Curriculum Vitae Anouk Sluizer
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The Vanishing
TF CLASSIC THE VANISHING SPOILER ALERT THE Classic V ANISHING Renowned for its unforgettable ending – and unwatchable Hollywood remake – this traumatic Dutch chiller was forged in a fire of ego and genius, during a production that mirrored its on-screen intensity. Total Film unearths a tale of mafia money, fist fights and premature burial… WORDS MATT GLASBY >> >> 102 | Total Film | July 2016 Subscribe at www.totalfilm.com/subs gamesradar.com/totalfilm July 2016 | Total Film | 103 TFM246.feat_vanishing.indd 100 4/20/16 6:53 PM TFM246.feat_vanishing.indd 101 4/20/16 6:53 PM TF CLASSIC THE VANISHING CLOSE UP The Vanishing, The Remake go against the system.” Then he cut back on down in a tunnel while oncoming vehicles ou start with an idea in your head and you (1993) film stock, negatives, shooting days – even crew scream past them (the glowing lights evoking take a step, then a second. Soon you realise Stalked prey: Lemorne members. “There [were] no concessions made on the Golden Egg dream; the tunnel, their later you’re up to your neck in something intense lays in wait for Saskia. Neutered beyond all recognition by studio story or acting, but on everything else there were entombment), saw the actors braving but that doesn’t matter. You keep at it for the mandate, Sluizer’s US remake has become compromises,” he said. “I told everybody, as the temperatures of -10 degrees in their summer sheer pleasure of it. For the satisfaction it might a byword for Hollywood butchery. Starring producer, if I catch anyone driving less than clothes. -
Dark Blood Ausser Konkurrenz
WETTBEWERB DARK BLOOD AUSSER KONKURRENZ George Sluizer Boy, ein verwitweter junger Mann mit indianischen Wurzeln, lebt in ei- Niederlande 2012 ner durch Nukleartests verseuchten Wüste in den USA. Hier wartet er Länge 86 Min. · Format DCP · Farbe auf das Ende der Welt, umgeben von Voodoo-Puppen der Ureinwoh- STABLISTE ner, die magische Kraft besitzen sollen. In dieses Refugium brechen Regie George Sluizer unerwartet Harry und Buffy ein, die eine späte zweite Hochzeitsreise Buch Jim Barton, 1993 angetreten haben, um zu prüfen, ob ihre Ehe noch eine Zukunft hat. Finale Adaption George Sluizer Als ihr Bentley streikt, bietet Boy seine Hilfe an. Doch dann beginnt Kamera Edward Lachman Mark Kohn Foto: er, die beiden wie Gefangene zu halten, weil er hofft, gemeinsam mit Schnitt Michiel Reichwein Buffy in eine bessere Welt hinüberwechseln zu können. Musik Florencia di Concilio BIOGRAFIE Nach dem plötzlichen Tod des Hauptdarstellers River Phoenix zehn Ta- weitere Musik James Michael Taylor Geboren 1932 in Paris, Frankreich. Dort Sounddesign Harold Jalving studierte er ab 1954 an der Filmhochschule. ge vor Abschluss der Dreharbeiten 1993 fiel das Filmmaterial zu DARK BLOOD an die Versicherung, die für den Drehabbruch aufkam. Jahre Production Design Jan Roelfs, Ben van Os Nach dem Studium sammelte er als Kostüm Jane Robinson später konnte Regisseur George Sluizer das Material vor der endgülti- Regieassistent erste Erfahrungen. Sein Produzent George Sluizer Kurzfilm DE LAGE LANDEN wurde 1961 gen Vernichtung bewahren. Im Januar 2012 begann er mit der Endfer- mit einem Silbernen Bären ausgezeichnet. tigung seines Films, wobei er sich entschloss, die fehlenden Szenen im DARSTELLER Bis 1972 realisierte er zahlreiche TV- Off aus dem Drehbuch vorzulesen. -
Curriculum Vitae Anouk Sluizer
CURRICULUM VITAE ANOUK SLUIZER Producer Sluizer Films B.V. since 2012: Post-production Dark Blood, crowdfunding campaign Dark Blood, Festival Coordination, Managing film catalogue + rights, actually the development of new long feature projects and creating a complete DVD box with whole oeuvre of George Sluizer to be distributed in September 2017. Between 1984 and 2013 Production Manager or Executive Producer: GUESTS OF THE ASTORIA director Reza Allemeh Zadeh Long feauture FORCE MAJEURE director Pierre Jolivet Long Feature L’OEIL DU CYCLONE director Alain Tasma Telefilm MAIGRET director Alain Tasma Tele film 4 KEIZERS EN 1 NACHTEGAAL director Wilbert Bank Documentary NO MAN’S LAND director Peter Bach Documentary ROMANCING THE BEAN director H. Kladowsky Documentary DE BUURTVADERS director Jacques de Koning Documentary UNDYING LOVE director H. Kladowsky Documentary LA NAISSANCE director Valerie Moszynski Documentary BANG ON A CAN director Alejandro Agresti Documentary Director & Executive Producer: 2011 LUCKY STAR Community Art Project in collaboration with Moving Arts Projects. Documentary about the working process of community art at the Worldhouse wo with immigrants with no papers. 2013 ALINE & WIM EYE FILM INSTITUTE and Filmexplosion All About Us Film Factory. Community Art Project with Canta drivers. Short film , directing, camera, edit and coach Screened at the Canta Drive Inn cinema night in Amsterdam North. 1 2004 RETURN OR STAY ( 28 min documentary ) Film about the dilemma of older guestworkers from Morocco and Turkey. Once they stop to work do they stay in Holland where they lived most of their lives or do they go back to their native country. Producer : KVO Films. Broadcasted on Dutch TV in April 2004. -
The Vanishing and Nightwatch
The Vanishing and Nightwatch By Steven Jay Schneider Spring 2002 Issue of KINEMA REPACKAGING RAGE: THE VANISHING AND NIGHTWATCH It’s the same movie, only completely different. It follows the same plot, except where it changes everything. - Desmond Howe, on The Vanishing(1) As for the work of Bornedal, I’d best reserve comment. ...Maybe he looked at the final cut and said, ”Mik bortaagë dåntü ødån!” (”This is f...in’ great!”). Maybe it’s a great film in Denmark, but it’s a terrible, terrible movie in America. - Shane Ham, on Nightwatch(2) Sometimes the devil is in the details. - Barney Cousins (Jeff Bridges) in The Vanishing In 1988, Spoorloos, a Dutch thriller directed by George Sluizer, premiered in the Netherlands to packed houses and rave reviews. Six years later, in 1994, Ole Bornedal’s Danish thriller Nattevagten was released in its home country, also to critical and commercial acclaim. Besides evincing a clear Hitchcockian influence, both pictures were made on relatively low budgets, both exhibit a bizarre sense of humour, and both took home multiple awards at prestigious European film festivals. In 1993, The Vanishing, a big-budget Hollywood thriller produced by 20th Century Fox, made its debut on screens throughout the United States after a great deal of fanfare. Five years later, Dimension Films (the so-called ”genre division” of Miramax), released a thriller of its own entitled Nightwatch. Both films were financial and critical failures, condemned for their inability to generate more than a modicum ofsuspense. That is not all they have in common: both films star big-name actors, both are distinctly unfunny, and both were completely forgotten during awards time. -
NFF+HBF GUIDE September 2019
Netherlands Film Fund – Hubert Bals Fund Co-production Scheme NFF+HBF GUIDE September 2019 NFF+HBF: Netherlands Film Fund – Hubert Bals Fund Co-production Scheme Annually, around 25 film productions are realised with the support of the Hubert Bals Fund. In order to stimulate Dutch producers to get involved in international co-productions, and to support Hubert Bals Fund projects in the stage of production, the Netherlands Film Fund and the HBF set up NFF+HBF Netherlands Film Fund - Hubert Bals Fund Coproduction Scheme. The NFF+HBF Co-production Scheme (previously HBF Plus) is a collaboration between the Netherlands Film Fund and the Hubert Bals Fund. Dutch producers can apply for financial support from NFF+HBF. Projects eligible for the NFF+HBF programme are those that have been granted HBF support for Script and Project Development at an earlier stage, and which are now looking for funds to finance the production. Annually the Netherlands Film Fund sets available an amount of € 200,000 for applications from Dutch producers who can be awarded a maximum of €50,000 production support in order to co-produce a film that has received a script development grant by HBF. The NFF+HBF Co-production Scheme offers support twice a year, with application deadlines in Spring and Fall. The next application deadline will be on 25 February 2019. NFF+HBF applications should be done at the Netherlands Film Fund. Criteria Maximum contribution is €50,000 Maximum 10% overhead and producers fee 50% of the committed amount (including overhead and fee) must -
Trop Fugace Phoenix / Dark Blood, Pays-Bas, 2012, 1 H 26]
Document generated on 10/02/2021 1:27 p.m. Séquences La revue de cinéma Trop fugace Phoenix Dark Blood, Pays-Bas, 2012, 1 h 26 Anne-Christine Loranger Number 285, July–August 2013 URI: https://id.erudit.org/iderudit/69688ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Loranger, A.-C. (2013). Review of [Trop fugace Phoenix / Dark Blood, Pays-Bas, 2012, 1 h 26]. Séquences, (285), 32–33. Tous droits réservés © La revue Séquences Inc., 2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 32 ARRÊT SUR IMAGE | Hors-champ Dark Blood Trop fugace Phoenix River Phoenix n’a jamais si bien mérité son nom que depuis la sortie de Dark Blood, le film de George Sluizer interrompu en plein tournage, dû à la mort de son jeune acteur en 1993, sur le trottoir du Viper Room. Hommage au talent de Phoenix et retour sur un décès qui reste mystérieux Anne-Christine Loranger ark Blood émeut avant même de commencer. Avant même – un Britannique incapable de visser une ampoule – à les tirer d’avoir vu l’affiche. -
JOÃO ET LE COUTEAU Un Film De George Sluizer (1971, 95 Min.)
- 1 - SLUIZER FILMS ET STONERAFT FILMS B.V. EN COLLABORATION AVEC EYE FILMMUSEUM ET HAGHEFILM DIGITAL PRÉSENTENT: JOÃO ET LE COUTEAU Un film de George Sluizer (1971, 95 min.) DISTRIBUTION MONDIALE: Stoneraft Films B.V. The Netherlands T: +31 (0)6 205 280 98 E: [email protected] www.sluizerfilmproductions.com www.georgesluizer.com RÉSUMÉ: Inspiré d’un poème de l’écrivain brésilien Odylo Costa Filho et situé en Amazonie et dans le maquis du nord-est du Brésil, “João et le Couteau” est un film étrangement obsédant et visuellement magnifique. Un vieux “vaqueiro” – vacher et chasseur – tombe amoureux de Maria, une belle jeune fille timide de 19 ans, d’un village voisin. Ignorant la raison et les bons conseils, il se marie avec elle. Ne pouvant donner un enfant à sa jeune épouse, il part pour l’Amazonie, l’enfer vert, pour y faire fortune en récoltant du caoutchouc. Il veut donner à Maria la vie d’une femme riche en compensation de ce mariage sans enfant. A son retour en homme riche, quatre ans plus tard, il retrouve Maria tenant par la main une petite fille de 3 ans qui lui ressemble étonnamment. João, un homme simple qui, de sa vie, n’a jamais menti, se met à douter de la fidélité de sa femme. Il achète un couteau et dit qu’il s’en servira pour tuer Maria. Epouvantée, la jeune femme recherche l’aide et de la police et d’un prêtre, mais en vain. Commence alors un long voyage pour rentrer dans leur village. João sera t’il capable de s’empêcher de mettre à mal ce qu’il aime le plus au monde? RESTAURATION: La restauration digitale du long métrage JOÃO est le résultat d’une étroite collaboration entre Stoneraft Films b.v., EYE Filmmuseum et Haghefilm Digital. -
NFF+HBF GUIDE January 2019
Netherlands Film Fund – Hubert Bals Fund Co-production Scheme NFF+HBF GUIDE January 2019 NFF+HBF: Netherlands Film Fund – Hubert Bals Fund Co-production Scheme Annually, around 25 film productions are realised with the support of the Hubert Bals Fund. In order to stimulate Dutch producers to get involved in international co-productions, and to support Hubert Bals Fund projects in the stage of production, the Netherlands Film Fund and the HBF set up NFF+HBF Netherlands Film Fund - Hubert Bals Fund Coproduction Scheme. The NFF+HBF Co-production Scheme (previously HBF Plus) is a collaboration between the Netherlands Film Fund and the Hubert Bals Fund. Dutch producers can apply for financial support from NFF+HBF. Projects eligible for the NFF+HBF programme are those that have been granted HBF support for Script and Project Development at an earlier stage, and which are now looking for funds to finance the production. Annually the Netherlands Film Fund sets available an amount of € 200,000 for applications from Dutch producers who can be awarded a maximum of €50,000 production support in order to co-produce a film that has received a script development grant by HBF. The NFF+HBF Co-production Scheme offers support twice a year, with application deadlines in Spring and Fall. The next application deadline will be on 25 February 2019. NFF+HBF applications should be done at the Netherlands Film Fund. Criteria Maximum contribution is €50,000 Maximum 10% overhead and producers fee 50% of the committed amount (including overhead and fee) must be -
NFF+HBF Guide | August 2020 NFF+HBF: Netherlands Film Fund – Hubert Bals Fund Co-Production Scheme
Netherlands Film Fund - Hubert Bals Fund Co-production Scheme NFF+HBF Guide | August 2020 NFF+HBF: Netherlands Film Fund – Hubert Bals Fund Co-production Scheme Annually, around 25 film productions are realised with the support of the Hubert Bals Fund. In order to stimulate Dutch producers to get involved in international co-productions, and to support Hubert Bals Fund projects in the stage of production, the Netherlands Film Fund and the HBF set up NFF+HBF Netherlands Film Fund - Hubert Bals Fund Coproduction Scheme. The NFF+HBF Co-production Scheme (previously HBF Plus) is a collaboration between the Netherlands Film Fund and the Hubert Bals Fund. Dutch producers can apply for financial support from NFF+HBF. Projects eligible for the NFF+HBF programme are those that have been granted HBF support for Script and Project Development at an earlier stage, and which are now looking for funds to finance the production. Annually the Netherlands Film Fund sets available an amount of € 200,000 for applications from Dutch producers who can be awarded a maximum of €50,000 production support in order to co-produce a film that has received a script development grant by HBF. The NFF+HBF Co-production Scheme offers support twice a year, with application deadlines in Spring and Fall. The next application deadline will be on 5 October 2020. NFF+HBF applications should be done at the Netherlands Film Fund. Criteria • Maximum contribution is €50,000 • Maximum 10% overhead and producers fee • 50% of the committed amount (including overhead and fee) must be spent -
NFF+HBF GUIDE September 2019
Netherlands Film Fund – Hubert Bals Fund Co-production Scheme NFF+HBF GUIDE September 2019 NFF+HBF: Netherlands Film Fund – Hubert Bals Fund Co-production Scheme Annually, around 25 film productions are realised with the support of the Hubert Bals Fund. In order to stimulate Dutch producers to get involved in international co-productions, and to support Hubert Bals Fund projects in the stage of production, the Netherlands Film Fund and the HBF set up NFF+HBF Netherlands Film Fund - Hubert Bals Fund Coproduction Scheme. The NFF+HBF Co-production Scheme (previously HBF Plus) is a collaboration between the Netherlands Film Fund and the Hubert Bals Fund. Dutch producers can apply for financial support from NFF+HBF. Projects eligible for the NFF+HBF programme are those that have been granted HBF support for Script and Project Development at an earlier stage, and which are now looking for funds to finance the production. Annually the Netherlands Film Fund sets available an amount of € 200,000 for applications from Dutch producers who can be awarded a maximum of €50,000 production support in order to co-produce a film that has received a script development grant by HBF. The NFF+HBF Co-production Scheme offers support twice a year, with application deadlines in Spring and Fall. The next application deadline will be on 25 February 2019. NFF+HBF applications should be done at the Netherlands Film Fund. Criteria Maximum contribution is €50,000 Maximum 10% overhead and producers fee 50% of the committed amount (including overhead and fee) must -
Humour and Irony in Dutch Post-War Fiction Film Framing Film
HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of EYE Filmmuseum. With this series, Amsterdam University Press and EYE aim to support the academic research community, as well as practitioners in archive and restoration. SERIES EDITORS Giovanna Fossati, EYE Filmmuseum & University of Amsterdam, the Netherlands Leo van Hee, EYE Filmmuseum Frank Kessler, Utrecht University, the Netherlands Patricia Pisters, University of Amsterdam, the Netherlands Dan Streible, New York University, United States Nanna Verhoeff, Utrecht University, the Netherlands EDITORIAL BOARD Richard Abel, University of Michigan, United States Jane Gaines, Columbia University, United States Tom Gunning, University of Chicago, United States Vinzenz Hediger, Goethe University Frankfurt, Germany Martin Koerber, Deutsche Kinemathek, Germany Ann-Sophie Lehmann, University of Groningen, the Netherlands Charles Musser, Yale University, United States Julia Noordegraaf, University of Amsterdam, the Netherlands William Uricchio, Massachusetts Institute of Technology, United States Linda Williams, University of California at Berkeley, United States PETER VERSTRATEN HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM AMSTERDAM UNIVERSITY PRESS This publication is made possible by grants from the Nederlands Filmfonds and the Netherlands Society of Cinematographers. Published by EYE Filmmuseum / Amsterdam University Press Cover illustration: Borgman © Drafthouse Films. Design: Brandon Schaefer. Cover design and lay-out: Magenta Ontwerpers, Bussum Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 943 0 e-isbn 978 90 4852 837 0 doi 10.5117/9789089649430 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) P. -
NFF+HBF GUIDE January 2019
Netherlands Film Fund – Hubert Bals Fund Co-production Scheme NFF+HBF GUIDE January 2019 NFF+HBF: Netherlands Film Fund – Hubert Bals Fund Co-production Scheme Annually, around 25 film productions are realised with the support of the Hubert Bals Fund. In order to stimulate Dutch producers to get involved in international co-productions, and to support Hubert Bals Fund projects in the stage of production, the Netherlands Film Fund and the HBF set up NFF+HBF Netherlands Film Fund - Hubert Bals Fund Coproduction Scheme. The NFF+HBF Co-production Scheme (previously HBF Plus) is a collaboration between the Netherlands Film Fund and the Hubert Bals Fund. Dutch producers can apply for financial support from NFF+HBF. Projects eligible for the NFF+HBF programme are those that have been granted HBF support for Script and Project Development at an earlier stage, and which are now looking for funds to finance the production. Annually the Netherlands Film Fund sets available an amount of € 200,000 for applications from Dutch producers who can be awarded a maximum of €50,000 production support in order to co-produce a film that has received a script development grant by HBF. The NFF+HBF Co-production Scheme offers support twice a year, with application deadlines in Spring and Fall. The next application deadline will be on 25 February 2019. NFF+HBF applications should be done at the Netherlands Film Fund. Criteria Maximum contribution is €50,000 Maximum 10% overhead and producers fee 50% of the committed amount (including overhead and fee) must be