DOCSLIB.ORG

5Th Avenue a Chorus Line Encore Arts Seattle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
5Th Avenue a Chorus Line Encore Arts Seattle SEPTEMBER 2014 2014/15 SEASON A CHORUS LINE SEPT 3 - 28, 2014 KINKY BOOTS OCT 7 - 26, 2014 A CHRISTMAS STORY NOV 25 - DEC 31, 2014 RODGERS & HAMMERSTEIN’S CAROUSEL FEB 5 - MAR 1, 2015 JACQUES BREL IS ALIVE AND WELL & LIVING IN PARIS MAR 7 - MAY 17, 2015 CO-PRESENTED AT ACT - A CONTEMPORARY THEATRE SOMETHING ROTTEN! APR 29 - MAY 24, 2015 GREASE JULY 9 - AUGUST 2, 2015 When Only The Best Will Do 3500 Factoria Blvd. S.E., Bellevue, WA • 425.643.2610 • www.dacels.com Designed by: Ryan Michael Photo by: Dan Patch Dac 030514 ruby fp.indd 1 3/5/14 1:27 PM September 2014 Volume 12, No. 1 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Deb Choat, Robin Kessler, Kim Love Design and Production Artists Mike Hathaway Advertising Sales Director SEATTLE POPS Marty Griswold, Sponsored by Seattle Sales Director Joey Chapman, Gwendolyn Fairbanks, Ann Manning, Lenore Waldron Seattle Area Account Executives Staci Hyatt, Marilyn Kallins, OCTOBER 10–12 Tia Mignonne, Terri Reed San Francisco/Bay Area Account Executives THE MOVIE MUSIC Denise Wong OF JOHN WILLIAMS Executive Sales Coordinator Jeff Tyzik, conductor Jonathan Shipley Ad Services Coordinator From Superman to Star Wars to Jaws, www.encoreartsseattle.com John Williams has penned some of the most unforgettable film scores of all time. Concerts sponsored by THE MOVIE MUSIC OF JOHN WILLIAMS TICKETS FROM: $25 Paul Heppner Publisher Marty Griswold MARCH 6–8 Associate Publisher SOME ENCHANTED EVENING: Leah Baltus Editor-in-Chief RODGERS & HAMMERSTEIN Dan Paulus Art Director CELEBRATION Jonathan Zwickel Steven Reineke, conductor Senior Editor Ashley Brown, vocals Aaron Lazar, vocals Gemma Wilson Jonathan Estabrooks, vocals Associate Editor University of Washington Choirs Amanda Manitach Steven Reineke brings the music of Rodgers and Visual Arts Editor REINEKE STEVEN Amanda Townsend Hammerstein to life — including selections from Events Coordinator Oklahoma!, Carousel, South Pacific and more. www.cityartsonline.com TICKETS FROM: $25 JUNE 5–7 Paul Heppner A TRIBUTE TO President RAY CHARLES Mike Hathaway Jeff Tyzik, conductor Vice President Ellis Hall, vocals Erin Johnston Communications Manager Features Ellis Hall, a former protégé of the late singer-songwriter. From “I Can’t Stop Loving You” Genay Genereux and “This Little Girl of Mine” to “Hit the Road ELLIS HALL Accounting Jack” and “Georgia on My Mind,” this concert is filled with Ray’s soulful hits. Corporate Office 425 North 85th Street Seattle, WA 98103 TICKETS FROM: $25 p 206.443.0445 f 206.443.1246 [email protected] 800.308.2898 x105 www.encoremediagroup.com FOR TICKETS: Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in Western Washington and the San Francisco Bay Area. All rights reserved. 206.215.4747 | SEATTLESYMPHONY.ORG ©2014 Encore Media Group. Reproduction without written permission is prohibited. encoreartsseattle.com 3 BOARD OF DIRECTORS Wanda J. Herndon Chairman Sterling Wilson Treasurer Margaret C. Inouye Secretary THE 5TH Barbara L. Crowe AVENUE THEATRE Immediate Past Chairman • The 5th Avenue Theatre is one of the country’s leading musical theater companies. Our mission is to advance and preserve America’s great indigenous art form Kenny Alhadeff Ann Ardizzone – The Musical. Clodagh Ash Les Biller • We are nationally renowned for our production and development of new musicals. Robert R. Braun, Jr. Since 2001, The 5th has premiered 16 new works, nine of which have subsequently Margaret Clapp opened on Broadway. They include Disney’s Aladdin; First Date; A Christmas Story, Larry Estrada The Musical; Scandalous; Shrek; Catch Me If You Can; The Wedding Singer; and Best Maria P. Ferrer Musical Tony Award-winners, Hairspray and Memphis. Gary J. Fuller Sarah Nash Gates • We are equally acclaimed for our vibrant new productions of musicals from the Cyrus Habib Christopher Heman “Golden Age of Broadway” and contemporary classics. These signature revivals Richard Kagan enthrall fans of these enduring works and introduce these great shows to new SaSa Kirkpatrick generations of musical theater lovers. William W. Krippaehne Jr. Tom Norwalk • The 5th is committed to achieving the highest standards of artistic excellence by Llewelyn G. Pritchard employing world-class performers and creative artists, utilizing full live orchestras, Gordon Prouty and staging exceptional and imaginative productions. The 5th places a special David Quinn emphasis on employing our amazing community of Puget Sound-based artists and Ann Ramsay-Jenkins technicians. Stephen P. Reynolds Norman B. Rice Robert A. Sexton • Our celebrated educational programs serve more than 74,000 young people each Elliot Silvers year through a host of projects including our Adventure Musical Theater Touring Kirk A. Soderquist Company, The 5th Avenue Awards, and the unique Rising Star Project. For adults, Heather Sullivan McKay we offer free-to-the-public events such as the popular Spotlight Night series, and Bonnie Towne pre-performance Show Talks with Albert Evans. Eric Trott Tom Walsh • We are the largest arts employer in the Pacific Northwest with more than 800 Tracy Wellens actors, singers, dancers, musicians, creative artists, theatrical technicians, and arts Kenneth Willman Michael Zyskowski professionals working for us each season. PAST CHAIRMEN • As a non-profit theater company supported by the community, we enjoy the OF THE BOARD patronage of more than 25,000 season subscribers (one of the largest theater Barbara L. Crowe (2011-2013) subscription bases in America). More than 300,000 audience members attend our Robert A. Sexton (2009-2011) performances each year. Norman B. Rice (2007-2009) Kenny Alhadeff (2004-2007) William W. Krippaehne Jr. (2002-2004) Bruce M. Pym (2000-2002) OUR HISTORIC THEATER John F. Behnke (1998-2000) Faye Sarkowsky (1996-98) A beautiful Seattle landmark, The 5th Avenue Theatre’s breathtaking design was Donald J. Covey (1994-96) inspired by ancient Imperial China’s most stunning architectural achievements, Kenneth L. Hatch (1992-94) including the magnificent Forbidden City. Built in 1926 for vaudeville and silent John D. Mangels (1990-92) Stanley M. Little, Jr. (1986-88) pictures, The 5th Avenue Theatre reigned for decades as Seattle’s favorite movie Robert F. Buck (1988-90) palace. In 1979, 43 companies and community leaders formed the non-profit 5th R. Milton Trafton (1983-86) Avenue Theatre Association. Their goal was to restore the theater to its original W.J. Pennington (1981-83) splendor. The 5th Avenue Theatre re-opened in 1980 as Seattle’s premier home for D.E. (Ned) Skinner (1979-81) musical theater. Founding Managing Director The 5th Avenue Theatre gratefully acknowledges our 43 original founders and sponsors. Marilynn Sheldon Please visit www.5thavenue.org for specific information on these important companies and individuals. 4 5TH AVENUE MUSICAL THEATRE COMPANY from the desk of David Armstrong The Season Executive Producer and Artistic Director Ahead! hen setting out to pick the perfect season, we aim In the spring, we will produce our 17th new musical with Wto embody our mission: to celebrate our great the world premiere of Something Rotten!. The Tony Award- indigenous art form, The Musical – past, present, and future. winning director and choreographer of The Book of Mormon With an array of shows ranging from a hotly-anticipated and Disney’s Aladdin, Casey Nicholaw returns to The 5th Broadway hit to a hilarious new world premiere, not to to helm this hilarious new show. The time is Renaissance mention celebrated contemporary classics and one of the England, where two brothers, Nick and Nigel Bottom, are immortal musicals from the Golden Age of Broadway, we desperate to write a hit play. But how can they when the believe that our 2014/15 season truly represents the breadth competition is the biggest star of the era, everyone’s favorite and depth of what Musical Theater has to offer. bard: William Shakespeare? They seek out a soothsayer who The season is off to a strong start with one singular gives our heroes a completely original idea from the future sensation, the multi-award-winning musical theater triumph, – and thus, the first ever musical is born. There is indeed A Chorus Line. As you are about to see, this is a musical for Something Rotten! – and it will have audiences rolling in the everyone who’s ever had a dream and put it all on the line. aisles. We’re thrilled to showcase Seattle’s most spectacularly talented The 5th Avenue closes its season with the one that you want! dancers in a production that recreates the thrilling original Grease is rolling in to The 5th Avenue Theatre, complete with staging by Michael Bennett. the T-Birds, the Pink Ladies, and of course, Greased Lightnin’. Next is the Seattle debut of the current Broadway smash, Audiences will be singing and dancing along to Jim Jacobs and Kinky Boots. Winner of six Tony Awards® including Best Warren Casey’s memorable pop hits including “Beauty School Musical, this inspirational story features a rocking, Tony- Dropout,” “Hopelessly Devoted to You,” and “You’re the One winning score by Cyndi Lauper, direction and Tony-winning that I Want.” choreography by Jerry Mitchell and a hilarious book by You won’t want to miss a single production this season, and four-time Tony winner Harvey Fierstein. Kinky Boots is an with affordable subscription options, you don’t have to. We are exhilarating new Broadway musical that will lift your spirits to giving A Chorus Line single ticket buyers the opportunity new high-heeled heights. to apply a $50 credit per-ticket to a 7-show subscription A Christmas Story, The Musical returns home for the holidays package, meaning you’ll save and won’t have to miss any of after two wildly successful seasons in New York and a national this season’s sensational shows.
Load more

Recommended publications
  • Garrett Stack's American Jukebox Originating on WMNR Fine Arts Radio
    Playlist* Originating on WMNR Fine Arts Radio Garrett Stack’s American Jukebox [email protected] Show #: 197 Broadcast Date: February 21, 2015 Time: 16:00 - 18:00 # Selections: 31 * Playlist is in order by song title, not in order of play. Classic Pop from the ‘50s, ‘60s and Beyond American Jukebox Theme Song Credit: What Did You Do With Your Old 45’s, Bobby Vinton, Bobby Vinton’s Greatest Hits, Curb Records, 1989, by Pam A. Hanna/George Pickard. Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 2:46 Marvin Hamlisch/Howard Liebliing California Nights Lesley Gore The Golden Hits Of Lesley Gore Mercury 1967 16 CD Golden Hits RKF Gore 0:16 18 1987 8/11/12 2/21/15 CDF-19 4:20 G Moroder/K Forsey&I Cara Flashdance - What A Feeling Irene Cara Casablanca Story - Pop Single Purchases Casablanca 1980 1 Edited down to 4:20 from original 7:14 RKV 0:19 10 2/21/15 1971-present V.4 2:12 S Gordon Hey Now Lesley Gore The Golden Hits Of Lesley Gore Mercury 1964 76 RKF Gore 0:07 11 1987 2/21/15 2:54 Jimmy Van Heusen/Sammy Cahn High Hopes Frank Sinatra Capitol Collector’s Series: Frank SInatra Capitol 1959 30 LP set Sinatra (Capitol)/CD GrHts CDM-33A PRKM Sinatra 19 1989 2/21/15 4:22 Stevie Wonder I Just Called To Say I Love You Stevie Wonder The Definitive Collection Motown 1984 1 Born Stevland Morris 5/13/1950 in Saginaw, Michigan.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • Leonard Bernstein's MASS
    27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII.
    [Show full text]
  • The Golden Age Exposed: the Reality Behind This Romantic Era
    Illinois Wesleyan University Digital Commons @ IWU Honors Projects Theatre Arts, School of 4-28-2017 The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_honproj Part of the Theatre and Performance Studies Commons Recommended Citation Adams, Danny, "The Golden Age Exposed: The Reality Behind This Romantic Era" (2017). Honors Projects. 22. https://digitalcommons.iwu.edu/theatre_honproj/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Honors Research April 28th, 2017 1 In the spring of 2016, I took a class called "Music Theatre History and Literature" which is about exactly what it sounds like: a course on the history of music theatre and how it evolved into what it is today. From The Black Crook, the first known "integrated musical" in 1866, to In the Heights and shows today, the class covered it all.
    [Show full text]
  • Resume 2017.Pgs
    JANE LABANZ www.janelabanz.com Height: 5’5” / Weight: 120 212 300 5653 Soprano/Mix/Light Belt AEA SAG/AFTRA Strong High Notes 330 West 42nd Street, 18th Floor New York, NY 10036 212-629-9112 [email protected] BROADWAY/NATIONAL TOURS Director Anything Goes Hope u/s (Broadway and National Tour) Jerry Zaks The King and I Anna (Sandy Duncan / Stefanie Powers standby) Baayork Lee The Best Little Whorehouse in Texas Ginger (Doatsey Mae u/s) Thommie Walsh (Cast album, w/ Ann-Margret) Eric Schaeffer Annie Grace Farrell Bob Fitch 42nd Street Phyllis Dale (Peggy u/s) Mark Bramble The Sound of Music (w/ Marie Osmond) Swing/Dance Captain Jamie Hammerstein Bye Bye Birdie (w/ Tommy Tune/Anne Reinking) Kim u/s (to Susan Egan) Gene Saks Dr. Dolittle (w/ Tommy Tune) Puddleby Tommy Tune Cats Jelly/Jenny/Swing David Taylor REGIONAL THEATRE Tuck Everlasting (World Premiere /Alliance Theatre) Older Winnie (Nanna u/s) Casey Nicholaw (Dir.) Love Story (American Premiere) Alison Barrett Walnut Street Theatre A Little Night Music Mrs. Nordstrom / Dance Captain Cincinnati Playhouse 9 to 5 Violet Newstead Tent Theatre I Love a Piano Eileen Milwaukee Repertory Always…Patsy Cline Louise Seger New Harmony Theatre The Cocoanuts (Helen Hayes Award, Best Musical) Polly Potter Arena Stage Noises Off Brooke Ashton Totem Pole Playhouse Cinderella Fairy Godmother / Queen u/s North Shore Music Theatre The Nerd Clelia Waldgrave Totem Pole Playhouse The Music Man Marian Paroo Pittsburgh Playhouse George M! Nellie Cohan Theatre by the Sea George M! Agnes Nolan (plus 9 other
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]
  • Tom Kitt Brian Yorkey
    WHITBY COURTHOUSE THEATRE | 2018/19 NEXT TO NORMAL Music by Book & Lyrics by TOM KITT BRIAN YORKEY November 8-24, 2018 PROGRAM whitbytheatre.ca Whitby Centennial Building, 416 Centre St. S. | 905.668.8111 Next to Normal is presented through special arrangement with Music Theatre International (MTI). Small by design. All girls with a purpose. ALL GIRLS DAY & BOARDING GRADES 4-12 Join us Winter Open House Saturday, February 2 10 a.m. to noon 401 Reynolds Street 905.668.3358 Email us at trafalgarcastle.ca [email protected] to arrange your own personal visit. Small by design. All girls with a purpose. WHITBY COURTHOUSE THEATRE PRESENTS NEXT TO NORMAL Music by Book & Lyrics by Tom Kitt Brian Yorkey Producer Director Music Director Heather Doucette Shael Risman Nick Denis ALL GIRLS Stage Manager Assistant Director Back Stage Manager DAY & BOARDING Paul Sowerbutts Melissa Gibson Peggy Sowerbutts GRADES 4-12 Costume Design Lighting Design Set Design Sound Design Join us Rhonda Martin Greg Poulin Erastus Burley Margo Rodgers Original Broadway Production Produced by David Stone, James L. Nederlander, Winter Open House Barbara Whitman, Patrick Catullo and Second Stage Theatre. New York Premiere Produced by Second Stage Theatre, New York. February 2008 Saturday, February 2 Carole Rothman, Artistic Director Ellen Richard, Executive Director 10 a.m. to noon ‘Next To Normal’ was subsequently produced by Arena Stage in November 2008. 401 Reynolds Street Developed at Village Theatre, Issaquah, WA (Robb Hunt, Executive Producer, Steve Tomkins, Artistic Director). 905.668.3358 An earlier version was presented in the 2005 New York Musical Theatre Festival.
    [Show full text]
  • Clear Space Announces the 2017 Summer
    P R E S S R E L E A S E From: Clear Space Theatre Company Contact: Wesley Paulson Phone: 302.227.2270 Email: [email protected] JUNE 16 2017: FOR IMMEDIATE RELEASE Come learn what Devon Frieder (Val), Andrew Cuccaro (Bobby) and Abigail Matsusaka (Enid) did for love, as Clear Space Theatre’s summer repertory season opens Tuesday, June 27, with A CHORUS LINE! Watch as they audition for a Broadway chorus – and allow us glimpses of their inner lives, fragile hopes and poignant ambitions. Filled with well-known – and much-loved – classics like “At the Ballet” and “I Hope I Get It,” A CHORUS LINE delivers the perfect ending to a perfect day at the beach. Next up on the season’s three-show roster: LEGALLY BLONDE, opening Friday, June 30! Join Elle (Frieder) as she transforms herself from Malibu party girl to law school legend and tries to win back the man who rejected her – but will she still even want him?! THE LITTLE MERMAID, opening Wednesday, July 5, completes the season’s rotating musical trio. Based on Hans Christian Anderson’s beloved story - and the animated Disney movie – THE LITTLE MERMAID brings us a tale (tail?) of wave-washed lovers, duplicitous sea folk and some unlikely friends who come flying, scuttling or swimming to the rescue. Join Ariel (Frieder) as she seeks to win Prince Eric’s love and Flounder (Cuccaro) as he helps her in her struggle to achieve – what else? A fairy tale ending! Says Wesley Paulson, Clear Space’s Executive Director, “This season has something for everyone! A CHORUS LINE is a classic musical, THE LITTLE MERMAID offers a show for all ages, and LEGALLY BLONDE beings a modern musical show to the stage.
    [Show full text]
  • LAURA GRIFFITH Resume 92114
    LAURA GRIFFITH AEA/AFTRA www.lauragriffith.net Voice: Soprano & Belt BROADWAY South Pacific Janet MacGregor Broadway/ Dir. Bartlett Sher The Light in the Piazza Franca,Clara u/s performed Broadway/ Dir. Bartlett Sher Oklahoma! Aggie Broadway/ Dir. Trevor Nunn Sweet Smell of Success Susan u/s Broadway/ Dir. Nicholas Hytner TOURS The Light in the Piazza * Franca 1st National Tour/ Dir. Bartlett Sher West Side Story Maria European Tour/ Dir. Joey McKneely *Helen Hayes Award Nomination (Kennedy Center) REGIONAL THEATRE Medea/Macbeth/Cinderella Cinderella Oregon Shakespeare Festival/ Dir. Bill Rauch Animal Crackers Mary Oregon Shakespeare Festival/ Dir. Allison Narver Henry V Catherine of France u/s Oregon Shakespeare Festival/ Dir. Joseph Haj Amadeus Constanze Geva Theatre Center/ Dir. Paul Barnes Spamalot ** Lady of the Lake 5th Avenue Theatre/ Dir. Josh Rhodes A Room With A View Lucy 5th Avenue Theatre/ Dir. David Armstrong The Music Man ** Marian 5th Avenue Theatre/ Dir. Bill Berry Candide Cunegonde 5th Avenue Theatre/ Dir. David Armstrong 7 Brides For 7 Brothers Milly 5th Avenue Theatre/ Dir. Allison Narver Parade Lucille u/s performed Mark Taper Forum/ Dir. Rob Ashford Sunday in the Park... Dot/ Marie Short North Stage/ Dir. Sarna Lapine The Music Man Marian Utah Shakespeare Festival/ Dir. Jeremy Mann RIchard III Jane S/ Elizabeth u/s Utah Shakespeare Festival/ Dir. Kathleen Conlin Songs For A New World Woman 1 Signature Theatre/Dir. Michael Baron, Jason Robert Brown The Road to Hollywood Dorothy Goodspeed Opera House / Dir. Walter Bobbie Rocky Horror Show Janet 5th Avenue Theatre/ Dir. David Armstrong A Little Night Music Anne 5th Avenue Theatre, ACT Theatre/ Dir.
    [Show full text]
  • Broadcast December 23 at 7 Pm & December 25 at 1 Pm on WOWT Channel 6
    Broadcast December 23 at 7 pm & December 25 at 1 pm on WOWT Channel 6 Ernest Richardson, principal pops conductor Parker Esse, stage director/choreographer Maria Turnage, associate stage director ROBERT H. STORZ FOUNDATION PROGRAM The Most Wonderful Time of the Year/ Jingle Bells JAMES LORD PIERPONT/ARR. ELLIOTT Christmas Waltz VARIOUS/ARR. KESSLER Happy Holiday - The Holiday Season IRVING BERLIN/ARR. WHITFIELD Joy to the World TRADITIONAL/ARR. RICHARDSON Mother Ginger (La mère Gigogne et Danse russe Trepak from Suite No. 1, les polichinelles) from Nutcracker PIOTR ILYICH TCHAIKOVSKY from Nutcracker PIOTR ILYICH TCHAIKOVSKY We Are the Very Model of a God Bless Us Everyone from Modern Christmas Shopping Pair A Christmas Carol from Pirates of Penzance ALAN SILVESTRI/ARR. ROSS ARTHUR SULLIVAN/LYRICS BY RICHARDSON Silent Night My Favorite Things from FRANZ GRUBER/ARR. RICHARDSON The Sound of Music RICHARD RODGERS/ARR. WHITFIELD Snow/Jingle Bells IRVING BERLIN/ARR. BARKER O Holy Night ADOLPH-CHARLES ADAM/ARR. RICHARDSON Let It Snow, Let It Snow, Let It Snow JULE STYNE/ARR. SEBESKY We Need a Little Christmas JERRY HERMAN/ARR. WENDEL Frosty the Snowman WALTER ROLLINS/ARR. KATSAROS Hark All Ye Shepherds TRADITIONAL/ARR. RICHARDSON Sleigh Ride LEROY ANDERSON 2 ARTISTIC DIRECTION Ernest Richardson, principal pops conductor and resident conductor of the Omaha Symphony, is the artistic leader of the orchestra’s annual Christmas Celebration production and internationally performed “Only in Omaha” productions, and he leads the successful Symphony Pops, Symphony Rocks, and Movies Series. Since 1993, he has led in the development of the Omaha Symphony’s innovative education and community engagement programs.
    [Show full text]