Keynote Panel Looking Forward Ten Years: What Is the Museum of 2021?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Newsletter 2009
NEWSLETTER 2009 NEWSLETTER CONTENTS 2 Letter from the Chair and President, Board of Trustees Skowhegan, an intensive 3 Letter from the Chair, Board of Governors nine-week summer 4 Trustee Spotlight: Ann Gund residency program for 7 Governor Spotlight: David Reed 11 Alumni Remember Skowhegan emerging visual artists, 14 Letters from the Executive Directors seeks each year to bring 16 Campus Connection 18 2009 Awards Dinner together a gifted and 20 2010 Faculty diverse group of individuals 26 Skowhegan Council & Alliance 28 Alumni News to create the most stimulating and rigorous environment possible for a concentrated period of artistic creation, interaction, and growth. FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES FROM THE CHAIR OF THE BOARD OF GOVERNORS ANN L. GUND Chair / GREGORY K. PALM President BYRON KIM (’86) We write to you following another wonderful Trustees’/ featuring a talk by the artist and in June for a visit leadership. We will miss her, but know she will bring Many years ago, the founders of the Skowhegan great food for thought as we think about the shape a Governors’ Weekend on Skowhegan’s Maine campus, to Skowhegan Trustee George Ahl’s eclectic and her wisdom and experience to bear in the New York School of Painting & Sculpture formed two distinct new media lab should take. where we always welcome the opportunity to see beautiful collection which includes several Skowhegan Arts Program of Ohio Wesleyan University, where governing bodies that have worked strongly together to As with our participants, we are committed to diversity the School’s program in action and to meet the artists. -
“Life” — Sam Rein Solo Exhibition at Barrett Art Center by RAYMOND J
Inside: Raleigh on Film; Bethune on Theatre; Behrens on Music; Marvel’s ‘Art Byte’; th Critique: Sam Rein at Barrett Art Center; Year! Seckel on the Cultural Scene; Jeanne Heiberg & John Coyne ‘Speak Out’; Our 25 New Art Books; Short Fiction & Poetry; Extensive Calendar of Events…and more! ART TIMES Vol. 25 No. 6 Jan/Feb 2009 “Life” — Sam Rein Solo Exhibition at Barrett Art Center By RAYMOND J. STEINER IT’S ALWAYS A distinct pleasure sional surface alive not only to the for this viewer to come across a eye, but also to the spirit and soul. working artist from the “old school” A humanist with wit, perception, — you know, someone who can draw, and sensitivity, Sam Rein could not manipulate a paint-laden brush, have chosen a more fitting title for compose a motif, vary a ‘signature’, this solo exhibition* since “Life” so avoid a hackneyed formula that aptly reveals his long love affair with “sells”…in brief, bring a two-dimen- the pathos and bathos of the human River View Watercolor condition. This is an artist who not imagery (“Track Three”; “Table Talk only loves his craft, but who also is Al Fresco” — a charming genre piece in sympathy with the nature of be- of three oldsters conversing around ing — whether it be person, object, an outdoor table) is compelling, in- or landscape. viting the viewer to enter, to partici- Some thirty-seven works — pate in whatever is unfolding before charcoals, pastels, watercolors, the eye. Especially “present” in their gouaches, acrylics and even a pencil “thereness” — what the early Ger- drawing (“Reclining Nude, Head on man aestheticians referred to as the Hand”) — make up this show, more ding an sich (the thing in itself) — than enough to showcase Rein’s ver- are his studies of the female figure, satility in motif, genre, and in style. -
Nomination Form
141 Form No. 10-300 ,o- ' 'J-R - ft>( 15/r (i;, ~~- V ' I UNITED STATES DEPARTMENT OF THE INTERIOR FOR NPSUSE ONLY NATIONAL PARK SERVICE NATIONAL REGISTER OF IIlSTORIC PLACES RECEIVED INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS- - - - - [EINAME HISTORIC Shack Mountain AND/OR COMMON raLOCATION 2 miles NNW of Charlottesville; .3 mile E of Ivy Creek; .4 mile N of STREET & NUMBER State Route 657; 1 mile NNW of intersection of State Routes 657 and 743. _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Charlottesville _2( VICINITY OF Seventh (J. Kenneth Robinson) STATE CODE COUNTY CODE Virginia 51 Albemarle 003 CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT _PUBLIC XoccuP1Eo _AGRICULTURE _MUSEUM X...BUILDING!S) X..PRIVATE _UNOCCUPIED _COMMERCIAL _PARK _STRUCTURE _BOTH _WORK IN PROGRESS _EDUCATIONAL 2LPRIVATE RESIDENCE -SITE PUBLIC ACQUISITION ACCESSIBLE -ENTERTAINMENT -RELIGIOUS _OBJECT _IN PROCESS -YES: RESTRICTED _GOVERNMENT _SCIENTIFIC _BEING CONSIDERED - YES: UNRESTRICTED _INDUSTRIAL -TRANSPORTATION -~O _MILITARY _OTHER: [~OWNER OF PROPERTY NAME Mr. and Mrs. W. Bedford Moore, I II STREET & NUMBER Shack Mounta_in, Route 5 CITY. TOWN STATE Charlottesville _ VICINITY OF Virginia 22901 [ELOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS.ETC. Albemarle County Courthouse - ---•---------------------------------------~ STREET & NUMBER CITY. TOWN STATE Charlottesville. Virginia l~ REPRESENTATION I1'fEXISTING SURVEYS TITLE -
The American Brief: Philippe De Montebello
#TheAmericanBrief The American Brief November 2020 Designed and launched by the Fundación Consejo España – EE.UU., The American Brief releases a monthly series of transcribed interviews on current topics to American personalities from politics, business, culture and academics. ··· PHILIPPE DE MONTEBELLO What was Archer M. Huntington’s vision when Chairman of the Board of Trustees of the Hispanic So- he founded in 1904 The Hispanic Society of ciety Museum & Library. America (HSA)? Philippe de Montebello was born in Paris and after the baccalauréat he attended Harvard College and the Institute He sought to found an institution, a museum of Fine Arts, NYU. With the exception of four years as director of the Museum of Fine Arts, Houston, he has spent his entire free to the public and a rare books and reference career at the Metropolitan Museum of Art, first as curator in the Department of European Paintings and later as the Museum’s library dedicated to the preservation, study, Chief Curator and then, from 1977 until 2008 as its Director, when he retired after 31 years as the longest-serving Director in presentation (exhibition), and promulgation of the Metropolitan Museum’s 150-year-long history. the arts, literatures, cultures, and aspects of daily Following his retirement, Mr. de Montebello became the first life of ancient Iberia, medieval Iberia (including scholar in residence at the Prado Museum in Madrid, and he launched a new academic career as the first Fiske Kimball the Islamic and Judaic cultures), Spain, Portugal, Professor in the History and Culture of Museums at the Institute Latin America, and all other areas of the world of Fine Arts of New York University. -
My Grandparents'
PERIODICALS 825 Eighth Avenue New York, NY 10019-7435 thirteen.org VOL 30, ISSUE 4 / APRIL 2021 Ready to enjoy THIRTEEN Passport? If your contribution to THIRTEEN is $60+ annually or $5 monthly and you haven’t yet activated your account, visit thirteen.org/passport and use the four-word activation code on this label, located above your name. COURTESY OF MCGEE MEDIA My Grandparents’ War Four Families, Four Remarkable WWII Stories. PREMIERES SUN 4TH, 8 P.M. Finding Your Roots: On Broadway Tue 27th, 8 p.m. Join Henry Louis Gates, Jr. as he investigates the family histories of Broadway stars Audra McDonald and Mandy Patinkin. thirteen.org 1 Sun 4th-25th, 8 p.m. FAMILY HISTORIES EVENING AND NIGHT My Grandparents’ War To view the monthly program guide on our website, visit thirteen.org/schedule and click on “Program Guide.” LADY VIOLET BONHAM CARTER, actress Mark Rylance (Sun 11th, 8 p.m.) delves Helena Bonham Carter’s paternal grand- into the story of his grandfather, Osmond mother, was a woman ahead of her time. Skinner, who spent nearly four years as a 10:30 Bright Lights Little to three decades as A mother of four and liberal politician, she Japanese prisoner of war. A banker with SYMBOL KEY City The history of bandleader to The Tonight volunteered as an air raid warden, cam- no military training, Skinner joined the Hong Tennessee’s Cumberland Show Starring Johnny County Playhouse. Carson. REPEATS 6TH, 4AM. paigned for women’s rights, took a stand Kong Volunteer Defence Corps, was shot Premiere REPEATS 4TH, 11PM. -
Fiske Kimball and Preservation at the Powel House
Front Parlor Much like Kimball, the methods that he employed at the Powel House could bought the house in 1931, Kimball eventually supported her efforts by be problematic. However, it is important to remember that because of his presenting Landmarks with the original woodwork taken from this room (as it As you enter the front parlor, take a moment to examine the furniture in the training and experience, Kimball believed he was doing what was necessary was not being used by the Museum) and loaning her some of the furniture. room and the architecture above the fireplace. All of these pieces have been and right to save the legacy of the Powel House. His method involved Due to the return of the room’s moldings and trim, it is one of the only rooms preserved and maintained so that they could be seen and studied today. While purchasing the key architectural pieces of the house, such as the woodwork, in the house that is original and not a reconstruction. In this room then, it is this room is the simplest architecturally because it was the only room the and reconstructing them at the Art Museum to be displayed as period rooms important to think about how history is remembered and preserved. It is not general public had access to when conducting business with Samuel and later along with contemporary furniture and paintings. Today, such invasive enough to just save the physical pieces but preservation must also engage with Elizabeth Powel, it has been preserved for the sake of the stories it can tell. -
Premieres Sun 18Th, 8 P.M
VOL 29, ISSUE 10 / OCTOBER 2020 Premieres Sun 18th, 8 p.m. Want more gossip? American Masters: Walter Winchell: The Power of Gossip Tue 20th, 9 p.m. thirteen.org 1 GOSSIP and television personality who pioneered the fast-paced, gossip driven, politically EVENING AND NIGHT GALORE charged journalism that dominates today. “Walter Winchell understood that FROM YENTE THE MATCHMAKER in gossip was a way to take down the mighty To view the monthly program guide on our website, visit thirteen.org/schedule Fiddler on the Roof to Gladys Kravitz in and raise up the lowborn,” Neal Gabler, and click on “Program Guide.” Bewitched, who doesn’t love a colorful author of Winchell: Gossip, Power, and the town gossip? Meet the latest addition to Culture of Celebrity, says in the film. this list of iconic busy- Winchell was among the 3:00 Hacking Your Mind [R] 3 SATURDAY bodies in The Trouble first journalists to denounce SYMBOL KEY 4:00 American Experience: “McCarthy” 6:00 PBS NewsHour With Maggie Cole (Sun the Nazis in the 1930s. At Premiere Weekend With Hari Oct 18th-Nov 22nd, his peak, his audience was Sreenivasan. Our productions 8 p.m.), premiering this 50 million. He could make 2 FRIDAY 6:30 GZERO World With month on THIRTEEN. or break careers as he held Aired earlier Ian Bremmer this month Dawn French (The court at Table 50 at The 5:00 BBC World News 7:00 Great Performances: To be announced Today “The Sound of Music” Vicar of Dibley, French Stork Club, while celebrity 5:30 NJTV News Enjoy the 2015 live UK and Saunders) stars as publicists swarmed, trying 6:00 MetroFocus broadcast version of this The Trouble With Maggie Cole the titular character in to get their clients’ names 1 THURSDAY 6:30 BBC World News beloved musical with the six-part comedy-drama about idle in his famous “On Broadway” column. -
October 1916
[Sg^gg^^ / tamiiHffiy1^ ^\\ r] ARCHITEOJVRAL D aiiiafigoj b r -- * i-ir+X. Vol. XLVI. No. 4 OCTOBER, 1919 Serial N o 25 Editor: MICHAEL A. MIKKELSEN Contributing Editor: HERBERT CROLY Business Manager: J. A. OAKLEY COVEK Water Color, by Jack Manley Rose PAGE THE AMERICAN COUNTRY HOUSE . .;. .-. 291 By Prof. Fiske Kimball. I. Practical Conditions: Natural, Economic, Social . ,. *.,, . 299 II. Artistic Conditions : Traditions and Ten^ dencies of Style . \ . .- 329 III. The Solutions : Disposition and Treatment of House and Surroundings . 350 J . .Vi Yearly Subscription United States $3.00 Foreign $4.00 Stn<7?e copies 33 cents. Entered May 22, 1902, as Second Class Matter, at New York, N. Y. Member Audit Bureau of Circulation. PUBLISHED MONTHLY BY THE ARCHITECTURAL:TURAL RECORD COMPANY VEST FORTIETH STKEET, NEW YORK F. T. MILLER, Pres. XL, Vice-Pres. J. W. FRANK, Sec'y-Treas. E. S. DODGE, Vice-Pi* ''< w : : f'lfvjf !?-; ^Tt;">7<"!{^if ^J^Y^^''*'C I''-" ^^ '^'^''^>'**-*'^j"^4!V; TIG. 1. DETAIL RESIDENCE OF H. BELLAS HESS, ESQ., HUNT1NGTON, L. I HOWELLS & STOKES, ARCHITECTS. AKCHITECTVKAL KECORD VOLVME XLVI NVMBER IV OCTOBER, 1919 <Amerioan Country <House By Fiskc KJmball the "country house" in America scribed "lots" of the city, where one may we understand no such single well- enjoy the informality of nature out-of- BYestablished form as the traditional doors. country house of England, fixed by cen- Much as has been written on the sub- turies of almost unalterable custom, with ject, we are still far from having any a life of its own which has been described such fundamental analysis of the Amer- as "the perfection of human society." ican country house of today as that Even in England today the great house which Hermann Muthesius in his classic yields in importance to the new and book "The English House" has given for smaller types which the rise of the middle England. -
Moving from Site-Specific to Museum-Specific Dance: an Examination
MOVING FROM SITE-SPECIFIC TO MUSEUM-SPECIFIC DANCE: AN EXAMINATION OF MUSEUM WORKOUT'S DIALOGUE WITH THE MET Senior Seminar in Dance Fall 2017 Thesis Director: Professor Seth Stewart Williams ©Leah Samuels Samuels, 2 “In the best possible sense, it would feel as if you’re taking this glorious walk through nature, but you happen to be in a museum, and you happen to be looking at different pieces of art, so there isn’t this obligation to understand anything or to know anything, you’re just observing, which is the best part of taking a walk. And that way, you are free to feel a million different feelings and there’s no judgment. I mean you might be making a judgment about the paintings, but that’s another conversation. So, um, so, take a walk in the museum.” Maira Kalman’s voice instructs a group of about twenty people, mostly women of varying ages, standing at the foot of the stairwell in the Great Hall of The Metropolitan Museum of Art. Robbie Saenz de Viteri, the Creative Producing Director of Monica Bill Barnes & Co., presses a key on his Mac, and the first notes of the 1977 Bee Gees hit “Stayin’ Alive” tune in. The disco melody reverberates through the marble antechamber of The Met, a room modeled off of two-thousand-year-old Roman Baths. This song, an artifact of the disco era – one of flared pants, extravagant hairdos, and rampant partying – boldly clashes with architecture referencing the beginning of Western civilization. The lobby of The Met has almost certainly never heard the Bee Gees, and definitely not at 9 a.m., preceding the museum’s opening. -
Leasing Antiquities
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons (3) BELTRAMETTI_POST-FORMAT (DO NOT DELETE) 2/22/2013 1:46 PM Museum Strategies: Leasing Antiquities Silvia Beltrametti* ABSTRACT This is the first attempt to study leasing in the context of the international trade in cultural artifacts. This Article advances a heated debate in the field of cultural heritage law, which centers on whether cultural artifacts of ancient civilizations should belong to the modern nation states from which they are excavated or to humankind in general, by proposing an alternative analytic framework based on leasing. This framework would make it possible for objects to circulate but at the same time stay under the ownership and jurisdiction of their respective source countries. * J.S.D. Candidate, University of Chicago Law School. Fellow, the Aspen Institute. Many thanks to Anthony Hirschel, William Landes, John Henry Merryman, Eric Posner, Lawrence Rothfield for their guidance, ideas, comments and criticism. I am also grateful to Maxwell Anderson, Lorenzo Casini, Sharon Cott, James Cuno, Philippe de Montebello, Maurizio Fiorilli, Kate Fitz Gibbon, Jasper Gaunt, Claire Lyons, Karen Manchester, James McAndrew, Benjamin Moll, Jeannette Pappadopoulos, James Steward, my colleagues at the Cultural Heritage Protection Treaties Section at UNESCO, in particular Jan Hladík, seminar and workshop participants at Stanford Law School, and the University of Chicago Law School for their helpful suggestions, time and cooperation. Finally, I would like to thank the Stanford Law Library reference staff, in particular Paul Lomio, for support and assistance. 203 (3) BELTRAMETTI_POST-FORMAT (DO NOT DELETE) 2/22/2013 1:46 PM 204 COLUMBIA JOURNAL OF LAW & THE ARTS [36:2 INTRODUCTION Several scandals involving U.S. -
The Metropolitan Museum of Art
T H E M E T ROPOLI T A N MUSEU M O F A R T Annual Report for the Year 2006–2007 The Metropolitan Museum of Art One Hundred Thirty-seventh Annual Report of the Trustees for the Fiscal Year July 1, 2006, through June 30, 2007 Presented to the Corporation of The Metropolitan Museum of Art November 13, 2007 The Board of Trustees November 1, 2007 Chairman Emily K. Rafferty Henry B. Schacht Ex Officio Ex Officio Daniel Brodsky James R. Houghton President, The Oscar Tang James R. Houghton James R. Houghton Vice Chairman Metropolitan Museum Lulu C. Wang Philippe de Montebello Philippe de Montebello Mrs. Herbert Irving Vice Chairmen of Art Shelby White Emily K. Rafferty Emily K. Rafferty William C. Rudin S. Parker Gilbert Henry B. Schacht Annette de la Renta Trustees Emeriti Advisory By invitation By invitation Shelby White Leonore Annenberg Henry B. Schacht Walter Burke John Beck Sally Minard Ex Officio Placido Arango Mrs. Henry J. Heinz II Peter Sacerdote Elective Trustees Mrs. Jackson Burke external affairs James R. Houghton George B. Munroe legal Term Ending Walter Burke Robert M. Pennoyer Allan Weissglass Philippe de Montebello September 2008 Richard V. Clarke E. John Rosenwald, Jr. Robert D. Joffe Chairman Emily K. Rafferty Paula Cussi Daniel P. Davison Arthur Ochs Sulzberger Chairman James J. Ross By invitation Conrad K. Harper Peter H. B. Frelinghuysen Jayne Wrightsman Conrad K. Harper Vice Chairman Mrs. Henry J. Heinz II George B. Munroe Daniel Brodsky Peter Lehrer Eliot C. Nolen Robert Sanna Cynthia Hazen Polsky Sir Joseph E. -
The Publicity of Monticello: a Private Home As Emblem and Means Benjamin Block [email protected]
University of Puget Sound Sound Ideas Summer Research 2013 The Publicity of Monticello: A Private Home as Emblem and Means Benjamin Block [email protected] Follow this and additional works at: http://soundideas.pugetsound.edu/summer_research Part of the American Art and Architecture Commons, Architectural History and Criticism Commons, and the United States History Commons Recommended Citation Block, Benjamin, "The ubP licity of Monticello: A Private Home as Emblem and Means" (2013). Summer Research. Paper 179. http://soundideas.pugetsound.edu/summer_research/179 This Article is brought to you for free and open access by Sound Ideas. It has been accepted for inclusion in Summer Research by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. THE PUBLICITY OF MONTICELLO: A PRIVATE HOME AS EMBLEM AND MEANS Ben Block Department of Art History September 24, 2013 1 THE PUBLICITY OF MONTICELLO: A PRIVATE HOME AS EMBLEM AND MEANS The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Paul's, like the editions of Balbec and Palmyra. - Horace Walpole 1 In the course of the study of Thomas Jefferson as architect, which began in earnest in 1916 with Fiske Kimball’s landmark study Thomas Jefferson, Architect , only recently have historians began to break out of the shell that Kimball placed around Jefferson’s architecture.