Arthur Conley Sweet Soul Music / Funky Street Mp3, Flac, Wma

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Arthur Conley Sweet Soul Music / Funky Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Sweet Soul Music / Funky Street Country: US Style: Soul MP3 version RAR size: 1582 mb FLAC version RAR size: 1162 mb WMA version RAR size: 1355 mb Rating: 4.2 Votes: 333 Other Formats: AC3 RA DMF ASF TTA MPC MOD Tracklist Hide Credits Sweet Soul Music A 2:20 Producer – Otis Redding Funky Street B 2:25 Producer – Tom Dowd Notes Atlantic Oldies Series Other versions Category Artist Title (Format) Label Category Country Year Arthur Sweet Soul Music / Funky 10 522 Atlantic 10 522 France 1974 Conley Street (7", Single) Arthur Sweet Soul Music / Funky ATL 10.522 Atlantic ATL 10.522 France Unknown Conley Street (7", Single, RE) Arthur Sweet Soul Music / Funky 6463 Atlantic 6463 Jamaica Unknown Conley Street (7") Arthur Sweet Soul Music / Funky OG 9501 Old Gold OG 9501 UK 1985 Conley Street (7", Single, Mono, RE) Arthur Sweet Soul Music / Funky YZ 120(T) Atlantic YZ 120(T) UK 1987 Conley Street (12") Related Music albums to Sweet Soul Music / Funky Street by Arthur Conley arthur conley & the sweaters - recorded live in amsterdam a tribute to his soul brothers Arthur Conley - Rita Various - Soul Clan Arthur Conley - Call The Wind Maria Arthur Conley & the Sweaters - a tribute to his soul brothers live in amsterdam Arthur Conley - Soul Directions Arthur Conley - They Call The Wind Maria Arthur Conley - Is That You Love Arthur Conley - Ob-La-Di, Ob-La-Da Arthur Conley - People Sure Act Funny / Burning Fire Arthur Conley - Sweet Soul Music Various - Sweet Soul Volume One.

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SWEET SOUL MUSIC REVUE A Change Is Gonna Come It is August 1955 in Mississippi and a 14-year-old African American, Emmet Louis Till, is being dragged out of his bed by white men. They brutally torture and then drown the boy, because Emmet had whistled at the white village beauty queen and called Bye, bye babe after her. The court acquits the murderers. On December 1, 1955, Rosa Parks, an elderly African American lady, refuses to give up her seat on a bus to a white man. She is arrested and taken to court for violating segregation laws. These events in 1955 mark the beginning of the African American Civil Rights Movement, which will grow into a proud political force under the leadership of Dr. Martin Luther King. By 1968 it will have put an end to arbitrary injustice caused by racial segregation in the U.S. There have been times that I thought I couldn‘t last for long / But now I think I‘m able to carry on / It‘s been a long time coming, but I know a change is gonna come – This soul anthem, composed by Sam Cooke in 1963, speaks of the hope for change during these times. Sam himself had been arrested for offences against the laws relating to civil disorders and rioting, because he and his band had tried to check in to a “whites only” motel. Closely linked to the Civil Rights Movement, soul music delivers the soundtrack for this period of political change and upheaval in the United States.
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Jan Donkers Jan Donkers Werd in 1943 Geboren in Amsterdam
Jan Donkers Jan Donkers werd in 1943 geboren in Amsterdam, studeerde er sociologie en woont er nog steeds. Jan heeft ooit popkritiek geschreven voor De Volkskrant, De Groene, Hitweek/Aloha en zeer veel muziekprogramma’s gemaakt voor de VPRO-Radio. Ooit werd over hem gefluisterd dat hij ‘de beste popjournalist van Nederland’ was. Donkers is onmiskenbaar een invloedrijke figuur. Schrijven over muziek doet Jan al lang niet meer, maar zijn wekelijks programma ‘Donkers’ is voor diegenen die kwaliteitsmuziek zoeken, een voortreffelijke leidraad. Nog steeds levert Jan bijdragen aan talloze dag-, week- en maandbladen en is hij tegenwoordig hoofdzakelijk werkzaam als buitenland-redacteur bij de VPRO-radio. Reizen, voetbal, muziek en schrijven zijn de voornaamste passies. Hierover en over nog veel meer hadden wij met hem begin 1998 een gemoedelijke, uitgebreide babbel in zijn thuisbasis Amsterdam. “Eerst zat ik bij Propria Cures, het studentenblad van Amsterdam. Ik had daar reeds een paar losse flodders losgelaten. Destijds was er helemaal niemand in Nederland die over muziek schreef. Je had wel Skip Voogd en bladen zoals Muziekparade, die alles, maar ook alles uit hun duim zogen.” Je interview in Hitweek, het vakblad voor twieners, begin 1967 over hoe de Muziekparade werd gemaakt is berucht ... het ruikt zelfs naar sensatie! Inderdaad, ik geef het toe, het was een beetje flauw van mij om het zo te doen. Achteraf bekeken ben ik er niet echt trots op. Toen maakte je nog geen radio-programma’s? Neen, nog lang niet. Ik was net weg bij het studentenblad toen ik door Han van der Veer van De Volkskrant - die nu televisiepogramma’s presenteert - benaderd werd omdat die gehoord had dat er een gestudeerd iemand was, met ook verstand van muziek.
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New PBS Special Revisits the Stax/Volt Revue's 1967
5/28/13 ‘Sweet Soul Music,’ on PBS, Captures a 1967 Concert by the Stax/Volt Revue - NYTimes.com HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe: Digital / Home Delivery Log In Register Now Help Search All NYTimes.com Television WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Search TV Shows, Movies and People More in Television What's On This Week Media Decoder TV Listings MUSIC Log in to see what your friends are sharing onLog In With Facebook nytimes.com. Privacy Policy | What’s This? What’s Popular Now The Obamacare Nonprofit Shock Applicants Chafing at I.R.S. Tested Political Limits What's On Tonight Station 8:00 PM 8:30 PM 9:00 PM 9:30 PM 10:00 PM 10:30 PM Extreme Weight Loss New Body of Proof Local New Programming ABC NCIS NCIS: Los Brooklyn DA New Local Angeles Programming CBS The Voice New The Voice Live The Office Local Bill Carrier, Courtesy of Stax Records Programming Otis Redding performing in Oslo at the Stax/Volt Revue tour of Europe in 1967. Black-and-white footage of the concert will NBC be shown on PBS. So You Think You Can Dance New Local A New PBS Special Revisits the Stax/Volt Revue’s 1967 Programming FOX European Tour View Complete TV Listings » By JON PARELES Published: January 2, 2009 Seeing the brash Southerners who forged Memphis soul music at Stax RECOMMEND Records must have been a startling experience for audiences on the TWITTER MORE IN TELEVISION (1 OF 30 ARTICLES) 1967 Stax/Volt Revue tour of Europe.
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Pav, ,Girr Motown MS672 PETER KASTNER IS the UGLIEST GIRL in TOWN !
COIN MACHINE SEPTEMBER 21, 1968 SEVENTY -FOURTH Y R $1.00 PAGES 53 TO 63 The 7# International Music -Record Newsweekly 7 Montreux Disk Prize to Ford & Motorola in New British Decca's 'Electra' RCA in Drive By MIKE HENNESSEY Pact; Join By LEE ZHITO MONTREUX, France-The don on behalf of CBS, and to British Decca recording of Rich- Peter Andry, Essistant manager DETROIT -The Ford Motor cartridge system and is ex- Motorola will jointly stage a ard Strauss' "Electra," starring of EMI's international artists de- Co. has extended its Stereo 8 pected to quash periodic rumors giant in -store car dealer promo - Birgit Nilsson and conducted by partment, on behalf of EMI player contract with Motorola's that Ford is considering other tion aimed at achieving the Georg Solti, won the gold London. Automotive Products Division tape systems. Ford's commit- broadest consumer exposure of trophy in the Montreux Inter- Gelatt Presides for another three years, and is ment appears certain to add the cartridge concept as yet at- national Record Awards, inau- In addition, the 10 -man in- joining Motorola and RCA in a significant impetus to the al- tempted at the automotive level. gurated here Sept. 10 during the ternational jury, presided over massive nationwide Stereo 8 ready burgeoning 8 -track mar- Display Center 23d Montreux Music Festival. by Roland Gelatt, associate pub- promotion campaign. Thus, ket. This will consist of a car Winner of the silver award lisher of Higt Fidelity which Motorola will continue to sup- In addition, Ford, RCA and showroom demonstration and was Leonard Bernstein's CBS is sponsoring the annual rec- ply 8 -track CARtridge play- display center spotlighting recording of Mahler's "Sixth ord awards in conjunction with backs for all lines in the Ford IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Stereo 8.
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65 Soul, Blues, and Funk Classics
GUITAR TAB EDITION 65 Soul, Blues, and Funk Classics Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1997-0 ISBN-13: 978-1-4706-1997-8 2 Contents Title Artist Ain’t That a Shame ........................................................... Fats Domino....................................................... 6 Another Saturday Night .................................................... Sam Cooke ........................................................12 At Last ............................................................................. Etta James ......................................................... 9 Baby It’s You..................................................................... The Shirelles ......................................................14 Body and Soul .................................................................. Anita Baker .......................................................16 Boogie Oogie Oogie ......................................................... A Taste of Honey .............................................. 20 Breezin’ ............................................................................ George Benson
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The World of SOUL PRICE: $1 25
BillboardTheSOUL WorldPRICE: of $1 25 Documenting the impact of Blues and R&Bupon ourmusical culture The Great Sound of Soul isonATLANTIC *Aretha Franklin *WilsonPickett Sledge *1°e16::::rifters* Percy *Young Rascals Estherc Phillipsi * Barbara.44Lewis Wi gal Sow B * rBotr ho*ethrserSE:t BUM S010111011 Henry(Dial) Clarence"Frogman" Sweet Inspirations * Benny Latimore (Dade) Ste tti L lBriglit *Pa JuniorWells he Bhiebelles aBel F M 1841 Broadway,ATLANTIC The Great Sound of Soul isonATCO Conley Arthur *KingCurtis * Jimmy Hughes (Fame) *BellE Mg DeOniaCkS" MaryWells capitols The pat FreemanlFamel DonVarner (SouthCamp) *Darrell Banks *Dee DeeSharp (SouthCamp) * AlJohnson * Percy Wiggins *-Clarence Carter(Fame) ATCONew York, N.Y. 10023 THE BLUES: A Document in Depth THIS,the first annual issue of The World of Soul, is the initial step by Billboard to document in depth the blues and its many derivatives. Blues, as a musical form, has had and continues to have a profound effect on the entire music industry, both in the United States and abroad. Blues constitute a rich cultural entity in its pure form; but its influence goes far beyond this-for itis the bedrock of jazz, the basis of much of folk and country music and it is closely akin to gospel. But finally and most importantly, blues and its derivatives- and the concept of soul-are major factors in today's pop music. In fact, it is no exaggeration to state flatly that blues, a truly American idiom, is the most pervasive element in American music COVER PHOTO today. Ray Charles symbolizes the World Therefore we have embarked on this study of blues.
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Predecessors of the Soul Explosion in the 1960S
Predecessors of the Soul Explosion in the 1960s The Great R&B Files (# 10 of 12) Updated December 27, 2018 Predecessors of the Soul Explosion in the 1960s Twelve Famous Favorites Presented by Claus Röhnisch The R&B Pioneers Series - Volume Ten of twelve page 1 (62) The R&B Pioneers – Volume Ten of twelve Predecessors of the Soul Explosion in the 1960s 2 The R&B Pioneers – Volume Ten of twelve Predecessors of the Soul Explosion in the 1960s The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info The R&B Pioneers Seriesxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxl Top Rhythm & Blues Records - The Top R&B Hits of of 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s - Twelve Great Legends THE Top Ten Vocal Groups of the Golden 50s – Rhythm & Blues Harmony Ten Sepia Super Stars of Rock ‘n’ Roll - Idols Making Music History Transition from Rhythm to Soul: Twelve Original Soul Icons The True R&B Pioneers - Twelve Hit-Makers from the Early Years Predecessors of the Soul Explosion in the 1960s - Twelve Famous Favorites The R&B Pioneers Series: The Top 30 Favorites Clyde McPhatter – the Original Soul Star The John Lee Hooker Session Discography with Year By Year-Recap Those Hoodlum Friends – THE COASTERS The Clown Princes of Rock and Roll: The Coasters Introduction In the R&B Pioneera series a total of 68 great Sepia artists from the early years of Rhythm and Blues are presented (well, actually a 100plus individuals or groups are presented in one form or another).
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Maria Christina • Glatttalstrasse 143 • CH-8052 Zürich •
D I E S T I M M E , D I E B E R Ü H R T SOUL & FUNK Aretha Franklin Baby I Love You Chain Of Fools Do Right Woman Doctor Feelgood I Say A Little Prayer Respect Sea Saw Spanish Harlem The House That Jack Built Think You Make Me Feel Like A Natural Woman Etta James At Last I Got The Will Night Time Is The Right Time One Night Standing On A Shakey Ground Stormy Weather Sugar On The Floor The Jealous Kind James Brown I Feel Good It›s A Man›s Man›s World Sex Machine Wilson Pickett Midnight Hour Mustang Sally J.J. Cale Cocaine Tower Of Power Diggin› On James Brown Miami Sound Machine Doctor Pressure Lipps Inc. Funky Town Sam & Dave Harlem Shuffle Grover Washington, Jr. Just The Two Of Us Amy Stewart Knock On Wood Eddie Floyd Knock On Wood Indeep Last Night A DJ Safed My Life Chic Le Freak C›est Chic Billy Paul Me And Mrs. Jones Duffy Mercy Buddy Rich Mercy Mercy The Temptations Papa Was A Rolling Stone Average White Band Pick Up The Pieces Wild Cherry Play That Funky Music Shirley & Cie Shame Shame Shame Otis Redding Sitttin’ On The Dock Of The Bay The Bar-Kays Soulfinger Grover Washington Jr. Soulful Strut Sam And Dave Soulman Crusadors Street Life Arthur Conley Sweet Soul Music KC & The Sunshine Band That’s The Way I Like It Herbie Hancock Watermelon Man Sister Sledge We Are Family Shola Ama You Might Need Somebody BLUES / B.B.
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?Efeî Áßaul and C/1Tary Their Very Best, on One Newwarner Bros
MAY 30, 1970 $1.00 SEVENTY -SIXTH YEAR The International Music-Record-Tape Newsweekly COIN MACHINE PAGES 61 TO 64 IMIC Publishers Col, Capitol Labels Busting Seek USSR Talks Top Billboard 'Bogus' Dealers NEW YORK -Georges Mey- tween the Soviet Union and By ELIOT TIEGEL erstein- Maigret, head of the Eastern European countries on ANGELES Warner toward some semblance of na- LOS - publishing division of the the one hand, and western Chart Survey Bros., Atlantic, Capitol and Co- "combat" against the problem. other, with a view Philips- Deutsche Grammophon tions on the lumbia have all entered into One other step which could Group, and Sal Chiantia, MCA towards increased use of each By MIKE GROSS programs of cutting off prod- be of great value to the vice president and chief of other's music and the recogni- which sell "cause" would be for some tion of rights therein. NEW YORK -Columbia Rec- uct to accounts Leeds Music, have been named tapes. agency of the industry to pub- co- chairmen of the Council for The creation of CIRMR was ords and Capitol Records led the bogus LP and singles field, respectively, These individual moves by licize arrests or civil actions International Recognition of a natural and spontaneous out- with taken by companies against pi- Music Rights (CIRMR), a body growth of IMIC II, which in the first quarter of 1970 ac- manufacturers, coupled cording to Billboard's Label stands taken by the Recording rates, believes Warner Bros. organized at the second annual brought together music execu- marketing vice president Joel International Music Industry tives from all parts of the world Share of Chart Report.
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Kenneth Goldsmith
6799 Kenneth Goldsmith zingmagazine 2000 for Clark Coolidge 45 John Cage 42 Frank Zappa / Mothers 30 Charles Ives 28 Miles Davis 26 James Brown 25 Erik Satie 24 Igor Stravinsky 23 Olivier Messiaen 23 Neil Young 23 Kurt Weill 21 Darius Milhaud 21 Bob Dylan 20 Rolling Stones 19 John Coltrane 18 Terry Riley 18 Morton Feldman 16 Rod McKuen 15 Thelonious Monk 15 Ray Charles 15 Mauricio Kagel 13 Duke Ellington 3 A Kombi Music to Drive By, A Tribe Called Quest M i d n i g h t Madness, A Tribe Called Quest People’s Instinctive Travels and the Paths of Rhythm, A Tribe Called Quest The Low End Theory, Abba G reatest Hits, Peter Abelard Monastic Song, Absinthe Radio Trio Absinthe Radio Tr i o, AC DC Back in Black, AC DC Dirty Deeds Done Dirt Cheap, AC DC Flick of the Switch, AC DC For Those About to Rock, AC DC Highway to Hell, AC DC Let There Be R o c k, Johnny Ace Again... Johnny Sings, Daniel Adams C a g e d Heat 3000, John Adams Harmonium, John Adams Shaker Loops / Phrygian Gates, John Luther Adams Luther Clouds of Forgetting, Clouds of Unknowing, King Ade Sunny Juju Music, Admiral Bailey Ram Up You Party, Adventures in Negro History, Aerosmith Toys in the Attic, After Dinner E d i t i o n s, Spiro T. Agnew S p e a k s O u t, Spiro T. Agnew The Great Comedy Album, Faiza Ahmed B e s a r a h a, Mahmoud Ahmed E re Mela Mela, Akita Azuma Haswell & Sakaibara Ich Schnitt Mich In Den Finger, Masami Akita & Zbigniew Karkowski Sound Pressure Level, Isaac Albéniz I b e r i a, Isaac Albéniz Piano Music Volume II, Willy Alberti Marina, Dennis Alcapone Forever Version, Alive Alive!, Lee Allen Walkin’ with Mr.
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Itk ROCK and ROLL HALL DF FAME
■Itk ROCK AND ROLL HALL DF FAME Otis Redding By Michael Hill O t i s REDDING W A S , quite literally, sittin’ on the dock o f the bay when “Shout Bamalama” found a champion in DJ John R. at W L A C , in Nash he began to compose the tune that would become his most enduring hit ville, a popular station w ith a powerful signal, but it never caught on after his sudden and untimely death in December o f 1967. Despite the w ith record buyers at large. song’s forlorn tale, Redding was, at the time, sitting on top o f the world. Johnny Jenkins seemed to be the musician with a better shot at star Redding had gone where few soul men o f his day had dared to tread, dom, scoring serious airplay and decent sales - not to mention the interest taking his Memphis revue to the M onterey Pop Festival, where the nas o f Atlantic Records - for a locally released instrumental number called cent W oodstock generation gathered to listen to its new heroes - bands like “Love T w ist” W alden had arranged for Jenkins to meet Joe Galkin, A t the Jefferson Airplane, Big Brother and the Holding Company with Janis lantic’s Southeast promotion man, whose ears were fine-tuned to the lo Joplin and a young black guitarist named Jimi Hendrix. Redding came with cal Rfe?B scene. Booker T. and the M Gs and the Mar-Key Homs, all resplendent in slick Through Galkin, Jenkins landed a deal with Stax Records, the Atlan green suits, and took the stage after the Airplane.
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Sweet Soul Music
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] Sweet Soul Music Scorching Classics From 1971-1975 G Das mit Spannung erwartete letzte Kapitel der preisgekrönten Serien 'Sweet Soul Music' und 'Blowin' The Fuse' auf BEAR FAMILY. G Die beiden Serienklassiker beschreiben die Geschichte von R&B, Soul und Funk von 1945 bis 1975, Jahr für Jahr, Song für Song. Jene Lieder machten den Unterschied aus, einen gewaltigen Unterschied! G Dieser Sound beeinflußt R&B, Soul und Rap bis heute und dazu Musiker wie Amy Winehouse und Janelle Monae oder Revivalists wie James Hunter, die nicht einmal geboren waren, als diese Platten erschienen! G Die abschließenden fünf CDs enthalten die größten und einflußreichsten Soul/Funk-Hits der frühen Siebziger- jahre, darunter einige höchst seltene Stücke! Jeder Song kommt in der Originalversion und wurde äußerst sorgfältig neu gemastert, um ein optimales Soundergebnis zu erzielen! G Gediegene, wunderschön illustrierte Begleitbücher liefern ausführliche Linernotes, unglaubliche Fotos und Erinnerungsstücke aus jener Zeit. G Doch leider geht diese Geschichte hier zu Ende. Die letzte Nummer, Boogie Fever, läutet bereits den Beginn der Disco-Ära ein. INFORMATIONEN Als sich Soul in Funk verwandelte lieferte die Musik den Soundtrack zu einer sozialen und musikalischen Revolution. Die fesselnde Geschichte des Soul der Sechzigerjahre wurde auf den ersten zehn Ausgaben der 'Sweet Soul Music'-Reihe erstmals umfassend erzählt. Nun geht die Geschichte weiter bis zu ihrem Ende im Jahre 1975. Schon viele Firmen haben Soul-Anthologien mit ihrem eigenen Material veröffentlicht. BEAR FAMILY jedoch geht noch einen gewaltigen Schritt weiter – indem quer über Labelgrenzen hinweg die klassischen Aufnahmen aller Plattenfirmen aus dem Epizentrum von Funk und Soul der Siebzigerjahre lizensiert wur- den, um diese einzigartige Zusammenstellung der größten Hits und besten Musiker, der größten Stars und verkannten Talente liefern zu können.
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