Liu Ye Born 1964 in Beijing
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Adaptive Fuzzy Pid Controller's Application in Constant Pressure Water Supply System
2010 2nd International Conference on Information Science and Engineering (ICISE 2010) Hangzhou, China 4-6 December 2010 Pages 1-774 IEEE Catalog Number: CFP1076H-PRT ISBN: 978-1-4244-7616-9 1 / 10 TABLE OF CONTENTS ADAPTIVE FUZZY PID CONTROLLER'S APPLICATION IN CONSTANT PRESSURE WATER SUPPLY SYSTEM..............................................................................................................................................................................................................1 Xiao Zhi-Huai, Cao Yu ZengBing APPLICATION OF OPC INTERFACE TECHNOLOGY IN SHEARER REMOTE MONITORING SYSTEM ...............................5 Ke Niu, Zhongbin Wang, Jun Liu, Wenchuan Zhu PASSIVITY-BASED CONTROL STRATEGIES OF DOUBLY FED INDUCTION WIND POWER GENERATOR SYSTEMS.................................................................................................................................................................................9 Qian Ping, Xu Bing EXECUTIVE CONTROL OF MULTI-CHANNEL OPERATION IN SEISMIC DATA PROCESSING SYSTEM..........................14 Li Tao, Hu Guangmin, Zhao Taiyin, Li Lei URBAN VEGETATION COVERAGE INFORMATION EXTRACTION BASED ON IMPROVED LINEAR SPECTRAL MIXTURE MODE.....................................................................................................................................................................18 GUO Zhi-qiang, PENG Dao-li, WU Jian, GUO Zhi-qiang ECOLOGICAL RISKS ASSESSMENTS OF HEAVY METAL CONTAMINATIONS IN THE YANCHENG RED-CROWN CRANE NATIONAL NATURE RESERVE BY SUPPORT -
Shanghai, China Overview Introduction
Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers. -
Contemporary Chinese Art
FRICK FINE ARTS LIBRARY ART HISTORY: CONTEMPORARY CHINESE ART Library Guide Series, No. 44 “Qui scit ubi scientis sit, ille est proximus habenti.” -- Brunetiere* This bibliography is highly selective and is meant only as a starting place to aid the beginning art history student in his/her search for library material. The serious student will find other relevant sources by noting citations within the encyclopedias, books, journal articles, and other sources listed below in addition to searching Pitt Cat, the ULS online catalog. IMPORTANT: For scholars who read Chinese, please note that the resources on this library guide are primarily in Western languages. Chinese language materials can be searched in Pitt Cat Classic using Pinyin. Reference assistance with Chinese language materials is available at the East Asian Library on the 2nd floor of Hillman Library. Before Beginning Research FFAL Hours: M-H, 9-9; F, 9-5; Sa-Su, Noon - 5 Policies Requesting Items: All ULS libraries allow you to request an item that is in the ULS Storage Facility or has not yet been cataloged at no charge by using the “Get It” Icon in Pitt Cat Plus. Items that are not in the Pitt library system may also be requested from another library that owns them via the same icon in the online catalog. There is a $5.00 feel for photocopying journal articles (unless they are sent to the student via email). Requesting books from another library is free of charge. Photocopying and Printing: There are two photocopiers and one printer in the FFAL Reference Room. One photocopier accepts cash (15 cents per copy) and both are equipped with a reader for the Pitt ID debit card (10 cents per copy). -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title MicroRNA-101 Regulates NKCC1, Kif1a, and Ank2 to Fine-Tune the Formation of Proper Neural Networks Permalink https://escholarship.org/uc/item/2g35r4fn Author Liu, Jerry Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO MicroRNA-101 Regulates NKCC1, Kif1a, and Ank2 to Fine-Tune the Formation of Proper Neural Networks A thesis submitted in partial satisfaction of the requirements for the degree Master of Science in Biology by Jerry Chia Ye Liu Committee in Charge: Professor Darwin K. Berg, Chair Professor Nicholas C. Spitzer, Co-Chair Professor Gulcin Pekkurnaz 2017 Copyright Jerry Chia Ye Liu, 2017 All rights reserved. The thesis of Jerry Chia Ye Liu is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________ ________________________________________________________________ Co -Chair ________________________________________________________________ Chair University of California, San Diego 2017 iii DEDICATION I dedicate my Thesis to my parents, John and Emma, who taught me the importance of tenacity in success. iv EPIGRAPH “Do not fear failure but rather fear not trying.” Roy T. Bennett, The Light in the Heart v TABLE OF CONTENTS Signature Page .................................................................................................... -
Behind the Thriving Scene of the Chinese Art Market -- a Research
Behind the thriving scene of the Chinese art market -- A research into major market trends at Chinese art market, 2006- 2011 Lifan Gong Student Nr. 360193 13 July 2012 [email protected] Supervisor: Dr. F.R.R.Vermeylen Second reader: Dr. Marilena Vecco Master Thesis Cultural economics & Cultural entrepreneurship Erasmus School of History, Culture and Communication Erasmus University Rotterdam 1 Abstract Since 2006, the Chinese art market has amazed the world with an unprecedented growth rate. Due to its recent emergence and disparity from the Western art market, it remains an indispensable yet unfamiliar subject for the art world. This study penetrates through the thriving scene of the Chinese art market, fills part of the gap by presenting an in-depth analysis of its market structure, and depicts the route of development during 2006-2011, the booming period of the Chinese art market. As one of the most important and largest emerging art markets, what are the key trends in the Chinese art market from 2006 to 2011? This question serves as the main research question that guides throughout the research. To answer this question, research at three levels is unfolded, with regards to the functioning of the Chinese art market, the geographical shift from west to east, and the market performance of contemporary Chinese art. As the most vibrant art category, Contemporary Chinese art is chosen as the focal art sector in the empirical part since its transaction cover both the Western and Eastern art market and it really took off at secondary art market since 2005, in line with the booming period of the Chinese art market. -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use. -
Art and Culture Committee HIGHLY RECOMMENDED the SHAPE of TIME CENTRE POMPIDOU X WEST BUND MUSEUM
Art and Culture Committee HIGHLY RECOMMENDED THE SHAPE OF TIME CENTRE POMPIDOU X WEST BUND MUSEUM Daily except Mon until May 9 2021 2600 Longteng Dadao, near Longteng Lu 龙腾大道2600号, 近龙腾路 The Shape of Time takes us on a journey through the shapes and forms that defined art in the 20th century. Displayed in a linear and educational form, the exhibition illustrates a chain of influences across painting and sculptures HIGHLY RECOMMENDED OBSERVATIONS CENTRE POMPIDOU X WEST BUND MUSEUM Daily except Mon until May 9 2021 2600 Longteng Dadao, near Longteng Lu 龙腾大道2600号, 近龙腾路 With the second most extensive collection of modern art in the world, Centre Pompidou can undoubtedly present a his- torical perspective for any medium. In a nonlinear maze-like form, this exhibition brings works by artists that pioneered in video art and experimented with digital imagery spanning from the early 70s to the present day. HIGHLY RECOMMENDED HUGO BOSS ASIA ART 2019 ROCKBUND ART MUSEUM Daily except Mon until Jan 5 2020 20 Huqiu Lu, near Beijing Dong Lu 虎丘路20号, 近北京东路 The Rockbund Art Museum and HUGO BOSS are presenting the exhibition of the HUGO BOSS ASIA ART AWARD. The show will open on October 18th presenting the works of the four finalists from Vietnam, The Philippines, Taiwan, and China. Based on this exhibition, a jury comprised of international experts will select a winner that will take home an award of 300,000rmb. The focus of the selection is always on young artists whose works contribute to the redevelopment of the regional art scene. This year, the public can expect an inter- esting mix of paintings, videos and sound Installations, and performances. -
List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr. -
Looks Can Be Deceiving Guoqiang: Odyssey and Homecom- Says Nouvel
CHINA DAILY | HONG KONG EDITION Friday, July 16, 2021 | 17 LIFE SHANGHAI ince its opening on July 8, safety. Standing in the roof garden, the Museum of Art Pudong people can appreciate the urban has been packed to capacity landscape all around them.” every day. Designed by Touted as a museum for the Srenowned French architecture firm future, MAP is equipped with state- Ateliers Jean Nouvel, MAP has a dai- of-the-art facilities that allow it to ly crowd limit of 4,000. showcase the most precious art- Long lines can be found outside works and cultural relics from the museum every morning before around the world, Chen adds. the official opening at 10 am. Due to One of the most impressive spa- the overwhelming summer heat, the ces within MAP is the X Hall located museum staff have at times even in the center of the museum. Unlike opened the gates earlier to offer traditional exhibition spaces, this some reprieve to the elderly and vis- hall has a height of 34 meters that itors with special need. spans from the underground level Located next to the Oriental Pearl to the fourth story. Tower in the heart of Lujiazui, the The ongoing exhibition at this hall 13,000-square-meter museum has is by well-known Chinese artist Cai become a new landmark in Shang- Guoqiang, who created an installa- hai’s cultural scene. Its inaugural tion to suit this unique space. exhibitions have also been popular Titled Encounter With the among museumgoers. Unknown, the kinetic light instal- In a recent interview with Shang- lation was inspired by the nature- hai-based Wenhui Daily, French based cosmology of the Mayan architect Jean Nouvel said that he civilization and was a result of “a decided the new museum should boy’s fantasy for the space, with “belong” to both the Lujiazui area aliens, UFOs, and gravity-defying and the Huangpu River rather than dreams”, says the 64-year-old art- compete for prominence in the ist from Quanzhou of Fujian urban skyline as there are already province. -
Le Chevalier Errant
期 49 总第 JUILLET 2018 | MAGAZINE CULTUREL EN CHINOIS ET FRANÇAIS ISSN : 16749715 CN115961/C N°49 二零一八年七月刊 《孔子学院》中法文对照版 武侠 Le chevalier errant Le chevalier 孔 子 学 院 INSTITUT CONFUCIUS N.49 | JUILLET 2018 WWW.CIM.CHINESECIO.COM RMB 16 / EURO 5,99 NEOMA CONFUCIUS INSTITUTE FOR BUSINESS Le seul centre accrédité par Hanban en France et dans les pays francophones pour la formation et l’examen de CTCSOL (Certificate for Teachers of Chinese to Speakers of Other Languages). Le CTCSOL est un certificat international, délivré par Hanban, aux candidats ayant réussi l’examen de qualification professionnelle en tant que professeurs de chinois internationaux. PROCHAINES SESSIONS DE FORMATION ET D’EXAMEN L’INSTITUT CONFUCIUS DE Examen oral Formation à l’examen oral • Session 2018 : • 1re session : 2–4 janv. 2019 L’UNIVERSITÉ DE LORRAINE 5–6 janv. ; 13–14 janv. 2019 • 2e session : 3–5 juil. 2019 Situé à Metz, chef-lieu de l’ancienne région de Lorraine, • 1re session 2019 : • 3e session : 11–13 déc. 2019 l’institut Confucius de l’Université de Lorraine est une structure 6–7 juil. ; 13–14 juil. 2019 universitaire de coopération franco-chinoise (Université de Lorraine, e • 2 session 2019 : Formation à l’examen écrit Université de Technologie de Wuhan et Hanban). Il est également re 14–15 déc. ; 21–22 déc. 2019 • 1 session : 5–8 janv. 2019 soutenu par les autorités territoriales. Depuis sa création en 2011, • 2e session : 6–9 juil. 2019 il reste fidèle à sa vocation d’être un lieu d’échange et de découverte Examen écrit • 3e session : 14–17 déc. -
PPT 0326 Julie Chun
China Art Museum (2012) Power Station of Art (2012) 2011-2019 Natural History Museum (RelocateD 2015) State & Liu Haisu Art Museum (ReloCateD 2016) Shanghai Museum of Glass (2011) Private art Long Museum PuDong (2012) OCAT Art Terminal Shanghai (2012) museums in Shanghai Himalayas Museum (2012) Aurora Museum (2013) Shanghai K11 Art Museum (2013) Chronus Art Center (2013) 21st Century Minsheng Art Museum (2014) Long Museum West BunD (2014) Yuz Museum (2014) Mingyuan Contemporary Art Museum (2015) Shanghai Center of Photography (2015) Modern Art Museum (2016) How Museum Shanghai (2017) Powerlong Art Museum (2017) Fosun FounDation Art Center (2017) Qiao Zhebing Oil Tank Museum (2019) SSSSTART Museum (under Construction) PompiDou Shanghai (unDer ConstruCtion) China Art Museum (2012) Power Station of Art (2012) 2011-2019 Natural History Museum (RelocateD 2015) State & Liu Haisu Art Museum (ReloCateD 2016) Shanghai Museum of Glass (2011) Private art Long Museum PuDong (2012) OCAT Art Terminal Shanghai (2012) museums in Shanghai Himalayas Museum (2012) Aurora Museum (2013) Shanghai K11 Art Museum (2013) Chronus Art Center (2013) 21st Century Minsheng Art Museum (2014) Long Museum West BunD (2014) Yuz Museum (2014) Mingyuan Contemporary Art Museum (2015) Shanghai Center of Photography (2015) Modern Art Museum (2016) How Museum Shanghai (2017) Powerlong Art Museum (2017) Fosun FounDation Art Center (2017) Qiao Zhebing Oil Tank Museum (2019) SSSSTART Museum (under Construction) PompiDou Shanghai (unDer ConstruCtion) Art for the Public Who is the ”public”? Who “speaks” for the public? On what authority? What is the viewers’ reception? And, does any of this matter? Sites for public art in Shanghai (Devoid of entry fee, open access to public) Funded by the city Shanghai Sculpture Space (est. -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Abstract Art in 1980s Shanghai / Permalink https://escholarship.org/uc/item/16g2v1dm Author Jung, Ha Yoon Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Abstract Art in 1980s Shanghai A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History, Theory, and Criticism by Ha Yoon Jung Committee in charge: Professor Kuiyi Shen, Chair Professor Norman Bryson Professor Todd Henry Professor Paul Pickowicz Professor Mariana Wardwell 2014 The Dissertation of Ha Yoon Jung is approved, and it is acceptable in quality and form for publication on microfilm and electronically. ____________________________________________________________________ ____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Chair University of California, San Diego 2014 iii TABLE OF CONTENTS Signature Page ………………………………………………………………....……. iii Table of Contents ………………………………………………………….…...……. iv List of Illustrations …………………………………………………………………... v Vita ……………………………………………………………………….……….… vii Abstract ……………………………………………………….………………..……. xi Chapter 1 Introduction ……………………………………………………….……………….. 1 Chapter 2 Abstract