Banned Films, C/Overt Oppression: Practices of Film Censorship from Contemporary Turkey
BANNED FILMS, C/OVERT OPPRESSION: PRACTICES OF FILM CENSORSHIP FROM CONTEMPORARY TURKEY A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Sonay Ban December 2020 Examining Committee Members: Damien Stankiewicz, Advisory Chair, Anthropology Heather Levi, Anthropology Wazhmah Osman, Media Studies and Production Bilge Yeşil, External Member, College of Staten Island, CUNY ABSTRACT This project explores how film censorship shapes film production and circulation at film festivals, public screenings, and theatrical releases since the early 2000s in Turkey. It argues that, over time, mechanisms of censorship under Erdoğan’s authoritarian regime became less centralized; practices of censorship became more dispersed and less and less “official;” and the various imposing actors and agencies have differed from those in previous decades. Though still consistent with longstanding state ideologies, reasons for censorship practices, now more than ever, must be complexly navigated and negotiated by producers and distributors of film, including festival organizers, art institutions, and filmmakers themselves, through self-censorship. Drawing on a number of in-depth case studies of films banned after 2000, this project analyzes these works within the political and social contexts surrounding their releases, as well as ethnographic data based on dozens of extensive semi-structured interviews with cultural producers over five years of fieldwork. The corresponding
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