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Publications for Peter Wilson 2021 2020 2019 2018 2017 2015 2014 Publications for Peter Wilson 2021 2014 Csapo, E., Green, J., Le Guen, B., Paillard, E., Stoop, J., Csapo, E., Wilson, P. (2014). Dramatic Festivals. In Hanna M. Wilson, P. (2021). Theatre and Autocracy in the Ancient World Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 292- (forthcoming). Paris: De Boccard. 299). Chichester, UK: Wiley-Blackwell Publishing. <a 2020 href="http://dx.doi.org/10.1002/9781118351222.wbegt2210">[ More Information]</a> Csapo, E., Wilson, P. (2020). A Social and Economic History of Wilson, P., Csapo, E. (2014). Economic History of the Greek the Theatre to 300 BC Volume II: Theatre Beyond Athens: Theater. In Hanna M. Roisman (Eds.), The Encyclopedia of Documents with Translation and Commentary. Cambridge: Greek Tragedy, (pp. 307-314). Chichester, UK: Wiley- Cambridge University Press. <a Blackwell Publishing. <a href="http://dx.doi.org/10.1017/9781139023931">[More href="http://dx.doi.org/10.1002/9781118351222.wbegt2270">[ Information]</a> More Information]</a> Csapo, E., Wilson, P. (2020). The Politics of Greece's Csapo, E., Green, J., Wilson, P., Rupprecht Goette, H. (2014). Theatrical Revolution, c. 500-c. 300 BCE. In H. M and C. W. Greek Theatre in the Fourth Century B.C. Berlin: Walter de Marshall (Eds.), Greek Drama V: Studies in the Theatre of the Gruyter. <a Fifth and Fourth Centuries BCE, (pp. 1-22). London: href="http://dx.doi.org/10.1515/9783110337556">[More Bloomsbury. <a Information]</a> href="http://dx.doi.org/10.5040/9781350142381.ch- 001">[More Information]</a> Csapo, E., Wilson, P. (2014). Origins and History of Greek Tragedy. In Hanna M. Roisman (Eds.), The Encyclopedia of Csapo, E., Wilson, P. (2020). The Politics of Theater Music in Greek Tragedy, (pp. 926-937). Chichester, UK: Wiley- Fifth- and Fourth-Century Greece. In T. Lynch and E. Rocconi Blackwell Publishing. <a (Eds.), A Companion to Ancient Greek and Roman Music, (pp. href="http://dx.doi.org/10.1002/9781118351222.wbegt5390">[ 421-433). Hoboken: Wiley-Blackwell Publishing. <a More Information]</a> href="http://dx.doi.org/10.1002/9781119275510.ch30">[More Information]</a> Wilson, P., Csapo, E. (2014). Records. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 1141-1142). 2019 Chichester, UK: Wiley-Blackwell Publishing. Wilson, P. (2019). Dancing for Free: Pindar's Kastor Song for Csapo, E., Wilson, P. (2014). The Finance and Organisation of Hieron. Classical Antiquity, 38(2), 298-363. <a the Athenian Theatre in the Time of Eubulus and Lycurgus. In href="http://dx.doi.org/10.1525/ca.2019.38.2.298">[More Eric Csapo, Hans Rupprecht Goette, J. Richard Green, Peter Information]</a> Wilson (Eds.), Greek Theatre in the Fourth Century B.C, (pp. 393-424). Berlin: Walter de Gruyter. <a 2018 href="http://dx.doi.org/10.1515/9783110337556.393">[More Wilson, P. (2018). The Theatres and Dionysia of Attica. In A. Information]</a> Kavoulaki (Eds.), Papers in Memory of Christiane Sourvinou- Inwood, (pp. 99-144). Rethymnon: School of Philosophy, 2013 University of Crete. Kowalzig, B., Wilson, P. (2013). Dithyramb in Context. Oxford: Oxford University Press. 2017 Kowalzig, B., Wilson, P. (2013). Introduction: The World of Wilson, P. (2017). A Potted Political History of the Sicilian Dithyramb. In Barbara Kowalzig, Peter Wilson (Eds.), Theater. In Heather L. Reid, Davide Tanasi, Susi Kimbell Dithyramb in Context, (pp. 1-27). Oxford: Oxford University (Eds.), Politics and Performance in Western Greece, (pp. 1-32). Press. Iowa: Parnassos Press. Green, J., Wilson, P. (2013). Song, Torch, Pyrrhic: Naming the Wilson, P., Favi, F. (2017). Choragic Spells in Gela: a Textual Winner. Antike Kunst, 56, 56-61. and Exegetical Note on Apellis' defixio, SEG LVII 905b. Zeitschrift fur Papyrologie und Epigraphik, 204, 138-140. Wilson, P. (2013). The Decree of Teleas from the Theatre of Thorikos, Revisited. Zeitschrift fur Papyrologie und 2015 Epigraphik, 184, 159-164. Takeuchi, K., Wilson, P. (2015). Dionysos and Theatre in 2012 Sphettos. Logeion: A Journal of Ancient Theatre, 4, 40-69. Wilson, P., Csapo, E. (2012). From Choregia to Agonothesia: Csapo, E., Wilson, P. (2015). Drama Outside Athens in the Evidence for the Administration and Finance of the Athenian Fifth and Fourth Centuries BC. Trends in Classics, 7(2), 316- Theatre in the Late Fourth Century BC. In D Rosenbloom and J 395. <a href="http://dx.doi.org/10.1515/tc-2015-0019">[More Davidson (Eds.), Greek Drama IV: Texts, Contexts, Information]</a> Performance, (pp. 300-321). Oxford, United Kingdom: Aris Wilson, P. (2015). The Festival of Dionysos in Ikarion: A New and Phillips. Study of IG I3 254. Hesperia, 84(1), 97-147. <a href="http://dx.doi.org/10.2972/hesperia.84.1.0097">[More 2011 Information]</a> Wilson, P. (2011). Dionysos in Hagnous. Zeitschrift fur Papyrologie und Epigraphik, 177, 79-89. Greek Theatre and Festivals: Documentary Studies, (pp. 1-17). Oxford: Oxford University Press. Wilson, P. (2011). The glue of democracy? Tragedy, structure, and finance. In David Carter (Eds.), Why Athens; A Wilson, P. (2007). Nikê's Cosmetics: Dramatic Victory, the Reappraisal of Tragic Politics, (pp. 19-43). New York, US: End of Comedy, and Beyond. In Chris Kraus, Simon Goldhill, Oxford University Press. <a Helene P. Foley, and Jas Elsner (Eds.), Visualizing the Tragic: href="http://dx.doi.org/10.1093/acprof:oso/9780199562329.003. Drama, Myth and Ritual in Greek Art and Literature, (pp. 257- 0002">[More Information]</a> 287). Oxford: Oxford University Press. 2010 Wilson, P. (2007). Performance in the 'Pythion': The Athenian Thargelia. In Peter Wilson (Eds.), The Greek Theatre and Wilson, P. (2010). How did the Athenian demes fund their Festivals: Documentary Studies, (pp. 150-182). Oxford: Oxford theatre? In Brigitte Le Guen (Eds.), Largent dans les concours University Press. du monde grec, (pp. 37-82). Saint-Denis: Presses Universitaires Wilson, P. (2007). Pronomos and Potamon: Two Pipers and de Vincennes. Two Epigrams. Journal of Hellenic Studies, 127, 141-149. Csapo, E., Wilson, P. (2010). Le passage de la chorégie à Wilson, P. (2007). Sicilian Choruses. In Peter Wilson (Eds.), l'agonothésie à Athènes à la fin du IVe siècle. In Brigitte Le The Greek Theatre and Festivals: Documentary Studies, (pp. Guen (Eds.), Largent dans les concours du monde grec, (pp. 83- 351-377). Oxford: Oxford University Press. 105). Saint-Denis: Presses Universitaires de Vincennes. Wilson, P. (2007). The Greek Theatre and Festivals: Wilson, P. (2010). The Man and the Music (and the Documentary Studies. Oxford: Oxford University Press. Choregos?). In Oliver Taplin and Rosie Wyles (Eds.), The Pronomos Vase and its Context, (pp. 181-212). Oxford: Oxford University Press. 2006 Wilson, P. (2006). Diken in the Oresteia of Aeschylus. In John 2009 Davidson, Frances Muecke & Peter Wilson (Eds.), Greek Drama III: Essays in Honour of Kevin Lee, (pp. 187-201). Wilson, P., Hartwig, A. (2009). IG I3 102 and the tradition of London: Institute of Classical Studies, School of Advanced proclaiming honours at the tragic agon of the Athenian City Study, University of London. Dionysia. Zeitschrift fur Papyrologie und Epigraphik, 169, 17- 27. Davidson, J., Muecke, F., Wilson, P. (2006). Greek Drama III: Essays in Honour of Kevin Lee. London: Institute of Classical Wilson, P. (2009). Thamyris the Thracian: the archetypical Studies, School of Advanced Study, University of London. wandering poet? In R. Hunter and I. Hunter (Eds.), Wandering Poets in Ancient Greek Culture: Travel, Locality and Pan- Hellenism, (pp. 46-79). Cambridge: Cambridge University 2005 Press. <a Wilson, P. (2005). Music. In J. Gregory (Eds.), A Companion href="http://dx.doi.org/10.1017/CBO9780511576133.003">[Mo to Greek Tragedy, (pp. 183-193). Oxford: Blackwell Publishers. re Information]</a> Wilson, P., Csapo, E. (2009). The End of the Khoregia in 2004 Athens: A Forgotten Document. In M.C. Martinelli (Eds.), La Wilson, P. (2004). Ajax: Introduction. In R.C.Jebb. (Eds.), Musa dimenticata: aspetti dell esperienza musicale greca in et Sophocles: Ajax, (pp. 31-47). London: Bristol Classical Press. ellenistica, (pp. 47-74). Pisa, Italy: edizioini della Normale. Wilson, P. (2004). Athenian Strings. In Penelope Murray, Peter Csapo, E., Wilson, P. (2009). Timotheus the New Musician. In Wilson (Eds.), Music and the Muses: the Culture of Mousike in Felix Budelmann (Eds.), The Cambridge Companion to Greek the Classical Athenian City, (pp. 269-306). United Kingdom: Lyric, (pp. 277-294). Cambridge: Cambridge University Press. Oxford University Press. Wilson, P. (2009). Tragic honours and democracy: Neglected Wilson, P. (2004). Music and the Muses: the Culture of evidence for the politics of the athenian dionysia. The Classical Mousike in the Classical Athenian City. United Kingdom: Quarterly, 59(1), 8-29. <a Oxford University Press. href="http://dx.doi.org/10.1017/S0009838809000020">[More Information]</a> 2003 2008 Wilson, P. (2003). The Athenian Institution of the Khoregia: the Chorus, the City and the Stage. UK: Cambridge University Wilson, P. (2008). Costing the Dionysia. In Martin Revermann Press. and Peter Wilson (Eds.), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin, (pp. 88-127). Oxford, NY, Wilson, P. (2003). The politics of dance: Dithyrambic contest USA: Oxford University Press. and social order in ancient Greece. In Phillips, Pritchard (Eds.), Sport and Festival in the Ancient Greek World, (pp. 163-196). Reevermann, M., Wilson, P. (2008). Performance, Wales: Classical Press of Wales. Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford, NY, USA: Oxford University Press. Wilson, P. (2003). The sound of cultural conflict: Kritias and the culture of Mousike in Athens. In C. Dougherty and L. Wilson, P. (2008). Thamyris of Thrace and the Muses of Kurke (Eds.), The cultures within ancient Greek culture : Messenia. Mediterranean Archaeology, 19/20, 207-212. contact, conflict, collaboration, (pp. 181-206). Cambridge, UK: Cambridge University Press. 2007 Wilson, P. (2007). Choruses for sale in Thorikos?: a speculative 2002 note on SEG 34, 107.
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