DOCSLIB.ORG

My Life with John Thaw Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
My Life with John Thaw Pdf, Epub, Ebook THE TWO OF US: MY LIFE WITH JOHN THAW PDF, EPUB, EBOOK Sheila Hancock | 320 pages | 06 Jun 2005 | Bloomsbury Publishing PLC | 9780747577096 | English | London, United Kingdom The Two of Us: My Life with John Thaw PDF Book Jun 06, Mike rated it really liked it. Home 1 Books 2. Shelve The Haunting of Brynn Wilder. When John Thaw, star of The Sweeney and Inspector Morse , died from cancer in , a nation lost one of its finest actors and Sheila Hancock lost a beloved husband. This woman was John. I would recomm I enjoyed reading this book so interesting that I could not put it down. The more people I lose in my life, the more I find myself returning to this book. When finishing, I adored the book. Sheila Hancock researched John's life as if he were a stranger and became engrossed: 'I almost forgot it was John,' She found out about his working-class childhood in Manchester she grows up beside him, in alternate chapters, in her own happier working-class family in King's Cross, London and suburban Bexleyheath, Kent. By the grimmest of coincidences, Ross and Thaw each died of cancer of the oesophagus. Namespaces Article Talk. Nor, in her fresh, flowery shirt - mauve and pink and cream - did she look less like the vulgar widow she brilliantly plays. She laughs, then sounds serious again. The cry of the actor at sea 'I don't know whatI'm doing' should, with this book, become a thing of the past' Sam WestI'd recommend The way Sheila Hancock describes how she got through that time was a very emotional read, as were her snippets about how they coped with Thaw's cancer. He came right up through the ranks of life. She has a crusading streak, too she runs - and pours her earnings into - the John Thaw Foun dation, a charity for young people who need 'a helping hand'. Enlarge cover. Sheila's writing is just so simple, yet so heartbreakingly eloquent, from her description of John's fi The more people I lose in my life, the more I find myself returning to this book. As we talked, there was drilling from the building site next door to her Liverpool flat beyond which the Mersey flowed brown and sluggish. Sheila does not need to add that Morse liked a drink, Thaw needed one. Community Reviews. When John Thaw died, Sheila Hancock wrote a book about their life together. A great read. When her mother was diagnosed with cancer - the prognosis bad - John sat her down, put headphones on her head and played her Simon and Garfunkel's 'Bridge Over Troubled Water'. Jun 10, Noel rated it it was amazing. Theirs was a sometimes turbulent, always passionate relationship, and in this remarkable book Sheila describes their love - weathering overwork and the pressures of celebrity, drink and cancer - with honesty and piercing intelligence, and evokes two lives lived to the utmost. Deadly Waters by Dot Hutchison. She lives in London and France. And subsequently John's untimely death from cancer and her own dealing with the grieving process. Sheila Hancock lives in London. I thought I must put in a word for her somehow. In this unique double biography she chronicles their lives - personal and professional, together and apart. John's alcoholism was not public knowledge. View Product. Sign in to Purchase Instantly. Shelving menu. A truly captivatin I am a huge fan of both John Thaw and Sheila Hancock and I was consumed by this window in on their lives and relationship. The Two of Us: My Life with John Thaw Writer I can only bear it when the grandchildren are there. She describes having a go at Tony Blair in the book. Sep 22, Barrie rated it it was amazing Shelves: biography. Lexi and her younger brother, Kevin, are spending the summer in New York City with their colorful actress aunt while their father is away on his honeymoon with his new wife. Shelve Girls of Brackenhill. She took advice and was told she should 'put a rumour around' to publishers that she was planning to write a book herself. Lots of name dropping along the way and I suspect my parents may recognise some of the names more than I did. Goodreads helps you keep track of books you want to read. Florida journalism underg… More. To see what your friends thought of this book, please sign up. Sheila's writing is just so simple, yet so heartbreakingly eloquent, from her description of John's fi The more people I lose in my life, the more I find myself returning to this book. Sheila's voice became excited as she recalled: 'It was when I saw these two shiny, garish cocktail cabinets. Add to Wishlist. How his abandonment by his mother when he was four left scars which never heeled despite the love surrounding him. She had tried to persuade John to write about himself but his reply was: 'Oh, nobody would be interested in me, kid. Thaw had an amazing sense of humour; Morse didn't. Like Morse, John had an awkwardness with women - because of what his mother did. It is cleverly structured with each chapter working chronologically through the lives of Sheila and John but interspersed with extracts from Sheila's diary in the year leading up to his death and beyond. Loved every moment even if it did make me teary more than once. She laughs, then sounds serious again. I have watched them for hours building the foundations. Jan 06, Gail Marchant rated it really liked it. Such a truly personal double biography and written in a manner that keeps the reader enthralled. Explore Now. Structurally the history broken up with snippets of the time just before and immediately after his death are a constant reminder of ones mortality. A truly captivatin I am a huge fan of both John Thaw and Sheila Hancock and I was consumed by this window in on their lives and relationship. It made touching reading as did her diary entries about realising that she was now treated differently because she was perceived as an old woman. John Thaw was born in Manchester, the son of a lorry driver. For those who have seen the UK television series "The Sweeney" and later "Inspector Morse", you will be familiar with the characters played by the actor, John Thaw. Jul 11, Pam Hutley rated it it was amazing. What an insight Jun 06, Mike rated it really liked it. The Two of Us: My Life with John Thaw Reviews After reading this my admiration of Hancock has increased as she had to cope with so much living with Thaw at one point as well as her father. Community Reviews. She has a crusading streak, too she runs - and pours her earnings into - the John Thaw Foun dation, a charity for young people who need 'a helping hand'. Sheila has more than forgiven her. Details if other :. Overview When John Thaw, star of The Sweeney and Inspector Morse , died from cancer in , a nation lost one of its finest actors and Sheila Hancock lost a beloved husband. Cult Film as a Guide to Life investigates the world and experience of cult films, from well-loved classics to the worst movies ever made. This woman was a star. And she his. Clearly she was heartbroken and had lost the love of her life. An interesting read, but if you had not seen John Thaw as an actor the book would most probably not hold appeal. It is a double biography that focuses on the lives of both Sheila Hancock and her husband John Thaw also an actor , and tells the story of their lives and their year marriage. Related Searches. Dreaming of St-Tropez by T. The cry of the actor at sea 'I don't know whatI'm doing' should, with this book, become a thing of the past' Sam WestI'd recommend When they married, they each had a daughter. Most prominent among these was John Thaw's depression and his long battle against alcoholism. An 'avalanche' of letters arrived. In Flip Schaffer asked his son to join him in an intensive bread class Well, the book was not at all what I expected, and I was initially disappointed since Sheila did not say much about Inspector Morse, only that John Thaw became a drunk while performing, but nonetheless, I kept on reading. Home 1 Books 2. When John Thaw, star of The Sweeney and Inspector Morse, died from cancer in , a nation lost one of its finest actors and Sheila Hancock lost a beloved husband. In that case, we can't A terrifying crime reunites a mother and daughter in a novel of psychological suspense by the Amazon Charts bestselling author of Trespassing. When her mother was diagnosed with cancer - the prognosis bad - John sat her down, put headphones on her head and played her Simon and Garfunkel's 'Bridge Over Troubled Water'. More alarmingly, she received a letter from a writer proposing a 'warts and all' biography, to go ahead without her approval, if necessary. I have watched them for hours building the foundations. A must read. But her book is not protective at the expense of truth. Her early struggle to become an actress was an insight on a profession that often seems to be glamorous and the so-called stars overpaid for what they do. Shelve Dreaming of Italy. Dreaming of Verona by T. It was really not what I expected, I had such high hopes for this as John is a great actor and man but I don't think this book is about him at all.
Load more

Recommended publications
  • RUSSELL GASCOIGNE Current
    RUSSELL GASCOIGNE Current: THE PASSENGER - delivered treatment and opening episode of three-part crime drama. THE GRIM CREEPERS – writing YA novel with series potential and A LONG WALK SIDEWAYS. AS THICK AS THIEVES – working on original feature screenplay with co-writer Philip Hughes (Thunderpants, I Want Candy) CROW’S WOOD – written outline for crime drama series set in 18th Century. ________________________________________________ TV A TOUCH OF FROST - wrote Private Lives commissioned by Excelsior/YTV. Top-rating drama with 16.85 million viewers starring David Jason, Peter Egan, Philip Jackson and Paloma Baeza. A TOUCH OF FROST – wrote Standards of Living commissioned by Excelsior/YTV. McCALLUM – wrote episode Beyond Good and Evil starring Nathaniel Parker, Eva Pope. Scottish Television. BODY STORY – dramatisations for 6-part science-drama-factual series combining drama with cutting-edge computer technology to show what happens inside the human body during a medical crisis or at different stages of life. Wall-to-Wall Television for Channel 4/Discovery Channel. Director Leanne Klein. Winner of a BMA Awards silver medal for Television Film. IRONMAN – single film outline about Victorian engineer Isambard Kingdom Brunel commissioned by Ray Winstone’s company, Size 9 Productions (Steve Matthews) RHAG POB BRAD – wrote screenplay commissioned by BBC Wales/S4C starring Rhys Ifans. (Ruth Caleb) NIGHTSHIFT – wrote 3 x 30’ police drama series based on US series The Street for Portman Entertainment/BBC starring Rhys Ifans. FAMILY AFFAIRS – wrote two episodes of Channel 5 soap commissioned by TalkbackThames. THE BILL – episode commissioned by TalkbackThames. MONSIEUR REYNARD – wrote outline for series episode starring John Thaw as a priest in occupied France during WWII commissioned by Carlton Television.
    [Show full text]
  • An Examination of the Causes of Education Policy Outputs in Ontario, Saskatchewan, and Alberta
    Why Do Parties Not Make a Difference? An Examination of the Causes of Education Policy Outputs in Ontario, Saskatchewan, and Alberta By Saman Chamanfar A thesis submitted in conformity with the requirements of the degree of Ph.D. Political Science University of Toronto © Copyright by Saman Chamanfar 2017 Why Do Parties Not Make a Difference? An Examination of the Causes of Education Policy Outputs in Ontario, Saskatchewan, and Alberta Saman Chamanfar Doctor of Philosophy Political Science University of Toronto 2017 Abstract This study seeks to explain why partisanship—contrary to what we might expect based on the findings of other studies concerning social policies—is generally not a useful explanatory variable when examining the primary and secondary education policies of three Canadian provinces (Ontario, Saskatchewan, and Alberta) during two periods (the 1970s and 1990- 2008). Four specific areas of the education sector of the provinces will be examined: objectives of curricula; spending; ministry relations with school boards; and government policies concerning private and charter schools. Utilizing a qualitative approach and building on the findings of other studies on provincial education systems, it will be argued that in order to understand why the three provinces generally adopted similar policies in both periods, regardless of the differences in the ideologies of governing parties, we need to consider the causal effect of key ideas in both periods. In addition, it will be shown that opposition parties in most instances did not present policies that differed from those of governing parties or criticize the policies of such parties. This will further illustrate the limited usefulness of adopting a partisanship lens when seeking to understand the policy positions of various parties in the provinces concerning the education sector.
    [Show full text]
  • TV/Series, 15 | 2019 Becoming Morse in Endeavour: the Prequel As Locus of Reconstruction of the Past? 2
    TV/Series 15 | 2019 La Sérialité en question(s) Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? Armelle Parey Electronic version URL: http://journals.openedition.org/tvseries/3751 DOI: 10.4000/tvseries.3751 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Armelle Parey, « Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? », TV/Series [Online], 15 | 2019, Online since 16 July 2019, connection on 20 July 2019. URL : http:// journals.openedition.org/tvseries/3751 ; DOI : 10.4000/tvseries.3751 This text was automatically generated on 20 July 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? 1 Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? Armelle Parey Introduction 1 The figure of Inspector Morse first appeared in a novel by Colin Dexter, Last Bus to Woodstock, in 1975. By the time the character reached the TV screen in 1987, impersonated by John Thaw (in The Dead of Jericho), Colin Dexter (1930-2017) had already published 7 of the 12 novels he wrote in total around the figure of the grumpy opera- loving inspector. The TV adaptation, Inspector Morse, consisted in 33 films, broadcast in series or as “specials”, aired on ITV between 1987 and 2000, finishing with the adaptation of The Last Remorseful Day (1999) in which the character dies1. Following the death of John Thaw in 2002, Dexter stipulated in a clause in his will that no other actor should reprise the role2.
    [Show full text]
  • Lublin Studies in Modern Languages and Literature
    Lublin Studies in Modern Languages and Literature VOL. 43 No 2 (2019) ii e-ISSN: 2450-4580 Publisher: Maria Curie-Skłodowska University Lublin, Poland Maria Curie-Skłodowska University Press MCSU Library building, 3rd floor ul. Idziego Radziszewskiego 11, 20-031 Lublin, Poland phone: (081) 537 53 04 e-mail: [email protected] www.wydawnictwo.umcs.lublin.pl Editorial Board Editor-in-Chief Jolanta Knieja, Maria Curie-Skłodowska University, Lublin, Poland Deputy Editors-in-Chief Jarosław Krajka, Maria Curie-Skłodowska University, Lublin, Poland Anna Maziarczyk, Maria Curie-Skłodowska University, Lublin, Poland Statistical Editor Tomasz Krajka, Lublin University of Technology, Poland International Advisory Board Anikó Ádám, Pázmány Péter Catholic University, Hungary Monika Adamczyk-Garbowska, Maria Curie-Sklodowska University, Poland Ruba Fahmi Bataineh, Yarmouk University, Jordan Alejandro Curado, University of Extramadura, Spain Saadiyah Darus, National University of Malaysia, Malaysia Janusz Golec, Maria Curie-Sklodowska University, Poland Margot Heinemann, Leipzig University, Germany Christophe Ippolito, Georgia Institute of Technology, United States of America Vita Kalnberzina, University of Riga, Latvia Henryk Kardela, Maria Curie-Sklodowska University, Poland Ferit Kilickaya, Mehmet Akif Ersoy University, Turkey Laure Lévêque, University of Toulon, France Heinz-Helmut Lüger, University of Koblenz-Landau, Germany Peter Schnyder, University of Upper Alsace, France Alain Vuillemin, Artois University, France v Indexing Peer Review Process 1. Each article is reviewed by two independent reviewers not affiliated to the place of work of the author of the article or the publisher. 2. For publications in foreign languages, at least one reviewer’s affiliation should be in a different country than the country of the author of the article.
    [Show full text]
  • Teaching World History with Major Motion Pictures
    Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking.
    [Show full text]
  • British Film and TV Since 1960 COM FT 316 (Core Course)
    British Film and TV Since 1960 COM FT 316 (Core Course) Instructor Information Names Ms Kate Domaille; Dr Christine Fanthome Course Day and Meeting Time [Weekdays], [time] Course Location [Name] Room, 43 Harrington Gardens, SW7 4JU BU Telephone 020 7244 6255 Email Addresses [email protected]; [email protected] Office Hours By appointment Course Description In this course you will learn how British film and television has evolved from the 1960s to the present day You will undertake a series of case studies of British film and television genres and examine how the aesthetics, audience expectations and production conventions have changed over time You will develop a deep set of analytic skills for appreciating the evolution of British film and television The course provides opportunities to appreciate the specific evolution of film and television in the British context from the 1960s to the present day through the study of production conventions, representation and audiences. A close focus is placed on the development of film and television through an examination of industry movement and changing audience expectations over time. The course offers opportunities to analyse and evaluate social change through the medium of film and television. Subjects covered in individual sessions include comedy, crime, fantasy, art film and TV, youth culture, heritage drama, the ethics and logistics of filming in public spaces, documentary and social realism, and new documentary which will encompass reality TV and citizen journalism. Course Objectives On completion of the course, the successful student will show evidence of being able to: interpret film or television texts in terms of their understanding of the cultural contexts in which those works were created.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
    Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Labor Relations, 16Mm Film and Euston Films
    Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Labor Relations, 16mm Film and Euston Films Max Sexton, Birkbeck College, University of London Film as a technology has been used, adapted and implemented in particular ways within television. This article provides examples of this process along with its complexities and demonstrates how a system of regulated labor on British television during the 1970s shaped the aesthetic form that 16mm film was used to develop. The questions of how far the production process was guided by institutionalized conventions, however, is one that the article seeks to answer in its analysis of the function and form of the filmed television series produced by Euston Films, a subsidiary of Thames Television. Charles Barr (1996) has discussed the legacy of live television that seeks to develop analyses of the developing formal systems of early television. For example, the telerecordings of most of the Quatermass serials were only “television films” because they were recorded on film, but were not constructed or edited as film, although they may have used some film inserts. According to Barr, television drama may have been shot on film, but it was different from film. It was only later in the 1960s and 1970s that shooting on film meant that the studio drama was replaced by shooting on location on 16mm. Barr notes that in Britain, unlike in the US, if a growing proportion of drama was shot on film, dramas were still referred to as “plays.” Consequently, the TV plays-on-film were distinct from “films.” However, as this article demonstrates, the development of the 16mm film from the 1970s complicates some of the notions that television drama was either live or continued to be planned, shot and edited as a live play.
    [Show full text]
  • Celluloid Television Culture the Specificity of Film on Television: The
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses .
    [Show full text]
  • Sands End Revisited a Local History Guide
    SANDS END REvisitED A Local HISToRy GuIDE We found useful information at the Archive and Local History centre in Hammersmith. There were people that came into school and helped us with our research because they had been residents in Sands End or pupils at Langford many years ago. We also went to Elizabeth Barnes Court Old People’s home to hear more stories and memories of people who knew Sands End in the past. Some of the places in Sands End are named after people that lived here, for example Bagley’s Lane, is named after the Bagley family, locally well known for market gardening and were called the ‘Kings of Fulham’. Elaysha This local history guide about the Sands End area, has been compiled by Y6 from Langford Primary school. Working in partnership with Hammersmith and Fulham Urban Studies Centre, LBHF’s Archives and Local History Centre, and local interest group Sands End Revisited, Oak class became ‘History Detectives’ and were taken back in time to discover the stories of Sands End and the changes that have taken place over the years. By visiting local landmarks, such as the Community Centre on Broughton Road - which was once the old Sunlight laundry - examining old photos at the Archives, and sharing the memories of former local residents and pupils of Langford School, the children discovered a wealth of information, learnt about the changes that have taken place over the years and tried to uncover any secrets about the local area. The stories presented here are a mixture of fact, personal experience, and maybe a little bit of urban myth thrown in to really get you thinking! Thanks to Heritage Lottery Fund for the grant to produce the project.
    [Show full text]