access Curriculum 2 Centralising 5 Circulating 9 Domesticating 13 Extracting 17 Immobilising 21 Incarcerating 25 General Readings 29 Ordinary Streets Project 2012 Drawn by Sadiq Toffa ISBN: 9781909890619 This is designed as an open-access curriculum, to be freely used, interpreted and adapted. It is the frst stage publication to be followed by an open-access website. This project would not have been possible without the generous contributions yielded by the Race, Space and Architecture workshop as well as the contributions of those who have shared their images. Should you wish to contact us about the curriculum, please email Huda Tayob ([email protected]) or Suzi Hall ([email protected]). -
Portico Fall 2008
university of michigan taubman college of architecture + urban planning fall 2008 portico contents monica ponce de leon, 2008– 1 Letter From The Dean douglas s. kelbaugh, 1998–2008 3 Footprints james c. snyder, 1997–1998 4 College Update robert m. beckley, 1987–1997 8 Faculty Update robert c. metcalf, 1974–1986 20 Student Update reginald malcolmson, 1964–1974 26 A Conversation with Monica Ponce de Leon philip n. yountz, 1957–1964 28 Class Notes wells ira bennett, 1937–1957 45 Calendar emil lorch, 1906–1936 Cover and inside back cover: Museum Store designed and built by Steven Mankouche for the Museum of Contemporary Art Detroit (MOCAD). See page 13 for additional information. Cover Images: Beth Singer letter from the dean It is my honor and pleasure as the eighth dean of this college to introduce and welcome the ninth dean. Born in Venezuela, with degrees from Harvard and the University of Miami, Monica Ponce de Leon is a distinguished architectural practitioner and academic. Prior to moving to Michigan, she was a professor at the Harvard Graduate School of Design. Previous teaching appointments include Georgia Tech, Northeastern, and the University of Miami. She has been a visiting professor and delivered lectures at many schools. Office dA, in which she partners with Nader Tehrani, is one of the top design firms of its generation. It has won many awards, including a remarkable ten Progressive Architecture Awards! I was on the jury in 1998 that awarded her third PA Honor Award, and can attest that it was the jury’s favorite and selected for the magazine’s cover. -
Timothy Love, a Principle at the Boston Firm, Suggested a Development of 45-60 Housing Units
Curriculum vitae / March 2017 Tim Love FAIA 122 F Street Boston, MA 02127 Founding Principal Associate Professor with Tenure Utile, Inc. Northeastern University School of Architecture Boston, MA Boston, MA [email protected] Education Harvard University Graduate School of Design, Cambridge, MA, 1986-1989 Master of Architecture (professional degree) Entered program with Advanced Standing Graduated with Distinction Henry Adams Medalist (highest academic standing in graduating class) University of Virginia School of Architecture, Charlottesville, VA, 1980-1984 Bachelor of Science in Architecture Alpha Rho Chi Medalist (highest academic standing in graduating class) Vicenza Architecture Program, Vicenza, Italy, 1983 Academic Positions Northeastern University School of Architecture, 2002-present Associate Professor with Tenure Graduate Program Director, 2011-2015 University of Toronto, Daniels Faculty of Architecture, Landscape & Design, Fall 2011 Visiting Associate Professor Without Status Coordinator and instructor of “Walk-Up Wood-Frame Urbanism,” an upper-level design studio focused on new models of medium density housing for Toronto’s urban neighborhoods, taught in collaboration with Associate Professor Robert Wright and Sessional Instructor Ivan Saleff. Yale University School of Architecture, Spring 2009 Visiting Associate Professor Coordinator and instructor of the Fourth Year Graduate Design Studio, The Urbanism Studio (Course 504b): Proposals for CSX rail yards, Allston, MA. Other instructors: Ljiljana Blagojevic, Peggy Deamer, Makram El Kadi, Andrea Kahn, Ben Pell, and Alan Plattus. Harvard University Graduate School of Design, 1997-2002 Lecturer (multi-year appointment) A required lecture course taught as part of the First-year Core Design Studio that focused on specific design tactics by using precedent examples. Rhode Island School of Design, Fall 1992 Visiting Professor A Fourth/Fifth-year option studio devised and taught by Love that required students to design a Museum for U.S. -
NADER TEHRANI NADAAA 1920 Washington Street #2 Boston, MA, 02118 T 617.442.6232
NADER TEHRANI NADAAA 1920 Washington Street #2 Boston, MA, 02118 T 617.442.6232 The Irwin S. Chanin School of Architecture of The Cooper Union Room 301A, 7 East 7th Street New York, NY 10003 T 212.353.4220 Education Harvard University, Graduate School of Design, Department of Urban Planning and Design Masters of Architecture in Urban Design, with Distinction, 1991 Architectural Association, Graduate School of History and Theory Post-graduate Program, 1987 Rhode Island School of Design, Department of Architecture Bachelor of Architecture, 1986 Bachelor of Fine Arts, 1985 Selected Academic Experience Dean, The Cooper Union, Irwin S. Chanin School of Architecture, 2015- Present Professor, Architectural Design, The Cooper Union, Irwin S. Chanin School of Architecture, 2015- Present William A. Bernoudy Architect in Residence, American Academy of Rome, 2017-2018 Visiting Professor, Tokyo Institute of Technology, Summer 2015 Professor, Architectural Design, MIT School of Architecture and Planning, 2007 - 2015 Head of Department, Massachusetts Institute of Technology, School of Architecture and Planning, 2010-2014 Honorary Professor, University of Melbourne, Faculty of Architecture, Building and Planning, 2010 – 2020 Frank O. Gehry International Visiting Chair in Architectural Design, University of Toronto, John H. Daniels Faculty of Architecture, Landscape, and Design, 2010 – 2011 Adjunct Professor, Associate Professor, and Assistant Professor, Harvard University, Graduate School of Design, 1998 - 2007 Thomas W. Ventulett III Distinguished -
A Rich Tradition of Critical Work Around African and African Diasporic Art and Culture Has Opened up Over the Second Half of the 20Th Century
Working through alternative archives Art, History & the African Diaspora University of Johannesburg 10-12 May 2019 Convened by the Visual Identities in Art and Design Research Centre & the Center for the Study of Slavery and Justice (Brown University) www.viad.co.za | www.brown.edu/initiatives/slavery-and-justice A rich tradition of critical work around African and African Diasporic art and culture has opened up over the second half of the 20th century. This critical development was prompted by such initiatives as The 1956 Paris Conference of Black Writers and Artists, and The 1969 Pan African Festival of Algiers – not to mention the work of, amongst others, the Art Society in Nigeria, the Black Arts Movement in the United States of America, and the Caribbean Artists’ Movement of the 1960s. On the Continent, dialogues initiated by these radical departures have been further developed through debates that both attended and followed important biennials in Dakar, Bamako and Johannesburg, and more recently Lagos, Kampala and Lubumbashi. This discursive tradition has been enriched but also complicated by the growing attention given to modern and contemporary African and African Diasporic art practices – through exhibitions and publications ranging from contested mega-shows such as MoMA’s 1984/5 “Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern to the more critical responses of Okwui Enwezor, Chika Okeke-Agulu, Kobena Mercer and others. Through the input of its participants, The Imagined New seeks to move this conversation forward through a distinguishing set of focal concerns. We hope to reflect on, and think through, ways in which Living Histories working through Black Memory as archives might offer a plurality of imagined futures.